USA - Black and White Photography

An underwater black and white photograph of a young topless woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper si...

Gelatin silver print, printed later signed in pencil, stamped photographer's copyright credit, stamped title and date, and stamped 'Printed for the/Center for Photographer Art/Collec...

"Dark Clouds" Northwest Passage, 2017 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Editi...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Black and white capture of Jack Nicholson in his role for "Wolf", 1994. Wolf is a 1994 American romantic horror film directed by Mike Nichols and starring Jack Nicholson, Michelle P...

11 x 14" vintage silver gelatin photograph of actress Lauren Bacall, photographed in 1966. Signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Archives with ...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

'Don't look back (in anger)' (Bombay all Day) 2019, 20x20cm, Edition 2/7 plus 2 Artist Proofs. Digital C-Print based on a Polaroid, not mounted. Signed on the back and with certif...

8 x 10" vintage silver gelatin photograph, Ballerina Silhouette, 1971. It is signed on the print verso in pencil by Jack Mitchell. This is a print that was published by a newspaper o...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Sicilian-born American gangster Charles 'Lucky' Luciano (1897 - 1962) walking with friends...

Estate-stamped. Includes black frame. Milton H. Greene, famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo sh...

From the Odin's Cove series – Odin’s Cove is about a sense of place. It is a celebration of the beauty of nature in a visually stimulating landscape where untamed bramble and ivy su...

Surfboards in the Sand by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers with their surfboards ...

"Velvet Crest" The smooth coat and bridle are highlighted in this profile portrait of a delicately arched horse's neck. The print series Equus: Light & Form focuses on the details...

In 1834, William Henry Fox Talbot (1800–1877) saw that silver salts darkened in the sun and invented a photographic process he called “photogenic drawing” — in which images were made...

"Yeow! Pt, Death Valley", a black and white landscape photograph that borders on abstraction by Jeff Nixon (American, 20th century). Signed "Jeff Nixon" lower right. Titled "Yeow! Pt, Death Valley" on verso. Unframed. Photograph size: 8"H x 9.5"W. Mat,12"H x 15"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton...

11 x 14" vintage silver gelatin photograph of painter Jon Carsman in his Manhattan studio, 1974 Signed on the verso by Jack Mitchell. Comes directly from the Jack Mitchell Archives w...

11 x 14" vintage silver gelatin photograph of famed American Ballet Theatre dancer Royes Fernandez, considered to be America's first premier ba...

"Wild Heart" A dark horse with a brilliant blaze of white on his forehead gallops freely against the backdrop of the Atlantic Ocean. Representative of the unparalleled, untamed essence of Sable Island...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

"Luminary" In this award-winning photograph, the incredible features of the all-white horses of Camargue are on full display as they gallop through the water of their remote home. ...

Unidentified male model, multiple exposure with plant leaves, 1971. Mounted on archival board and signed in pencil. This is a vintage silver gelatin photograph made by hand by master...

An underwater black and white photograph of a young naked woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper size...

Black and white capture of actress Marilyn Monroe posed in a rain coat- a screen test for her role in "Niagara", circa 1953. -- One-of-a-kind original vintage press print from the C...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

"Caress" Signs of affection on Sable Island between the horses include nuzzling, like in this image here. The print series Discovering the Horses of Sable...

"Swimming Suit 2" Figurative Photography 39" x 39" in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

This beautiful vintage portrait features Rita Hayworth smiling while enjoying a sandwich break.Rita Hayworth was an American actress and dancer. She achieved fame during the 1940s as...

Jim Clark in action Lotus Zan voort Holland, 1962 Gelatin silver print Paper size: 16 x 20 in. Signed in black ink on print margin by Jesse Alexander About the Artist: Jesse Alexan...

11 x 14" vintage silver gelatin photograph of Merce Cunningham performing 'Solo' in 1975, signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell Archives w...

Fred Astaire was an American dancer, singer, actor, choreographer, and television presenter. He is widely regarded as one of the most influential dancers in the history of film and t...

Marlboro (B&W) 2023 ARCHIVAL PIGMENT PRINT Unframed Sizes: 40 x 60 in (101.6 x 152.4 cm) - Edition of 15 + 2 AP (Artist Proofs) SILVER GELATIN PRINT Unframed Size: 11.3 x 17 in (28...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

"Embrase" Black & White Photography 16" x 16" in Edition 2/24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Elton John by photographer Ed Caraeff, taken on-stage at the Santa Monica Civic Auditorium in California, November 15, 1970. This special edition. print i...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling an outfit for a Saks Fifth Avenue catalog shoot. This is an estate...

11 x 14" vintage silver gelatin photograph of Adult film star Cal Culver (AKA Casey Donovan) photographed in 1972 for the cover of 'After Dark' magazine....

