Wisconsin - Sculptures

This bird sculpture was created by an unknown Baga artist in French Guinea. The bird's head is covered with paint and intricate patterns. Among the less well known Baga art forms are the a-Bamp (or a-Bemp) bird figures. They range from the naturalistic to the abstract and often have small birds or other animals on their backs. Different birds are represented including pelicans, egrets and other fishing birds...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 18 1/2" high with movable arms, was use...

"Windows of Opportunity" is an original serpentine sculpture by Van Damn. The artist signed the piece "Vandee" on the back bottom right of the sculpture. Sculpture Size: 9 5/8" x 9...

'Proud Woman' is an original opal serpentine stone sculpture by the contemporary Zimbabwean artist Chenjerai Chiripanyanga. The artist presents in this sculpture a highly abstracted ...

This Ekamka Fetish sculpture was carved from wood by an unknown Nigerian artist. It depicts a figure holding a mask. The figure has two symbolic horns protruding from his head and he sits on a thin...

Signed and numbered by the artist in two places: back side of base and underneath the base. Edition 5/50.

This sculpture is a carved wood Harley Davidson motorcycle. It was created by an unknown folk artist and was made in the 20th Century.

"Bronze Statue - Ife, Nigeria" is a bronze sculpture created in circa 1920. This figure has short legs and a short torso, but a large head. They held out their hands with two objects...

This sculpture was created by an unknown Baule artist from Ivory Coast. It depicts a man in a suit with a white hat. He stands with his hands in his pockets. 18 1/2" x 6 1/4" sculpture The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire. The Baoulé people are talented in African art. Their sculptures are renowned for their refinement, form diversity and the labor they represent. The sculptures do not only include face masks and human figurines...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 26" tall. Traditional Wayang Golek plays can be comp...

"Morning Excercise (C-3)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece along the base of the skirt. This artwork features a woman...

"Can't Get Her Off My Mind" is an original ceramic sculpture created by Steven Kemenyffy. 43"x30"x14" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

"Arabesque XXXIV" is an original abstract carved Bubinga wood sculpture by Robert Longhurst. The artist signed and dated the piece. It features a dark...

"Casas Grandes Pottery" is a signed hand-built ceramic vessel with slip glaze created by Benito Morass. It features an abstract geometric design ...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 26" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

Chiefs Staff (Elaborate Carving) c 1900-1925 Wooden staffs were used by Maori chiefs and other notables as a physical sign of their status. They were hel...

"Cara Grande (Taparapay tribe) Amazon Circumcision Mask" is a Brazilian mask made out of feathers, fiber, mother of pearl, and wood. It was made to be ...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 32" high and 9" wide with movable, was used in Indonesian Wayang puppet shows. Wayang (Kram...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 25" high with movable arms, was used in Indonesian Wayang Klitik puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

This Chinesco bowl was from a pre-Columbian society from around 300 BCE. It features abstract, geometric designs in red and black. The diameter is 8".

'Togetherness' is an original springstone sculpture signed by the Zimbabwean artist Phineas Masaya. The sculpture presents an image of two figures in unity, their bodies together mak...

This mask was made by an unknown aboriginal Australian artist. It is made from carved wood and vegetable pigment. The artist used natural colors ...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be comp...

'Preoccupied' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's w...

"Giving a Sign (C-33)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece at the base. This artwork features a woman in a large, textured dress gesturing to her side. 11" x 11" x 6" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

"Raku Vase with Fireworks" is an original ceramic vase by Marty Marcus. The artist signed the piece on the bottom. It features brightly colored abstract patterns on an earth-toned background. The vessel is a unique piece of décor priced well under $900. Part of the Design Lovers Sale...

This mask was hand-carved by an unknown artist from the Mende tribe in Sierra Leone, Africa. It depicts a face with its eyes downcast, hair in rows, and two birds on the top. 16" x 10" x 10 1/2" The Mende people (also spelled Mendi) are one of the two largest ethnic groups in Sierra Leone. The Mende are mostly farmers and hunters. Much Mandé art is in the form of jewelry and carvings. The masks associated with the fraternal and sorority associations of the Marka and the Mendé are probably the best-known, and finely crafted in the region. The Mandé also produce beautifully woven fabrics which are popular throughout western Africa, and gold and silver necklaces, bracelets, armlets, and earrings. Masks are the collective Mind of Mende community; viewed as one body, they are the Spirit of the Mende people. The Mende mask...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 18" high with movable arms, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

This carved wood sculpture, a "Garuda Head," was made by an unknown Indonesian sculpture. The face sculpture is 12 1/2" x 9". The Garuda is a legendary bird or bird-like creature in Hindu, Buddhist and Jain mythology. He is variously the vehicle mount (vahana) of the Hindu god Vishnu, a dharma-protector and Astasena in Buddhism, and the Yaksha of the Jain Tirthankara...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 28" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

This piece is a pot made by an unknown artist in Pre-Columbian Peru. It takes the shape of an owl and has a circular handle with the opening on its back. This pot is a light beige an...

"To Each His Own" is a painted steel sculpture by Ralph Wickstrom, created in 2000. The sculpture is that of a tower with four levels, each level showcasing a unique set of shapes. T...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 17 1/2" high with movable arms, was use...

Signed and numbered by the artist in two places: back side of base and underneath the base.

