Items Similar to "La hora del té", 19th Century oil on canvas by Ricardo Brugada y Panizo
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Ricardo Brugada y Panizo"La hora del té", 19th Century oil on canvas by Ricardo Brugada y Panizo1897
1897

About the Item
RICARDO BRUGADA Y PANIZO
Spanish, 1867 - 1919
LA HORA DEL TÉ
signed & dated "Ricardo Brugada", 1897 (lower left)
oil on canvas
22-1/8 X 31.5 inches (56 X 79.5 cm.)
framed: 28 X 29-5/8 inches (71 X 95 cm.)
PROVENANCE
Sale: ADER (David Nordmann), date 25 June 2008
Born in Barcelona in 1867, although he lived part of his life in Andalucia.
He studied at the school of fine arts in his hometown.
He traveled to Rome to complete his training studying the classics. He then went to Paris, encouraged by the artistic life that developed there.
Established for some years in the city of Seine, from there he attended several International Exhibitions; Munich (1895), Vienna and Batcelona (1894), Bordeaux (1895) and Salon de Paris (1896), being awarded in all of them.
Already in his maturity, in full control of his technical resources he moved to Seville and other cities of Andalucia, where he painted contemporary and oriental scenes, recognized as the most valuable of his work.
This tea time work belongs to this artistic period, where the painter gives free rein to his technical and artistic knowledge.
It is a canvas with a wonderful balance between lights and shadows, the bright and vaporous background light transports us to a world full of mystery, contrasting with the soft and faint shadows created under the vegetation, giving rise to a calm and calm atmosphere that invites to the tea ceremony, a key and important moment in oriental culture.
The figures are well resolved in foreshortening, with soft and subtle brushstrokes, as is the vegetation.
- Creator:Ricardo Brugada y Panizo (1867 - 1919)
- Creation Year:1897
- Dimensions:Height: 22.05 in (56 cm)Width: 31.3 in (79.5 cm)
- More Editions & Sizes:56 X 79,5 cm.Price: $45,326
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU128114766702
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1977
1stDibs seller since 2019
19 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Madrid, Spain
- Return Policy
A return for this item may be initiated within 14 days of delivery.
1stDibs Buyer Protection Guaranteed
If your item arrives not as described, we’ll work with you and the seller to make it right. Learn More
More From This SellerView All
- "Preparing for fishing", 19th Century oil on canvas by E. Martínez CubellsBy Enrique Martinez Cubells y RuizLocated in Madrid, ESENRIQUE MARTÍNEZ CUBELLS Y RUIZ Spanish, 1874 - 1947 PREPARING FOR FISHING signed "E. M - CUBELLS. RUIZ" (lower right) oil on canvas laid on panel 11-1/4 X 15-1/4 inches (28.6 X 38....Category
1910s Realist Figurative Paintings
MaterialsCanvas, Oil, Panel
- "Florence´s Bridge", 19th Century Oil on Canvas by Antonietta BrandeisBy Antonietta BrandeisLocated in Madrid, ESANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...Category
1890s Realist Figurative Paintings
MaterialsCanvas, Oil
- "A Street in Granada", 19th Century Oil on Canvas by Manuel García y RodríguezLocated in Madrid, ESMANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863 - 1925 A STREET IN GRANADA, 1890 signed, located & dated "Garcia y Rodriguez / Granada 90" (lower left) oil ...Category
1890s Realist Figurative Paintings
MaterialsCanvas, Oil
- "Saint Marks Square", 19th Century oil on canvas of Venice by Antonio ReynaBy Antonio Reyna ManescauLocated in Madrid, ESANTONIO REYNA MANESCAU Spanish, 1859 - 1937 SAINT MARKS SQUARE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 15-1/2 x 21-3/8 ...Category
Early 1900s Realist Landscape Paintings
MaterialsCanvas, Oil
- "Los Picos de Europa", Oil on Canvas North of Spain by Francisco Nuñez LosadaLocated in Madrid, ESFRANCISCO NUÑEZ LOSADA Spanish, 1889 - 1973 LOS PICOS DE EUROPA unsigned oil on canvas 31-5/8 X 39-1/2 inches (80 X 100 cm.) framed: 35-1/4 X 47 (89 X...Category
Mid-20th Century Realist Landscape Paintings
MaterialsCanvas, Oil
