Spain - Landscape Paintings

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Iron Jungles n°11 (Jungle series), tondo painting by Spanish contemporary artist Calo Carratalá. Acrylic on iron, high gloss varnish. Diameter: 150 cm. This painting represents the ...

"London on view". Oil on panel. Post-Impressionist London townscape. Dimension art: 18 x 27 x 0.5 cm. Dimension framed: 37 x 45 x 4 cm. Small-format townscape of a London street with a car, a cyclist and an elegant woman in the foreground wearing a cheerful spring outfit...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Under The Sea Series Nº 20. Úbeda. Oil fantasy green underwater landscape. Oil on paper, (H) 43 x (W) 18 x (D) 0.2 cm. Author: Úbeda. The sheets that make up this project evoke a d...

This expressionist botanical drawing on paper captures the raw vitality of exotic flowers through fresh, vigorous gestures. Milano's drawings abandon precise realism in favor of emot...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco de la época de la pintura en madera dorada (el marco presenta algunas pequeñas faltas) El esta...

This painting captures the essence of refuge—a quiet sanctuary amidst the vast, indifferent expanse of winter. The snow-covered landscape stretches endlessly, evoking both tranquilit...

Firmado por el artista en la parte inferior El estado es aceptable Medidas: 54 x 63 cm. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Biografía del artis...

Ciberurban in "tondo". Architectural colorful landscape inspired in the Bauhaus School. Acrylic paint, mixed media on panel. 2021 Dimensions in cm.: 132 x 129 x 4 cm. In inches: 51.97 " x 50.79" x 1.57 " The landscape of the big city, futurism, Fritz Lang's Metropolis... Juan Pita...

Firmado por el artista en la parte inferior Estado de conservación bueno La obra se presenta sin enmarcar Medidas obra: 55 cm altura x 46 cm ancho. ::::::::::::::::::::::::::::::...

The work Green Chapitel, explores the relationship between architecture and color, highlighting an architectural fragment: the column and the capital. The work uses in this case a gr...

The Procession is an oil painting depicting the act of veneration of the forces of nature. The painting depicts three women walking through the mist in a paradisiacal forest. The sce...

Acrylic on archival quality paper. Belongs to a series of paintings done in the summer of 2020. This one was done at the end of one of the last days of summer. :: Painting :: Expres...

"Luz de Otoño". Abstract, minimalist, gestural, contemporary, acrylic, canvas

"Cemented". (Cimentada). Acrylic and mixed media on wood panel, 54x40x4 cm. The pictures of Raquel Fariñas are presented before our eyes with an almos...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

"Summer". Abstract, minimalist, gestural, contemporary, acrylic, canvas

Restless Sky (Landscape) The fragmentation of the planes and the light creates six different landscapes on the same horizon. The reliefs transform the sky into a restless fluid. (The...

Under The Sea Series Nº 24. Oil on paper. Fantasy underwater abstract landscape. Green color. Transparencies effect. Measurements: (H) 30 cm. / 1...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

Realism, figurative, flowers, pastel colors, Hyperrealism, linen, oil

"Red currants". Flowery detail of a warm landscape. Acrylic on canvas by Elena Narkevich. Dimension art: 116 H x 89 W cm x 2 cm D Dimension framed: 135 H x 108 W x 4,5 D cm Elena Na...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

This collection, a compendium of sensory and emotional experience, delves into the very essence of painting as a medium of expression. Each canvas is a testament to the mastery of l...

A view of the Pyrenees mountains. A visit I was able to make a few years ago at a time when there was not much snow, but it is of a spectacular beauty. The time that it reflects had ...

"Deciduous in yelow" (Caducas en amarillo), Acrylic and mixed media on panel, 120x40 cm. Allegory of autumn where cold tones are contrasted with the warmth of deciduous leaves. Volu...

The work Blue Chapitel, explores the relationship between architecture and color, highlighting an architectural fragment: the column and the capital. The work uses in this case a gre...

Realism, figurative, flowers, pastel colors, Hyperrealism, linen, oil

Under The Sea Series Nº 19. Úbeda. Oil fantasy blue color underwater landscape. Oil on paper, (H) 18 x (W) 44 x (D) 0.2 cm. Author. Úbeda. The sheets that make up this project evok...

Quadriptych (30 x 30 cm) x 4 Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors

At the mouth of the Duero River stands the Farolim da Barra do Douro in Portugal. In this perspective, the painter presents the lighthouse on the Portuguese coast under the warm ligh...

