Drawings on Sale

The drawing depicts a panoramic view of Damascus as seen on July 24, 1869. It is a fine pencil drawing, approximately 7 x 22 cm in size, mounted on a backing board. The drawing showc...

Very decorative collection of modern abstract drawings signed Geza and dated 1988. Attributed to Geza Skobel. Geza Szobel (1905-1963) is a Hungarian painter naturalized French. He ...

A stunning late 20th-century academic graphite-on-paper male figure drawing showcasing a skillful attention to musculature, highlights and shadows,...

John F. Kennedy Portrait - original drawing in pencil and charcoal on paper, realized by Detlef Henze, hand-signed, dated December 25, 1963. Provenance. Private collection Charcoal...

This drawing is representing a nude woman. The frame is in a brown color, and the drawing is done on a white support. It has made circa 1940. Art Deco Period. by VAN DOREN (Raymond...

The abstract expressionist drawing of a graceful ballerina dancing to Swan Lake in a deep bow; with illegible signature.

This drawing is an authentic drawing framed in a gilded wooden frame, and placed under a Marie-Louise. It is an authentic drawing from the 19th century made in France, by an artist w...

This classic and important drawing by Jacques Azéma depicts two Moroccan male youth in the hammam or bath house, relaxing in the nude and imbibing in tea...

An authentic, perfect and bright, originally hand-colored, illustration of 7 Parakeets: La Perruche aux ailes noires, La Perruche a collier, La Perruche aux ails variees, La Perruc...

This captivating Bauhaus collage, created by Josef Brauner, showcases the artist's innovative approach to mixed media art. Crafted in Berlin, Germany, circa 1927, this artwork remain...

An authentic, perfect and bright, originally hand-colored, illustration of 3 Cockatoos: Le Kakatoes a Huppe Rouge, Le Kakatoes a Huppe Jaune and Le Kakatoes a Huppe Blanche. Also 1 s...

Original signed pencil drawing entitled "Within Reach" by Mark Kostabi, circa 2011. The piece is hand-signed /dated in pigment lower right and signed and titled on the verso. This i...

Pointillist composition by Dora Maar. Hand signed in the lower right corner. Authenticity stamp of the auction that took place in 1998 in Paris. Black ink on cream white paper, 20th...

Original drawing on paper. It has been made in England in the 19th century. It is representing the face of a young girl.

A rare study of a table lamp, drawn with pencil on vellum, by Robert Gerlach from circa 1915. We can assume that the materials would be brass and glass. Whether the drawing was actu...

An authentic perfect and bright, originally hand-colored, illustration of four birds, on parchment paper (copper engraving). It has a fine shining because of the authenticly applied ...

An authentic, perfect and bright, originally hand-colored, illustration of four Geese, on parchment paper (copper engraving). It has a fine shining because of the authenticly applied...

An authentic, perfect and bright, originally hand-colored, illustration of 3 Ducks and an Avocet, on parchment paper (copper engraving). It has a fine shining because of the authenti...

An authentic, perfect and bright, originally hand-colored, illustration of 4 Geese on parchment paper (copper engraving). It has a fine shining because of the authenticly applied egg...

An authentic, perfect and bright, originally hand-colored, illustration of 4 birds: Le Sinciulo [French], and 3 Parakeets. These are La Perruche de L'Isle de Lucon, La Perruche a Mou...

Władysław Zakrzewski - In the years 1922-1924 he studied at the Academy of Fine Arts in Kraków under the supervision of Władysław Jarocki and Józef Pankiewicz, and in the years 1926-...

Tall portrait painting on paper of a French man. The young man is wearing a long sleeve red and a white stripe shirt. His sleeves are pulled up to his elbows, and a red belt cinches ...

A set of three framed gestural drawings by Paul Chidlaw (1900-1989) depicting flocks of birds rendered in black ink on paper. Paul Chidlaw was an earl...

A perfect and bright, originally hand-colored, illustration of four Ducks, on parchment paper (copper engraving). It has a fine shining because of the authenticly applied egg-yolk as...

An authentic, perfect and bright, originally hand-colored, illustration of 6 Colibri's, on parchment paper (copper engraving). It has a fine shining because of the authenticly applie...

Bearded Man Framed, Collectors Wall Art Black Chalk On Paper Signed J. Parry CA . English 18th / 19th Century J. Parry, Head and Shoulders Of A Bearded Man. Signed on Verso. (parry w...

Superbly conceived and executed by Gaston Goor in the late 1940s, when he was at the height of his powers, this drawing brings together three male figures -- all beautifully depicted...

Experience the refined artistry of David Nobaru with 'Biomorphic Drawing 0001,' a captivating ink-on-paper artwork that showcases Nobaru's distinctive approach to biomorphic design. ...

Serpent & Galleon, Ink on Paper, in an 18th Century GiltWood Frame.

Fabulous antique French portrait of a young boy, original pastel, original frame (artist unknown and apparently unsigned) Original gold leaf frame (some gilt loss noted) portrait ...

