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Period: 1930s
Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern
By Jo Cain
Located in New York, NY
Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern
Jo Cain (1904 - 2003)
Telephone Pole Worker
38 1/4 x 18 1/2 inches
Oil on pap...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Gouache
Gorla swimming Pool - Pencil Drawing by Cesare Breviglieri - 1930s
Located in Roma, IT
Gorla swimming pool is an original artwork realized in 1930s by Cesare Breviglieri.
Black and white pencil drawing .Hand signed on the lower right margin.
The artwork represents a...
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Pencil
Allan Rohan Crite Boston Harbor
Located in San Francisco, CA
Allan Rohan Crite: 1910-2007. Well listed African American artist. He has had auction results over $200,000 for a painting. He is mostly associated w...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Watercolor
Oil Tanks, Alameda Street, Los Angeles
Located in Los Angeles, CA
Oil Tanks, Alameda Street, Los Angeles, c. 1930-33, watercolor on paper, 14 ¼ x 21 ¼ inches (image), inscribed verso: “watercolor by Ruth Zimmerman 1912 – 1968 / Practice work for sc...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Beach of Kusambe, Bali 1937
Located in Amsterdam, NL
Four outrigger proa’s on the beach of Kusambe, Bali, 1937
Signed with initials, dated and described with location bottom left
Pencil and ink on paper, 29.7 x 35 cm
In ebonized frame with white mount
WILLEM OTTO WIJNAND NIEUWENKAMP
(1874-1950)
Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way.
He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths.
In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen.
Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...
Category
Art Nouveau 1930s Landscape Drawings and Watercolors
Materials
Paper, India Ink, Pencil
The Gateway to Cornwall GWR poster design charcoal drawing by Ronald T Horley
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Ronald T Horley c.1905-? (active 1930s - 1960s)
The Gateway to Cornwall
Charcoal heightened with white
76 x 53 cm
Signed and inscribed lower right 'Architect's Office, 83 Marlborough Place NW8 Marylebone'.
Horley attended Radley School, joining in 1918. He painted architectural watercolours. This was produced whilst working for the GWR's own Architect's Office.
The Great Western Railway commissioned a series of posters promoting train travel around the UK. This charcoal drawing of the Royal Albert Bridge at Saltash is the artist's original design for a poster encouraging rail travel to Devon and Cornwall. The bridge is known fondly as the 'Gateway to Cornwall'.
The Royal Albert Bridge was designed by Isambard Kingdom Brunel...
Category
1930s Landscape Drawings and Watercolors
Materials
Charcoal
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
By George Grosz
Located in New York, NY
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
George Grosz (Germany, 1893-1959) "City Scene," 17 x 12 inches, signed and dated “33” lower left, watercolor on paper. This drawing, created while Grosz was living in NYC. Period frame, It has been authenticated by Ralph Jentsch, the globally recognized Grosz expert.
Provenance: Hirschl & Adler and 511 Gallery...
Category
Expressionist 1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Antonio Petruccelli (1907 – 1994)
Mixing Mortar
12 1/2 X 14 3/4 inche...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Gouache, Board
Bricklayers House Beautiful Cover Proposal American Scene Modern 1930s Workers
Located in New York, NY
Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers
Antonio Petruccelli (1907 - 1994)
Brick Layers
House Beautiful cover proposal, c. 1939
...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Gouache, Board
1930s WPA Era Graphite Drawing, American Modern City Scene of Houses on Hill, CO
Located in Denver, CO
Graphite on paper drawing by Charles Ragland Bunnell (1897–1968), circa 1935, featuring a modernist cityscape of houses on a hill in Colorado. This artwork, created during the 1930s ...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Graphite
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Gouache, Board
1940s Western Landscape of Silver Plume, Colorado, Framed Oil Pastel Drawing
By Elsie Haddon Haynes
Located in Denver, CO
A captivating early 20th-century Western mountain landscape by Colorado artist Elsie Haddon Haynes (1884–1963), this original oil pastel drawing captures the charming town of Silver Plume...
Category
American Impressionist 1930s Landscape Drawings and Watercolors
Materials
Oil Pastel
Paul Emile Lecomte (1877-1950) A landscape, signed watercolor
Located in Paris, FR
Paul Emile Lecomte (1877-1950)
A Landscape
Signed lower left
Watercolor on paper
22.5 x 30.5cm
In good condition
Framed: 37.5 x 46 cm
Paul Emile Lecomte (1877– 1950). Painter of wat...
