USA - Landscape Photography

Kay Tibbs Under the Skin Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

Follow the light and cast away rational assumptions. It will lead you to the sublime. Street Photographer Mitchell Funk captures three statuesque Black Women in formation as they hea...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980 Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered ...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1303. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1304. N...

Shannon Maltbie-Davis Bird’s Eye View of KC Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided ...

this is impression #3 out of an edition of 10

edition 12/12

Jarrett Redd Fog Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black fra...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1328. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1308. N...

Eden-Roc Pool 1976 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate CAPTION: Guests by the pool at the ...

'Horses' From Nina Dietzel's Borderland series. Archival Pigment print is Ed. 1/7 - Unique. 12 x 16 inches / Frame outer dimension is 15 x 19 x 1 inches. Contemporary white powder co...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

Richard Klopfenstine Kemper Museum of Contemporary Art Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; ma...

Jack Hayhow Title: Kansas City Icons Photographic Print on fine Paper Year: 2020 Size: 16x24 inches Description: Available in multiple sizes - please inqu...

All available sizes & editions for each size of this photograph: 16" x 13" Edition of 4 26” x 21" Edition of 7 40” x 32" Edition of 7 55” x 44” Edition of 10 While the spaces themse...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

This rich, vibrant Slim Aarons Estate Edition photograph depicts a swimming pool at the glamorous Villa Igiea, in the Sicilian cultural, economic and tourism capital of Palermo, on t...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Flo Smith (left) and Lily Pulitzer share a secret at a pool party, Palm Beach, Florida, April 1961. Description and alt text: In this classic image of midcentury poolside glamour, two suntanned white women share a moment by the sparkling blue and green reflective swimming pool. Flo Smith wears a breezy straw hat and sailor striped top with white shorts, and Lily Pulitzer wears a mod Grecian vase print and coral pants, and a vibrant pink kerchief. The figures in the foreground are in crisp detail, and the lush background of palm trees and cool blue sky is in soft focus. There is a beautiful contrast between the soft-focus background foliage and its graphic, bright reflection in the pool in the middle ground. Flo holds a white bag and her nails are painted red, echoing the trim of her hat. Pulitzer wears a jade bracelet, echoing the jade of the pool and her top, and her nails are natural. A blue cabana can be seen in the background. Flo holds an arm around Lily's waist, and Lily lightly tips the corner of Flo's hat. This is a perfect image for a collector of classic photography, midcentury glamour, or iconic friendship. Color chips for complementary decorative shades of soft red, deep pink, delft blue (sky), and jade greens (pool, palms and poolside foliage) can be seen in slideshow. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Modern printing from original transparency C-type print on Fuji Crystal Archive Paper, Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of photography, negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal tags are vintage glamour, vintage Palm Beach, midcentury glamour featuring Lily Pulitzer, Slim Aarons, classic midcentury photography, perfect reflection, iconic friendship, historic glamour, red, pink, blue and green, turquoise and jade...

Chalet Costi, Zermatt, Estate Edition, Winter Landscape Photograph This late 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers outside the Ch...

Considered one of Brett Westons most beautiful dunescape. Denise Bethel of Sothebys remarked it was the greatest dune of Brett she had ever seen. Vintage Photograph printed...

Squaw Valley Snow, California, Estate Edition, Winter Landscape Photograph This early 1960s portrait photograph, captured by society photographer Slim Aarons, features the deserted ...

Squaw Valley Snow, California, Estate Edition, Winter Landscape Photograph This early 1960s portrait photograph, captured by society photographer Slim Aarons, features the deserted ...

Rancho San Carlos Cattle Ranch, 1950's Photograph 1950's photograph of the San Carlos Cattle Ranch located south of Carmel Valley, California by James Ziegler (American). The ranch ...

Palace Hotel, Gstaad, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the Palace Hotel in Gstaad, ...

Artist: Thomas Mangelsen – American (1946- ) Title: Winter Mist – Trumpeter Swans Year: 1987 Medium: Color Photograph Sight size: 13.25 x 19.5 inches. ...

Quimby Farm, Marlborough, NY, 2018 pigment print on watercolor paper, signed dated and numbered on face 13 X 16 1/4 edition of 25 $1,500.00 24 x 20, edition of 25 $2500 This Black...

