USA - Landscape Photography
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Item Ships From: USA
Roy's - 21st Century, Polaroid, Landscape Photography, Contemporary, Color
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
Roys (Amboy), 2018,
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist Inventory Number PL201...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Gasstation (triptych) - analog, Polaroid, Contemporary, 21st Century, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Gasstation (Stranger than Paradise) - 2000
Edition of 9/10.
3 x 58 x 56 x 0.3 cm, 58 x 188 cm installed.
3 Analog C-Prints, hand-printed by the artist based on 3 original Polaroids....
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Metal
Please
By Tom Fabia
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information.
ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are...
Category
2010s USA - Landscape Photography
Materials
Photographic Paper
$900
Pool With the Sea
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in Calpe, Spain. His pictures of architecture carry the same romantic feel of a Parisian shooting ...
Category
2010s USA - Landscape Photography
Materials
Photographic Paper
Cranmore Mountain Skiers, New Hampshire, Estate Edition, Landscape Photograph
By Slim Aarons
Located in Los Angeles, CA
This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA
This is an estat...
Category
1950s Realist USA - Landscape Photography
Materials
Lambda
Marbella House Party, Spain, Estate Edition, Portrait Photograph
By Slim Aarons
Located in Los Angeles, CA
This late 1960s portrait photograph, captured by society photographer Slim Aarons, features guests at a party at the home of Sebastiano Bergese in Marbella, Spain.
This is an estate...
Category
1960s Realist USA - Landscape Photography
Materials
Lambda
Apollo Study #3, Versailles France - Unique Photograph WITH NEGATIVE
By Roman Loranc
Located in Carmel, CA
Rare one of a kind photograph with original negative included on the back. In some cases Roman would make a single photograph from a negative and then put the negative with the print...
Category
Early 2000s USA - Landscape Photography
Materials
Silver Gelatin
$7,000 Sale Price
65% Off
Last Stop Bombay Beach (California Badlands)
By Stefanie Schneider
Located in Morongo Valley, CA
Last Stop Bombay Beach (California Badlands) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Interstate 10 Overpass (Drive to the Desert) - analog hand-print
By Stefanie Schneider
Located in Morongo Valley, CA
Interstate 10 Overpass (Drive to the Desert) - 1999
44x59cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signe...
Category
1990s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Marbella House Party, Spain, Estate Edition, Portrait Photograph
By Slim Aarons
Located in Los Angeles, CA
This late 1960s portrait photograph, captured by society photographer Slim Aarons, features guests at a party at the home of Sebastiano Bergese in Marbella, Spain.
This is an estate...
Category
1960s Realist USA - Landscape Photography
Materials
Lambda
From here to Eternity (Bombay Beach, CA) - Polaroid, Landscape Photography
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
From Here to Eternity (Bombay Beach, CA) - 2022
20x20cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Ar...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Kyoto, Japan
By Pentti Sammallahti
Located in Sante Fe, NM
This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017.
Pentti Sammallahti is a benchmark figure in co...
Category
1980s Contemporary USA - Landscape Photography
Materials
Silver Gelatin
Above the Clouds (29 Palms, CA)
By Stefanie Schneider
Located in Morongo Valley, CA
Above the Clouds (29 Palms, CA) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Umbrella Candy Framed Photograph (Algarve, Portugal)
Located in New York, NY
Umbrella Candy by Hallie Geller
30 x 40 inches including a wooden Frame
Signed by Hallie Geller
Signed on reverse
Umbrella Candy was shot in 2023 in the Algarve in Portugal.
Category
2010s Land USA - Landscape Photography
Materials
Photographic Paper
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Painterly
Located in New York, NY
Ed. 1/5, includes white frame.
Nathan Coe’s 2022-23 Nantucket series captures the nostalgic essence of the island complemented by the artist’s signature element of surprise. Emphasi...
