USA - Landscape Photography

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Towering Monterey pines lean into the blue mist of the valley beyond. These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. The photograph is of the coastal redwood...

Gathering is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green colors. It is $1,650. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

Stefanie Schneider's Mini Daisy in front of Trailer (Till Death do us Part) signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editi...

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

Archival Pigment Print picture from my bedroom window (where I grew up) All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Village Motel Blue (The Last Picture Show) - 2005 58x56cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, signed on ...

American film star Kirk Douglas water-skiing in the sunshine at the Eden Roc annex to the Hotel du Cap d'Antibes on the French Riviera, August 1969. Aa...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but without completely abstracting rea...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

Laura Lloyd Maple Leaves Archival Pigment Print Year: 2024 Visible Size: 7.5 x 11.25 inches Framed: 14 x 18 x 1 inches Signed: On Label COA provided *Black frame with standard plex...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper Hadley's photographs have been exhibited at the Milan Photo Fair (Italy)...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: French photographer Ludwig Favre recently road tripped to California...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

SEASCAPE I Diptych ( framed ) by Frank Schott from a series of photographic works capturing the sea blue color palette of the ocean 2 Panels 86.75 x 58 inches / 220.35cm x 147.3cm ...

A black-and-white image shot on film, Roberta Fineberg captures on a carefree summer day a child's hand waving goodbye, prophetically perhaps at the Worl...

Palm Beach Idyll, 1955 C-print 30 x 30 inches A couple sunbathe by the sea at Palm Beach Florida 1955 USA Slim Aarons (1916-2006) worked mainly for society publications photograp...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

This midcentury landscape photograph, captured by society photographer Slim Aarons, features a midcentury chalet with a view at the Sugarbush Mountain ski resort in Warren, Vermont i...

"Downtown Atlanta, GA X36" is a drone photograph featuring blue and yellow colors. This listing is for an unframed photograph. This photograph is available in additional sizes. Pe...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. ...

Edition 5 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

ABOUT THIS ARTIST: Alex Purcell is an award winning mixed media visual artist and creative director. Most commonly blending photography and CGI, Alex is drawn to pockets of stillness...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Kelly Ludwig Barn Archival Pigment Print Year: 2024 Visible Size: 11.5 x 15.5 inches Framed: 18 x 22 inches Signed: On Label COA provided *Black frame with standard plex Kelly Lud...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Slim Aarons Trevi Fountain, Rome 1991 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The Trevi Fountain in the Trevi r...

Up up and away - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but without completely abstracting rea...

Family 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Medium format Negative. Signed on back with Certificate. Not mounted.

"Tulle no. 53, Taos, NM" is a color photograph, limited edition, signed and numbered by Thomas Jackson. Thomas Jackson's Emergent Behavior is inspired by the instinctual self-organi...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but without completely abstracting rea...

Ochre Room, Havana, Cuba, 2014 Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresholds that divide and connect the sea to land. ...

Ed. 3/15, includes black frame. Nick Brandt is an English photographer whose themes always relate to the disappearing natural world, before much of it is destroyed by mankind. From...

Snow (Strange Love) - 2003 50x75.5cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of Stefan...

Erin Eggerman ASB Railroad Bridge Lift Mechanism Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted ...

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

"Morning Mists, Pyin U Lwin, Myanmar" is a silver gelatin, limited edition photograph by Michael Kenna. Michael Kenna is a master of contemporary photography. Known for clean comp...

A unique original silver gelatin black and white photography. The Town Hall street in Lyon, France, March 1927. A view of the town hall street in Lyon, France, dated March 13th, 192...

Framed Photograph by Hallie Geller 30 × 40 in 76.2 × 101.6 cm Edition of 10 Edition #5/10, #6/10, 8/10 available Signed by Hallie Geller Signed on reverse

"Arteti Leading Camels" In this iconic photograph, a Rendille warrior takes his camels to find water. It is part of his role to make sure that each animal has what they need, even ...

Lake Wakatipu in the South Island of New Zealand by Andy Currie (England, B-1965). Andy was Born Edinburgh 1965. After entering into the graphics industry at 16 as an apprentice came...

Black and white landscape photograph of a Monterey pine tree partially silhouetted against a cloudy sky, by possibly Jim Deike (American, 20th Century). Signed illegibly lower right....

Programmed Human is a photographic project that aims to subvert the conventional perception of a bustling modern city. Through a series of cenital landscape photographs, a desolate u...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery...

An image from Kincaid lunar series. An edition of 10 Over the course of three decades, Ted Kincaid has systematically subverted the notion of an objective photographic record and examined the play between painting and photography. Kincaid has created multiple series...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but without completely abstracting rea...

Magnolia Delight - 2018, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2018-...