Zurich - More Art

Wo ist die Revolution -Contemporary, 21st Century, Ai Weiwei, China Wo ist die Revolution, 2019 Inkjet Print Edition of 180 190 x 100 cm (74.8 x 39.3 in.) Signed and numbered In min...

ANDY WARHOL (after) Blue Elvis Edition of 49 From Rosenthal Studio Line 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze (fac-simile signature), numbered on the reverse on label In woode...

Stéphane COUTURIER (*1957, France) Angers – Le Chant de l'Apocalypse #01, 2022 Tapestry 205 x 277 cm (80 3/4 x 109 in.) Edition of 3; Ed. no. 1/3 Born in 1957 in Neuilly sur Seine,...

Stéphane COUTURIER (*1957, France) Angers – Le Chant de l'Apocalypse #02, 2022 Tapestry 290 x 218 cm (114 1/8 x 85 7/8 in.) Edition of 5; Ed. no. 1/5 Born in 1957 in Neuilly sur Se...

The Papercut Portfolio - Contemporary, 21st Century, Paper, Ai Weiwei, Red Papercuts in clothbound clamshell box (set of 8) Edition of 250 Signed, with certificate of authenticity I...

Wo ist die Revolution -Contemporary, 21st Century, Ai Weiwei, China Wo ist die Revolution, 2019 Inkjet Print Edition of 180 190 x 100 cm (74.8 x 39.3 in.) Signed and numbered In min...

DONALD JUDD (1928-1994) Armchair 47/48 2017 Painted aluminium, Turquoise blue, RAL 5018 75 x 50 x 50 cm 29.53 x 19.69 x 19.69 inches Signed, inscribed, dated and numbered "Donald Jud...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse Published by Modern Master Tapestries, NY Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized. The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

ANDY WARHOL (after) Marilyn Orange-Pink, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompan...

Andy Warhol (after) Silver Marilyn, 1990s Handmade Carpet 150 × 150 cm (59.1 × 59.1 in) Certificate of authenticity on label Edition of 20 In excellent condition Published by Modern Master Tapestries, NY The artwork is offered unframed As a golden legend of Hollywood, Marilyn Monroe held particular fascination for Andy Warhol. Her suicide on August 5, 1962 struck a personal chord and precipitated a commemorative series that isolated her beautiful and henceforth elusive visage against variously colored backdrops. In the increasingly secular 1960s, Warhol was quick to recognize that movie stars had replaced the religious figures of his childhood, as the idols which the population at large chose to worship. Andy Wahrol worked with tapestry in his life as works were presented by Charles Slatkin...

ANDY WARHOL (after) Twenty Marilyn, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompanied by Certificate of Authenticity from the Rosenthal Studio in collaboration with The Andy Warhol Foundation for the visual Arts INC., New York. In excellent condition Framed Of all Andy Warhol's celebrity subjects, none seem more perfectly emblematic of how the artist perceived and synthesised America than Marilyn Monroe. Warhol saw in Monroe all the promise, beauty, sex symbol, a Hollywood product, the fame and tragedy that 1960s America was capable of realizing. In his Marilyn portraits – which he began shortly after Monroe's death, in August 1962 and taking on the suggestion of Henry Geldzahler - it's impossible to locate what one might call the truth of the subject. Based on Warhol's painting Marilyn Diptych, which belongs to the collection of the Tate Museum in London. Marilyn's repeated face in a grid, is a clear indicators of Warhol's conceptual commercial printing. Every Saturday night and Sunday morning, the young Andrew Warhola and his mother made a 3 mile walk to Saint John Chrysostom church, a small Byzantine Catholic church. In the church he saw the iconostasis, which was a grid with religious pictures...

ANDY WARHOL (after) Marilyn Purple-Red, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompani...

ANDY WARHOL (after) Marilyn Silver, 2010 Porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Facsimile signature in glaze, numbered on the reverse on label In wooden box, accompanie...

In this portfolio, Ai Weiwei reflects on his life and work through the Chinese art of papercutting, creating a beautiful personal retrospective in a unique format. The Papercut Port...

TOM WESSELMANN (1931-2004) Great American brown nude cut out 1971 Color serigraph on museum board 40 x 50 cm 15.75 x 19.69 inches Number 27 of 100

ANATOL BRUSILOVSKY (1932-) Laboratory 1969 Collage 32.7 x 22.7 cm 12.87 x 8.94 inches Signed and dated lower right "A. Brusikovsky 69" Titled, signed, dated and inscribed on the reve...

ROBERT KLIPPEL (1920-2001) Opus 800 1989 Painted wood assemblage 146 x 334.5 x 85 cm 57.48 x 131.69 x 33.46 inches Cat. rais. no. 800 Regarded as Australia’s leading sculptor, Rober...

Ai Weiwei Study of Perspective in Glass (Deep Amber), 2018-2019 Murano Glass Casting 12.5 × 10 × 9 cm (4.9 × 3.9 × 3.5 in) Hand-signed by artist, Signed and numbered on accompanying ...

Hirst's Deckchairs use one of the artist's familiar motifs: a monochromatic background interrupted by a scattering of butterflies freezed in an eternal position. Damien Hirst Deckc...

Hirst's Deckchairs use one of the artist's familiar motifs: a monochromatic background interrupted by a scattering of butterflies freezed in an eternal position. Damien Hirst Deckc...

Hirst's Deckchairs use one of the artist's familiar motifs: a monochromatic background interrupted by a scattering of butterflies freezed in an eternal position. Damien Hirst Deckc...

Hirst's Deckchairs use one of the artist's familiar motifs: a monochromatic background interrupted by a scattering of butterflies freezed in an eternal position. Damien Hirst Deckc...