Zurich - Art

DONALD JUDD (1928-1994) Bookshelf 60 2017 Traffic black, RAL 9017 100 x 100 x 50 cm 39.37 x 39.37 x 19.69 inches Inscribed "Donald Judd TM

Leibovitz’s portrait of Keith Haring is one of her most iconic shots that made the artist auction record in 2016. The photograph is proof of one of Leibovitz central themes: subtle b...

Albert Watson Carre Otis in Cheetah-Print Headwrap, Venice, Italy, 1992 Archival pigment print 107 x 142 cm (42 1/8 x 55 7/8 in.) Edition of 10 plus 2 artist's proofs Print only Sign...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Tocando a Dimas, 2019 Archival pigment print on Hahnemühle Photo-rag paper 52 x 39 cm (20 1/2 x 15 ...

Albert WATSON (*1942, Scotland) Michaela Bercu, Paris, 1989 1989 Archival pigment print Image 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2...

Albert Watson Charlotte Flossaut in Sombrero, New Mexico, 1988 Archival pigment print 76 x 61 cm (29 7/8 x 24 in.) Edition of 25 plus 2 AP Albert Watson was born 1942 in Edinburgh, ...

Miles ALDRIDGE (*1964, Great Britain) Cat Story #5, 2008 Chromogenic print Image 101.5 x 76.5 cm (40 x 30 1/8 in.) Sheet 111.5 x 86.5 cm (43 7/8 x 34 in.) Edition of 10, plus 2 AP's;...

Nobuyoshi ARAKI (*1940, Japan) Flower Rondeau #091, 1997 RP Direct print 76.2 x 101.6 cm (30 x 40 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage, flowers, food, his cat, faces and Tokyo street...

RISAKU SUZUKI (*1963, Japan) SAKURA 19,4-357, 358, 359 (Triptych) 2019 Chromogenic print (3x) Sheets 155 x 120 cm (61 x 47 1/4 in.) Overall 155 x 360 cm (61 x 141 3/4 in.) Edition of...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi' 2001 C–type print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 6; Ed. no. 2/6 print only Reminiscent of Japanese...

Butterfly Rainbow (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on alumin...

Dominique TEUFEN (*1975, Switzerland) Midsummer Night, from the series 'Rays of Light', 2019 Hahnemühle Fine Art Baryta Sheet 80 x 120 cm (31 1/2 x 47 1/4 in.) Frame 91 x 130 x 4 cm ...

Roger Ballen Haunted, from the series 'The Theatre of Apparitions', 2013 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2 in.) ...

MICHAEL WOLF (*1954, Germany) Architecture of Density #101 2008 C-print Sheet 177,8 x 266,7 cm (70 x 105 in.) Edition of 3, plus 1 AP; Ed. no. 2/3 print ...

SStéphane COUTURIER (*1957, France) Usine Toyota n°1 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 240.5 cm (71 5/8 x 94 5/8 in.) Frame 189 x 247.5 cm (74 3/8 x 97 1/2 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

MILES ALDRIDGE (*1964, Great Britain) A Family Portrait #1 2011 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, ...

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Balloon Rabbit (Violet) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed and numbered In mint condition, as acquired from the manufacturer In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity Inspired by a twisted rubber balloon rabbit, Balloon Rabbit (Violet), is a highly reflective red porcelain limited edition. Incorporating the vocabulary of his iconic Celebration sculptures, Balloon Rabbit, along with two other animals, Balloon Monkey and Balloon Swan, marked a spectacular new chapter in Jeff Koons’s oeuvre. “One of the things that I’m most proud of is making work that lets viewers not feel intimidated by art, but feel that they can emotionally participate in it through their senses and their intellect and be fully engaged”. — Jeff Koons The idea for a Balloon Rabbit sculpture came to Jeff Koons from his upbringing in south-central Pennsylvania. At special times of the year, people would decorate their front yard with reindeer at Christmas and inflatable rabbits at Easter. As his neighbors wished t give pleasure to other people with these decorations, the artist is proud to make art that is not intimidated for the viewers. JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub”, among others, is characterized by oddly eroticized, comic, and kitsch images. However, it is indeed Koons’s “Made in Heaven” series that is his most provocative and controversial work, in which he examines the place of sexuality in visual culture. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. He constantly tests the boundaries between art and commerce...

