Spain - Art

Details: Title: Abyssal Cryptography Medium: Acrylic Paint and Mixed Media on Watercolor Paper Size: 105x70cm ( 41,7x28 inches) Year: 2026 * Frame is for illustrative purposes only....

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Venice Palace and Gondola Mooring, Colorful Impasto Canal View Artist: Ulpiano Carrasco Title: Palacio y embarcadero en Venecia Medium: Oil on canvas Dimensions: 60 × 73 cm / 23.6 ×...

This is an exclusive handprinted limited edition cyanotype. Outstanding "Barcelona Beach Night Horizon" shows a nocturnal seascape, taken on the Barcelona beach. Details: + Title: B...

“Mysterious Sea ” is a contemporary abstract painting inspired by the fluid motion of ocean currents. Layers of teal, green, and orange tones intertwine with flowing yellow lines, ev...

Colorful Spanish Village Landscape with Thick Impasto and Yellow Fields Artist: Ulpiano Carrasco Title: Pozoseco, Cuenca Year: 1999 / 2000 Medium: Oil on canvas Canvas dimensions: 7...

Expressive Pink Floral Still Life, Catalan Modernist Oil Painting TECHNICAL DETAILS Artist: Ramon Calsina Baró (Barcelona, 1901–1992) Title: Pink Floral Still Life with White Vase Medium: Oil on canvas Subject: Floral still life / bouquet / interior composition Period: Mid-20th century Dimensions: 65 × 54 cm / 25.59 × 21.26 in Signature: Signed lower right Framing: Unframed Condition: Good overall condition. Stable paint surface, with light craquelure, minor surface wear and natural age-related patina consistent with the period. DESCRIPTION Striking floral still life by Ramon Calsina Baró, one of the most original and recognizable Catalan artists of the 20th century. The painting depicts a vibrant bouquet of pink flowers arranged in a rounded white vase...

TORRUB is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 150 × 150 cm (59.1 × 59.1 in). Dimensions of the framed artwork are 154 cm x 154 cm ...

This work is part of the most recognized technique of Danish artist Peter Kramer (1959, Roskilde), the unique painting technique he developed called "cotton knots." For weeks, he obs...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

Surreal Anthropomorphic Interior, Dalí Circle Cadaqués Spanish Oil Painting Artist: Antoni Pitxot Technique: Oil on cardboard Date: 1996 Signature: Signed “Pitxot 96” lower left Ins...

L'OURS POMPON - EDITION YVES KLEIN Date of creation: 2022 Medium: Artisanal resin and pigments Edition: 999 (few numbers available, assigned randomly) Size: Plexiglas bell size - 49 ...

Roby Dwi Antono - BIAS II Date of creation: 2022 Medium: Glazed ceramic sculpture Edition: 75 + AP Size: 24.5 x 29 x 26 cm Condition: In perfect conditions BIAS II is a limited-edit...

Mediterranean Harbor Scene with Boats and Figures, Spanish Oil Painting Artist: Juan Casellas Martínez Title: Mediterranean harbor scene with boats and figures Technique: Oil on can...

Miniature painting is like a little pearl in a collection of paintings. It was created specifically so that you can decorate your room and harmoniously place it in combination with p...

“Nine Skies” by Natalia Roman is a contemporary geometric abstraction that evokes shifting atmospheres through a refined language of color and form. Organized in a rhythmic grid, eac...

Dalí Circle Surrealist Mineral Landscape, Spanish Catalan Oil Painting Artist: Antoni Pitxot Soler / Antoni Pichot Soler (Figueres, 1934 – 2015) Title: Surrealist Mineral Landscape Date: 1985 Medium: Oil on canvas Dimensions: 50 × 61 cm / 19.7 × 24 in Framing: Unframed Signature: Signed and dated lower right Condition: Very good overall condition. Stable canvas and paint layer. Rich surface texture, visible impasto and original brushwork. Description Powerful surrealist oil painting by Antoni Pitxot Soler, one of the most important Catalan artists connected to Salvador Dalí’s inner circle and a key figure in the visual universe of Cadaqués and Figueres. Painted in 1985, this work belongs to Pitxot’s mature period and presents one of his most recognizable subjects: a dreamlike mineral landscape built from stones, fragments, shells, fossil-like forms and metamorphic shapes. The composition seems suspended between landscape, archaeology and hallucination, where inert matter becomes almost alive. The painting is especially strong visually. The lower section is constructed through a dense accumulation of sculptural forms, painted with thick, expressive brushwork and a refined chromatic range of blues, ochres, pinks, whites, greys and earthy tones. Above them, a floating organic form...

