Sweden - Decorative Objects

Horse sculpture / model made of genuine leather from the 1960s or 1970s. Well made with good proportions and details. Very decorative and would be a fun and cool piece for any kind o...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1963. Excellent condition. ...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Almar Arvidsson Sculpture 'Lost Territory' by Almar Arvidsson, Sweden, 1960s. Signed.

Leopold Anzengruber in perfect condition. This is a very special piece, the details of the woman is just exquisite, from the facial expression to the hair, earrings as well as her sk...

Beautiful Art Noveau vase in patinated bronze, designed by Gerda Backlund. Slender, curvesome form with relief decor of grasses draping around the base, unfolding ferns around the to...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1964. Excellent condition. ...

Cool vase in pewter from AD.S most probably ca 1930-40's. Wear and patina consistent with age and use. Scratches, marks, blemishes and a dent. Signed with makers mark.

A large art nouveau lidded urn in ceramics designed by Josef Ekberg at Gustavsberg in 1925. The urn is 39 cm (15.6") high which makes it a quite spectacular and unique piece in the S...

Small stoneware vase by Berndt Friberg, in a soft plump form with appealing celadon green hare’s fur glaze. Berndt Friberg was a Swedish ceramicist, renowned for his stoneware vases...

Set of two antique and unique organic wooden bowls. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where very important for many fam...

A beautiful art deco bronze vase with amazing patina. Made by Bowi brons in Sweden, 1930s. Great condition, with some light scratches. Stamped 'BRONS' and 'BOWI'.

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature "GN" and makers mark "R" for Rörstra...

Elegant and decorative Box in the shape of a large book from the early 20th Century. Made in beech with brass details and gilded pages. Wear consistent with age and use

Big set of 12 candleholders model 4973 in solid brass designed by K. E. Ytterberg for BCA Eskilstuna, Sweden, during the 1960s. Organic shape and made in solid brass. Patinated su...

Cool Ink Well designed as a Godin iron stove from the late 19th Century. Made in France in cast iron and painted with a beautiful patina. Probably an advertising item from late 19th ...

Important crown vase design by Pierre Forssell in the 70's and produced during that time by Skultuna in Sweden. This crown vase is made in solid brass and it's stamp by the producer....

A Pair of Elegant and Ornate Gilt Bronze Candlesticks from the 19th Century. In the style of Directoire. Wear consistent with age and use

Paper basket ‘Hortus’, anonymous for Svenskt Tenn, Sweden, 1950. Brass. Stamped.

Signe Persson-Melin, a Copenhagen and Konstfack-educated artist, established her Malmö workshop in 1951. Renowned for her spice jars, pitchers, and bowls, she later collaborated with iconic brands like Boda Nova and Höganäs Keramik. As a two-time professor at Konstfack, she also left her mark on public spaces, crafting ceramic installations in the Stockholm subway. This unique 1960s/70s bowl...

Ceramic Jar by Hertha Bengtsson, 1950's Additional Information: Material: Ceramic Style: Mid century, Scandinavian Produced by Rörstrand in Sweden D...

Pair of Candlesticks in Teak by Erik Höglund, 1950's Additional Information: Material: Teak Style: Mid century, Scandinavian Produced by Boda Trä in Sweden Dimensions (W x D x H): 2...

Small stoneware vase by Berndt Friberg, in a stout form with elegant blue hare’s fur glaze. Berndt Friberg was a Swedish ceramicist, renowned for his stoneware vases and vessels for...

Swedish Birch Wooden Bowl made in the late 1900 century Height: 13 cm/5.1 inch Widht: 38 cm/14.9 inch Depth: 29 cm/11.4 inch

Pair of Nr 70 candle holders for thin candles designed by Pierre Forsell for Ystad Metall in the 1960s. Both are stamped by the make...

A large unique and stunning vintage porcelain egg made by the talented Sylvia Leuchovius for Rörstrand, Sweden. This a very special item, a studio production and only produced in a v...

A decorative pair of empire style candlesticks in gilt bronze and dark green marble. France, end of the 19th century. Nice condition.

A lovely bowl designed by Isaac Grünewald for Rörstrand in 1943. The bowl is 23 x 19.5 cm (9.2" x 7.8") in diameter and about 5.5 cm (2.2") high. The bowl is in excellent condition a...

A pair of beautiful silver-plated Candelabras. Swedish Empire (Karl Johan) from the 1820s. Unusual model, can be used both as candelabra and ordinary candlesticks. Wear consistent ...

A beautifully organic vase that is reminiscent of a sea urchin. Made by Einar Johansen for Söholm, Denmark. It has a subtle pale earthenware glaze with three openings to be used as a...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is st...

This vase from Rörstrand and maker or designer Carl Harry Stålhane, was made in Sweden in the midcentury. Its beautiful glazed combined with its incredible forms makes this an except...

Large and majestic horse sculpture / model made of genuine leather from the 1960s or 1970s. Well made with good proportions and details. Very decorative and would be a fun and cool p...