Category
Post-Impressionist 1930s Landscape Drawings and Watercolors
Materials
Watercolor
Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker
Located in New York, NY
Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker. Sight size: 18 x 23 1/4 inches. Estate stamped verso.
This drawing is the study for a large oil we ...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor
La Suisse Normande en Automne by Paulémile Pissarro - Watercolour on paper
Located in London, GB
La Suisse Normande en Automne by Paulémile Pissarro (1884-1972)
Watercolour and pencil on paper
28 x 20 cm (11 x 7 ⁷/₈ inches)
Signed and inscribed lower left, Paulémile - Pissarro -...
Category
1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Located in New York, NY
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Gouache
Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA
Located in New York, NY
Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA
Antonio Petruccelli (1907 – 1994)
Army Wedding
New Yorker cover proposal, c. 1939
11 1/2 X 8 inches ...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Gouache, Board
Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism
Located in New York, NY
Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism
Arthur Rosenman Ross (1913 - 1981)
Bell YFM-1 Airacuda Fighter Planes
17 1/2 x 26 1/2 inches
Gouache, Airbrush and Ink on Illustration Board, 1938
Signed A. Ross lower right
Provenance: Estate of the artist.
BIO
Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s.
He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure.
In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood
and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935.
He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2.
It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war.
Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959.
He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job.
Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955.
They talked about art, cars and girls late into the evening, according to his son, Carter Ross.
He had a gift in rendering the erotic arts...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Ink, Gouache, Board
"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice
New York Harbor Nocturne
Signed lower right
Pastel on paper
12 x 19 inches
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Pastel
"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice
New York Harbor Nocturne
Signed lower right
Pastel on paper
12 x 19 inches
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Pastel
"New York Harbor Nocturne" Leon Dolice, New York Harbor Scene Mid-Century
By Leon Dolice
Located in New York, NY
Leon Dolice
New York Harbor Nocturne
Signed lower right
Pastel on paper
12 x 19 inches
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Pastel
New England Landscape, Watercolor by Allen Tucker
By Allen Tucker
Located in Long Island City, NY
Artist: Allen Tucker, American (1866 - 1939)
Title: New England Landscape
Year: 1936
Medium: Watercolor, signed and dated
Size: 19 in. x 28 in. (...
Category
American Impressionist 1930s Landscape Drawings and Watercolors
Materials
Watercolor
Art Deco Couple In Front of Black and White Art Deco Architecture
Located in Miami, FL
Art Deco Illustrator Charles Perry Weimer creates a powerfully graphic depiction of a 1930s couple in front of a classic Art Deco building with a...
Category
Art Deco 1930s Landscape Drawings and Watercolors
Materials
Paper, Ink
"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary
Located in New York, NY
"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary
19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism
By Jo Cain
Located in New York, NY
Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism
Jo Cain (1904 - 2003)
Railroad worker
36 ¼ x 27 inches
Oil on paper c. 1930s
S...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Oil
Salzburger Berge
Located in Wien, 9
August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Acrylic
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century c. 1930s
Located in New York, NY
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century
Antonio Petruccelli (1907 - 1994)
Oil Terminal
Lamp Magazine, published, c. 1930s.
15 3/4 X 12 inches (image)
18 X 14 inches board
Gouache on board
Signed lower right
unframed
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Gouache, Board
Modern American Industrial Drawing Factory Graphite Framed Black and White
Located in Buffalo, NY
A fantastic industrial drawing dated 1935, which depicts the former Plymouth Motor Company's Powerhouse in Buffalo, NY.
Housed in a contemporary frame presentation this unique work ...
Category
Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Graphite
Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA
By Jo Cain
Located in New York, NY
Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA
Jo Cain (1904 - 2003)
Hammering Nails
39 x 50 ½ inches
Gouache on paper c. 19...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Gouache
Georgetown, Colorado, 1938 WPA Era Ink Drawing of Rocky Mountain Landscape
Located in Denver, CO
This vintage 1938 ink drawing by Charles Bunnell (1897–1968) captures a stunning scene of a church nestled in the majestic Rocky Mountains of Georgetown, Colorado. Executed in bold black ink on creamy white paper, the piece is signed and dated by the artist in the lower right and titled in the lower left. The image size is 7 ¾ x 5 ¾ inches, and it is framed with archival materials, with outer dimensions measuring 16 ¼ x 14 ½ x 1 ¼ inches.