Miniature painting is like a little pearl in a collection of paintings. It was created specifically so that you can decorate your room and harmoniously place it in combination with p...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Synthesis 1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic and LED, dimensions are 205 × 50 × 50 cm (80.7 × 19.7 × 19.7 in). T...

Details: Title: Static in the Status Medium: Acrylic Painting and Oil Crayon on Watercolor Paper Size: 100x70 cm (40x28 inches). Year: 2026 Artist: Alexandra Czierpka * Frame is fo...

This is an exclusive handprinted limited edition cyanotype. "Pacific Sunset Waves" is an original cyanotype that abstractly shows the sunset reflections on the sea. Details: + Titl...

In Parallel Parasols, Natalia Roman presents a Bauhaus-inspired diptych where geometric abstraction and primary tonal harmonies evoke the rhythmic charm of Italian Amalfitan parasols...

Large contemporary abstract painting with gestural marks and layered mixed media textures inspired by Mediterranean light and atmosphere. This work by Ángel Celada develops an open ...

Nocturnal Marina is a gestual abstract painting that evokes the fluid movement of a school of fish, translated into a dynamic network of looping blue circles. Both playful and rhy...

This unique monotype cyanotype explores rhythm and transparency through layered organic forms set against deep ultramarine fields. Soft, overlapping shapes create a fluid geometric s...

Genre paintings have become especially popular recently. In this world of computer technology and robots, art transports our consciousness to a special world where feelings and thoug...

Large Catalan Harvest Landscape Painting Pyrenees Olot School Figures Oil SPECIFICATIONS Artist: Salvador Corriols i Pagès (Olot, 1907 – 1975) Medium: Oil on canvas Date: Mid-20th ...

Unusual Seascape is a striking mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. Layers of vibrant blues and orange tones coll...

This is an exclusive handprinted limited edition cyanotype. Exquisite landscape of a "Mystic Louisiana Marsh". Details: + Title: Mystic Louisiana Marsh + Year: 2025 + Edition Size:...

Large Post-Impressionist Night Café Terrace Scene Oil Painting After Van Gogh, Expressive Impasto Oil on canvas Post-Impressionist style Contemporary European school Dimensions: 120...

TROPIC 1 is a unique acrylic on paper mounted on wood painting by contemporary artist Ramon Enrich, dimensions are 94.5 × 134 cm (37.2 × 52.8 in). The artwork is signed, sold frame...

Jean-Michel Basquiat - PopBox PEZ Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 28 x 35 x 4 cm Condition: B...

