United Kingdom - Abstract Prints

Cosmic Signals No.1 by Alan Davie, 2001 Additional information: Medium: screenprint 75.5 x 87 cm (unframed) 29 3/4 x 34 1/4 in signed, dated and numbered in pencil Alan Davie is on...

Reclining Figure by Henry Moore, 1967 Additional information: Medium: lithograph 30 x 30 cm 11 3/4 x 11 3/4 in signed, dated and numbered in pencil; further signed and dated again i...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Henry Cliffe (1919-1983) Vandyck Theatre Poster Lithograph 42x30cm Mid 20th Century Henry Cliffe was born in Scarborough, Yorkshire in 1919. After studying at the Bath Academy of Art he opened up a lithography studio in the city, where he designed surreal forms until his retirement in 1981. Cliffe's work was exhibited internationally to wide acclaim. In 1954 and 1960, he was one of five artists shown in the British Pavilion at Venice Biennale and in the same year he won first purchase...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

COLOUR COMPOSITION Sheet size: 38 x 30 cm Image size: 31 x 23.5 cm Lithograph on paper A 20th century limited edition (111/230) coloured lithograph by Mary Anne Rose. It is signed ...

Unsigned. Inscribed 6/8. On paper.

In this linocut I was trying to create movement and a warm range iof colours. The cutting is intended to be vigorous with ears of wheat in the foreground against a setting sun. Rob Barnes, artist, is available for sale online and in our art gallery at Wychwood Art. Rob Barnes studied painting and printmaking at Hull College of Art and London University in the early 1960s. He taught etching, screen-printing, lino and related surface printmaking at Keswick Hall College in Norfolk. He later moved to the University of East Anglia, Norwich where he continued teaching in the School of Education until 2006. Presently he divides his time between printmaking and his other passion, playing the violin in local orchestras and for choral performances. In 2017 he began making a small number of sterling silver jewellery pieces following a course at West Dean, Sussex. His artwork follows themes, such as light on water, or shadows in the landscape. Linocuts are hand-printed on an Albion press...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

This handmade screen print depicts an imaginary spiked sphere shape in five colours including fluorescent Yellow, metallic Gold and Red. The Gold ink layer gives the abstract print an extra brilliance and shine showing off the multi layered liquid patterns on the surface of the object. Chris Keegan artist online and in Wychwood Art Gallery...

Dragonfly [2021] Please note that insitu images are purely an indication of how a piece may look This handmade screenprint depicts a Dragonfly inset with a set of geometric shapes in Six colours including Metallic Gold ink. The artwork was created using procedurally generated patterns that overlap creating complex layered geometric shapes. The Metallic ink layer gives the print an extra brilliance and shines showing off the multi-layered liquid patterns on the surface. Limited edition of 50. Its 40 x 40 cm. Artwork printed...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Henry Cliffe (1919-1983) Constellations I Etching 9x16.5cm Mid 20th Century Henry Cliffe was born in Scarborough, Yorkshire in 1919. After studying at the Bath Academy of Art he opened up a lithography studio in the city, where he designed surreal forms until his retirement in 1981. Cliffe's work was exhibited internationally to wide acclaim. In 1954 and 1960, he was one of five artists shown in the British Pavilion at Venice Biennale and in the same year he won first purchase...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

The Serpentine, Hyde Park – Autumn, after Bruegel is a limited edition etching by Mychael Barratt. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty e...

Overlap by Katie Hallam Hand signed by the artist Limited Edition Digital Photograph Edition of 75 Size of Work: H 70cm x W 70cm x D 1cm Sold Unframed Ready to Hang Please note that...

At the Edge by Shirley Kirkcaldy [2018] This is a superior quality limited edition Giclee print inspired by the coastline near Cape Cornwall. Reproduced from an original mixed media...

GENTLE SPIRIT N°11 by Allan Forsyth [2020] limited_edition and hand signed by the artist PHOTOGRAM Archival Chromagenic Photographic Print Edition number 12 Image size: H:100 cm x...