Retiro Park (Madrid) unstructured, Blue and green colors landscape. Acrylic and oil on panel. Measurements: 120 x 60 x 2 cm, Landscape View of the Retiro Park in Madrid (Spain) with a statue in the background The work has been carried out with an innovative technique, where the fluidized oil is transformed into an undulating wavy surface which is later outlined by the airbrush, the palette knife and the brush. A totally personal bet of the author, who has done an exercise in free painting, with an explosion of contrasts between the real world and abstraction. (The artist frames almost all his paintings with a wooden strip between 0,5 and 1 cm. thick, which can be removed at will of the client). ABOUT THE ARTIST Ángel Luis Úbeda...

"Tesserae" . 4 pieces Mosaic, Acrylic and mixed media on panel. Painting composed by 4 small format Abstrac landscapes Dimension art: Every item is 30 x 30 x 3 cm and the 4 pieces ...

Triptych 3 x (25 x 25) cm Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

Breakage in amaranth (Rotura en amaranto). Abstract Impressionist painting. Contemporary Acrylic on panel . 60 x 120 x 3 cm. / 23.62 x 47.24 x 1.1 Inches Author: Spanish artist Ánge...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

Under The Sea Series Nº 23. Oil on paper. Fantasy underwater abstract landscape. Green-blue color. Transparencies effect. Measurements: (H) 35 cm....

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

Under the sea Series. Nº 3 Oil on paper fantasy color landscape, 40 x 50 cm. The sheets that make up this project evoke a dreamlike world of seabeds. The painter submerges landscap...

Flowers I, Acrylic on canvas, (H) 70 x (W) 70 x (D) 3 cm. Author: Angel Luis Úbeda. Field of flowers under a bright night sky Night landscape to which a celestial light...

Under The Sea Series Nº 16. Úbeda. Oil fantasy blue underwater landscape. Oil on paper, (H) 43 x (W) 18 x (D) 0.2 cm. Author: Úbeda. The sheets that make up this project evoke a dr...

Under the sea Series. Nº 4. Fantasy underwater landscape. Oil on paper, (H) 50 x (W) 40 x (D) 0,1 cm. Author: Úbeda. The sheets that make up this project evoke a dreamlike world of seabeds. The painter submerges landscapes, forests, materials and terrestrial objects under the cold and silent ocean currents. A feeling of weightlessness dominates the viewer, while the moon floats between anemones, sea urchins and posidonia forests. The blue-green darkness is broken up with nuclei and horizons of light, contrasting with the ambiguous and mysterious atmosphere of the compositions. TECHNIQUE The work has been carried out with an innovative technique, where the fluidized oil is transformed into an undulating sea, to create impossible shapes on paper, which are later outlined by the airbrush, the palette knife and the brush. A totally personal bet of the author, who has done an exercise in free painting, with an explosion of contrasts between the real world and abstraction. ABOUT THE ARTIST Ángel Luis Úbeda...

Secret Garden, acrylic on panel, (H) 90 cm x (W) 70 cm x (D) 2 cm (x 2 pieces). Inches 35.43 x 27.56 x 0.79 (x 2 pieces. Total dimension: 90 x 140 x 2 cm / inches 35.43 x 55.12 x 0...

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Under The Sea Series Nº 14. Oil on paper. Fantasy underwater abstract landscape. Blue and green color. Transparencies effect Measurements: (H) 39 ...

Under The Sea Series Nº 12. Oil on paper. Fantasy underwater abstract landscape. Blue and green color. Measurements: (H) 50 cm. / 19.69 in. (W) ...

Under The Sea Series, Nº 11. Fantasy abstract underwater landscape. Author: Úbeda. Oil on paper, 59 x 40 x 0,1 cm. The sheets that make up t...

Under the sea Series. Nº 5. Fantasy underwater landscape. Oil on paper, (H) 43 x (W) 41 x (D) 0.1 cm. Author: Úbeda. The sheets that make up th...

Under The Sea Series, Nº 10. Úbeda. Oil paint fantasy blue green underwater landscape. Oil on paper, (H) 28 x (W) 39 X (D) 0.2 cm. Author: Úbeda. The sheets that make up this proj...

Under The Sea Series Nº 26. Oil on paper. Fantasy underwater abstract landscape. Green-blue-red color. Transparencies effect. Measurements: (H) 40 cm. / 15.75 in. (W) 27 cm. / 10....

"Tesserae" . 4 pieces Mosaic, Acrylic and mixed media on panel. Painting composed by 4 small format Abstrac landscapes Dimension art: Every item is 30 x 30 x 3 cm and the 4 pieces ...

This artwork captures a view of Camel Beach, located in the city of Santander. The piece conveys the serenity and constant movement of the Cantabrian Sea, where the waves gently end ...