Beautiful vintage wall art piece. A drawing of a boy waking up from his bed. The art piece is signed. Drawn on paper, framed under the glass with a black wooden frame. Some minor age...

Colorful chalk drawing of a nude woman in repose unframed. This beautiful piece features bold bright complementary colors on blue paper. This still Life nude painting is a wonderful ...

One of the first works of the great artist Eduardo Gualdoni made in 1975. Mixed technique Frame dimensions: 36 x 29 cm

Stunning Midcentury pen & ink drawing of a dark haired woman with a floral bouquet, dressed in black & restored in its original black frame. A striking image by an unknown artist.

Engraving by the noted Swiss-born artist, Michele Lehmann, depicting a beautiful everyday flower selling scene. Work signed by the artist and numbered 19 of only 150 copies worldwide.

Esperanza and Esperanza II were both begun in August 1994. Esperanza I was signed Feb 12, 1995 and Esperanza II signed Sept 24, 1995. Esperanza I is a 38 color original lithograph ...

Color lithograph by Carlos Franqui, circa 1976. Published by Galeria Eude Ediciones, Barcelona. Framed. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Carlos Franqui (December 4, 1921 – April 16, 2010) was a Cuban writer, poet, journalist, art critic, and political activist. After the Fulgencio Batista coup in 1952, he became involved with the 26th of July Movement which was headed by Fidel Castro. Upon the success of the Cuban Revolution...

Violets Flowers Chart wall Poster , Italy 1960s A rare 1960s flower chart poster with a solid wood frame. Language on the poster: italian Shipping is ...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

A exquisite landscape sketch by Albert Goodwin, 1845-1932, with detailed pen work over ink wash, depicting a country scene with figures in the foreground and hills in the distance,...

Lorenzo Rocchegianni Italian engraving "Marte" Measures: 65cm x 45cm with frame Very good condition.

A framed illustration of horses. This piece would be a fabulous addition to a hunting lodge or ranch home. A grouping of three horses is depicted wearing bridles. Each horse has a de...

A New York City abstract painter and printmaker, Robert Yucikas has exhibited his art in Manhattan and elsewhere since the mid 1970’s. Born in Washington, D. C., Yucikas studied art ...

Black Americana original illustration for Collier's Magazine by Frederick Coffay Yohn, American artist and magazine illustrator (1875 - 1933) Fine drawing / illustration for "The Modern Judgment of...

John Lennon & Yoko Ono Seals Art Poster Print. Hardware for hanging. Seascape / Nautical drawing. Taken from the personal sketchbook of John Lennon.  

Pointillist color drawing by Dora Maar. Authenticity stamp of the auction that took place in 1998 in Paris. Drawing on cream white paper. 20th Century, undated. Framed an...

Judith Minna Pike December 19, 1942- October 18, 2019 Mixed media painting of a young thoughful woman, sitting comfortably. Pike used many different brush techniques when painting...

Vintage Persian Handmade Khatam Frame w/ Moses Crossing A fantastic micro mosaic frame with a framed camel bone hand painted Moses crossing. Signe...

Italian painting dated 1945. Work oil on masonite depicting a particular view with characters Celebration of Spring of excellent pictorial quality. Nice size framework of pleasant de...

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithography’s are different from the others and are unique pieces. Hand signed b...

Beautifully realized in sanguine, a ruddy chalk, this view of a North African cityscape dominated by a wide, tumultuous sky and a mosque with a large, low dome and high minaret, was drawn by Misha Reznikoff, a Ukranian-American artist. Reznikoff studied at the Rhode Island School of Design (RISD), and later in Europe where he became close friends with Arshile Gorky, a friendship that lasted a lifetime. Later he taught at the Art Students League and The New School for Social Research, was active in the WPA and socialized with Willem de Kooning, Mark Rothko, Jackson Pollock, Ad Reinhardt, Milton Avery...

Charles Edouard oil on wood landscape, circa 1931. In original condition, with minor wear consistent with age and use.  

Pointillist composition by Dora Maar. Authenticity stamp of the auction that took place in 1998 in Paris. Second Drawing on the back. 20th century, undated. In good original ...

Illustration painting attributed to Al Corn, unsigned, drawn for Mans World Magazine.

'Memento Mori' by artist and designer Michael Oates graphite and charcoal on paper Signed and dated to verso 'Michael Oates' 2021

Lithography intervened by Diane Guyot de Saint Michel, 2017. Collaboration with the serigraphy workshop of the dead artist José Pérez Ocaña. Limited edition of 50 copies. Each...

Drawings, one representing San Geremia on the Grand Canal, the other La Salute on the Grand Canal. Both drawings are in a style evocative of Francesco Guardi (1712-1793) specialist o...

A playful neoclassical drawing of a woman with children framed by the Medici Society in London. Presented in a professional gilt wood frame. Measures:...

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithographies is different from the others and are unique pieces. Hand signed by...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...