Orbis by Paul Feiler, 1968 Additional information: Medium: aquatint on textured wove paper 5 3/4 x 4 in 14.6 x 10 cm signed, dated and inscribed "AP" in pencil Paul Feiler was a Ge...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

NV17 [2016] limited_edition Relief Print Edition number Unique Image size: H:58 cm x W:81 cm Complete Size of Unframed Work: H:76 cm x W:111 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. NV17 is an original minimalist print...

Untitled (Pink and Black) by Stephen Buckley, 1999 Additional information: Medium: etching with aquatint 64.5 x 49.5 cm 25 3/8 x 19 1/2 in signed, dated and numbered in pencil Stephen Buckley is a British abstract artist. Buckley was born in Leicester. He studied Fine Art under Richard Hamilton at Kings College, Durham University (1962-1967), where he was involved in the reconstruction of Marcel Duchamp's "Large Glass", and then at the University of Reading (1967-1979) under Terry Frost and Claude Rodgers. A group of notable commissions in the early 1970s, from clients including Leith's Restaurant, gave Buckley a strong start to his career. These were followed by a solo exhibtion in Milan in 1973 and another at Kettle's Yard the following year. Solo shows were subsequently held at the Museum of Modern Art, Oxford (1975), Waddington Galleries (1976), Arnolfini Gallery, Bristol (1977), and Arts Council of Northern Ireland (1985) among many others. His teaching career began at Canterbury College of Art (1969-70), before heading to Leeds, The Royal College of Art, and nine years at the Chelsea School of Art (1971-80). He was Artist in Residence at Kings College, Cambridge from 1972-74. In 1994, Buckley was appointed Professor of Fine Art at the University of Reading and Professor Emeritus in 2009. A monograph on Buckley was published in 1989, written by Marco Livingstone. His work has been compared to that of Richard Smith. The work of Buckley is part of public collections and museums worldwide, including the British Council, Government Art, Kettle's Yard, Aberdeen Gallery, Berwick-upon-Tweed Borough Museum and Art Gallery, BUPA House, City Art Gallery, Bristol, City Art Gallery, Huddersfield, Derby Museum and Art Gallery, Leicester Museum, National Art Gallery of Wales, Cardiff, Reading Museum, Southampton City Art Gallery, Swindon Museum and Art Gallery, Tate Britain, London, Victoria and Albert Museum, London, Walker Art Gallery, Liverpool, Whitworth Art Gallery, Manchester. His work is also part of international collections including The Metropolitan Museum of Art, New York, Miami Art Museum, Miami, Florida, Yale Center for British Art, New Haven, Connecticut; Museo de la Solidaridad Salvador Allende...

In the Bleak Midwinter by Shirley Kirkcaldy This is an evocative limited edition Giclee print of Dartmoor in the midst of winter. Edition of 125 prints. Each print is numbered, titl...

Foxglove by Chris Keegan [2022] limited_edition Screen print Edition number 45 Image size: H:42 cm x W:30 cm Complete Size of Unframed Work: H:42 cm x W:30 cm x D:0.1cm Sold Unframe...

Jayson Lilley Only Living Boy Limited Edition Print Edition of 21 Image Size: H 46cm x W 138cm Signed Sold Unframed Please note that insitu images are purely an indication of how a p...

Illume [2008] limited edition Archival Chromagenic Photographic Print Edition of 25 Image size: H:79 cm x W:228 cm Complete Size of Unframed Work: H:228 cm x W:76 cm x D:2.5cm F...

A colourful, limited edition, geometric screen print by Stephen Bartlett (b.1924). A variation of shapes, lines and angles have been layered and printed to create this abstract arran...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

Lake Walk and Luna Diptych by Simon Tozer [2021] limited_edition Screenprint Edition number 25 Image size: H:36 cm x W:45 cm Complete Size of Unframed Wor...

Untitled II, from Waddington Suite by Robyn Denny, 1968-9 Additional information: Medium: screenprint 61 x 53.4 cm 24 1/8 x 21 1/8 in signed and numbered 71/75 in pencil Robyn Denn...

Born in Brooklyn in 1928 to Polish immigrants, Al Held claims to have been expelled from high school in the Bronx in 1944. After serving in the U.S. Navy from 1945 to 1947, Held asso...

