Tri-State Area - Drawings and Watercolor Paintings

Maeve D’Arcy practice explores mark-making as language. In a contemplative process, her random thoughts are turned into dashes, x’s, dots and various sorts of repetitive marks. D'A...

A Color of Sumac 2 (Abstract Painting) Acrylic on Roc-Lon - Unframed A colour, found in nature and mixed into paint with the aid of a computer program, is applied to a surface in a...

Richard Serra Ace LA Exhibition Poster Drawing, 1972 Ink on paper 8 1/2 x 11 inches Provenance: The artist Ace Gallery, Los Angeles Known for large-scale steel sculpture of geometric designs, Richard Serra has created site-specific pieces that make three-dimensional designs in space. He has also made wall reliefs and floor sculpture from flexible materials that suggest organic shapes. He is committed to the idea of utilizing quality materials and to the concept that process is as important as the final result. Serra was born in San Francisco and attended college at Berkeley and Santa Barbara, majoring in English Literature. He studied art at Yale University, earning a B.F.A. and an M.F.A. in 1964. There he worked with Josef Albers and came into contact with many leading artists of the New York School (Abstract Expressionists). He also had a job working in a steel plant, which had lasting influence on his career. On a Fulbright Scholarship, he studied in France and Italy. In 1977, he married Clara Wyergraf. In addition to steel as a medium for his sculptures, Serra has utilized rubber belts, neon tubes, molten lead, and large metal slabs. In 1968 he made his first Splash-piece, where molten lead was thrown against the point at which floor and wall meet. His 'Prop series" began around 1969 and involved placing large lead sheets against each other, several yards apart, or hung from ceilings. Many of his pieces are enormous three-dimensional configurations from steel beams and steel plates. His goal is to "create a 'field force . . . so that space is discerned physically rather than optically.' Based in New York City, Serra has traveled extensively to oversee his numerous site-specific sculptures including one for Videy Island near Reykjavik, Iceland. Consisting of nine pairs of basalt columns...

The west village, painted plein air. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed...

Restaurant Scene with Band Batia Magal, Israeli (1951) Watercolor and Pastel on Paper, Signed l.c. Size: 31 in. x 48 in. (78.74 cm x 121.92 cm) Frame ...

skin, 2015 ink, paper, graphite, wings, thread 18 x 13 framed unframed 20 x 16 inches framed Stockholm based artist Joanne Grüne-Yanoff has been exhibiting extensively in the ...

Yaddo B (Abstract Expressionism painting) Watercolour on 100% rag hot press paper. Unframed. Melissa Meyer has created a diverse oeuvre that includes oil paintings, drawings, water...

Paper paint charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furio...

Represented by Tuleste Factory CDMX #1 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Represented by Tuleste Factory CDMX #2 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Represented by Tuleste Factory CDMX #3 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Represented by Tuleste Factory CDMX #4 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Courtyard with Sculpture by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Represented by Tuleste Factory CDMX #6 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Represented by Tuleste Factory CDMX #7 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Represented by Tuleste Factory CDMX #8 Watercolor on paper 12 x 9 in Shipping is not included. See our shipping policies. Please contact us for shipping quotes and customization ...

Represented by Tuleste Factory French Teen Avec Chien, 2019 Rust color charcoal, ink and watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. ...

Represented by Tuleste Factory Squirrels Just Wanna Have Fun, 2021 Graphite, Ink and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not inclu...

Represented by Tuleste Factory God Save The Queen, 2021 Graphite, Ink and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See ou...

Represented by Tuleste Factory McQueen, 2020 Graphite, Ink and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping ...

Represented by Tuleste Factory Beach Mom, 2018 Graphite, Rust Color Charcoal, and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 9 × 12 in Shipping is not included...

Represented by Tuleste Factory California Girls, 2018 Graphite, Rust Color Charcoal, and Japanese Watercolor on paper by artist Brad Fisher. Unframed 9 × 12 in Shipping is not i...

This soft pastel on toned heavyweight sanded paper is part of an ongoing series by the artist depicting human and animal subjects. ABOUT Stephen Basso Stephen Basso's highly origin...

Represented by Tuleste Factory Beach Dad, 2021 Ink and Japanese watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping policies...

Represented by Tuleste Factory Little Pink Clouds I, by Brad Fisher Acrylic and day-glow spray paint on canvas 12 X 12 in. Shipping is not included. See our shipping policies. P...

Represented by Tuleste Factory Little Pink Clouds II, by Brad Fisher Acrylic and day-glow spray paint on canvas 12 X 12 in. Shipping is not included. See our shipping policies. ...

Untitled 7 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

Artist: Richard Lilley Medium: Ink on Paper Dimensions: 21 x 30 in Rich Lilley, a now New York based artist began his practice in Pennsylvania in the theater program and studied art with Milan Melicharek before moving to New York City to continue his education at Parsons. It was here that Lilley studied under Mohammed Omar Khalil and Luther Davis with a primary focus in metal etching and printmaking. Drawing inspiration from J.R Crumb...

abstract geometric black and white ink drawing on mylar framed in white frame For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...

Chairs in the Park by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Artist: Rodney Alan Greenblat, American (1960 - ) Title: Intrepid Year: 1989 Medium: Gouache and Color Pencil on paper, signed Size: 10 in. x 16 in. (25.4 cm x 40.64 cm) Frame S...

