Wisconsin - Art

Art: 16"x 15-3/4" Frame: 18-3/4"x 18-3/4" Giclee print on board after 2006 mixed media textile Stacy Wiatrak is a textile artist from Milwaukee, Wisc...

Art: 17 3/4"x 15" Frame: 31" x 26 3/4" Signed Watercolor Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

Art: 29-3/8"x 21-1/8" Frame: 31'x 22-1/2" Original signed lithograph poster Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nanc...

Art: 23" x 18" Frame: 33" x 29 1/4" Watercolor, signed in ink lower right Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

'Flower' is an original fruit serpentine sculpture signed by the Zimbabwean artist Josphat Makenzi. Makenzi was trained in the contemporary Shona stone...

Art: 12-1/2 x 14-1/2 Color Aquatint, signed (36/40) Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...

Giclee print on watercolor paper after 2001 oil Art: 20"x 15" Frame: 30"x 25"

Art: 12"x18" Frame: 20 1/2"x26 1/2" Pastel, stamped signature lower right Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, art deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso and Ernest Max in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Exhibitions David Barnett Gallery...

Art: 26-3/4"x19-3/4" Frame: 27"x20" Poster, signed & inscribed to Philip Barnett lower left (43/58) Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' Écol...

26 1/4" x 18" art 28.25" x 20" frame Poster for Untitled, 2017 Poster Series Curated by Christophe Boutin and Mélanie Scarciglia for Untitled, Miami Beach, 2017.

Art: 30 x 40 inches 39.75 x 49.75 inches Signed “Charlie Dye” with branding iron symbol and copyright, lower left. Title in black ink on reverse stretcher...

Clay, Double Walled Porcelain Glazed signed on the bottom. 7 x 23 inches Karen Gunderman is an experienced artist based in the United States whose paintings have been exhibited nati...

Art: 3.87" x 3.87" Frame: 6" x 5.37" x 2" Signed and dated lower right.

African (Shona) 49 Shona Stone Samples with Specimen Box

African (Shona) 25 Shona Stone Samples with Specimen Box, ca. 2005

"Can't Get Her Off My Mind" is an original ceramic sculpture created by Steven Kemenyffy. 43"x30"x14" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Art: 9"x11-1/2" Frame: 16"x18-5/8" Felt tip pen, signed lower right Sylvia Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

The present artwork is an original etching by American artist Leonard Baskin. Here, he presents a portrait of the Flemish Renaissance artist Peter Breughel the Elder in profile, executed after the engraving by Johannes Wierix published in 1572 by Volcxken Diericx and Hieronymus Cock. In the portrait, Baskin displays a love of line and texture, using the etching technique to exaggerate and draw attention to the wrinkles of the face, while leaving the hair and clothing like a study or sketch. Like in the work of contemporary artist Claude Weisbuch, the result for Baskin is an image that recalls the old masters and displays the mastery of contemporary printmakers, but that also places mid-century formal concerns at the forefront of portraiture and figuration. etching in black in on Rives paper 17.5 x 17.5 inches, plate 29.75 x 22 inches, sheet 33.5 x 25.88 inches, frame Entitled "Breughel" in pencil, lower left Edition 9/50 in pencil, lower center Signed in pencil, lower right "PB" in the plate, upper left "PB" in the plate, upper right (faint) Label for Irving Galleries, Milwaukee on reverse Label for David Barnett Gallery on reverse Framed behind glass in a distressed cassetta-style moulding Artwork in overall good condition; general toning to the paper; some scattered foxing; frame in good condition with some losses to finished surface revealing white ground Born in 1922 in New Brunswick, New Jersey, Baskin was reared in Brooklyn, New York. The son of a Rabbi, Baskin was educated at a yeshiva (Jewish religious college), which had a profound effect on his aesthetic. Committed to art at an early age, Baskin had his first exhibition. of sculpture, at the Glickman Studio Gallery, New York, at the age of seventeen. He studied at Yale University from 1941 to 1943 and received his B.A. at the New School for Social Research in 1949. Baskin spent 1950 and 1951 abroad, studying in Paris and Florence. In 1953 he began teaching printmaking and sculpture at Smith College in Northampton, Massachusetts, where he remained until 1974. It was while he was at Smith College that he founded Gehenna Press, a small private press specializing in fine book production. He moved to England in 1974 and stayed till 1983 when he returned to America.. These nine years were enormously productive and besides sculptures he created a fine selection of prints and paintings. Baskin became intrigued by Greek history, philosophy and mythology at an early age and this study inspired many of his sculptures and paintings. Other influences were early 20th century sculptors, notably Ernst Barlach Leonard Baskin was one of the universal artists of the 20th century. He was a sculptor of renown. He was a writer and illustrator of books ranging from the bible to children's' stories and natural history. He was a talented water-colourist and a superb, prolific print-maker. His prints ranged from woodcuts through lithography and etching; his subjects covered portraits...

Art: 9-1/2"x12-1/2" Frame: 17-1/4"x 20-1/4" Abstract black marker on cream sketchbook paper. Signed Sylvania lower right. Silk lined matting and glazed in UV Clear Glass that filte...

41x25x10" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

31" in height roughly 12-15" wide Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Porcelain Ceramic signed artist on bottom. 12 x 18"

African (Shona) 49 Shona Stone Samples with Specimen Box.

African (Shona) 49 Shona Stone Samples with Specimen Box

"Yosemite Valley" is an original photograph by Thomas Ferderbar. This is an expansive landscape show of the yosemite valley. An amazing black and white view that emulates Ferderbar's...