Condition:
The drawing is in good vintage condition, with no notable flaws. For a detailed condition report, please contact us directly.
Provenance:
This artwork comes from the estate of Charles Ragland Bunnell, ensuring its authenticity.
About Charles Bunnell:
Charles Bunnell was a prominent American artist whose career spanned multiple styles and influences. Born in Kansas City, Missouri, he moved to Colorado Springs around 1915, where he developed a love for art. After serving in World War I, Bunnell studied at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center), where he met his wife, Laura Palmer...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Ink
Gnarled Tree - African American Artist
Located in Miami, FL
Executed in 1930, this abstract yet representational biomorphic charcoal work by African American Artist Charles Henry Alston prefigures his ...
Category
American Realist 1930s Landscape Drawings and Watercolors
Materials
Paper, Charcoal
Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA
Located in New York, NY
Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA
Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Gouache, Paper, Watercolor, Ink
1930s American Modernist Colorado Winter Landscape Watercolor, Trees, Mountains
Located in Denver, CO
This 1938 watercolor painting by American Modernist artist Turner B. Messick depicts a serene winter landscape, likely set in Colorado. The scene features a bare tree in the foregrou...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Watercolor
ALPSPITZE #3 (with Zabriskie Gallery Label), original pencil drawing of Bavaria
Located in New York, NY
Marsden Hartley
ALPSPITZE #3 (with Zabriskie Gallery Label), 1933
Pencil on cream wove paper. In original vintage frame with Zabriskie Gallery label
Sticker label, framed with Zabris...
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Pencil
Estes Park Colorado American Modernist Watercolor Landscape Painting, WPA 1930s
By James Russell Sherman
Located in Denver, CO
Vintage 1930s watercolor and ink painting of Estes Park, Colorado, by American artist James Russell Sherman (1906-1989). This captivating work features a detailed view of storefronts...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Watercolor
1930s American Modern Farm Landscape Watercolor with Barns, Windmill & Fields
By Samuel Bolton Colburn
Located in Denver, CO
This original watercolor painting by acclaimed American artist Samuel Bolton Colburn captures a quiet farmstead nestled in a mountain valley. Rendered with Colburn’s signature contro...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Watercolor
"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice
New York Harbor Nocturne
Signed lower right
Pastel on paper
12 x 19 inches
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Pastel
“The Harbor Puerto Plata, Dominican Republic”
Located in Southampton, NY
Original watercolor over graphite under drawing of the harbor with sailboats in Puerto Plata, Dominican Republic by the American artist, Wilmot Emerton Heitland. Signed “Heitland” lower right by the artist. Condition is excellent. Circa 1930. Under UV plexiglass. A similar painting of the same harbor done in 1924 by Wilmot Heitland is in the permanent collection of the Art Institute of Chicago. The artwork is housed in a light blue laminate frame with navy blue mat. Overall framed measurements are 25 by 31 inches. Provenance: A Sarasota, Florida estate.
Born 1893 in Wisconsin, Wilmot Emerton Heitland was an illustrator and painter trained at the Pennsylvania Academy of the Fine Arts. For a time, he was president of the American Watercolor Society. He also painted numerous illustrations depicting high society that were published in magazines such as: Collier’s, Women’s Home Companion, Cosmopolitan, and McCall’s, throughout the 20s, 30s, and 40s. Later, Heitland moved on to paint and teach at the Art Club. His paintings can be found in the collections of the Boston Museum of Fine Arts; the Brooklyn Museum; the Art Institute of Chicago; the Philadelphia Museum of Art; and locally at the Museum of Fine Arts, William R. Hough and Co., Stetson College of Law Library, and the Poynter Institute. Heitland moved to St. Petersburg because of the active Art Club here. He had a solo show of his work at the Art Club in 1963, and served as the exhibition chairman in 1964. He died in 1969.
Overview
San Felipe de Puerto Plata is the capital of the Puerto Plata province on the Dominican Republic’s Atlantic north coast. The city is best known for its beaches. Playa Dorada’s lengthy beachfront is backed by resorts and an 18-hole golf course. The city’s old colonial-era center is dominated by the 16th-century Fortaleza San Felipe, a Spanish fortress that now houses historical and military artifacts.
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper, Graphite
Waldorf Astoria Art Deco Illustration
Located in Miami, FL
Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...