Hyomon, Study 1, Hokkaido, Japan by Michael Kenna is a black and white high contrast photograph of a lake shore, with tree branches covering the sky. Edition 2/25 Signed, titled, ne...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Caped Skiers, Colorado, Estate Edition, Landscape Photograph This late 1960s landscape photograph, captured by society photographer Slim Aarons, features skimaster Stein Eriksen lea...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on...

Antony Zega (1962-2019). Leaning Pine (Cape Cod), ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp o...

A group of people relaxing by a pool near Lake Tahoe, California, 1959.

Antony Zega (1962-2019). Cadiz, 1987. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.

Dani Geneux (left) and Marie-Eugenie Gaudfrin sunbathing at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Aarons' iconic photograph depicts the legendary hotel made famous by Fitzgerald's Tender is the Night...

Akeley, Minnesota, 2007 2007/printed later Signed in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 4.75 x 5.5 inches (12.1 x 14 cm), image This w...

Reinhard Görner captures the monumentality of the Beinecke Rare Book & Manuscript Library, Yale's principal repository for literary archives, early manuscripts, and rare books...

North Conway Sleigh, New Hampshire, Estate Edition, Winter Landscape Photograph This mid-1955s winter landscape photograph, captured by society photographer Slim Aarons, features an...

The artwork's frame is not visible in front. There is a metal frame on the back to hang the photograph. The photo was printed on photo paper and covered with prexy-glass on top. Simakov Kirill – Russian photographer. Born on August 15, 1984 in Moscow. Taking a great interest in photography, Kirill began working at the S.Bermeniev’s National Portrait Gallery in Moscow. He was organizing and conducting photo sessions of world celebrities and outstanding figures of art and politics, curated exhibitions, and belonged to the editorial group on creating books, catalogs in Moscow, St. Petersburg, Milan, Vicenza, New York, etc. In 2012 he received a certificate of completion of the course “Marketing for photographers” and in 2018 completed “Portrait Photography” course at the New York Institute of Photography. In 2013, Kirill founded his own Collection of author’s photos for interior decoration of homes and office space. In 2016 he opened a working studio in Moscow. In 2017 – 2018 there were Kirill’s solo exhibitions: – “Borislav Strulev and Friends”, Conservatory, Belgorod (30 portraits); – “New York or Nowhere”, FLACON Design Factory (40 photos); – “Outstanding People. Portraits on Skateboard decks “, Design Factory FLACON (15 works). – “People, Cities” was held in the gallery “Moscow”, with the support of WESTWING and the Nastenka Charity Fund (12 works). 2018 – Exhibition booth during the ArtFair in Tampa, Florida 2018 – 2019 Official Ambassador of Leica Camera in Russia. 2019 – Personal Exhibition Booth at Red Dot during the Art Basel Miami 2020 – Exhibitor at SHANGHAI INTERNATIONAL ART FAIR Kirill photographed many personalities – Vasiliy Lanovoi, Dmitry Medvedev, Stephen Seagal, Michail Gorbachev, Boris Efimov, Paul Walker, Vladimir Etush, Al Pacino, Vladimir Putin, Alexey Nemov, Yuriy Solomin, Vyacheslav Fetisov , Woody Allen, Elie Wiesel, Maya Plisetskaya...

Framed in museum high quality clear arcylic and wood frame. Excellent condition. Edition 3/25 Purchased directly from Loranc. Stunning printing.

Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, Italy, in July 1991. The image was taken from Hotel Il Pel...

Palace Hotel, Gstaad, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the Palace Hotel in Gstaad, ...

This is a hand-printed photograph using a 19h century process. The view is of a very misty morning in the woods in the hills across the bay from San Francisco when one could only see...

Minimalist aerial landscape photograph of green ponds with a white barrier Archival digital print, Edition of 25 (#072) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs five green ponds above Batavia, New York. When seen from above, the stark white barrier that divides the green bodies of water resembles an abstract line on a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The te...

Ice Hockey, Switzerland, Estate Edition, Landscape Photograph This early 1990s winter photograph, captured by society photographer Slim Aarons, features a group of people play an im...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba serie...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

Ice Hockey, Switzerland, Estate Edition, Landscape Photograph This early 1990s winter photograph, captured by society photographer Slim Aarons, features a group of people play an im...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Ko...

Title: Grand Canal, Venice, Italy All available sizes & editions for each size of this photograph: 13” x 21" Edition of 4 21” x 35" Edition of 4 32” x 53” Edition of 7 44" x 73" Edi...

Onishi Tree Shadow and Clouds, Study 2, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this ...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...