Wisconsin - Art

'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300) Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

"White Horse" is an original wood engraving by Howard Thomas, signed in plate. A white horse trots past the foreground of the image, spirals in it's eyes and spots on its hide. A bla...

Printed in 1943, by the U.S. Government Printing Office for the U.S. Department of Agriculture Forest Service. The poster features the beloved Disney characters, Bambi (deer), Thumper (rabbit), and Flower (skunk) in wide-eyed shock leaning towards fear. With the slogan "Please, Mister, don't be careless" the poster is designed to tug at the heartstrings of the viewer and make them consider what actions they could take in their own lives to prevent forest fires. Poster: 20" x 14 1/4" Frame: 30" x 22 1/2" Framed to conservation standards with a 100% cotton fiber matboard border and UV clear glass that filters 99% of UV Rays. UV Rays can be especially damaging and cause fading to the inks used in poster making. All of these features are housed in a contemporary natural wood frame. Smokey Bear...

"Even Before Anything Happens" is an oil on canvas by Deirdre Schanen. The blue expanse is calm. At the bottom right is a cream colored expanse with a line of red down it and some ch...

"Dolly" is an original color lithograph poster by The Clérice Frères (The Clérice Brothers), signed within the composition on the lower left edge, just ...

"Le Passant" is an original Art Nouveau color lithograph. It depicts two women in the foreground wearing medieval white robes and a knight passing behind them on a black horse. Features the L'Estampe Moderne blindstamp bottom right hand corner. 1898. 15 3/4" x 12" art 23" x 19 1/4" framed Robert Engels studied in Dusseldorf and moved shortly thereafter to work in Munich. Later, he became a professor at a school of applied arts at the KGS in Munich. He created many decorative prints as well as stained glass windows and also created compositions to illustrate Joseph Bedier's rendition of "Tristan and Iseult...

"Secret Society Mask-Sierra Leone W. Africa," is a wood sculpture of a woman's head. The hair has been sculpted with intricate detail, and metal hair adornments...

"Boats Amongst the Mangroves" is an original watercolor and gouache painting on paper by Doris Lee. The artist signed the piece lower right. It depicts boats and other objects on a f...

"Dan Mask Ivory Coast" is a mask sculpted out of wood with hair and mud. Slit eyes and an opened mouth with a heart shaped face. 6" x 9" x 2" Da...

"King with Two Tribesmen" is a bronze relief sculpture from the Nigeria-Benin area tribe. It depicts three figures: two tribesmen on the left a...

Signed, titled, and dated on verso. A leading Peruvian artist, Ernesto Gutierrez, was born in Lima, Peru, in 1941. His father was a Spaniard and his mother a descendant of the Incas...

"Glimpse of the Party" is an original oil pastel drawing on board by Reginald K. Gee. The artist signed the piece on the back. It features abstract marks on a blue background. Some a...

'Playing Sisters' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe...

"Finest Hope" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition number, 182/300, in the lower left with graphite...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

"El Baile (The Dance)" is an original oil painting on Jute by Ernesto Gutierrez. The artist signed the piece in the lower right. This painting depicts five figures dancing and playin...

Framed 16.25 x 18.75 in 11.38 x 8.75 inches (sheet), 11.25 x 8.75 inches (block) Linoleum block print on laid paper. Signed in plate

"Trompe L'Oeil is an original color lithograph by Saul Steinberg. The artist signed the piece in the lower right and wrote the edition number (6/50) in the lower left. This piece sho...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

"Room Interior" is an original acrylic painting on masonite by David Barnett. The artist used bright, non-mimetic colors to create an abstracted interior scene. Artist signed piece o...

"Dream Weavers" and "Soul of the Land" are two sides of a double-sided lithograph by Alphonse Mucha. These illustrations were created for "Ilsee, Princess of Tripoli" and are the rare proofs before the text. These artworks were for pages 31 and 32. 8" x 6 1/4" art 19 1/4" x 17 1/8" frame Alphonse Mucha was born in 1860 in the small town of Ivancice, Monrovia. Though it is rumored that Mucha was drawing before he was walking, his early years were spent as a choirboy and amateur musician. It wasn’t until after he finished high school that he came to realize that living people were responsible for the art that he admired in the local churches. That epiphany made him determined to become a painter. He was soon sent off to Paris, where he studied at the Academie Julian. On January 1, 1985, he presented his own new style to the citizens of Paris. Spurning the bright colors and the more square-like shape of the more popular poster artists, the design was a sensation. Art Nouveau can...

This original lithograph is one of six produced by Joan Miró especially for the fourth volume of the catalogue of his lithographs. These are excellent examples of his later work and ...

