Black and White Photography on Sale

Black and white fine art long exposure waterscape - landscape photography. Skogafoss gigantic waterfall, Iceland. Archival pigment ink print, edition of ...

NICK BRANDT (*1966, England) Lion Before Storm V, Maasai Mara, 2006 Platinum Print Sheet 55.9 x 69.8 cm (22 x 27 1/2 in.) Edition of 8 plus AP's (from sold out edition) Print only ...

Black and white fine art landscape photography. Antelope Canyon sandstone formation detail, Page, Arizona, USA. Archival pigment ink print as part of a limited edition of 9. All Gera...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art cityscape - landscape photography print. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity ...

Snap–15 Minutes of Fame (Wastelands) - 4 pieces, 2003 Edition of 5, 105x100cm each, 220x220cm installed. Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper,...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editi...

The Depths is part of Sarah Hadley's Story Lines series. In Story Lines, Hadley creates surreal intimate cinematic narratives which blur the lines between reality and fiction. Inspir...

This unique silver gelatin print was one of my early experiments with sand, as a photogram material (made just prior to teaching my first online photograms course, via Penumbra Found...

Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia toned Silver gelatin photographic print by Charles Roshe (British, 1885-1974). Provenance: Mary Pickford, Elizabeth (Bess) Huggins. Image 10.75"H x 13.75"W He was Mary Pickford's favorite cinematographer and a personal friend, shooting all of the films in which she starred from 1918 to 1927, before they had a falling out during production of Coquette (1929). He was the first cinematographer to receive an Academy Award, along with Karl Struss, for Sunrise: A Song of Two Humans (1927), and won again for The Yearling (1946), with Leonard Smith and Arthur Arling. He was also nominated four times. Walpi, pueblo (village), Navajo county, northeastern Arizona, U.S., on the edge of a high mesa in the Hopi Indian Reservation. It comprises a group of angular stone houses of two to three stories crowded on a narrow tip of the steep-walled mesa at an elevation of 6,225 feet (1,897 metres). The original pueblo (founded c. 1700) was on a lower part of the mesa, but following the Pueblo Rebellion, the inhabitants moved to the top as a defensive measure against Spanish retaliation. Walpi is known for an antelope ceremony and for snake dances, held during odd years in August and generally closed to non-Hopi spectators. Shitchumovi (Sichomivi) pueblo is adjacent and Hano is nearby. Pickford was the first Canadian to win an Oscar. She was also the second to win best actress and the first for a role in a film with sound. She was one of the founding members of the Academy of Motion Picture Arts and Sciences. In 1919 Pickford took the lead in organizing the United Artists Corporation with Griffith, Charlie Chaplin, and Douglas Fairbanks. In 1920, after the dissolution of her first marriage (1911–19) to actor Owen Moore, she married Fairbanks (divorced 1936). Pickford’s popularity continued unabated in Pollyanna (1920), Little Lord...

Gia and Ferns is part of Sarah Hadley's Story Lines series. In Story Lines, Hadley creates surreal intimate cinematic narratives which blur the lines between reality and fiction. Ins...

Feminist movement, Divorce Right is a vintage black and white photograph realized in the1960s. Good conditions. With the stamp of copyright on the rear.

Brand New! Unique silver gelatin print (photogram made sans enlarger); Mixed process multiple exposure with ice, sand, flowers, and more. "Winds of Change" series. Printed in April 2...

Brand New! Unique silver gelatin print (photogram made sans enlarger); Mixed process multiple exposure with ice, sand, flowers, and more. "Winds of Change" series. Printed in April 2...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

The photograph Toshio Shibata, #189 Yunoyani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is hand-signed (on recto) by the photographer. The 13" x 19" pri...

Dogwood, 2017 by Hank Gans is a contemporary monochrome archival pigment print in an edition of 5. The photograph captures the magnificence of a single flowe...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Unidentified male model, photographed nude, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from the Jack Mitchell...

'Smiltis orbitus' London, United Kingdom 2020 Limited edition of 5. Printed of heavy-weight fine art paper. COA included.

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Night view Rio De Janeiro - Vintage b/w Photo realized in the 1970s. Copyright by press Agency Credit Photo, N. Drei. With some handwriting on the rear. Stamped on the rear. Good ...