Mike BRODIE (*1985, USA) #0924, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 3/7 About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

This mythological woodland hints at the enigma and emotions of nature with a masterful use of chiaroscuro. Robert Longo, Forest of Doxa Contemporary, 21st Century, Pigment Print, Li...

Ola KOLEHMAINEN (*1964, Finland) Autumn Leaves, 2008 Analogue C-type print face-mounted to acrylic (Diasec) Sheet 202 x 260 cm (79 1/2 x 102 3/8 in.) Edition of 6, plus 2AP's; Ed. no. 3/6 Framed print About Earlier works: In his earlier works Kolehmainen reduces buildings to their ornamental character. What appeals to him are the geometric grids of façade surfaces, ceiling designs or reflecting window openings on the selected landmarks of architectural history. Where nature meets architecture as a reflection, his minimalist, aesthetic work begins, which was strongly influenced by James Turell...

Untitled, from the series "Approaching Whiteness" 2011 C-print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 6; Ed. 1/6 Print only Kawauchi, currently one of the most famed contem...

Miles ALDRIDGE (*1964, Great Britain) Hell... It's Only Forever from the series 'after Miller', 2017 Screenprint in colours with silver ink printed on 410gsm Somerset Paper 134 x 75 ...

Syoin KAJII (*1976, Japan) KAWA 009-010, 2007 Lambda Print with Diasec Face, Diptych Sheet 100 x 300 cm (39 3/8 x 118 1/8 in.) Edition of 6 (#1/6) About KAWA: Buddhist monk Kajii m...

ALBERT WATSON (*1942, Scotland) A855 Road Car Headlights 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 unframed...

Balthasar BURKHARD (1944–2010, Switzerland) Kuba, 2005 C-print in artist’s iron frame, museum glass Sheet 176 x 176 cm (69 1/4 x 69 1/4 in.) From an...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #non3, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-bas...

Dominique TEUFEN (*1975, Switzerland) Peak, 2013 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 AP; E...

Bill HENSON (*1955, Australia) Untitled #1 - CL SH655 N16B, 2009/2010 Archival pigment print Sheet 127 x 180 cm (50 x 70 7/8 in.) Edition of 5, plus 2 AP'...

Albert WATSON (*1942, Scotland) Ines De La Fressange in Chanel, Paris, 1985 1985 Archival pigment print 76 x 61 cm (29 7/8 x 24 1/8 in.) Edition of 25, plus 2 AP Print only Alber...

Jun AHN (*1981, South Korea) Invisible Seascape #7-1/7-2, 2011 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Diptych (two work...

RISAKU SUZUKI (*1963, Japan) Koi 17, K-5 2017 Lambda print Sheet 33.8 x 50.8 cm (13 1/4 x 20 in.) Edition of 5; Ed. no. 1/10 Framed ‘The series ‘Koi’ was born while I photographed ‘...

Albert Watson Carre Otis, through Car Window, Los Angeles, 1990 Archival pigment print Sheet 76 x 61 cm (29 7/8 x 24 in.) Edition of 25 plus 2 artist's proofs Albert Watson was born...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Illuminance' 2004 C–type print Sheet 30.48 x 25.4 cm (12 x 10 in.) Frame 31.5 x 26.5 x 2.5 cm (12 3/8 x 10 3/8 x 1 in.) Editi...

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-19 2016 Chromogenic print Sheet 120 x 154 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry blosso...