Framing available. A stunning powerful photograph. Tom Millea was known for his exceptional platinum printing. Loose print.Signed. 8x12" pigment print

"Bridging Boundaries" Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores these landscapes and the marks left on them by man. His images, like O'Sullivan's, have a human context - whether it be the lights of a city, a hat, foot or shadow jutting into the frame, or debris/artifacts left behind by ancient or modern passers-by. Working mostly in the desert Southwest...

A stand out image of the late Prince, shot by legendary Detroit photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist of 2016 (See The Guardian UK Photo Section, Jan. 28, 2016) Dimensions: 11 x 14 inches including borders Inkjet Print on Epson Photographic Paper Hand signed, titled & dated in ink on the lower margins Lot 180 is an authorized dealer rep of the artist About Leni Sinclair Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, which she amply documented through vivid and dramatic photography. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends...

The Who members John Entwistle, Keith Moon, Pete Townshend, and Roger Daltry standing in flower garden. The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

"The Visitor" Galápagos Islands 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,5...

This photograph "Bull's Skull" c.1980 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. The photograph size is 10 x 6.5 inches. It is in excellent condition. About Michael Andreas Russ. Michael Andreas Russ (born January 1945 in Berlin) is an German/American photographer, photo designer and film director. Russ' career as a photographer began in New York in the late 1960s where he photographed his fellow acting students. Self-taught, he eventually moved to his own studio off Union Square, Manhattan and connected with the local underground art scene. Photograph by Russ was published on the cover of “Art Direction Magazine of Visual Communication” with a Gertrude Stein quotation: “The composition in which we live makes the art which we see and hear” In his early years Russ focused on men's fashion magazines and erotic sequential photographic scenes for Playboy Press books. He eventually experimented with distinctive photographic techniques, turning 35mm black and white film into chemically toned, masked, solarized and hand colored, one of a kind silver gelatin prints. These 'TinTones' as Russ would call them eventually became the trademark of his work. They were published in popular fashion and lifestyle magazines and brought him international recognition in the art world. His work was published in major fashion, lifestyle and avant-garde magazines, GUNNARS, Mode International, Mode Avant Guarde, PHOTO Magazine, Zoom (photography magazine), as well as German Playboy (magazine), Photo Reporter and cover art to IL Magazine. He also contributed sequential 'sujets de chambre' to Vogue magazine His erotic postcard edition "The Compagnie" became part of the permanent collection of the Musée des arts décoratifs de Paris, an annex to the Louvre museum. Selected Exhibitions. 1980: Musee des Arts Decoratifs (Louvre Annex, Paris). "Postcard edition The Compagnie" 1983: China Club...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Swedish model Inga Lindgren, wife of Argentinian finance minister Ceferino Alonso Irigoyen,...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

River of No Return is a 1954 American Western musical film directed by Otto Preminger and starring Robert Mitchum and Marilyn Monroe. The screenplay by Frank Fenton is based on a sto...

In 1834, William Henry Fox Talbot (1800–1877) saw that silver salts darkened in the sun and invented a photographic process he called “photogenic drawing” — in which images were made...

"Lake Chamo" Ethiopia , 2023 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 / Edition of 6 - $1...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

This is a contemporary photograph of an American Bison. Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russeck has built a reputati...

11 x 14" vintage silver gelatin photograph of Rudolf Nureyev in dance class, January 24, 1962. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell Arch...

Frank Worth captured this classic image of Natalie Wood in 1952. At this point, Wood was already a star having starred in films including Miracle on 34th Street as a child but had no...

John Casado - Untitled 20258 figurative black and white, male body nude, figurative photograph. 2002 - Unique lith silver gelatin photographic print. image = 17.25 x 22.75 or 43.8 ...

Framed, signed 9x12" print of Amy Winehouse taken at a laundromat in London by Jake Chessum. Frame measures 16.5 x 14/5 x 1" Framed in a simple black frame, matting and UV protected conservation clear glass Jake recalls the session: “I travelled from NYC to London in February 2004 to do a press shoot with Amy Winehouse. It was a classic February day: cold, wet, foggy and dark by about 4pm. We met at her flat and went to a few of her local haunts: a cafe, a launderette, Primrose Hill. The record company were very hands off and didn’t pressure us to do any particular set ups. We just went with the flow. She was really entertaining: funny, smart and cooly indiscreet. I am a huge jazz fan and I remember we talked about music, London and New York.” Jake grew...

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival photographic paper Edition of 10 Signed and numbere...

Lone Star (B&W) 2018 ARCHIVAL PIGMENT PRINT Unframed Sizes: 30 x 45 in (76.2 x 114.3 cm) - Edition of 8 + 2 AP (Artist Proofs) 40 x 60 in (101.6 x 152.4 cm) - Edition of 10 + 2 AP (...