Pastel Figurative Drawings and Watercolors

Delphin Enjolras (1865 - 1945) Portrait Of Louis Valayer, Mayor Of Avignon From 1910 To 1919 Pastel on paper Signed and dated top right : D. Enjolras 1899 Framed Friend of the ...

American Impressionist

Pastel or Tempera on paper. Judaica Shtetl scene of village. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. his...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Restaurant Scene with Band Batia Magal, Israeli (1951) Watercolor and Pastel on Paper, Signed l.c. Size: 31 in. x 48 in. (78.74 cm x 121.92 cm) Frame ...

Jogen Chowdhury With Smiling Teeth, Dry Pastel on Paper 7 x 9.25 inches , 2022 (unframed Size ) The framed size of the work is approx . 17 x 20 inches The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron art...

Dennington towards pypes barn by Cornelia Fitzroy [2022] original and hand signed by the artist Pastel on Paper Image size: H:23 cm x W:30 cm Comp...

CALBET Antoine Born in 1860 (Lot et Garonne). Died in 1944 in Paris. 19th-20th centuries. French Painter of genre, nudes, portraits, draftsman, illustrator. A pupil of Michel, Alex...

Work on paper Workshop stamp on the back of the work

Work on paper Workshop stamp on the back of the work

Mid 19th century pastel drawing view of the Royal Palace, Monte Carlo, Monaco by British artist Hercules Brabazon Brabazon. The work is titl...

Figure of a Woman in Blood is a drawing realized by Joseph Colin in the early 20th century. Pastel drawing. Good conditions. Hand signed.

"Spirit Not in Flight," 1994, is a pastel work by Della Wells. The work depicts a nude black woman looking out from the picture, meeting the viewer's ...

Artist: Darrell Fusaro, American (1962 - ) Title: Animal Farm from Grown-Ups Year: circa 1990 Medium: Pastel on Paper, signed l.l. Size: 22 x 30 in. (55.88 x 76.2 cm)

William Anthony, born 1934, Forth Monmouth, NJ. and grew up in Washington State. Education 1958 Yale, New Haven, CT, B.A European History 1959-60 San Francisco Art Institute, CA 196...

Original pastel on paper. Hand signed on front and authenticated on verso by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. All reasonab...

Artist: Jose Canes, Spanish (1931 - ) Title: Girl in Blue Room Year: circa 1975 Medium: Acrylic and Pastel on Paper, signed l.r. 'Dore' Size: 25.5 x 19.5 in. (64.77 x 49.53 cm)

Symbolist abstract pastel drawing by artist Bentzion Ben Yosef Yakov in the style of Marc Chagall. The work features the first miracle performed by Jesus known as the feeding of the ...

Artist: Jose Canes aka Dore, Spanish (1931 - ) Title: Woman Kneeling with Flowers Year: circa 1975 Medium: Acrylic and Pastel on Paper, signed 'Dore' l.r. Size: 25.5 x 19.5 in. (64....

Deep blue and purple tonal figurative abstract pastel work. It is framed in a silver frame with a tan matte. Dimensions without Frame: H 11.5 in x W 15 in. Artist Biography: Helen...

This is a soft pastel painting on tones sanded archival paper signed and dated by the artist. It is suitable for framing under glass to protect the pastel medium. The work is part of...

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

Susan Kiefer Canray and BoisSec Pastel on paper Year: 2004 Size: 19x25in COA provided Ref.: 924802-1664 Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...

This soft pastel on toned heavyweight sanded paper is part of an ongoing series by the artist depicting human and animal subjects. ABOUT Stephen Basso Stephen Basso's highly origin...

Accompanied by certificate no. 2772163 from the artist's archives.

The Cathedral is a drawing in pastel realized by Marcel Guillard (1896-?) in the early 20th Century. Good condition.

Soft pastel on toned paper, signed and dated on bottom. Requires framing under glass. Part ot a series of Nudes with Attitude by the artist Stephen Basso's highly original pastels an...

A ca. 1954 pastel & charcoal on paper drawing of a Notre Dame football game by artist Francis Chapin. Artwork size: 12" x 19". Archivally matted ...

Manfred Schwartz (American, b. Poland, 1909-1970), The Trapezist, Pastel on Paper, 1953, signed in pencil and dated lower left, in mat, unframed. Image: 9" H x 7.5" W; sheet: 12" H x...

Clouds over horizon

UNTITLED (GREEN RABBI HOLDING A SHOFAR) Signed S. I. Rusoff Genre: Judaica Subject: Religious Medium: Pastel, Chalk Surface: Paper Country: United States Dimensions: 16 1/2" x 12 3/...