Paper paint charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furio...

Artist: Red Grooms Title: Study for Way Down East Year: circa 1965 Medium: Color Pencil and Watercolor on Paper, Signed verso Size: 17.5 x 22 inches Frame: 26 x 32 inches "Way Down East" is best known as a 1920 American silent romantic drama film directed by D. W. Griffith and starring Lillian Gish...

James Minden Incidence Holographic drawing- engraved anodized aluminum and enamel paint 24 x 24 inches 2017 To get a sense of the holographic effect...

Artist: Robert Philipp, American (1895 - 1981) Title: Nude in a Yellow Hat Year: circa 1970 Medium: Pastel on paper, signed Image Size: 25.5 x 18.5 inches Frame Size: 38 x 31 inches

Bruno Lassalle Untitled, 1993 18.75 x 15.75 inches; framed in natural wood color 21.6 x 19.6 inches oil pastels on board signed 'LASSALLE' and dated recto; stamped verso Bruno Lassa...

Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany in 1913. Probably best known as a portraitist, Reiss was a pioneer of modernism and well known for his brilliant work in graphic and interior design. A compassionate man who greatly respected all people as human beings, he believed that his art could help break down racial prejudices. Like his father Fritz Reiss (1857-1915), who was also an artist and who was his son's first teacher, Winold Reiss was artistically moved by diverse cultures. The elder Reiss focused on folk life in Germany while Winold drew substantial inspiration from a range of cultures, particularly Native American, Mexican, and African-American. As did many young aspiring artists, Winold Reiss studied with the esteemed painter and teacher Franz von Stuck at the Royal Academy of Fine Arts in Munich, which was at that time a center of the decorative and fine-arts movement. It is not known whether Reiss met E. Martin Hennings...

Perspective 2022 (Abstract painting) Ink on paper mounted on canvas - Unframed. Diptych, each element: 108 x 75 cm / 42.5 x 29.5 inch Martín Reyna is ...

Gouache on handmade Khadi paper - Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard ed...

"The Space Between" is a unique charcoal drawing on paper. Scottish artist Patsy McArthur captures the dynamic movement of the swimmer against an urban backdrop. This monochromatic a...

This drawing depicts a moment from one of the longest trials in US history, when Jean Harris, a headmistress of a school for girls in Virginia, was tried f...

This drawing depicts a moment from one of the longest trials in US history, when Jean Harris, a headmistress of a school for girls in Virginia, was tried f...

Dina Brodsky uses gouache and watercolor on paper in "Brown-Hooded Parrot," to depict the multi-hued bird hanging precariously from a thin branch. The li...

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstr...

PLAN OF A PART OF NEWPORT, R.I. SHOWING CHANGES IN HIGHWAYS ASKED FOR BY O.H.P. BELMONT, ESQ. The original ink and watercolor plan on paper from 1907. The plan is extremely large; if fully assembled it would measure no less than 11.5 feet in height and 6.5 feet in breadth. Segmented and backed on modern linen in four sections – each section is 70 x 39 inches. This grand oversized folding map can be folded down to four sections each 17.5 x 11 inches and stored in a modern made leather and marble paper case 18 x 11.75 x 3 inches. Text continues, "Prepared for Charles Warren Lippitt at the office of J. P. Cotton, C.E. Newport, R.I. Oct. 28, 1907." A fine manuscript plan of the Bellevue neighborhood of Newport, depicting the street layout and the detailed footprints of the area’s many mansions. The plan was produced at the behest of Charles Warren Lippett (1846-1924), who served as governor of Rhode Island from 1895-1897. The Lippett “Breakwater” mansion is also shown on this plan, situated at the southernmost tip of the peninsula. Though the circumstances are unclear, Lippitt seems to have requested the plan be drawn out of some concern for road construction proposed by Oliver Hazard Perry...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

pastel on paper landscape brown wood frame

Porch Drawing 6 (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to wor...

Steamer series 1 (Abstract painting) Charcoal on paper - unframed. Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, c...

This is a soft pastel painting on tones sanded archival paper signed and dated by the artist. It is suitable for framing under glass to protect the pastel medium. The work is part of...

PCH (Abstract Painting) Acrylic on paper. Unframed. This piece comes out of the more informal Painting A Day series. While these are more interested in scale, stroke, and surface, ...

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

Oberkampf 2 (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work fr...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

On a long desert plain are teepee-like structures erected in the sand. This unique original drawing by Polish artist Wojtek Kowalczyk replaces the typical materials of these huts wit...

Casein on paper - Unframed Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. For her, everything begins with col...

Artist: Richard Davies Title: One Green Wave Year: 1991 Medium: Watercolor, graphite, colored pencil, collage, signed in pencil Size: 60 x 40 in. (152.4 x 1...

Artist: David Roth, American (1942 - ) Title: Untitled VI Year: 1974 Medium: Acrylic Painting on Arches Paper, signed and dated Image Size: 15.5 x 45.5 inches Size: 22.5 in. x 53.5 i...

Abstract geometric black and white ink drawing on mylar framed in white wood frame with UV Plexiglass. For over twenty years now Patrick Carrara has lived in Brooklyn, where he has m...

L.I.C. (Orange) (Abstract Drawing) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work...