African (Shona) 25 Shona Stone Samples with Specimen Box, ca. 2005

African (Shona) 49 Shona Stone Samples with Specimen Box.

Working within a predominantly abstractionist context, a group of younger artists forged a mode of representational art in the 1950s and 1960s that made use of Abstract Expressionist...

Original Lithograph in Sepia Art: 8-1/2 x 6-1/2

Oil pastel and acrylic on paper bag, signed lower right Art: 13 3/4 x 11 3/4 inches Frame: 19 5/8 x 17 5/8 inches Reginald K. Gee was born in Milwaukee on April 28, 1964 to Native ...

African (Shona) 49 Shona Stone Samples with Specimen Box.

African (Shona) 49 Shona Stone Samples with Specimen Box

Indonesian wooden Flat Puppet (Klitk) with light pink face, 19th century. 18 1/2 x 4 3/8

19th Century Indonesian mask made from wood.

"Les Deux Baigneuses (The Two Bathers)" is an original etching from 'L'Estampe Originale' by Pierre-Auguste Renoir. Signed with initial and numbered ‘42’, from the edition of 100. The stamp of the publication is in the lower left of the paper. This piece features two nude female bathers. 10 1/4" x 9 1/4" image 23 1/2" x 16 3/4" paper 34 1/8" x 28 1/8" frame Pierre-Auguste Renoir, commonly known as Auguste Renor (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings...

Gable like symbol of authority Ibibio, Nigeria, c1940

9" dia. Ceramic, signed and dated The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

Art: 20"x 26" Frame: 28-1/2"x 32-1/2" Charcoal on paper. Signed, dated and inscribed to David Barnett. Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' É...

22x23 Terra Sigillata B.S. in Art Education: University of Wisconsin-Stout in 1971 "This work is low-fired and unglazed. The objects are burnished wi...

This color lithograph printed in 2011, Magie noire (Black Magic), by the Surrealist artist, René Magritte, is number 16 in an edition of 275. Facsimile sig...

Art: 5-1/2"x 5" Frame: 14"x 13-3/8" Watercolor on Holbein watercolor paper. Signed and dated lower right. From Wisconsin, now living Kansas, Lueck is a Hallmark Illustrator & waterc...

Thai Bronze Head of Buddha (Original) 17th c.

This darling angel garden stake sculpture brings the springtime inside or out while making a fantastic gift for mom, a friend, or as a welcome gift for a ...

Art: 5 1/2 x 4 3/8" Frame: 10 1/8 x 8 1/8" Original color woodcut on paper, signed in block. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

"Sarpta" is an original oil on canvas painting created by Antoni Tapies. This is a fantastically dark mid-century abstract painting. There is a monstrous figure barely visible on the...

Image: 2 1/2"x2 3/4" Paper: 4 1/2"x4 1/4" Frame: 9 1/2"x9 1/2" Archival inkjet print Signed in pencil lower right. David Barnett, an artist, collector, appraiser and gallerist ha...

Art: 51 x 38 inches Frame: 53 x 40 inches Born in Port-au-Prince, Haiti. Mid-career artist. He was part of Expo Florida, 2000 in Coconut Grove and the 2...

"Spirit Not in Flight," 1994, is a pastel work by Della Wells. The work depicts a nude black woman looking out from the picture, meeting the viewer's ...

Sheet: 9 7/8 x 11 3/8 inches Plate: 5.75 x 5.88 inches Frame: 14 x 14 inches Etching (A/P) Joseph Rozman was born on December 26, 1944 in Milwaukee, WI. He was the first artist to ...

In this artwork Milwaukee-based artist Joan Dvorsky presents the viewer with an image of a single abstract leaf. The artwork incorporates a digital print of an earlier acrylic painti...

2-1/4 x 7" Ceramic Bowl, signed and dated verso The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

Art: 10-3/4"x 8-1/4" Frame: 17-3/4"x15-3/8" Watercolor, stamped signature Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Joan Miró produced this original color lithograph especially for Rafael Alberti's text 'Maravillas con Variaciones Acrósticas en el Jardín de Miró' (Wonders with Acrostic Variations ...

Chiefs Staff (Elaborate Carving) c 1900-1925 Wooden staffs were used by Maori chiefs and other notables as a physical sign of their status. They were hel...

BaPende Female Wedding Mask-Zaire Wood, raffia. Made in Africa 21 1/2 x 5 1/4 x 4"

Mixed Media, signed & dated lower margin. Art: 36"x 12 1/2" Frame: 45 1/2"x 21 1/2" BORN 1947 - GRAND RAPIDS, MICHIGAN His mother always thought he was just a little bit of a rebel. And not just because he mixed his paints and painted out of the lines on his paint-by-number pictures. To this day, John Baughman marches to his own drummer, which is apparent when viewing his multi-media artwork. That is also part of his charm. Growing up in rural Western Michigan, John was the oldest of five children. There were no artists in his family, but he was interested in drawing at a very young age; he differed from most young artists in that he wanted to be experimental rather than ordinary. A kind, neighbor lady, Paula Larson, who was a Director of Art, encouraged John to keep his interest in art by always leaving artistic materials on her kitchen table. They were open to him whenever he pleased. John's father was an executive for GM and hoped his son would grow up to be an engineer. John loved...

In this artwork, Milwaukee-based artist Joan Dvorsky presents the viewer with a composition of shapes and colors that abstractly and subtly resemble a beautiful, colorful and complex...

'Bowl' is an original glazed stoneware by Mark Shekore. The artist signed the piece on the bottom. It is 8" tall and has a diameter of 6 1/2". Mark Shekore attended the Universit...