Luminous Mediterranean View of Sitges Church with Palms and Flowers Artist: López-Valle Title: View of Sitges, Church of Sant Bartomeu i Santa Tecla Medium: Oil on canvas Period: circa 1970–1979 Signature: Signed lower left Artwork dimensions: 19 × 24 cm / 7.48 × 9.45 in Framed dimensions: 33 × 38 cm / 12.99 × 14.96 in Frame: Decorative frame included Provenance: López-Valle oil paintings exhibition, documented on the reverse with original exhibition card dated 1979 Condition: Very good overall condition. Stable paint surface. Minor age-related wear to the frame, consistent with age. Ready to hang. DESCRIPTION A charming and luminous Mediterranean oil painting depicting the iconic Church of Sant Bartomeu i Santa Tecla in Sitges, one of the most recognizable architectural landmarks of the Catalan coast. The composition captures the church from a highly desirable viewpoint, framed by tall palm trees, lush Mediterranean vegetation and a vivid foreground of red flowers. The result is a small but visually rich painting with strong decorative presence, full of coastal light, architectural character and warm Mediterranean atmosphere. The artist uses a loose, expressive brushstroke and a bright palette of turquoise blues, sandy ochres, fresh greens and floral reds. The impasto in the sky, church façade and garden areas gives the surface a lively texture, while the diagonal path leads the viewer naturally toward the historic church and its bell tower. This is exactly the kind of Mediterranean coastal subject that performs well with international collectors: intimate scale, recognizable location, architectural charm, palm trees, flowers, sunlight and Spanish post-impressionist atmosphere. A little Sitges jewel, basically the painting equivalent of a terrace table with sea breeze and no tourist asking where the beach is. The original exhibition card preserved on the reverse, dated 1979, documents the work’s presence in an oil paintings exhibition dedicated to López-Valle, adding period context and collectible appeal. Its modest size makes it especially suitable for interiors, gallery walls, Mediterranean-style decoration, coastal homes, libraries, bedrooms or refined small spaces where a luminous European landscape can act as a concentrated window of light. European art with a Mediterranean soul. ARTIST BIOGRAPHY López-Valle was a Spanish painter active in the second half of the 20th century, particularly associated with traditional oil painting and Mediterranean subjects. His work reflects the enduring appeal of Spanish coastal landscape painting, combining architectural views, garden settings and luminous color with a direct, post-impressionist handling of paint. This painting is especially interesting because the original exhibition card on the reverse places the artist within a documented exhibition context in 1979, confirming that his works circulated publicly during the period. López-Valle’s paintings are appreciated for their decorative quality, approachable scale and ability to capture recognizable Spanish places with freshness, color and atmosphere. ARTISTIC CONTEXT / PICTORIAL INSPIRATION This work belongs to the tradition of Catalan and Spanish Mediterranean landscape painting, a school deeply connected to light, coastal architecture, gardens, palm trees and open-air observation. Its luminous handling of color and its decorative view of Sitges recall the atmosphere sought by collectors of artists such as Santiago Rusiñol, Eliseu Meifrèn, Joaquim Mir and Josep Amat, painters who helped define the poetic and chromatic identity of the Catalan coastline. While López-Valle maintains his own modest and direct pictorial language, the painting clearly participates in that same Mediterranean lineage: sunlit architecture, garden foreground, loose brushwork, atmospheric blue sky and an elegant sense of place. This makes the piece attractive not only as a view of Sitges, but also as part of the broader collecting category of Spanish impressionist and post-impressionist coastal painting. TAGS mediterranean landscape sitges church painting catalan landscape painting spanish coastal painting spanish impressionist style post impressionist landscape mediterranean architecture art church landscape artwork palm trees painting flower garden painting...

HOMAGE TO FRANCIS BACON (STUDY FOR HEAD OF ISABEL RAWSTHORNE AND GEORGE DYER) Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 113 and 114 of 3...

Cindy Sherman - UNTITLED #92 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never d...

Ai Weiwei - Coca-Cola Glass Vase Date of creation: 2023 Medium: Translucent red glass Edition: 300 Size: 19 x 21 x 21.2 cm Condition: In mint conditions, brand new and never displaye...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

DAMIEN HIRST - THE CURRENCY: 6274. NOBODY SHOULD HEAR IT Date of creation: 2016 Medium: Enamel paint on handmade paper Edition: 5.149 unique works on paper Size: 21.5 x 30 cm Conditi...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This is an exclusive handprinted limited edition cyanotype. Lovely scene of a hidden pond in a Scandinavian forest. Details: + Title: Scandinavian Enchanted Forest + Year: 2026 + ...

Minimal geometric house painting with colorful toy-like forms and soft architectural landscape painted in acrylic on canvas. This small-scale acrylic on canvas by María Magán Lampón...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Large Museum Scale Surrealist Composition Dalí Circle Catalan Painting 1987 Artist: Antoni Pitxot Birth–death: Figueres, 1934–2015 Title: Battle of Constantine Series Date: 1987 Technique: Oil on canvas Dimensions: 100 × 100 cm (39.4 × 39.4 in) Signature: Signed and dated “pitxot 87” lower right Condition: Excellent overall condition Frame: Unframed Provenance: Private collection, Barcelona DESCRIPTION Important large-scale surrealist oil painting executed in 1987 by Antoni Pitxot, one of the closest artistic collaborators of Salvador Dalí and a central figure within the visual universe of the Dalí Theatre-Museum in Figueres. This powerful 100 × 100 cm composition belongs to Pitxot’s Battle of Constantine series, one of the artist’s most ambitious narrative cycles. In this work, his unmistakable geological figuration becomes a theatrical surrealist battlefield, where mineral forms, latent human presences, fossil memory and Mediterranean landscape merge into a monumental symbolic construction. Pitxot’s mature paintings are instantly recognizable for their transformation of stones into anthropomorphic figures and metaphysical architectures. Rather than depicting a conventional landscape, the artist creates a stage of petrified forms, suspended between archaeology, sculpture, mythology and dream imagery. The work is especially strong for its museum-scale square format, its dramatic vertical construction and its direct connection with the Dalí circle. Large paintings by Pitxot with this level of compositional complexity are considerably less common than his smaller cabinet-format works and are particularly attractive for collectors of Spanish surrealism, Catalan modernism, European surrealism and artists connected to Salvador Dalí. A major statement piece with exceptional wall presence, ideal for an important private collection, curated interior or collector focused on late twentieth-century European surrealism. ARTIST BIO Antoni Pitxot (Figueres, 1934 – Cadaqués, 2015) was a Catalan painter and one of the most significant artists associated with Salvador Dalí’s late artistic environment. Born into the historic Pichot family, closely linked to the artistic life of Cadaqués, Pitxot studied drawing in San Sebastián under Juan Núñez, who had also been Dalí’s teacher. During the 1950s and early 1960s he exhibited in Barcelona, Madrid, Bilbao and Lisbon before settling permanently in Cadaqués in 1966. From that moment, he developed his mature and highly distinctive pictorial language based on the rock formations of Cap de Creus. Pitxot collected stones from the coast, arranged them in his studio as sculptural constructions, and then transformed them into oil paintings populated by anthropomorphic mineral figures. His friendship and artistic collaboration with Salvador Dalí became central to his career. Dalí dedicated a permanent gallery to Pitxot’s work inside the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Green hills and cypress trees, olive groves and mountains, all this is a typical Spanish landscape. Nature enchants, inspires and we never cease to admire it.These are wonderful land...