William Anthony Born 1934, Forth Monmouth, NJ. and grew up in Washington State. Education 1958 Yale, New Haven, CT, B.A European History 1959-60 San Francisco Art Institute, CA 1961...

Profile of Lady is a drawing realized by R.X. Frinet (1861-1946) in the late 19th century. Charcoal, pastel and white lead on paper. Monogrammed on the lower right. Good condition...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Soft pastel on archival toned paper signed and dated top left. Part of an ongoing series by the artist of artist and model subject matter

Figures is a Pastel and Charcoal drawing realized by Jaques Hesvalle in the Mid-20th Century. Hand-signed. Good conditions with slight foxing.

Orange tonal surrealist portrait drawing. The work is signed by the artist in the bottom corner and is not currently framed. Artist Biography: Eyes are a recurring motif in the work of American artist Stanley Clark...

Konstantin Andreevich Somov (Russian 1869-1939), Young Man Reclining (Boris Snezhkovsky), 1931, Sanguine and pastel on paper, signed and dated (twice) (lower right), 32cm x 48cm, (46...

Marine Still life is a modern artwork realized in the half of 20th century. Mixed colored tempera and watercolor on cardboard. Fair conditions.

The Prison is an Artwork realized by Mino Maccari  (1924-1989) in 1960 ca. Hand Signed on the top left. Good conditions with some short-cutting and folding on the margins. Mino Ma...

Colorful Cottage is a drawing realized by an anonymous in the mid-20th century. Pastel on paper. Fair condition with a cutting on the left.  The artwork is created through deft st...

Elin Siân Blake. Welsh ( b.1981). Stable Friends. Pastels On Colored Paper. Signed Lower Right. Image size 11.2 inches x 7.7 inches ( 28.5cm x 19.5cm ). Frame size 18.7 inches x 15.3 inches ( 47.5cm x 39cm ). Available for sale; this original pastel drawing is by the contemporary Welsh artist Elin Sian Blake. The drawing is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The artwork is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Title : Lady Picks a Flower Materials : Stamp,xerox transfer,ink,pencil,pastel Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma an...

Title : Miss with Pink Shoe and Red Glove Materials : Stamp,xerox transfer,ink,pastel,pencil Date : 2016 Dimensions : 8.5×11″ COA provided Art school took ...

Pastel on paper Francine Ledieu is a French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In the ’80s, Francine was a student of Jean Bertholle from the Saint Roch Academy. The artist had personal exhibitions at Maison Mansart from 1989 to 1993 and at Étienne de Causans Gallery in 1997. In 1998 & 2009 she exhibited at La Petite Galerie...

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom right.. Part of an ongoing series of mermaid themes by the artist

Pastel on paper. Artwork is 25.5 x 19.7 in., framed it is 31 x 25 in.

Girl Sitting is an artwork made by Suzie Bernardeau (1875-1970) during the 20th century. Good condition. Signed on the back. Drawing made with crayons. 

Soft pastel on toned paper signed and dated by the artist depicting a small child being carried by relatives at what appears to be a funeral parlor.

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

"The Lost Craft" is an original pastel drawing on canvas panel by Reginald K. Gee. The artist signed the piece on the back. This features a man seated on a stool in a yellow interior...

Portrait is a Drawing in pastel realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-co...

He's The One is a Charcoal, pastel and Pen Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand signed and titled on the lower margin. Good condition on a little cardboard....

Nudes Women is a Pencil and Pastel Drawing realized by Mino Maccari (1924-1989) in 1925 ca. Hand-signed on the lower. Good condition with folding and aged margins. Mino Maccari ...

EWA PELLO (born in 1964) She studied at the Faculty of Graphic Arts at the Academy of Fine Arts in Cracow. She received her diploma in 1989. She specializes in painting and pastel. I...

BARBARA DYONIZIAK-STUSS (born in 1952) She studied at the State Schools of Fine Arts in Gdańsk and in Łódź (now: Academy of Fine Arts) and graduated in 1981. She is involved in paint...

Soft pastel on toned sanded heavyweight archival paper suitable for framing under glass signed and dated bottom left. Part of the artists series on the artist and Model subject prima...

narrative depiction of sculptor at work Pastel and charcoal on toned paper unframed *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet ...

Maka Cielecka Graduated from the Warsaw Academy of Fine Arts. Worked in Canada and in the Netherlands as a graphic artist. In the mid-90s she began her extensive travels, including t...

This is a pastel painting done on toned archival paper. The title is taken from an old food network show. The artists sardonic humor is well illustrated in this work. A truly one of ...