Category
Art Deco 1930s Landscape Drawings and Watercolors
Materials
Ink, Gouache, Pen
Moissonneurs à Blarimon by Ludovic-Rodo Pissarro - Watercolour
Located in London, GB
Moissonneurs à Blarimon by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and ink on paper
26.4 x 37 cm (10 ³/₈ x 14 ⁵/₈ inches)
Signed lower left, Ludovic Rodo.
Executed in 1931
Th...
Category
Post-Impressionist 1930s Landscape Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Wobbly bridge, Tabanan, Bali, 1937
Located in Amsterdam, NL
Wobbly bridge, Tabanan, Bali, 1937
Signed with initials bottom right and dated, bottom left
Pencil and ink on paper, 22 x 26.3 cm
In ebonized frame with white mount
Willem Otto Wi...
Category
Art Nouveau 1930s Landscape Drawings and Watercolors
Materials
Paper, India Ink, Pencil
"East Gloucester, Massachusetts' — Cape Ann Regionalism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever, 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor with fresh colors on off-white watercolor paper...
Category
Impressionist 1930s Landscape Drawings and Watercolors
Materials
Watercolor
NYC Cityscape American Scene Social Realism Mid-Century
Located in New York, NY
NYC Cityscape American Scene Social Realism Mid-Century
Max Arthur Cohn (1903-1998)
New York City Skyline
14 x 21 1/2 inches
Watercolor on paper, c. 1...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor
View of Montmartre, la place du tertre Paris by Frank Will
By Frank Will
Located in PARIS, FR
Painter and Aquarellist. Nanterre (92) March 13th 1900 – Clichy (Seine) Dec 29th 1950.
He was the son of Frank Boggs, an American citizen. He started his career with the nickname “Wi...
Category
Post-Impressionist 1930s Landscape Drawings and Watercolors
Materials
Tempera, Watercolor
Le Pont Neuf
By Lucien Génin
Located in London, GB
'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided.
About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...
Category
Expressionist 1930s Landscape Drawings and Watercolors
Materials
Paper, Gouache
“New York at Night”
By Leon Dolice
Located in Southampton, NY
Very well executed original pastel on archival paper of New York City at night with beacon by the well known American artist, Leon Dolice. Signed lower right. Circa 1930. Condition is excellent. Beautifully gallery framed with stained mahogany wood frame. Under glass. Overall framed measurements are 21 by 30 inches. Birham Wood Galleries, East Hampton, New York provenance. Exhibited artwork. See photo gallery labels verso.
Leon Dolice was born in Vienna, Austria on August 14, 1892, the son of a machinest/welder. He went on to study art in Europe and viewing the works of the Masters. Dolice immigrated to the United States in 1920, finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. Concentrating on etching and with the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan.
A decline in popular favor for etchings led him to put aside his plates in the late 1930s and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes, and even experiments with Abstract Expressionism at the height of its new found favor in the 1940s punctuated his career.
In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit.
Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Oil Pastel, Archival Paper
Boats in the Harbour - Seaside Maritime
By Mane Katz
Located in London, GB
MANE KATZ [Katz Emmanuel] 1894-1962
Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli)
Title: Boats in the Harbour, circa 1938
Technique: Original...
Category
Expressionist 1930s Landscape Drawings and Watercolors
Materials
Gouache
“Trinity Church, Wall Street”
By Leon Dolice
Located in Southampton, NY
Original oil pastel on archival paper by the well known American artist, Leon Dolice. The painting depicts Trinity Church with several of the more contemporary buildings of Wall Stre...
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Oil Pastel, Archival Paper
Island in the San Francisco Bay, Mid Century Landscape by Alexander Nepote
Located in Soquel, CA
Mid Century Island in the San Francisco Bay Landscape by Alexander Nepote
Lovely late 1930's Impressionist watercolor of a Bay Area island by listed California artist Alexander Nepo...
Category
American Impressionist 1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor
"ARAMIS" Ship - Ink, Pastel and Watercolor attr. to Jane Levy - 1930s
By Jane Levy
Located in Roma, IT
"ARAMIS" Ship is an original artwork in ink, pastel and watercolor on ivory paper realized by the French artist Jane Levy.
Hand-signed on the lower right by...
