Ewa Pello Art

Red chalk on cream laid paper, 7 1/4 x 9 3/8 inches (182 x 236 mm), the full sheet. In very good condition with minor toning and two small nicks in the top sheet edge. Some modern no...

Figurative, still life pastel drawing of colorful flowers on a background of vintage book pages 'The Visioning' by Louise Laplante in 2026 pastel on collaged vintage book pages 32.75...

A Dynamic, 1945 Mid-Century Modern Cubist Studio Scene, Artist's Sketch Class by Noted Chicago Painter, Harold Haydon (Am. 1909-1994). Artwork size: 11 x 8 1/2 inches, unframed, mo...

Chiura Obata Dahlias, 1940 Signed, dated and stamped lower right Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalted the figure and genitality of the Latin American man, putting into tension the limits imposed by the sex/gender system that are part of an unquestionable patriarchal and phallocentric order. The majority of those portrayed are inhabitants of the Colombian coast, also constructing alternative ways of conceiving Latin American identity. By breaking taboos about corporality and male sexuality, his work has been censored on numerous occasions due to public accusations of immorality and pornography. Celso Castro’s work is a bare-bulb erotic photo...

A enchanting & intimate 19th century Swiss pastel portrait painting of a beautiful young girl, circa 1870, attributed to the celebrated Swiss artist Albert Anker (1831-1910). The pai...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

An Introspective, Exquitie Modern Pastel of a Seated Female Nude Model by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Dating ca. 1930s. Artwork size: 16 1/2 x 12 1/4 inc...

Hans Feibusch (German, 1898 – 1998) Study of a Saint Charcoal and pastel on paper 21.1/8 x 12 in. (53.7 x 30.8 cm. Provenance: From the estate of the artist Hans Feibusch, born in F...

Red chalk on cream laid paper, 6 3/8 x 7 inches (160 x 176 mm), the full sheet. In very good condition with minor toning and some modern notations in pencil on the verso, as well as ...

Lucien-Victor Guirand de Scevola (1871-1950) A Bouquet of Anemones Signed upper left Pastel on paper 44.5 x 36.5 cm Framed : 53.5 x 45.5 cm Lucien Victor Guirand de Scévola was ...

This layered paper and drawing collage titled "House Studies Series I" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...