Category
2010s USA - Landscape Photography
Materials
Archival Pigment
$14,300
Plane Crash at Black Rock, 21st Century, Landscape Photography, Contemporary
By Tao Ruspoli
Located in Morongo Valley, CA
'Plane Crash at Black Rock' (Burning Man) Edition 2/10, 20x30cm, 2017, Black and White Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate.
About
Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and musician.
Background
He is the second son of occasional actor and aristocrat Prince Alessandro Ruspoli, 9th Prince of Cerveteri by Austrian-American actress Debra Berger. Tao was born in Bangkok, Thailand and raised in Rome and Los Angeles. He graduated from the University of California, Berkeley with a Bachelor of Arts in Philosophy.
Career
Moviemaker magazine singled out Ruspoli as one of the 10 Young Filmmakers To Watch in its spring 2008 issue. His feature narrative debut, Fix, was one of 10 feature films to screen in competition at the 2008 Slamdance Film Festival and soon afterward at the Santa Barbara International Film Festival where Ruspoli was awarded the Heineken Red Star Award for 'most innovative and progressive filmmaker.' Fix also won the Festival Award for Best Film at the 2008 Brooklyn Film Festival, Vail Film Festival and the 2008 Twin Rivers Media Festival, as well as other prizes at several international festivals. His most well-known documentary is Just Say Know, a personal discussion of his family's drug addiction. His other films include Flamenco: A Personal Journey, a feature length documentary about the flamenco way of life as it is lived by Gypsies in the south of Spain. He has directed a number of other short documentaries, including El Cable (also about Flamenco), and This Film Needs No Title: A Portrait of Raymond Smullyan (a portrait of the renowned logician, mathematician and concert pianist Raymond Smullyan). Tao founded LAFCO in 2000. The Los Angeles Filmmakers Cooperative, is a bohemian collective of filmmakers and musicians who work out of a converted school bus. Through LAFCO, Tao has produced several films and helped dozens of filmmakers to make their first films and discover the wonders of digital media. His producing credits include the feature film Camjackers, which he also acted in and co-edited. Camjackers won the best editing award at the 44th Ann Arbor Film Festival. Tao is an accomplished flamenco guitar player, and his first CD, FLAMENCO, was released on Mapleshade Records in 2005. He married actress Olivia Wilde in 2003. They divorced in 2011. He currently lives and works in the High Desert, California. He is the co-founder of the Bombay Beach Biennale.
The Exaltation of Imagination
Photographs and Musings in Defense of Burning Man
by Tao Ruspoli
The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much-the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this.
Keith Spencer...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Ink, Archival Paper, Black and White, Archival Pigment
SOS (Bombay Beach, CA) - Polaroid, Landscape Photography
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
SOS (Bombay Beach, CA) - 2022
20x20cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist Inv. #PL2022-...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Christmas Traffic, New York, Estate Edition, Long-exposure Photograph
By Slim Aarons
Located in Los Angeles, CA
This early 1950s urban landscape photograph, captured by society photographer Slim Aarons, features Christmas trees and red and white automobile light trails on Park Avenue, New York...
Category
1950s Realist USA - Landscape Photography
Materials
Lambda
East River View (Stay) - Polaroid, 21st Century
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Disko Bay 02, Greenland, Photography 2020, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Pigment
Portofino, Italy (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Portofino, Italy, 1985
Chromogenic Lambda print
Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate.
The most exclusive fishing villag...
Category
1980s Modern USA - Landscape Photography
Materials
Photographic Paper, Lambda
Leslie - 21st Century, Photography, Contemporary, Color, Portrait
By Tao Ruspoli
Located in Morongo Valley, CA
'Leslie' 2011
digital C-Print, Edition 1/10, 20x30cm,
Signature label and Certificate.
Not mounted.
About
Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photo...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane Mirage (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Plane Mirage - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4645.
Not mounted...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Operating Limitations (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Operating Limitations (Stranger than Paradise) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Art...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Airspace (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Airspace (Stranger than Paradise) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Mel's Inverted II - Abstract Colorful Mixed Media Landscape Still Life Painting
By Pete Kasprzak
Located in Los Angeles, CA
Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...