Sweet Thames, Mychael Barratt Unframed Limited Edition Etching Etching on Paper Image Size: H 50cm x W 100cm Paper Size: H 53cm x W 103cm Signed and titled Sweet Thames is a limited edition etching by Mychael Barratt. An anecdotal and historical map The title Sweet Thames is from the epic poem Prothalimion by Edmund Spencer...

"Joan Brossa Vintage Poster" by Joan Brossa Joan Brossa Original Vintage Poster 1989. Born in Barcelona in 1919, Joan Brossa was a Spanish artist...

The Norfolk Broads [2022] This print was created as a commission for the Norfolk Broads Authority to feature on the cover of their 2022 Guide. I was asked to create a print that showcases the rare species that are indigenous to the Norfolk Broads. The print features the flowers Hemp Agrimony, Yellow Pond Lily, Branched Burr Reed and Milk Parsley. The caterpillar of the Swallowtail Butterfly can be seen on the Milk Parsley and the Norfolk Hawker dragonfly is perched on the reed. A garden Tiger moth is in flight and a Red Admiral...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

*Note – A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then expos...

circles print on paper limited edition artist: Anastasia Aureum hand signed Collective exhibitions: 2023 London biennale, Chelsea, Old Town Hall; 2023 YICCA International art con...

Jonathan Moss NV10 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ image...

Katie Edwards Best Mates Original Silkscreen print with hand painted layers Mounted Size: H 40.5cm x W 50.8cm Free Shipping Please note that in situ images are purely an indication o...

Artist: Ai Weiwei Title: Middle Finger in Red Year: 2023 Medium: 2 colour silkscreen print on 410gsm Somerset Tub Sized Satin White paper Edition: 1285; signed in pencil Sheet: ...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was award...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Giclée print on Archival Matte Paper with Archival Pigment Ink. Based in New York, American illustrator and collagist Johanna Goodman studied at Bosto...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

One Down, 1981-82 Howard Hodgkin Lithograph printed in classic black, transparent brown/black and violet black, with hand-colouring in gouache (three different greys), on buff Velin...

"Exploring new formats, techniques and ideas provides me with the foundations to all of my work. Since 2006 I had purposely avoided colour, and due to physical restrictions in the sm...

Celtic Spirit III by Alan Davie, 2001 Additional information: Medium: screenprint 74.5 x 97.5 cm (unframed) 29 3/8 x 38 3/8 in signed, dated and numbered in pencil Alan Davie is on...

Yes You Can Can (Splats Edition) by Amy Gardner [2020] limited_edition Screen Print, Watercolour Edition number 40 Image size: H:50 cm x W:50 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This print is about women supporting women. 'YES YOU CAN CAN' splats edition limited edition of 40 Archival Bread & Butter bright white paper 270gsm 50x 50cms 5 screen...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Betwixt and Between by John Hoyland, 1982 Additional information: Medium: screenprint 55 1/2 x 40 7/8 in 141 x 103.8 cm signed and dated in pencil

NV17 [2016] limited_edition Relief Print Edition number Unique Image size: H:58 cm x W:81 cm Complete Size of Unframed Work: H:76 cm x W:111 cm x D:0.1cm Print printed on Somerset, 300gsm, paper. Sold Unframed Please note that insitu images are purely an indication of how a piece may look. 'NV17' is an original minimalist print...

Justine Smith. Money Map of the World- archival inkjet print with pearlised screen print detail. This work of art is an edition of 90 and is sold unframe...

Justine Smith Please note that in situ images are purely an indication of how a piece may look. A Bigger Bang Black is a surrealist limited edition prin...

Screenprint Edition of 120 70.8 x 84 cm (27.9 x 33 in) Signed, titled, dated and numbered on front Artwork in excellent condition. Minor imperfections may appear due to the age of th...

NV20 [2016] Relief Print Edition number Unique Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:76 cm x W:111 cm x D:0.1cm Sold Unframed printed on Somerset, 300gsm paper. Please note that insitu images are purely an indication of how a piece may look. NV20 is an original minimalist...

Let’s Party by Susan Brown [2022] limited_edition Giclée Print on Paper Edition number of 150 Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:0.1c...

Still life with a Jug, by George Hooper 1989 Additional information: Medium: watercolour over screenprint 58 x 74 cm 22 7/8 x 29 1/8 in signed with initials and numbered 73/84 in pe...