Spain - Landscape Paintings

In this sketch entitled “Camel Beach”, the artist transports us to the shores of Santander through carefully placed brushstrokes. With a palette of cold tones, the painting captures ...

“Colorful Marine Vegetation” is a vibrant diptych by Romina Milano, evoking the organic rhythm of underwater flora through bold linework and joyful chromatic contrasts. The two pane...

Albert Rafols Cullerés (1892-1986) - Landscape - Oil on board Oil measures 27x36 cm. Frame size 33x42 cm. Catalan painter formed the Llotja with Lluis Labarta and Arcadi Más and fon...

"What inspired the creation of this landscape abstraction: The wonderful golden light of sunset in combination with the blue sea. Dimensions in inches: 26 x 33 Details: - Materials u...

Barcas en Bagamoyo IV is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 97 × 153 cm (38.2 × 60.2 in). The artwork is signed and comes ...

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

The Motorcycle, an oil painting that captures the soul of an era, where history intertwines with nostalgia and the passage of time becomes palpable. At the center of the composition,...

Dancing Bears at Dusk is a contemporary acrylic landscape on high-quality 400gsm Fabriano paper by Gozo Collective. The composition captures a series of bear figures engaged in an enigmatic dance beneath a saturated gradient sky that moves from deep crimson to indigo. Rendered with a minimalist sensibility, the painting balances vivid chromatic contrasts with subtle figuration, inviting a sense of calm awe and quiet mystery. The piece explores themes of biophilia and symbolic narrative, using animal presence to reflect the human longing for connection, joy, and shared ritual. The stylized horizon, a layered field of cool blues, emphasizes both spatial abstraction and atmospheric emotion—hallmarks of Gozo's poetic approach to landscape. The dancing bears, silhouetted in translucent motion, evoke ancient rituals or dreamlike visions, offering a layered interpretation of nature, memory, and play. About the Collective Produced by Gozo Collective, a group of artists based on the Galician Atlantic Coast, this work emerges from collaborative, experimental sessions in their rural studio space. Eschewing individual authorship, the collective embraces shared creation processes that yield emotionally resonant, visually distinctive works rooted in the poetic potential of everyday beauty. Technical Details Title: Dancing Bears at Dusk Artist: Gozo Collective Year: 2024 Medium: Acrylic on Fabriano paper (400gsm) Dimensions: 70 × 50 × 0.1 cm (unframed) Condition: Excellent, shipped flat and unframed Style: Contemporary landscape, surrealist minimalism, nature-inspired abstraction Color Palette: Red, violet, cobalt blue, sky tones Framed options avaliable. Don`t hesitate to contact for further information. At Casa das Peritas...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Pit P is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 40 × 30 cm (15.7 × 11.8 in). The artwork is signed, sold unframed and comes with a c...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on panel Oil size 27x22 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

Boat in Dar es Salam n°2 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 36 × 59 cm (14.2 × 23.2 in). The artwork is signed and come...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Domingo Alvarez (Spain 1942) - Boats - oil on canvas Canvas size 33x41 cm. Unframed.

Includes a Certificate of Authenticity

At the mouth of the Duero River stands the Farolim da Barra do Douro in Portugal. In this perspective, the painter presents the lighthouse on the Portuguese coast under the warm ligh...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

The artwork "Pájaros" ("Birds"), created by Spanish artist Celia Herranz, is a striking large-format piece, 116 x 89 cm / 45.67 x 35 inches, executed in Indian ink on canvas. This w...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

Albert Rafols Cullerés (1892-1986) - Landscape of Mollet - Oil on cardboard Oil measures 25x32 cm. Frameless. Catalan painter formed the Llotja...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

Agusti Gil - Flowery landscape - Oil on canvas Oil mesures 33x41 cm. Frameless.

This is an exclusive handprinted limited edition cyanotype. "Abstract Crashing Water" is an original cyanotype that detailed portraits the eruptions and shapes of salty water in move...

Ancient houses in ruins, blanketed by a layer of snow, stand as remnants of bygone days. In the foreground, a wall with a window and two openings, one of them sealed, rises as a test...

Oil measures 54x65 cm. Frame measures 59x70 cm. Francisco Carbonell Massabe (1928) Francisco Carbonell Massabe was a Catalan painter with an impressionist spirit. It was in La Lonj...

Antoni Vives Fierro (1940) - London - Oil and collage on canvas Oil measures 54x81 cm. Frame 57x84 cm.. He was born in Barcelona in 1940. He is a versatile painter specialized in ur...

This is a beautiful expressionist style painting by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture...

Joan Vives Maristany (XX) - Picnic on the beach - Oil on panel Oil measures 15.5x32 cm. Frameless.

