Post Modern Glass
21st Century and Contemporary Italian Post-Modern Dining Room Tables
Metal
Mid-20th Century American Post-Modern Table Lamps
Cut Steel
Vintage 1980s Italian Post-Modern Centerpieces
Art Glass
21st Century and Contemporary American Post-Modern Abstract Sculptures
Cut Steel
Vintage 1980s American Post-Modern Vases
Glass
20th Century French Post-Modern Figurative Sculptures
Glass
20th Century Italian Mid-Century Modern Table Lamps
Glass
Vintage 1980s Italian Coffee and Cocktail Tables
Oak, Glass
1990s Italian Glass
Art Glass
Late 20th Century Italian Post-Modern Vases
Glass
1990s Italian Post-Modern Vases
Glass
1990s American Post-Modern Vases
Glass
Mid-20th Century Italian Space Age Table Lamps
Steel
Vintage 1970s American Post-Modern Dining Room Tables
Chrome
Late 20th Century Modern End Tables
Chrome
Mid-20th Century Italian Post-Modern Glass
Blown Glass
Mid-20th Century Italian Post-Modern Glass
Blown Glass
Mid-20th Century Italian Post-Modern Glass
Blown Glass
Mid-20th Century Italian Post-Modern Glass
Glass
Mid-20th Century Italian Post-Modern Glass
Blown Glass
20th Century Unknown Post-Modern Coffee and Cocktail Tables
Brass, Steel
Vintage 1960s American Mid-Century Modern Ceramics
Ceramic
Mid-20th Century Italian Mid-Century Modern Glass
Blown Glass
Mid-20th Century Italian Mid-Century Modern Barware
Glass
21st Century and Contemporary American Side Tables
Metal
20th Century American Post-Modern Platters and Serveware
Lucite
20th Century Italian Armchairs
Upholstery, Wood
Vintage 1980s Italian Glass
Art Glass
Late 20th Century Post-Modern Pitchers
Ceramic
Vintage 1970s American Post-Modern Porcelain
Porcelain
Late 20th Century American Post-Modern Platters and Serveware
Marble
Late 20th Century Asian Post-Modern Platters and Serveware
Mother-of-Pearl, Lacquer
Vintage 1980s Hollywood Regency Coffee and Cocktail Tables
Travertine
1990s Italian Serving Bowls
Glass
Late 20th Century American Post-Modern Barware
Cork, Ceramic, Wood
Vintage 1980s American Post-Modern Tea Sets
Pottery
Vintage 1980s Italian Post-Modern Ceramics
Ceramic
Vintage 1970s American Post-Modern Pottery
Earthenware
Late 20th Century Italian Post-Modern Centerpieces
Silver
1990s American Post-Modern Ceramics
Ceramic
1990s North American Post-Modern Tableware
Lucite
Early 2000s Italian Post-Modern Centerpieces
Metal
Vintage 1980s American Post-Modern Ceramics
Stoneware
Late 20th Century Pakistani Post-Modern More Dining and Entertaining
Marble
20th Century Italian Post-Modern Sterling Silver
Sterling Silver
2010s Italian Post-Modern Ceramics
Ceramic
2010s Italian Post-Modern Ceramics
Ceramic
1990s American Post-Modern Ceramics
Ceramic
Late 20th Century Italian Post-Modern Barware
Art Glass, Blown Glass, Murano Glass
Mid-20th Century British Post-Modern Platters and Serveware
Sterling Silver
Late 20th Century Chinese Post-Modern More Dining and Entertaining
Ceramic
Mid-20th Century Italian Post-Modern Serving Bowls
Marble
Late 20th Century American Post-Modern Ceramics
Ceramic
Vintage 1980s Japanese Post-Modern Barware
Plastic, Lacquer
1990s Italian Post-Modern Ceramics
Ceramic
Vintage 1960s Italian Mid-Century Modern Barware
Stone, Marble
Vintage 1980s German Post-Modern Porcelain
Porcelain
Late 20th Century Italian Post-Modern Barware
Hardwood
Late 20th Century Mexican Post-Modern Sterling Silver
Sterling Silver
Late 20th Century German Post-Modern Porcelain
Porcelain
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Post Modern Glass For Sale on 1stDibs
How Much is a Post Modern Glass?
A Close Look at post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.
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