Enlighten 2 - Large scale photograph by Michael Banks -Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + number...

Pilotis House - Beach in Brazil - Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Unidentified male model, multiple exposure with plant leaves, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from...

NEON Swimming - Vibrant Noir Abstract Photography. Swimming Pool - Bright Orange and Black Noir. Photography. Edition Print. This Photography work 23.5 inches by 35.5 inches. Pico...

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This is a contemporary photograph of an African Lion. Printed on Archival Paper Using Archival ink Unsigned print Printed on archival paper and using archival inks Framing availab...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165.1cm x 112cm) 2019 Edition 2/10 *Should you wish the photograph to...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 15. All Gerald Berghammer prints are made to ord...

Excellent Condition Gifted By Artist

"Call girls 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. S...

Flower 1- Limited edition pigment print - Limited Editions of 15 Close-up on a round flower on an round background, unframed. This is an Archival Pigment print on fiber based pap...

This Signed Limited Edition Silver Gelatin Photograph was authorized by the Ben Martin Estate. Ben Martin was TIME Magazine’s first New York Bureau staff photographer covering wars, fashion, politics, arts, business, and sports for TIME, Life, Fortune, People, and Sports Illustrated for thirty-three years. He immortalized evocative images that defined the 1960’s. In this series of legendary photoshoots, Martin captured the unedited complexity of each artist's personality, art, and surroundings. This black-and-white photograph of Salvador Dali...

Albert WATSON (*1942, Scotland) Talisa Sato, Naples, Italy, 1990 1990 Archival pigment print Image 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Albert Wa...

Unique photograph gifted by artist. Rare and collectable. Both photographs are in great condition. Valley Oaks In Fog would be the recommended front piece to be displayed. Quite t...

Unique silver gelatin print (photogram made sans enlarger - with snow, ice, sand, flowers, and more). Cameraless ice-rubbing photogram. Alt process landscape print. I began making c...

Warhol superstar Ultra Violet, art dealer Jason McCoy and art historian Ron Caran photographed nude for 'After Dark' magazine in 1971. This is a vintage gelatin silver print, made b...

Debbie Harry photograph by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 16 x 20 inches. Signed, titled & numbered from an edition of 20. Obtained directly from the artist. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were most recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Related Categories Deborah Harry...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Ha...

This is a contemporary photograph of an American Bison. 36x24 Edition of 50. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

'Smiltis' London, United Kingdom 2020 Limited edition of 10. Printed of heavy-weight fine art paper. COA included.

Black and white fine art landscape photography print. Old trees in the fairy forest on the mystical island of Madeira, Fanal, Portugal. Archival pigment ink print, edition of 8. Sign...

Unique silver gelatin print (photogram made sans enlarger - with snow, ice, sand, flowers, and more). Cameraless ice-rubbing photogram. Alt process landscape print. I began making c...

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

Black and white fine art landscape photography. Dark Hedges, majestic avenue of beech trees in Northern Ireland. Archival pigment ink print, edition of 5. ...

A high contract image by Brett Weston who was an amazing printer of photography. During his printing his fingernails were commonly black due to the chemicals. This is one of his mos...

Unique silver gelatin print (photogram made sans enlarger - with snow, ice, sand, flowers, and more). Cameraless ice-rubbing photogram. Alt process landscape print. I began making c...

Unique photograph by Roman Loranc. Possibly one of a kind. Hand printed silver gelatin photograph by artist.

Adult film star Cal Culver (AKA Casey Donovan) 'After Dark' magazine nude study, photographed in 1972. This is a vintage gelatin silver print, selenium t...

HIROSHI SUGIMOTO (*1948, Japan) Fifth Avenue Theater, Seattle , 1997 Silver gelatin print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25 (#21/25) For over 40 years, the Japanese art...

The Lonely Hearts DJ (The Girl behind the White Picket Fence) - 2016 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 17050.01. Offered is a piece from the movie: The Girl behind the White Picket Fence - A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property in Morongo is dotted with vintage trailers. They surround her midcentury home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck, if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell...

'Smiltis' London, United Kingdom 2020 Limited edition of 5. Printed of heavy-weight fine art paper. COA included.