Green hills and cypress trees, olive groves and mountains, all this is a typical Spanish landscape. Nature enchants, inspires and we never cease to admire it.These are wonderful land...

This unique cyanotype monotype diptych explores repetition and subtle variation through layered blue fields and softly undulating white forms. Evoking both modernist abstraction and ...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Yoshitomo Nara - We are punks Mug Large Date of creation: 2011 Medium: Porcelain Edition: Open Size: 95 x Φ85 mm (300ml) Condition: Brand new, inside its custom box Description: The big sibling in Yoshitomo Nara's We Are Punks porcelain series, this 300 cc mug features a vampire-fanged girl peering over a wall on its side with the quiet menace of someone who arrived first and has no intention of leaving. "We Are Punks" is printed on the exterior as both a title and a statement of intent. The image derives from Nara's 2011 colour-pencil drawing of the same name, part of a practice where childhood defiance and subcultural energy merge into a visual language recognisable across a room. Made in Hasami ware from Nagasaki Prefecture, the mug is fired, glazed and finished in Japan. Hasami potters developed their craft supplying everyday tableware to the domestic market, which means the porcelain is built to be used, not merely admired. It is microwave and dishwasher safe. The white ground is clean and unglazed on the outside where the illustration sits, giving the print a tactile, almost paper-like quality that feels closer to a drawing than to a mass-produced transfer. At 300 cc it holds enough coffee to start the morning with the same stubborn composure Nara's children have been modelling for over three decades. Pair it with the small mug: the two stack together and, like any well-conceived double act, gain from being seen as a set. That stacking detail is not accidental. Nara has long been interested in objects that nest inside one another. His room-sized installations are built as huts and cabins that shelter smaller works, creating a mise en abyme of intimacy. Two mugs sitting one inside the other carry a faint echo of that idea, scaled down to the kitchen shelf. ABOUT THE ARTIST Yoshitomo Nara (奈良美智, b. 1959, Hirosaki) is one of the most influential Japanese artists working today. Round-headed children with piercing gazes populate his canvases and sculptures, images that have gone well beyond the art world to become a broader cultural phenomenon. Childhood in Aomori: Solitude, Nature, and Radio Waves Nara grew up in Hirosaki, a small city in Aomori Prefecture at the northern tip of Honshū. Both parents worked long hours, leaving young Yoshitomo to fend for himself after school. The Japanese have a word for children like him, kagikko, latchkey kids who come home to an empty house and learn to keep their own company. That early acquaintance with solitude runs through every painting. Look at any of Nara's figures and you will find a self-contained being who meets your eye with a steadiness that could be courage or could just as easily be vulnerability. During those solitary years, Western music reached him through the Far East Network (FEN), the U.S. Armed Forces radio station. Rock, folk, and later punk gave him a way to feel before painting ever did. As a young boy he bought his first record, Suzie Q, and has often said that album covers were his earliest art gallery. Later, he would design covers for Shonen Knife, R.E.M., and Bloodthirsty Butchers, and every exhibition he puts on is accompanied by a playlist of his own making. Education: Aichi and the Kunstakademie Düsseldorf After earning a BFA (1985) and MFA (1987) at the Aichi Prefectural University of Fine Arts and Music, Nara relocated to Germany to enrol at the Kunstakademie Düsseldorf, the same school that had shaped Joseph Beuys and Gerhard Richter. Under Neo-Expressionist painter A.R. Penck (1991–1993), he received one piece of advice that stuck: "Paint on the canvas as if you are drawing." Bold, pared-back figures, large rounded heads set against bare backgrounds, began to take shape on his canvases. At the Kunstakademie's annual student show in 1992, visitors saw The Girl with the Knife in Her Hand (1991), a painting that crystallised the tension running through all of Nara's work: an apparently innocent girl holding a tiny knife, a gesture he reads not as aggression but as self-defence against a threatening adult world. Once finished with his studies, Nara settled in Cologne in 1994 and set up in a former cotton mill. Cut off by the language barrier, he turned painting into a conversation with himself, and it was in that solitude that the gaze people remember long after leaving the gallery first appeared. Return to Japan and International Acclaim Twelve years later, Nara came back to Japan. I DON'T MIND, IF YOU FORGET ME. opened at the Yokohama Museum of Art in 2001 and toured five Japanese venues, including Hirosaki. MoMA New York acquired 130 of his drawings around the same time, and the travelling retrospective Nothing Ever Happens (2003–2005) cemented his reputation in the United States. Within the Japanese "New Pop" wave, he shared the stage with artists such as Takashi Murakami, Makoto Aida, and Mariko Mori...