Beautiful sculpture by Karl Hultström, Sweden, early 19th century. Wear and patina consistent with age and use. Glue residue on cheek and neck, see last 3 pictures. Engraved on the b...

Rare and great decorative wooden toteme sculpture in a wabi sabi and primitive style with a black stained foot. In good condition. Goes well with mid century modern furniture...

Elegant pair of Empire Candlesticks in gilt bronze. Made in France during the 1820s. Richly decorated in period decorations. Wear consistent with age and use

These pieces of ceramics were made in Sweden 1980s for Design huset and designed by one of the great ceramic’s designers from Sweden, Carl-Harry Stålhane....

Mid-century modern Czech glass vase design by Frantisek Peceny, Rosice works for Sklo Union, 1972. A rather substantial and rare design glass vase fro...

A Classic elegant "Aro" ceramic bowl by Gunnar Nylund. Shades in blue and brown glaze. Made for Rorstrand, Sweden, 1960s. Inscribed with artist signature and Rorstand studio mark. E...

Rare and very nice hand carved dark brown wooden bowl / tray in solid oak produced in France early 1800s. In good condition. Dimensions: H 9,5 cm / 3.75" W: 46 cm / 18" D: 46 cm / ...

Elegant tobacco jar by Carl Elmberg, made in cast iron. Heavy quality. Relief decor of a running woman, a hunter and a deer.

A decorative, solid bronze candelabra with by Jacob Ängman for GAB / Guldaktiebolaget. With antique patina finish. Sweden, 1920/30s - Art Deco / Swedish Grace. In beautiful conditio...

Rare genuine mora clock from northern Sweden. Unlock the enchantment of history with this rare genuine mora clock from northern Sweden, crafted around 1820. The case, meticulously ma...

Striking “Farsta” vase by Wilhelm Kåge, in a cylinder form with thick sides. Dramatic cutout opening, brown glaze with blue streaks reminiscent of oxidized bronze. “Farsta” stonewar...

A beautiful green vase with a green crystalline glaze designed by Isak Isaksson in Sweden. The vase is 12.5 cm (5") high and about 9.5 cm (3.8") in diameter and it is in excellent co...

A pair of danish art deco vases in discometal by Just Andersen. Discometal is an alloy consisting of Pewter, Lead and Antimon. The metal was invented by Just Andersen. The vases ar...

Group of 3 ceramic vases designed by Inger Persson and manufactured by Rörstrand in Sweden during the 1960s. The jars are made from stoneware. Glazed with an elegant graphic patter...

This is an amazing glass vase with a fantastic pale turquoise tone, by Vladislav Urban for Rocie works, SKLO UNION , 1960s - Mid Century Modern Czech glass. This is a rare statement piece, which will add to any interior setting! This vase is iconic, the shapes are just extraordinary as well as the color. It is 15cm high, (5.90") and 9cm (3.54") at the base in a square form. It is in perfect condition. The price includes free shipping. Sklo Union where tradition meet innovative design and resulted in exceptional mid-century modern art and design glass. Sklo Union is famous for their mid-century modern Czech glass, today often used in various interior design settings. Which is not surprising, since the design glass from the 60s and 70s always has a uniqueness; modern and contemporary design meeting traditional Bohemian artistry. The glass designers There are several famous designers and artists to mention such as Frantisek Peceny...

Fine 19th century Swedish folk art turned bowl in two colors with an great shape and original surface. Ca 1820 - 50 Sweden.

A beautiful green / blue-toned vase with a stunning crystalline glaze designed by Isak Isaksson in Sweden. The vase is 22.5 cm (9") high and about 11.5 cm (4.6") in diameter and it i...

Pair of early, very decorative, 20th century French apothecary bottles from ca 1930s with green metal tops. Both with the original labels: "Tinctura Cantharidis" and "TALCUM VENTÆ". ...

Tapio Wirkkala Tapio Wirkkala (1915-1985) was a versatile design genius, and is widely regarded as a leading figure in the modern Finnish art industry. Wirkkala's extensive contribu...

An amazing vintage cased glass vase handmade art glass, design by Monica Backström for Kosta Boda, Sweden. This is a very beautiful vase, it h...

An extraordinary and rare hand-made vintage ceramic vase design by the very talented Gunnar Nylund for Rörstrand. What makes this vase so very special is that even though, it has a v...

Paul Kedelv - the great designer behind the great success Coquille at Flygsfors Gustaf Paul William Kedelv b. Karlsson, born on April 12, 1917 in Orrefors, Kalmar county, died on Se...

Set of seven Romb candle holders designed by Sigurd Persson for his own company. This design was created by Sigurd in 1985 but has a clear mid-century modernist vibe that was very po...

A globose vase designed by Ewald Dahlskog at Bo Fajans in Gefle in the 1930s with the beautiful "Lava"-glaze. This vases was first presented at the Stockholm exhibition in 1930, that...

Dark Blue Glass Vase by Vicke Lindstrand, 1960's Additional Information: Material: Glass Style: Mid century, Scandinavian Produced by Kosta in Sweden ...