Albert Watson Naomi Campbell in vintage Convertible, Los Angeles, 1992 Archival pigment print 76 x 61 cm (29 7/8 x 24 in.) Edition of 25, plus 2 AP Albert Watson was born 1942 in Ed...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Ametsuchi', 2013 Lambda print 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 3; Ed. no. 1/3 Print only Kawauchi, currently o...

Albert Watson Charlotte Flossaut in Prada Jacket, Milan, Italy, 1988 Archival pigment print 76 x 61 cm (29 7/8 x 24 in.) Edition of 25, plus 2 AP Albert Watson was born 1942 in Edin...

Albert Watson Carre Otis at the Hollywood Bowl, Los Angeles, 1990 Archival pigment print 107 x 142 cm (42 1/8 x 55 7/8 in.) Edition of 10 plus 2 artist's proofs Print only Albert W...

Albert Watson Mayra Suarez, New York City, 2009 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Albert Watson was born 1942 in Edinburgh, Scotland...

Syoin KAJII (*1976, Japan) KAWA_021-022, 2010 Lambda Print with Diasec Face, Diptych 56 x 168 cm (22 x 66 1/8 in.) Edition of 6; Ed. no. 2/6 About KAWA: Buddhist monk Kajii made h...

Syoin KAJII (*1976, Japan) KAWA 049-050, 2010 Lambda Print with Diasec Face, Diptych 56 x 168 cm (22 x 66 1/8 in.) Edition of 6; Ed. no. 1/6 About KAWA: Buddhist monk Kajii made h...

Miles ALDRIDGE (*1964, Great Britain) A Perfect Mum #4, 2012 Chromogenic print Image 101,6 x 127 cm (40 x 50 in.) Sheet 113.6 x 139 cm (44 3/4 x 54 3/4 in.) Edition of 6, plus 2 AP, Ed. no. 4/6 Print only A fiercely original photographer, Miles Aldridge (*1964, Great Britain) is best known for the technicolor dream-like worlds he creates and the glamorous, beautiful women who inhabit them. Aldridge creates ultra-cinematic images, drawing inspiration from film directors such as David Lynch and Federico Fellini as well as the psychedelic graphic design of his father, Alan Aldridge. Staged to perfection the stars of Aldridge’s surrealistic stories and technicolour dream-like worlds are glamorous, beautiful women. He captures his subjects in a state of dramatic contemplation, making them more complicated and intriguing than simply beautiful. The women’s immaculate appearance and blank expression leave room for interpretation and, like a mirror for Aldridge’s works at large, hint with a touch of dark humour at the perfected façade of fashion’s glamour and the need for idealised beauty. Moreover, his works are characterized by vivid, fluorescent colours as well as the Hollywood lighting and perfectionist attention to detail. His works are part of renowned museum collections, such as the National Portrait Gallery in London, the Victoria and Albert Museum in London, and the International Center of Photography in New York. – Woman, Contemporary, Photography, Fashion, People, Posing, Model, Erotic, Glamour, Soccer, Mum, Kids...

Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #8, 2021-2022 C-Print Sheet 100 x 135 cm (39 3/8 x 53 1/8 in.) Edition of ...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Ametsuchi', 2013 Lambda print Sheet 64 x 80 cm (25 1/4 x 31 1/2 in.) Edition of 3; Ed. no. 2/3 Print only Kawauchi, currentl...

Albert WATSON (*1942, Scotland) Snoop Dogg, New York City, 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print onl...

