Simonini Aurora
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Armchairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Armchairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Upholstery, Faux Leather, Cane, Hardwood, Walnut, Leather, Textile
2010s Brazilian Post-Modern Armchairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Armchairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Armchairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Armchairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Walnut, Hardwood, Cane, Faux Leather, Upholstery, Textile
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Faux Leather, Cane, Hardwood, Walnut, Leather, Textile, Upholstery
2010s Brazilian Post-Modern Chairs
Hardwood, Walnut, Leather, Textile, Upholstery, Faux Leather, Cane
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Cane, Hardwood, Walnut, Leather, Textile, Upholstery, Faux Leather
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Stools
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
2010s Brazilian Post-Modern Chairs
Leather, Textile, Upholstery, Faux Leather, Cane, Hardwood, Walnut
Simonini Aurora For Sale on 1stDibs
How Much is a Simonini Aurora?
SIMONINI for sale on 1stDibs
SIMONINI is a modern furniture design studio dedicated to creating the classics of tomorrow. Its responsibly sourced hardwood furniture is made to stand the test of time while maintaining its beauty and charm. SIMONINI specializes in designing and producing chairs, particularly dining room chairs, stools and armchairs. The company’s signature sleek style also informs its elegant dining tables and chic patio furniture.
SIMONINI was founded by designer Daniel Simonini and is headquartered in São Paulo, Brazil, and Milan, Italy. Simonini, born in Brazil in 1986, holds a master’s degree in industrial and interior design from SPD Scuola Politecnica di Design in Milan. After graduating, he worked for many esteemed design studios like Studio Laviani, Lissoni Associati, Lomography and Palomba Serafini. During the early years of his career, Simonini gained substantial experience in designing furniture and decorative objects for both mass and niche markets.
When Simonini founded his self-named studio in 2012, he chose to specialize in furniture design. The goal was to use only the highest quality materials and expert techniques to manufacture exclusive pieces for discerning clients. In every new design, Simonini seeks to find a balance between form and function, bringing greater harmony to living interiors.
In addition to his own company, Simonini has partnered with Milan designer Niccolò Adolini on a furniture line under the Adolini+Simonini brand.
On 1stDibs, find SIMONINI seating, tables, garden furniture and more.
A Close Look at post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.
On the Origins of brazilian
More often than not, vintage mid-century Brazilian furniture designs, with their gleaming wood, soft leathers and inviting shapes, share a sensuous, unique quality that distinguishes them from the more rectilinear output of American and Scandinavian makers of the same era.
Commencing in the 1940s and '50s, a group of architects and designers transformed the local cultural landscape in Brazil, merging the modernist vernacular popular in Europe and the United States with the South American country's traditional techniques and indigenous materials.
Key mid-century influencers on Brazilian furniture design include natives Oscar Niemeyer, Sergio Rodrigues and José Zanine Caldas as well as such European immigrants as Joaquim Tenreiro, Jean Gillon and Jorge Zalszupin. These creators frequently collaborated; for instance, Niemeyer, an internationally acclaimed architect, commissioned many of them to furnish his residential and institutional buildings.
The popularity of Brazilian modern furniture has made household names of these designers and other greats. Their particular brand of modernism is characterized by an émigré point of view (some were Lithuanian, German, Polish, Ukrainian, Portuguese, and Italian), a preference for highly figured indigenous Brazilian woods, a reverence for nature as an inspiration and an atelier or small-production mentality.
Hallmarks of Brazilian mid-century design include smooth, sculptural forms and the use of native woods like rosewood, jacaranda and pequi. The work of designers today exhibits many of the same qualities, though with a marked interest in exploring new materials (witness the Campana Brothers' stuffed-animal chairs) and an emphasis on looking inward rather than to other countries for inspiration.
Find a collection of vintage Brazilian furniture on 1stDibs that includes chairs, sofas, tables and more.
Finding the Right dining-room-chairs for You
No matter what your dream dining experience looks like, there is a wide-ranging variety of vintage, new and antique dining room chairs on 1stDibs. Find upholstered dining room chairs, wood dining room chairs and more to outfit any space designated for a good meal, be it in your home or in the great outdoors.
In the early 18th century, most dining room tables and other furniture was designed to look masculine. In America, dining rooms weren’t even much of a concept until the late 1700s, when a space set aside specifically for dining became a part of the construction of homes for the wealthy. Dining room chairs of the era were likely made of walnut or oak. In Europe, neoclassical dining chairs emerged during the 1750s owing to nostalgia for classical antiquity, while the curving chair crests of Queen Anne furniture in the United States preceded the artistically bold seat backs that characterized the Chippendale chairs that followed. If there weren't enough dining chairs at suppertime in the American colonies, men were prioritized and women stood.
In the dining rooms of today, however, there is enough space for everyone to have a seat at the table. Modern styles introduce innovative design choices that play with shape and style. Icons of mid-century modern dining room chairs are plentiful: With its distinctive bentwood back, there is the DCW dining chair by Charles and Ray Eames, while Hans Wegner's timeless classic, the Wishbone chair, remains relevant and elegant decades after its debut. Stefano Giovannoni's White Rabbit dining chairs, in their lovable polyethylene biomorphism, reinvent what dining can look like.
Today's wide range of dining room chairs also means that they can now be styled in different ways, bringing functionality and fun to any sumptuous dining space. No longer do tables have to be accompanied by a matching set of seats. Skillfully mixing and matching colors and designs allows you to showcase your personality without sacrificing the cohesion of a given space.
By furnishing your dining room with cozy chairs — vintage, antique or otherwise — family time can extend far beyond mealtime. The plush upholstery of Victorian-style dining room chairs is perfect for game nights that stretch from dinner to midnight snack. Outdoor tables and dining chairs can also present an excellent opportunity for bonding and eating — what goes better with a delicious meal than fresh air, anyway?
Whether you prefer your chairs streamlined and stackable or ornate and one of a kind, the offerings on 1stDibs will elevate your mealtime and beyond.