Spain - Dining Room Tables

Small stainless steel table B by Konstantin Grcic Dimensions: D 120 x W 240 x H 74 cm Materials: Tabletop in extrusions aluminium with open ends cut at 45º. There is the option of the surface being laminated in a natural oak effect with a varnished finish. There are three types of leg designs: grey...

Big wood table B by Konstantin Grcic Dimensions: D 150 x W 300 x H 74 cm Materials: Tabletop in extrusioned aluminium with open ends cut at 45º. Ther...

Quartz Elizabeth love table handsculpted by Element & Co Dimensions: 110 Ø x 71 cm Materials: Rose quartz tabletop, rose glass feet with brass tray Elisabeth Love is totally scu...

Vintage 1970s Spanish round bamboo table with black Formica top.

Small stainless steel table B by Konstantin Grcic Dimensions: D 120 x W 240 x H 74 cm Materials: tabletop in extrusions aluminium with open ends cut at 45º. There is the option of the surface being laminated in a natural oak effect with a varnished finish. There are three types of leg designs: grey...

Set of explorer 5B dining table and showtime nude chairs by Jaime Hayon Dimensions: D 100 x W 220 x H 74 cm and D 55 x W 52 x H 79 cm Materials: Lacquered fiberglass body. Solid tu...

Carlina 220 Dining Table by Oscar Tusquets Dimensions: D 97 x W 120 x H 74 cm. Materials: Solid ash timber and tempered smoked glass. Solid ash timber structure, stained black. ...

1970s Round Bamboo Table with Formica Tabletop and Steel Structure

Italian red sandstone tabletop with white marble geometric inlays.

Capsule dining table by Owl Dimensions: H 74 x W 160 x D 80 cm Materials: Solid wood The design of this series is open to being produced in v...

Belloch Cuadrada table by Lagranja Design Dimensions: D 110 x W 110 x H 73 cm Materials: Metal, beech wood. Available in 2 sizes: D110 x W 110, D110x W180 cm. The Belloch is a large...

Black Gaulino table by Oscar Tusquets Dimensions: D 120 x W 300 x H 74 cm Materials: Solid structure in walnut wood, varnished nature effect (for only...

Italian round table designed and produced by L.A. Studio. Made of white, black and grey marble finished with brass details. Made in Italy. Our main target is customer satisfaction,...

Spanish, 1980s bamboo glass dining table with smoked glass tabletop. Thick and strong bamboo stalks give ample support for a dark smoked glass tabletop.

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

The Contemporary Dining Table, designed by L.A. Studio, features two sculptural steel bases created by Vittorio Introini for Saporiti. The stunning tabletop is crafted from various u...

Contemporary Italian dining table designed and produced by L.A. Studio. The oval shaped top is made of black agates. The sculptural ...

Sam Chermayeff Table From the series “Concept Kitchen” Produced in exclusive for SIDE GALLERY Manufactured by Bagnara Italy, 2020 Pannonia Grün marble Contemporary Design M...

Dioniso Dining Table by Chinellato Design Dimensions: D 160 x H 73 cm Materials: Top: Extra clear tempered glass. Base: Large Gold Pieces 208. Round dining table available in two si...

Carlina Round Dining Table by Oscar Tusquets Dimensions: Ø 120 x H 74 cm. Materials: Solid ash timber and tempered smoked glass. Solid ash timber structure, stained black. 1 cm thick tempered smoked glass top. Gaulino Family Distinctive elements of the Gaulino chair run through this set of tables, combining clean, industrial processes with elegant, artisanal materials. Oscar Tusquets describes himself as an architect by training, a designer by adaptation, a painter by vocation, and a writer through the desire to make friends. Graduating from Barcelona’s Escuela Técnica Superior de Arquitectura in 1965, Tusquets became a member of Studi Per. Together, they founded BD in 1972, and he set about designing furniture and objects, soon recognised by the Spanish National Design Award. The Gaulino Family was born in 1987, the first member of which was a chair, with a commission from an industry specialising in the production of baby cribs. This was Tusquets’ first chair in wood, and is a comfortable, beautiful solution that respects the nobility of the material. On completing production, he named the chair after the two men who inspired it: Antoni Gaudí and Carlo Mollino. The Gualino come to be an icon of Spanish design, now accompanied by a family of tables in a number of sizes and finishes. BD Barcelona In 1972, a group of young architects and designers from Barcelona started BD. Our aim was to produce and market furniture...

Kuroba dining table by Henka Lab Limited edition Dimensions: H 75 x D 160 cm Materials: Krion solid surface Material and wide range of colours are available upon requests Series limited to 100 signed and numbered copies. Inspired by plant nature, Kuroba table emerges and grows through various simple operations by transforming three points of a circle. The purity of it's original geometry is subtly altered through an evolutionary process in order to meet its main needs, both functionality and stability. Material: Krion Solid Surface. It is a material that is warm to the touch and similar to natural stone. It is made of two-thirds natural minerals and a low percentage of high-resistance resins. This composition gives KRION a number of exclusive features: it does not have any pores, it is antibacterial without any type of additive, it is hard-wearing, highly resistant and easy to repair, only requires minimum maintenance and is easy to clean. It is an ecological material, as it can be recycled 100%. Alternative colours are available upon request. Henka: From Japanese ?? “to change into”. Lab: A room or building where experimentation and research take place. HenkaLab is an award winning studio where shape experimentation takes place. Inspired by nature, my work emulates evolutionary processes, subjecting pure geometries to certain tensions, obtaining new living forms that fit a specific use. Each piece produced through this process has been patiently hand-shaped and crafted to the highest standards. Signed and numbered limited pieces. Pablo Vidiella...

Console table with iron base and rustic wooden table top.

1970s Spanish round bamboo table with mirror top and behind decorative Andalusian arches on the base.