"Spirit Medium" is a stone sculpture made with yellow opal, green jade, and opaline by Aaron Perkins Chikumbirike. This sculpture is signed and depicts a f...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 23" tall. Traditional Wayang Golek plays can be comp...

Pink steel patina 48 inches high and approx. 30 inches wide. Indoor or outdoor sculpture.

This small hand-built plate, 'White Stoneware (Face),' is an intimate and exciting example of the ceramic work of Estherly Allen. She was a student of George McNeil, an important Abs...

"Untitled (Sun Over the Rain Clouds)" is an abstract kinetic sculpture with many moving parts created by Arthur Bauman. The artist carved his initials into the red disc that hangs at...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 23" tall. Traditional Wayang Golek plays can be comp...

'Protected by Spirits' is an original springstone sculpture by the Zimbabwean artists Tendai Marowa and Stanley Chideu. The sculpture presents a tall and curving face with a ring-sha...

"Monumental" is an original springstone sculpture by Shona sculptor Phineas Masaya. The artist signed the piece. This artwork features an abstracted figure. 10 1/2" x 4" x 4" art Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture as seen today began during the late colonial period of the 1950's and 1960's. During this period the artists and artisans depicted many of the traditional Shona and other tribal spiritual myths. Out of all the nations in Africa, the large varieties and abundant supplies of rock formations present throughout the Zimbabwe landscape...

This wooden sculpture of a peacock-like bird (Garuda) was created by an unknown Indonesian artist. The beak is missing. The sculpture is 7 1/2" x 4 1/2". The Garuda is a legendary bird or bird-like creature in Hindu, Buddhist and Jain mythology. He is variously the vehicle mount (vahana) of the Hindu god Vishnu, a dharma-protector and Astasena in Buddhism, and the Yaksha of the Jain Tirthankara...

"Mask, Baga Guinea" is a carved wooden mask created c. 1920. Where a face would go in the mask is actually the body of a woman figure. There are two breasts above a hole for the mask wearer...

"Louis Armstrong Blowing His Trumpet" is a unique painted fiberglass sculpture depicting the jazz musician Louis Armstrong. The sculpture is 32" x 48". Louis Daniel Armstrong was a...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 25" high with movable arms, was used in Indonesian Wayang Klitik puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 27" tall. Traditional Wayang Golek plays can be comp...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 26" high with movable arms, was used in Indonesian Wayang Klitik...

"Cinnabar" is an original sculpture by Dennis Robert. It is signed at the base. Copper pieces burst out from a piece of store, the style reminiscent of natural forms. 11" x 5" x 3" "Observing the natural landscape around me, I’m inspired by the unique patterns and distinctive shapes from plants, animals as well as the colors and textures of rocks. The seeming permanence of metal and stone used as compositional elements captures the essence of what I see, and I translate those elements and designs into sculptures. It starts with the stone. I use sandstone...

41x25x10" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

'Lovers' is an original springstone sculpture by the Zimbabwean artist Benjamin Mundara. The sculpture depicts a man and woman who, as is suggested by the title, are entwined in love...

This shamanic figure was created by the Nepalese Dolpo people. It depicts a figure with arms in a possible gesture of prayer. 10 1/2" x 2" x 1 3/4" figure Dolpo is a region in Nepa...

This Golek Puppet was created by an unknown Indonesian artist using wood and cloth. It is approximately 24 1/2" tall. Traditional Wayang Golek plays can ...

"Emerging Force" is a painted steel sculpture by Ralph Wickstrom created in 2000. From the front view, this sculpture appears to be simply a concave lens held up by a thin steel rod....

"Carved Horse Head" is a bas relief sculpture hand-carved from mahogany by Marshall "Buster" Shields. In features two horses in profile, one behind the other, rearing back with their...

This darling angel garden stake sculpture brings the springtime inside or out while making a fantastic gift for mom, a friend, or as a welcome gift for a ...

This triangular wooden tray was created by an unknown Indonesian artist. It features intricate painted patterns of yellow, blue, and red. It was created in the 19th Century. Holds ri...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 19" high, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art found in Indonesia and other parts of Southeast Asia, wherein a dramatic story is told through shadows thrown by puppets and sometimes combined with human characters. The art form celebrates the Indonesian culture and artistic talent; its origins are traced to the spread of Hinduism in the medieval era and the arrival of leather-based puppet arts called Tholu bommalata from southern India. Wayang refers to the entire dramatic show. Sometimes the leather puppet...

'Saluting Bird' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential ...

"Judge" is a signed opal sculpture created by Shona artist Luckmore Joseph. It weighs 178lbs and was created in 2004. It depicts an abstracted face coming out of the natural stone. 43" x 15" x 11" sculpture, 178 pounds Luckmore Joseph was born in 1979. He was interested in drawing and weaving baskets before he started carving. Luckmore later found that carving was of paramount importance to him in 1999 when he was employed by Sydney Majengwa as his assistant. He first gained experience working on torsos, then later embarked on creations of street beggars and pregnant women, varying the styles. Luckmore gets the subjects for his sculptures after seeing the shape of the natural stone before he works on it. His sculptures carry messages to people and explain the daily routines of people like him. He carves because he wants people to know the good and the bad, the comedy and tragedy in life circles. His philosophy has directed him to the subject issue of beggars. He wants to let people know that every country in the world has poor and rich people and both of them have the same equality and have the same right to life. Carving has become a way of life for Luckmore, and he never can leave it for very long. When he is not working, he enjoys playing football. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...