This layered abstract painting evokes an indefinite seascape, where shifting bands of color and gestural line work suggest movement, depth, and natural rhythm. Built through a comple...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This abstract diptych features flowing, organic forms layered in blues, soft neutrals, and warm yellow accents. The composition balances movement and structure, with interlocking sha...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Artist: Ricardo Cejudo Nogales (Puertollano, 1952) Title: La Albufera de Valencia Year: 1986 Technique: Oil on canvas Canvas dimensions: 65 × 81 cm (25.6 × 31.9 in) Framed dimensions...

Breach is a unique resin sculpture by contemporary artist Tom Price, dimensions are 202 × 45 × 45 cm (79.5 × 17.7 × 17.7 in). The sculpture is signed and comes with a certificate of...

Title: Gentleman in Interior (After Fernando Botero) Artist: Sanz (Spanish painter, active late 20th – early 21st century) Year: circa 2000 Medium: Oil on canvas Dimensions (unfr...

Expressive Castilian Landscape Oil Painting with Olive Trees and Impasto Artist: Ulpiano Carrasco Title: Verano en Castillejo Year: 1998 Technique: Oil on canvas Artwork dimensions: 54 × 65 cm / 21.26 × 25.59 in Framed dimensions: 78 × 89 cm / 30.71 × 35.04 in Signature: Signed and dated on the reverse Inscription: Titled “Verano en Castillejo” on the reverse Framing: Framed Condition: Good overall condition, with rich original impasto and visible pictorial texture Description A vibrant expressive landscape by Spanish artist Ulpiano Carrasco, titled Verano en Castillejo and dated 1998 on the reverse. This oil on canvas represents a powerful Castilian landscape, built through dense impasto, energetic brushwork and a luminous palette of greens, yellows, blues, whites and earthy reds. The composition captures an open rural panorama with olive trees, rolling cultivated fields and distant hills, transforming the Spanish countryside into an intense chromatic experience. Carrasco does not approach landscape as simple topography. His painting turns nature into matter, rhythm and emotion. The fields appear almost sculpted with paint, while the olive trees emerge as dark, expressive forms against the vibrating surface of the land. The result is a landscape full of movement, heat and Mediterranean-Castilian atmosphere. The work is especially attractive for collectors of Spanish contemporary landscape painting, expressive impasto painting, Mediterranean landscapes, olive tree paintings...

Mediterranean Male Nude by Boat, Sitges School Figurative Coastal Scene Artist: F. Benítez Date: 2012 Medium: Oil on panel Support: Panel Dimensions (panel): 35 × 50 cm (13.8 × 19.7...

This beautiful painting by Perrine Honoré explores the intimate relationship between the human body and the natural world through a layered, abstract-figurative composition. Fragment...