Linoleum block print with ink additions on orange laid paper Framed 18.88 x 15.88 in Signed in plate

"Mi Gato" is an original collagraph by Joseph Rozman. The artist signed, dated, and titled the artwork below the image. This artwork is the artist's proof. This artwork features an a...

"Le Printemps" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (184/200) in the lower left. This piece ...

11.88 x 8.88 inches (sheet), 11.75 x 8.88 inches (block) Framed 16.50 x 19.38 in Linoleum block on honey laid paper. SIgned in plate

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Framed 15.75 x 13.13 in Signed to margin

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

"Les valeurs personnelles (Personal Values)" is a color lithograph after the original 1952 painting by Rene Magritte. This interior scene has objects of various sizes. A comb, match, brush, and glass are bigger than typically larger objects like a queen bed and chest of drawers. The walls are a bright cloudy sky. Art: 19.63 x 4.75 in Frame: 34.13 x 38.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

"Yanagibashi in Snow" is an original color woodcut by Utagawa Kunisada. This woodblock print depicts a woman walking in the snow near the Motoyanagi canal, which was located in Tokyo...

Linoleum block print with ink additions on mustard laid paper 9 x 11.88 inches (sheet), 8.88 x 11.75 (block) Framed 16.82 x 19.75 Signed in plate

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

"Ichimura Hazaemon as Hatsuyumeya Mitsujiro" is a woodcut print by Toyoharu Kunichika in red, blue, and black. 14" x 9 1/2" art 20 3/4" x 16 3/4" framed From the series “First Per...

Christiane Bouret is a painter that works with oil paint to create figurative artworks and portraits, and the present painting is an excellent example of her work. In the image, we s...

"The Race for the American Derby (Belmont Stakes)" is an original hand-colored lithograph published by Currier & Ives. It depicts three racehorses and their jockeys running in the Belmont Stakes. The caption for this lithograph says, "Spartan. Bramble. Duke of Magenta. Jerome Park, June 8th 1878. Mr. Geo. Lorillard's Duke of Magenta.....Hughes, 1....Messrs.Dwyer Bro's Bramble......Fisher, 2....Mr. P. Lorillard's Spartan.....Barrett, 3..... TIME 2:43 1/2." 12 7/8" x 16 7/8" art 21 7/8" x 25 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

Woodcut in colors on Japanese paper. Signed and titled by artist. 24.25" x 24.25" art 34.88" x 34.63" frame Carol Summers (1925-2016) has worked as an artist throughout the second ...

Framed dimensions: 18.88 x 12.88 inches Signed.

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

"Townsend's Rocky Mountain Hare" is an original color lithograph by John James Audubon. This artwork features two gray hares in a muted, cool-colored landscape. 5 1/2" x 8 1/4" art...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

"Judge" is a signed opal sculpture created by Shona artist Luckmore Joseph. It weighs 178lbs and was created in 2004. It depicts an abstracted face coming out of the natural stone. 43" x 15" x 11" sculpture, 178 pounds Luckmore Joseph was born in 1979. He was interested in drawing and weaving baskets before he started carving. Luckmore later found that carving was of paramount importance to him in 1999 when he was employed by Sydney Majengwa as his assistant. He first gained experience working on torsos, then later embarked on creations of street beggars and pregnant women, varying the styles. Luckmore gets the subjects for his sculptures after seeing the shape of the natural stone before he works on it. His sculptures carry messages to people and explain the daily routines of people like him. He carves because he wants people to know the good and the bad, the comedy and tragedy in life circles. His philosophy has directed him to the subject issue of beggars. He wants to let people know that every country in the world has poor and rich people and both of them have the same equality and have the same right to life. Carving has become a way of life for Luckmore, and he never can leave it for very long. When he is not working, he enjoys playing football. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

"Trapped in New York" is an original acrylic painting by Tom Shelton. The artist signed, titled, and dated the piece in the lower right. This piece features a forest with animals and...

Émile Bemindt was a French artist active between 1859 and 1872 and is best known for work in the style of the Rococo Revival: During the late nineteenth ...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Signed left back

"Lake Michigan Shore" is an original oil painting on board by Francesco Spicuzza. The artist shows the impact of Impressionism in his landscapes from around 1930. "Lake Michigan Shor...

This wooden half mask features slanted eyes and a deep black/olive color. It was created by an unknown Indonesian artist and is approximately 7" high by 6" w...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scraping and gouging acrylic pa...

"Feria de Sombreros (The Hat Market)" is an original oil painting on jute signed in the lower right by the artist Ernesto Gutierrez. It depicts multiple figures in purple shawls and ...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

Signed with stamp, J.V. 7-5/8" x 4-3/4" art 19" x 15-1/4" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...