Rafael Duran Benet (1931-2015) - Park with lake - Oil on cardboard paid to canvas Oil measurements 50x65 cm. Frame measurements 66x81 cm. Rafael Duran Benet (Terrassa, 1931 - Barc...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 SAINT MARKS SQUARE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 15-1/2 x 21-3/8 ...

Manyara Lake No.4 is a unique painting by Spanish contemporary artist Calo Carratalá, it is made with acrylic on printed vinyl canvas mounted on wood frame, dimensions are 200 × 317 ...

Title: View of Village with Olive Groves and Mountains Artist: Antonio Reverte Oliva (Monteagudo, Murcia, 1943 – Gavà, Barcelona, 2014) Medium: Oil on canvas Dimensions: 73 x 92 c...

Albert Roca (1945) - Sailor playing the accordion oil on board painting Medidas óleo 62x46 cm. Medidas marco 73x57 cm. Painter of landscapes and figures, ...

JOSÉ CAÑAVERAL Spanish, 1833 - 1894 FERIA DE SEVILLA signed "JCañaveral / Sevilla 1881." (lower right) oil on canvas 29-1/3 x 19-1/2 inches (74.5 x 49.5 cm.) framed: 38-1/2 x 29-1/2 inches (98 x 75 cm.) PROVENANCE Privated Collection, Lille, France José Cañaveral y Pérez (Seville, 1833-Madrid, 1894) was a Spanish painter, brother of the artist Alfonso Cañaveral y Pérez. Born in Seville, he trained artistically at the School of Fine Arts in his city, later he moved to Madrid where he was a disciple of Federico...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 THE SEARCH signed "Alonso Pérez" (lower right) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: ...

Rafael Duran Benet (1931-2015) - Landscape - Oil on canvas on board Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter,...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Technical Sheet of the Artwork** - Title of the Artwork: "Path to the Kasbah, Morocco" - Artist: Rosa López Muntané (Barcelona, Spain) - Technique: Oil on canvas - Dimensions of the...

CHARLES - CLÉMENT CALDERON French, 1870 - 1906 VENICE TWILIGHT signed "C. Calderon" (lower right) oil on canvas 15-1/4 x 21-3/4 inches (38.5 x 55 cm.) ...

Antoni Vives Fierro (1940) - London - Oil on canvas Oil measures 81x100 cm. Frameless. He was born in Barcelona in 1940. He is a versatile painter specialized in urban landscape and...

The painting is being offered with a work and authenticity certificate

Orange Marine Flora is a dynamic, nature-inspired painting that evokes the lush complexity of coral ecosystems. With bold strokes in vivid orange, crimson, magenta, and charcoal, the...

The painting is being offered with a work and authenticity certificate

XAVIER VALLS Spanish, 1923 - 2006 CALELLA DE PALAFRUGUELL signed "X. Valls." (lower right) signed again, numbered, dated & titled "X. Valls. / VIII Horta ...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 VENETIAN CANAL signed & located "A. Reyna, Venezia" (lower left) oil on canvas 11-1/2 x 19-3/4 inche...

ANALP is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 60 × 80 cm (23.6 × 31.5 in). The artwork is signed, sold unframed and comes with a c...

Josep Sole Pujol (1919-2000) - Mallorca - Oil on canvas Canvas size 54x65 cm. Frameless.

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 OUTSIDE THE TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right) oil...

Signed J. Sureda Lloveras - Fishermen's beach - Oil on board Oil measures 33x41 cm. Frameless. Signed J. Sureda Lloveras.

RICARDO BRUGADA Y PANIZO Spanish, 1867 - 1919 LA HORA DEL TÉ signed & dated "Ricardo Brugada. 1897." (lower left) oil on canvas 22-1/8 x 31.5 inches (5...

"Vivid Gestures on Vanilla II" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and uniqu...

JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...

Artist: Ramón de Capmany (1899-1992) Title: "Rural Scene at Sunset" Technique: Oil on canvas Dimensions: 18 x 24 inches Framing: Unframed Period: 1960s Style: Costumbrismo with Impre...

Frameless Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his...

Marcela Jardón delves into the interplay between spatial perception and emotional resonance. Utilizing a blend of mixed media techniques, the composition invites viewers to explore t...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 JARDIN DES TUILERIES signed "gmiró" (lower right) oil on canvas 23 x 45-1/2 inches (58.5 x 115.6 cm.) framed: 26 x 49 inches (66 x 124 cm.) P...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 THE CARD GAME signed, located & dated "Joaq. D. Becquer. Sevilla - 1849." (lower left) oil on ...