USA - Landscape Photography

Programmed Human is a photographic project that aims to subvert the conventional perception of a bustling modern city. Through a series of cenital landscape photographs, a desolate u...

Programmed Human is a photographic project that aims to subvert the conventional perception of a bustling modern city. Through a series of cenital landscape photographs, a desolate u...

Before Long Island City blossomed into a landscape of high-rise residential development, it was a gritty industrial area. One of the iconic images of the LIC was four monumental smo...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

This one depicts a sports wristwatch over an aerial landscape and is titled Fields Pattern. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

"Downtown Atlanta, GA X36" is a drone photograph featuring blue and yellow colors. This listing is for an unframed photograph. This photograph is available in additional sizes. Pe...

"Spirit of the Camargue" In this iconic black and white image, the Camargue horses wild, untamed essence is on full display. Coupled with their all-white coats and bold features, th...

Pine Trees, Study 5, Unyeo Beach, Chungcheongnam-do, South Korea, is a LTD photograph by Michael Kenna. Edition of 25 Michael Kenna is a master of contemporary photography. Known f...

Three women wearing designs by Lilly Pulitzer take a break from shooting during a fashion shoot for Pulitzer at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Slim Aarons Lilly ...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Switzerland in 1964. In classic snowscape of midcentury glamour, winter travelers dressed in 1960s ski fashion relax on colorful red, yellow, and green sun loungers, viewing the blue and white Swiss Alps mountain peaks in the background. This is an estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Verbier Vacation Slim Aarons Estate Edition Chromogenic Lambda print Modern printing from original transparency Captured 1964 (printed later) Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition We are pleased to offer the entire archive of the Slim Aarons Estate. This is a genuine Slim Aarons Estate photograph, estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Complimentary dealer shipping to your framer, worldwide. We are pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Visual Description: In one of Slim Aarons most popular and iconic series, bright, colorful notes of red, yellow, blue and green punctuate the clean white snow, with majestic peaks in the background. In the foreground, holiday-goers, lounge in a perfect vintage moment of casual winter glamour. Snowy mountaintops rise in the background. Verbier is a stunning mountain and winter ski destination in the Swiss Alps, known for its notoriously challenging slopes as well as its famous apres-ski scene. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Internal: Vintage Verbier, Vintage Ski Photography...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers relax in deckchairs on the slopes at Verbier in Switzerland. 1964. This is an est...

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 60 x 90 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His ima...

Lithograph on on Arches wove paper from Men in the Cities portfolio. Hand signed and numbered by Robert Longo. Published by Wolfryd-Selway Fine Art, New York, with their blindstamp....

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Picture of a local attraction in Jacksonville Florida, the Friendship Fountain. Signed by the photographer and framed. frame 17 1/8 x 20 1/4 picture 10 3/8 x 13 1/2 27688-LU259521...

Rockface 27 by Andrew Buck archival pigment print, edition of 5 44 x 44 inches framed Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...

Signed print Edition 60/60 Limited edition 5x7" pigment ink prints are signed and numbered in an edition of 60 for each print. British photographer Michael Kenna’s practice is char...

Adrift is a project that uses a visual language as a means of polar comparison. By pairing photographs of Antarctic icebergs and empty In~upiat Eskimo hunting cabins, it offers a res...

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...

In this deliberately out-of-focus 1979 photograph of the New York skyline from Weehawken, Mitchell Funk captures the dynamic urban energy of Mid-Town Manhattan through the expressive...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como. Brilliant green trees contrast with the vivid orange, reds and turquoise of the architecture. Four boats can are afloat on the deep blue of the lake. Slim Aarons Giacomo Montegazza, Villa La Casinella, Lake Como Slim Aarons Estate Edition Stamped and hand numbered by the Slim Aarons Estate. Chromogenic Lambda print from the original transparency Printed Later Certificate of Authenticity included Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Now in his 70s, Giacomo Mantegazza...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

Meander 2006/printed later Estate signature stamp in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 4.25 x 5.5 inches (10.8 x 14 cm), image This w...

Museo degli Argenti, Palazzo Pitti Firenze 2008 C-print Edition of 5 Signed, titled and numbered on verso “His photographs are theorems of human absence ...” (Vittorio Sgarbi) Bor...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Framed Photograph by Hallie Geller 30 × 40 in 76.2 × 101.6 cm Limited Edition of 10 Edition #4/10, 6,10 and 9/10 available Signed by Hallie Geller Signed on reverse Amalfi, Am...

Framed Photograph by Hallie Geller 30 × 40 in 76.2 × 101.6 cm Edition of 10 Edition #5/10, #6/10, 8/10 available Signed by Hallie Geller Signed on reverse

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mo...

Bapst Library Boston 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Barn, New Concord pigment print on watercolor paper Available in the following sizes: 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 25 $6,500 This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

The Westin Excelsior Hotel on the Lido in Venice, 1957. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Grand Hotel Excelsior, Ve...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

An original C-Print from Sean Scully's Pueblo Dzibalchen series (A Suite of 20) created in 2001. This work comes in a fantastic natural wood archival frame presentation. This series was shot by Scully in Campeche, Mexico. Photograph size: 20 x 24 in. Framed Size: 27.5 x 33.5 Painter, photographer, watercolorist, and printmaker Sean Scully roams the world with his camera, capturing its surfaces in places as far-flung as Mexico and the Aran Islands...

Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: A view from the umbrella boxes towards t...

Slim Aarons' Cat-Shaped Pool, a newly available Estate Edition photograph, features a charming swimming pool in the shape of a cat at the Fontainebleau Hotel, Miami, circa 1955. This historic shot of the pool was captured just after the the Fontainebleau's opening in 1954. Visual Description: Guests enjoying the newly opened turquoise cat-shaped pool at the Fontainebleu Hotel, designed by Morris Lapidus. The deck features sunny, graphic yellow and black umbrellas, as well as red, yellow and blue striped umbrellas and loungers. The cat's tail is a vintage wooden diving board, its ears are stairs, and its nose is a slide. Designed by Morris Lapidus. Slim Aarons Chromogenic Lambda print Slim Aarons Estate Edition Printed Later Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Internal: vintage '50s florida, 50's Miami, vintage poolside, vintage swim fashion, vintage slim aarons, Fontainebleau Hotel, vintage Miami beach, Miami architecture...

Archival Pigment Print Central Park All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist P...

Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...

Archival Pigment Print These formations lie in the Buffalo Gap National Grassland. Nearby is French Creek, a tributary of the Cheyenne River, where gold was found by an expedition l...

Those were the Days - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2020-8...

Snowmass Picnic, Colorado, Estate Edition, Portrait Photograph This late 1960s winter landscape photograph, captured by society photographer Slim Aarons, features a stand-up fondue...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red and mint green umbrellas shelte...

This work is offered by CLAMP in New York City.

This peaceful coastal moment invited you to escape the chaos of daily life and experience a true relaxation. Perfect for any space that needs a touch of calm, this stunning artwork b...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...