- Large Emilio Sánchez Perrier "The Guadaíra River, Alcalá, Seville" Oil on CanvasBy Emilio Sanchez-PerrierLocated in Madrid, ESEMILIO SÁNCHEZ PERRIER Spanish, 1855 - 1907 ON THE BANKS OF THE GUADAÍRA RIVER, ALCALÁ signed & located "E. Sanchez Perrier / Alcalá" (lower rig...Category
1890s Realist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Kobus Kuch, Delft - 21st Century Hyper Realistic oil painting of a Dutch CityLocated in Nuenen, Noord BrabantRoos van der Meijden Kobus Kuch 100 x 100 cm ( framed 108 x 108 cm, frame is included in price ) Acrylic on canvas Dutch artist Roos van der Meijden is famous because of her citysca...Category
2010s Realist Figurative Paintings
MaterialsCanvas, Oil
- Snow in Saint-Julien-Chapteuil, FranceLocated in Saint Amans des cots, FROil on canvas by Louis-Georges ALATERRE, France. "Snow in Saint-Julien-Chapteuil". with frame: 59.5x75 cm - 23.4x29.5 inches. without frame: 46x61 cm - 18.1x24 inches. 12P format. Si...Category
1930s Realist Figurative Paintings
MaterialsCanvas, Oil
- Coral Garden (Ocean)- oil on canvas, made in white, blue colorsBy Nikolina KovalenkoLocated in Fort Lee, NJThe artwork show the incredible beauty of coral reefs, strives to increase the awareness of the fragility of the underwater world and prevent coral bleaching happening due to climate change. Nikolina Kovalenko received her MFA from Moscow Surikov Art Institute in 2011 and studied at Universität der Künste Berlin. She holds a Gold Medal from the Russian Art Academy. The artist currently lives and works in Brooklyn, New York. Nikolina is interested in humanity’s philosophical connection with Nature and strives to expose the consequences our everyday actions have on the environment. Her work explores the symbolism of textures found in Nature, magnifying the mundane and transforming it into the sublime. Kovalenko works with fragile ecosystems creating artwork inspired by locations specific to each project. Her subjects range from global warming, deforestation and coral bleaching, to processing and interpreting visual landscape and cultural associations. Her exhibition history includes an exhibition at The Russian Museum (Saint Peterburg, Russia), solo shows at Gitana Rosa Gallery and Dacia Gallery. The group shows include Cheryl Hazan Contemporary, Mayson Gallery, Select Art Fair, 212 Arts...Category
2010s Realist Figurative Paintings
MaterialsCanvas, Oil
- Venezia Italy oil on canvas seascape urbanscape seascapeBy Josep Maria Vayreda CanadellLocated in Barcelona, BarcelonaJosep Maria Vayreda Canadell (1932-2001) - Venice Italy - Oil canvas Oil measures 55x46 cm. Frameless. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family...Category
1990s Realist Landscape Paintings
MaterialsCanvas, Oil
- Honfleur fishing port oil on canvas seascape urbanscape FranceBy Josep Maria Vayreda CanadellLocated in Barcelona, BarcelonaJosep Maria Vayreda Canadell (1932-2001) - Port of Honfleur - Oil on canvas Oil measures 61x61 cm. Frameless. Vayreda Canadell, Jose Maria. Olot (Girona), 26.III.1932 – Gerona, 20.V...Category
1990s Realist Landscape Paintings
MaterialsCanvas, Oil
- Honfleur fishing port oil on canvas painting french mediterranean seascapeBy Josep Maria Vayreda CanadellLocated in Barcelona, BarcelonaJosep Maria Vayreda Canadell (1932-2001) - Honfleur fishing port - Oil on canvas Oil measures 46x38 cm. Frame measures 66x58 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Bio...Category
1990s Realist Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllThe 1stDibs Promise
Learn MoreExpertly Vetted Sellers
Confidence at Checkout
Price-Match Guarantee
Exceptional Support
Buyer Protection
Trusted Global Delivery
More Ways To Browse
Landscape Realist 19th Century
David Y
Antique Mystery
Antique Mysteries
Antique Oriental Painting
Painting By Fainter
19th Century Oriental Paintings
19th Century Landscape Paintings For Sale
Antique Oriental Figures
19th Century Spanish Light
Antique Barcelona
Antique Oil Lights
Antique Te
Oriental Tea
Seville Oil
Seville Oil Painting
Antique Resources
Seville Antique