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Pastel, Watercolor, Ink
"New York City Harbor" Leon Dolice, Downtown Skyline, East and Hudson River
By Leon Dolice
Located in New York, NY
Leon Dolice (1892 - 1960)
New York Harbor Skyline at Twilight (Searching), circa 1930-40
Pastel on paper
12 x 19 inches
Signed lower left
Provenance:
Spanierman Gallery, New York
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young man who was someday to be spoken of as showing promise of becoming "one of the greatest etchers of all time". Leon Dolice, born in Vienna on August 14, 1892, even as a young boy, preferred the lure of painting to the scholastic studies which his early years had expected of him. His father was a machinist, which exposed the boy to welding and metal crafts.
However, his interest in art led him to abandon a secure future in the family business, and he spent most of his late teens and early twenties traveling through the capital cities of Europe studying the works of the Masters.
As with many itinerant artists, he made his way in a variety of fashions metalworker, chef, designer somehow always managing to give vent to his creative instincts. Lured by the adventure of crossing the great Atlantic and by the freedoms of the New World, he came to America in 1920. There he was greeted by the turbulence of New York in the Roaring Twenties. Finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects.
With the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan.
A decline in popular favor for etchings led him to put aside his plates in the late 1930's and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes and even experiments with Abstract Expressionism at the height of its new found favor in the 1940's punctuated his career.
In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit.
Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...
Category
American Modern 1930s Landscape Drawings and Watercolors
Materials
Paper, Pastel
Hilltop Cows, Zermatt, 1935, circa - Drawing by Stanley Spencer, Farming + Rural
Located in Kingsclere, GB
Painter of imaginative and religious subjects, of landscapes and occasional portraits. Born 30 June 1891 at Cookham, Berkshire, brother of Gilbert Spencer. Studied at the Maidenhead ...
Category
1930s Landscape Drawings and Watercolors
Materials
Pencil
Two Old Pecan Trees, Early 20th Century Landscape, 1st Place May Show Winner
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964)
Two Old Pecan Trees, 1932
Watercolor on paper mounted on board
Signed lower right
21 x 28.25 inches
27 x 35.25 inches, as framed
Exhibited: 1932 May Show (1st Place) Cleveland Museum of Art; Poetics of Place: Charles Burchfield and His Contemporaries, 2001 Cleveland Artist's Foundation.
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1930s Landscape Drawings and Watercolors
Materials
Watercolor
The Medway, Rochester - Large Modern British Kent Landscape Watercolor Painting
Located in Sevenoaks, GB
A beautiful large signed and dated 1937 watercolour by Roland Vivian Pitchforth RA depicting the River Medway at Rochester in Kent.
Fine qua...
Category
Modern 1930s Landscape Drawings and Watercolors
Materials
Watercolor
Place Pigalle
By Lucien Génin
Located in London, GB
'Place Pigalle', oil and gouache on art paper, by Lucien Génin (circa 1930s). Pigalle is well known to tourists who want to experience "Paris by night". It is home to some of Paris' most famous cabarets such as the Moulin Rouge which was immortalised by artist Toulouse-Lautrec. Lautrec's studio was here as was Picasso's, Vincent Van Gogh's and that of Andre Breton. In 1928 Josephine Baker opened her first nightclub next door to Breton's apartment. It is certainly a historical landmark of Paris and well known to so many visitors of this beautiful city. Génin painted Paris and Parisians and this is another one of his charming works among many held by this gallery. Please feel free to peruse them all on this platform. In good overall condition. Newly framed and glazed with anti-reflective glass. Upon request a video may be provided.
About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...
Category
1930s Landscape Drawings and Watercolors
Materials
Paper, Oil, Gouache
Mid-century Ink on Paper. 'Jardin du Luxembourg'.
Located in Cotignac, FR
Mid 20th Century study of a park and garden on paper by the Dutch artist Wim Oepts. A similar sketch to TK 048 in the Monografie en Oeuvrecatalogus. Carrying...
Category
Impressionist 1930s Landscape Drawings and Watercolors
Materials
Paper, Ink
Monhegan Cove, Impressionist Gouache Painting by Joseph Solman 1937
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - )
Title: Monhegan Cove
Year: 1937
Medium: Gouache on black paper, signed and dated l.c.
Size: 8.5 x 12 inches
Frame Size: 18 x 22 inches
Category
Color-Field 1930s Landscape Drawings and Watercolors
Materials
Gouache
Cap Dramont
By M. Kessler
Located in Houston, TX
Richly hued watercolor landscape of a breathtaking scene from Cap Dramont, a nature preserve near the French Riviera by M. Kesseler, 1938. Signed, titled and dated lower right.
Orig...
Category
1930s Landscape Drawings and Watercolors
Materials
Paper, Watercolor