Syoin KAJII (*1976, Japan) NAMI_060, 2004 Lambda Print with Diasec Face 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 1/6 About NAMI: NAMI is a series of photos of waves around the shores of Sado Island in Japan. The photographer, a young Buddhist monk named Syoin Kajii, watches the water patiently, waiting for a moment of surprise. The photographs are truly stunning. The artist captures the power and dynamism of the ocean and waves, a stark contrast to the tranquil seascapes by Sugimoto. By carefully gauging the speed of the wind and level of the wave, he waits for nature to create the image. These works are close ups, the artist is practically in the water. Syoin Kajil is the winner of the first Foil Award, for which the prize is the publication of NAMI. About Syoin Kajii: Born in Niigata, Japan, Kajii currently lives and works as a artist and Buddhist monk on Sado Island. Syion Kajii, graduated from Koyasan University in Mikkyo, in esoteric Buddhism, in 1999. He has been taking photographs since the age of 16, and after having served his Buddhist apprenticeship at Koyasan (Mt. Koya) from 1995 to 1999, Kajii travelled around the world, to places such as Vietnam, Cambodia, Thailand, Papua New Guinea, and the U.K. taking pictures. While working as a monk of the Singon sect in Sado Island, he has been actively working as a photographer. In 2004 he was awarded the 1st FOIL Award for his series of pictures in which he took a succession of waves on a shore in Sado. Following the FOIL Award, he published his first photo book NAMI and was awarded the Rookie of the Year 2005 by The Photographic Society of Japan for this overwhelmingly energetic and spiritual book...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 180 x 248.2 cm (70 7/8 x 97 3/4 in.) Frame 187 x 255.2 c (73 7/8 x 100 1/2 in.) Edition of 5; Ed. no. 4/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

Butterfly Rainbow (large) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Butterfly Rainbow (H7-1), 2020 ...

Jung LEE (*1972, South Korea) You Stole My Heart Away, 2017 C-Type Print, Diasec 160 x 200 cm (63 x 78 3/4 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist bor...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°2, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. n...

Syoin KAJII (*1976, Japan) NAMI_HK07, 2023 Lambda Print with Diasec Face Also available as a Diptych (two works) Sheet 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 1/6 About ...

Albert WATSON (*1942, Scotland) Lynn Koester, New York City, 1984 1984 Silver gelatin print Image 61 x 51 cm (24 x 20 1/8 in.) Edition of 10, plus 2 AP Albert Watson was born 1942 ...

This high-impact neon sculpture creates a mellow atmosphere as a result of the expertise of a glass blower and a neon technician. Jan Henderikse, Nul Contemporary, 21st Century, Sc...

Yoshinori MIZUTANI (*1987, Japan) Moonlight 06, 2014 Archival pigment print on Hahnemuhle Fine Art Baryta paper 84 x 63 cm (33 1/8 x 24 3/4 in.) Edition of 4, plus 2 AP, 4/4 (last available edition) print only Yoshinori Mizutani's (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography. Mizutani graduated from the Tokyo College of Photography in 2012. He has won a number of prestigious awards including Japan Photo Award in 2013 as well as Foam Talent Call and Lens Culture Emerging Talents Top 50 in 2014. His series Tokyo Parrots was on view at this years Bienne Festival of Photography in Bienne/Switzerland. His foray into photography is fairly recent, he started 5 years ago. Nonetheless, his photographs do demonstrate an innate understanding of how forms, colours, textures and depth translate to the pictoral plane. He is working with a visual vocabulary that has been well established by the work of many photographers active today. Mizutani’s work serves as a good gauge of the visual tropes and photographic styles that are prevalent among young photographers in Tokyo. „The themes of my work are the everyday and the familiar. What is familiar to me, however, could be new to the viewer. It could also be revelatory or something previously overlooked. It is the viewers’ varied responses to and interpretations of images, which makes photography interesting." – Yoshinori Mizutani About Moonlight: Using strobe light...

Brigitte LUSTENBERGER (*1969, Switzerland) We passed the setting sun, Collage, 2021 64 laser copies, adhesive tape, 4 magnets, 4 stainless steel discs, manual 188 x 188 cm (74 x 74 i...

Albert WATSON (*1942, Scotland) Cecilia Chancellor, London, 1984 1984 Archival pigment print Image 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Albert W...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-769 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Water Mirror’is a condensation of ...

David LaChapelle (*1963, United States) East Village Morning, 1995 C-print 101,6 x 73,6 cm (40 x 29 in.) Edition of 7; Ed. no. 2/7 Print only Signed by the artist