Category
2010s Contemporary USA - Landscape Photography
Materials
Mixed Media, Acrylic, Photographic Paper
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Beach II. Areal Landscape beach limited edition color photograph
By Jill Peters
Located in Miami Beach, FL
Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...
Category
2010s Abstract USA - Landscape Photography
Materials
Photographic Paper, Color, Archival Pigment
Plane tarmac (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Plane tarmac - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4670.
Not mounted....
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Tucumcari, New Mexico; September
By Steve Fitch
Located in Sante Fe, NM
In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Pigment
Campbell Falls Picnic, Massachusetts, Estate Edition, Landscape Photograph
By Slim Aarons
Located in Los Angeles, CA
This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a picnic on the bank of the Whiting River near Campbell Falls, Massachu...
Category
1950s Realist USA - Landscape Photography
Materials
Lambda
Ancient Bridge Views III (Stay)
By Stefanie Schneider
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
There is a light that never goes out - Contemporary, Polaroid, Color
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
There is a light that never goes out - 2017
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Building Construction Site in Paris, 1927 - Silver Gelatin B and W Photography
Located in Atlanta, GA
A unique original silver gelatin black and white photography. A building construction site in Paris, France, March 1927.
A Haussmann building in Paris is undergoing a major renovati...
Category
1920s Art Deco USA - Landscape Photography
Materials
Silver Gelatin
The Safari Inn (California Badlands) - Contemporary, Polaroid, Landscape
By Stefanie Schneider
Located in Morongo Valley, CA
The Safari Inn (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
El Kapp Motel, Highway 64, Raton, New Mexico; December 19, 1980
By Steve Fitch
Located in Sante Fe, NM
From the Vanishing Vernacular series.
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...
Category
Late 20th Century Contemporary USA - Landscape Photography
Materials
Archival Pigment
Slopes & Trails, New Hampshire, Estate Edition, Portrait Photograph
By Slim Aarons
Located in Los Angeles, CA
This mid-1950s winter photograph, captured by society photographer Slim Aarons, features skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955.
This is an e...
Category
1950s American Realist USA - Landscape Photography
Materials
Lambda
Yosemite Falls closeup, Yosemite
Located in Milwaukee, WI
Alternative sizes and media available:
16 x 16
16 x 20
16 x 24
20 x 20
20 x 30
28 x 28
28 x 35
30 x 45
40 x 40
40 x 50
40 x 60
Matte photo paper or canvas available on...
Category
1950s USA - Landscape Photography
Materials
Photographic Paper
Plane tear (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Plane tear - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4651.
Not mounted.
...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
North Shore Mirage (California Badlands) - Contemporary, 21st Century, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
North Shore Mirage I (California Badlands) - 2016
28x38cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
Artist In...
Category
2010s Contemporary USA - Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Mirage (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Mirage (Stranger than Paradise) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Two Iconic, Large Elephants Walking Across Amboseli National Park, Wildlife
By Drew Doggett
Located in US
"Titans of Time"
The world’s two largest tusked elephants, Tim & Craig, can go months without crossing paths so seeing the two together is one of the most extraordinary sights in th...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Pigment
Plane touch down (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Plane touch down - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4660.
Not moun...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Chrysler Building, Study 4, New York, New York, USA
By Michael Kenna
Located in Denton, TX
Edition of 25
Signed, dated and numbered in pencil on mount margin recto.
Signed, titled, negative date, print date and numbered in pencil with the
artist's stamp in black ink on mo...
Category
21st Century and Contemporary Contemporary USA - Landscape Photography
Materials
Silver Gelatin
Starlite Motel (California Badlands) - Contemporary, Polaroid, Landscape
By Stefanie Schneider
Located in Morongo Valley, CA
Starlite Motel (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Asperitas Cloud, Seibert, CO, limited edition photograph, signed, archival ink
By Mitch Dobrowner
Located in Sante Fe, NM
Asperitas Cloud, Seibert, CO, limited edition photograph, signed, archival ink
In his epic landscape photography, Mitch Dobrowner is drawn towards nature at its most sublime. Influ...
