Verpan Prada

Verner Panton introduced the word “groovy” — or at least its Danish equivalent — into the Scandinavian modern design lexicon. He developed fantastical, futuristic forms and embraced bright colors and new materials such as plastic, fabric-covered polyurethane foam and steel-wire framing for the creation of his chairs, sofas, floor lamps and other furnishings. And Panton’s ebullient Pop art sensibility made him an international design star of the 1960s and ’70s. This radical departure from classic Danish modernism, however, actually stemmed from his training under the greats of that design style.

Born on the largely rural Danish island of Funen, Panton studied architecture and engineering at Copenhagen’s Royal Danish Academy of Fine Arts, where the lighting designer Poul Henningsen was one of his teachers. After graduating, in 1951, Panton worked in the architectural office of Arne Jacobsen, and he became a close friend of Hans Wegner's.

Henningsen taught a scientific approach to design; Jacobsen was forever researching new materials; and Wegner, the leader in modern furniture design using traditional woodworking and joinery, encouraged experimental form.

Panton opened his own design office in 1955, issuing tubular steel chairs with woven seating. His iconoclastic aesthetic was announced with his 1958 Cone chair, modified a year later as the Heart Cone chair. Made of upholstered sheet metal and with a conical base in place of legs, the design shocked visitors to a furniture trade show in Copenhagen. 

Panton went on to successive bravura technical feats. His curving, stackable Panton chair, his most popular design, was the first chair to be made from a single piece of molded plastic.

Panton had been experimenting with ideas for chairs made of a single material since the late 1950s. He debuted his plastic seat for the public in the design magazine Mobilia in 1967 and then at the 1968 Cologne Furniture Fair. The designer’s S-Chair models 275 and 276, manufactured during the mid-1960s by August Sommer and distributed by the bentwood specialists at Gebrüder Thonet, were the first legless chairs crafted from a single piece of plywood.

Panton would spend the latter half of the 1960s and early ’70s developing all-encompassing room environments composed of sinuous and fluid-formed modular seating made of foam and metal wire. He also created a series of remarkable lighting designs, most notably his Fun chandeliers — introduced in 1964 and composed of scores of shimmering capiz-shell disks — and the Space Age VP Globe pendant light of 1969.

Panton’s designs are made to stand out and put an eye-catching exclamation point on even the most modern decor.

Find vintage Verner Panton chairs, magazine racks, rugs, table lamps and other furniture on 1stDibs.

Vintage Space Age furniture captured post–World War II optimism with swooping shapes, bowed lines and experimentation with new materials including plastic and fiberglass.

From the launch of the Sputnik 1 satellite in 1957 to the landing of Apollo 11 astronauts on the moon in 1969, the space race between the Soviet Union and the United States propelled advancements in technology that transformed culture. Space Age design encompassed fashion, architecture, cars, furniture and objects for the home, bringing wonder and hope for the future into everyday life.

Coinciding with Pop art, Space Age style featured bold colors and forms. Eero Aarnio’s Ball chair, which debuted in 1966, used molded fiberglass for a capsule-like space while Verner Panton’s 1959 Panton chair was a single piece of molded plastic for a gravity-defying S shape. Red versions of Olivier Mourgue’s 1964 Djinn chair were futuristic enough to appear on the space station in Stanley Kubrick’s 1968 film 2001: A Space Odyssey. Today, Joe Colombo is revered as a master of modern Italian design thanks to the provocative modular furniture pieces he created, such as the Tube chair and the Elda armchair, both of which embody the future-forward spirit of the Space Age.

The Space Age spirit extended to home building too. The futuristic Case Study Houses, which were designed by the likes of Pierre Koenig, Charles and Ray Eames, Richard Neutra and Whitney R. Smith, are considered a high point of modernism and the Southern California lifestyle.

Sometimes the nods to space exploration were more literal, like moon and star motifs or the 1965 Eclisse lamp by Vico Magistretti that saw the mid-century Italian designer integrating a movable inner shade to “eclipse” the light source. Alongside the pioneering moon missions, JVC manufactured the Videosphere portable television reminiscent of the Apollo 11 space helmets.

Although the style faded in the 1970s — with the 1975 joining of the Apollo and Soyuz spacecrafts signaling a new era of cooperation and the global oil crisis impacting the availability of plastics — the era’s innovations influenced designers into the 21st century such as Zaha Hadid and Djivan Schapira.

Find a collection of vintage Space Age seating, tables, lighting and other furniture on 1stDibs.

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Antique and vintage ottomans and poufs add comfort and style to any living room, game room, home office or minimalist lounge space. An ottoman is a short seat or footstool that is also often used to store items. A pouf is similar, but it’s typically more petite than an ottoman, usually without the storage space inside.

When one thinks of the Ottoman Empire, it’s easy to overlook the iconic seat named for the region. The ottoman — originally an upholstered seat or small bench without a back or arms — was a family’s main seating furniture, a way to merge floor seating with cushions and mats. It wasn’t until they were brought to Europe from Turkey, during the 18th century, that it became popular to join ottomans with other pieces of furniture, such as at the base of a chair. Eventually, these footrests were transformed into storage furnishings to organize quilts and blankets or other textiles. Furniture makers crafted their ottomans with lids that revealed a hidden cupboard, which rendered them both comfortable and practical.

Poufs, which appeared in France during the 1840s, are also of the low-platform seating variety. These versatile furnishings have been made available in all manner of shapes and sizes over time, and depending upon their firmness can be used as a side table should an occasion call for an extra one. However, your average ottoman is almost always firmer than a pouf, and even if the plush pouf in your living room feels sturdy, it’s probably not the best surface for your early-evening cocktail.

Both ottomans and poufs can help create an inviting and warm atmosphere in your living space. For the smaller rooms that are characterized by a casual feel, a shaggy or woven wool pouf might be a better choice, as it’s likely to be more compact and floor-cushion-like than an ottoman. The latter are often larger and more table-like and are comparatively a good fit for a more formal room such as a library or a study. Today, you might find that an ottoman works well in your bedroom, where there isn’t room for a sofa, or perhaps it can serve as a reliable perch in front of your vintage vanity table.

Whatever your seating needs are, find a collection of antique, new and vintage ottomans and poufs in varying styles on 1stDibs that include neoclassical, Industrial and mid-century modern. From the bright colors and bold patterns deployed by Milan-born designer Lorenza Bozzoli to the classy leather furnishings created at family-run Brooklyn, New York, atelier Moses Nadel, there is an endless range of these lovable low stools that merge seamlessly with most decor.