Category
21st Century and Contemporary Contemporary USA - Landscape Photography
Materials
Archival Pigment
Forest Sunrise (Hand-printed cyanotype, 12 x 16 inches)
Located in Oakland, CA
This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints were made. A smaller edition of the larger 18 x 24" photograp...
Category
2010s Realist USA - Landscape Photography
Materials
Photogram
New York Rainbow
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information.
ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His picture...
Category
2010s USA - Landscape Photography
Materials
Photographic Paper
Mirage - Contemporary, Nude, Desert, Blue
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
Mirage
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-100.
Not mounted. ...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Constellation, China, Lost in Abstraction (B&W Photography)
By Alexandre Manuel
Located in New York City, NY
Alexandre Manuel
Constellation, China, 2019
20x20 in (50x50cm) - Edition of 10
Archival Pigment Print
Image size 20x20inches (50x50cm)
Framed size: 28x28inches (70x70cm)
Mounted and...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Pigment
Industrial Drive, Flagstaff, Arizona
By Robert Voit
Located in New York, NY
Chromogenic print on Kodak Endura paper
Signed and numbered on label, verso
24 x 20 inches
(Edition of 4)
61 x 50 inches
(Edition of 6)
This photograph is offered by ClampArt, loca...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
C Print
Walking on Sunshine - Contemporary, Polaroid, Nude, Color
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
Walking on Sunshine (Bombay Beach) - 2019,
20x25cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Drebin - Escape To Lake Como, Photography 2016, Printed After
By David Drebin
Located in Greenwich, CT
Series: Dream Scapes
All available sizes & editions for each size of this photograph:
30" X 72"- Edition of 10
40" X 96"- Edition of 7
40" X 96" - Edition of 3; Lightbox
"Drebin’s D...
Category
2010s Contemporary USA - Landscape Photography
Materials
C Print
Transitory Space #23
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary USA - Landscape Photography
Materials
Digital Pigment
Upside Down
By Ulas & Merve
Located in New York, NY
ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...
Category
2010s USA - Landscape Photography
Materials
Photographic Paper
California Depression (California Badlands) - Contemporary, Polaroid, Landscape
By Stefanie Schneider
Located in Morongo Valley, CA
California Depression (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
D Twelve Clouds, Softly, Slowly
By Kate Breakey
Located in Sante Fe, NM
Artist Statement
For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...
Category
2010s Contemporary USA - Landscape Photography
Materials
Archival Pigment
Cloud #10
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
17 x 32 inches, sheet
12.75 x 30 inches, image
(Edition of 15)
17 x 42 inches, sheet
15 x 40 inches, image
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Originally trained as a painter, and then working as a collage artist, Marc Yankus began incorporating his own photographs into his artwork around 1999. However, when he did so, it marked a turning point in his career. In many of Yankus’ photographs, textures scanned from old tintypes, books, and other objects are digitally layered on top of the artist’s original images. The superimposition of the old and the new serves as an apt metaphor of Yankus’ wider conceptual interests. Throughout his work, the artist oscillates not only between the old and the new, the past and the present, but also between figuration and landscape. Establishing a rhythm and play between timeless portraits and beautifully still and quiet landscapes and cityscapes, Yankus’ achievement is a wonderful consistency of mood. Hushed, introspective, and at turns even melancholic, this body of work is ultimately a reflection of the artist’s personal past and his passage into the present time.
Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth, and Alan Hollinghurst, among many others. His images have also been used for theatrical posters for such acclaimed Broadway shows as “Jane Eyre”; August Wilson...
Category
Early 2000s Contemporary USA - Landscape Photography
Materials
Archival Pigment
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