1930s Landscape Drawings and Watercolors

'Grazing Cattle in Normandy', watercolour on paper, by Genevieve Gallibert (circa 1930s). The artists captures a tranquil scene in Vallée d'Auge, Norman...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 10 x 15 inches. Signed lower left. Good condition with no d...

"Streetscape" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Streetscape" 14 x 20 inches Watercolor on paper, c. 1939 Signed l...

Artist: Joseph Solman, American (1909 - ) Title: Monhegan Cove Year: 1937 Medium: Gouache on black paper, signed and dated l.c. Size: 8.5 x 12 inches Frame Size: 18 x 22 inches

A 'View of Saint-Médard Church, Paris', gouache on art paper, by Lucien Génin (circa 1930s). As viewed from the Rue Mouffetard, the church, which dates from the mid-1400s, continues ...

Figurative ink and wash drawing of beagles and a terrier leading the hunter to the quarry by an unknown artist (American, 20th Century). Unsigned. Displayed in a rustic black and bro...

Landscape with a Village is an original artwork realized in 1939 by Charlotte Jamois in the first half of the 20th century. Watercolor on paper. Hand-signed by the artist on the low...

Hailey Lever, 'St. Astruell, England', watercolor, 1910. Signed in pencil, lower right. Titled and dated on the original inside mat. A fine spontaneous work, with fresh colors, on cr...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 11 x 17 inches. Signed lower right. Good condition with no ...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 8 x 10 inches. Signed lower right. No damage or conservation. Birth place: Cincinnati, OH Addresses: Cincinnati, OH; NYC Profession: Painter, illustrator, etcher, lithographer, cartoonist, teacher Studied: Cincinnati Art Acad.; ASL Exhibited: AIC, 1936, 1938; PAFA Ann., 1936; Corcoran Gal biennial, 1939; GGE, 1939; Paris Salon, 1937; Stockholm, Sweden, 1937-38; Soc. Indep. Artists, 1938; WFNY, 1939; SAE; LOC, 1943-45; Albright-Knox Art Gal., 1951; SAGA, 1951-on; Royal Soc. Painters, Etchers & Engravers, London, England, 1954; Am.-Japan Contemporary Print Exhib., Tokyo, 1967. Awards: first prize in graphics, Cincinnati Mus. Assn., 1939. Member: Cincinnati Assn. Prof. Art; Cincinnati AC; SAE; SAGA Work: MMA; NYPL; CI; Penn. State Univ.; Soc. New York Hospitals. Comments: Contributor: cartoons in Saturday Review, New Yorker. Publications: illustrator, Lamb's Sectional Histories of New York State," Frank E. Richards; illustrator of filmstrips on New York State history produced by Our York State, NY, 1950-; medical illustrator, "A Syllabus for Health Visitors," Navajo Tribal Council, Arizona...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 8.5 x 11 inches. Signed lower right. Good condition with no...

American Scene Social Realism Mid-20th Century WPA Era Woman Artist Children Winnie Borne Sherman (1902-2004) “Ring around the Rosie” Pencil on Paperboard, c. 1930s 13 3/8 H x 15 5...

'Hamam Rigba'. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules...

'Mediterranean Landscape', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of Prov...

Serene French watercolor along the banks of the Côte d'Azur by artist M. Kesseler, 1938. Signed and dated lower left. Original vintage one-of-a-kind artwork on paper displayed on a ...

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

Beautiful mountain road in vibrant tones, a watercolor landscape painting by Eva Ellen Dean (American, 1871-1954). Presented in a wooden frame. Signed "Eva Dean" lower left. Image si...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 9.5 x 12 inches. Signed lower right. Good condition with no...

Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...

Signed lower right, 'W C Watts' for William Clothier Watts (American, 1869-1961), titled verso 'Water Pagent (sic), Burma' and painted circa 1930. A characteristically kaleidoscopic work by Watts showing a view of brightly caparisoned boats and gaily-dressed participants in a traditional Burmese Water ceremony. Watts began painting early and, by the age of 18, he had exhibited at the Pennsylvania Academy of Fine Arts (PAFA) where he also studied under Thomas Anshutz and Robert Vonnoh...

Classic etching of Provence by French artist E. Roux-Fabre, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archi...

Gathering Vraic on a Jersey Shore. c. 1937. Ink and watercolor on 'Castle Linen Tolli & Harvey LD London' countermarked paper. 7 1/8 x 13 1/2 (sheet 12 1/2 x 16 1/4). Good condition, apart from small professionally repaired paper losses at the corners, from previous hinges. Dedicated 'To my friend Harold James Bailey E.B.' and annotated 'To wish you a glad glow of happiness for Christmas and the New Year'. From the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). Housed in a 15 1/2 x 21 1/2-inch Whistler style gold wood frame. In the left rear section is a Martello or Conway tower, built as a fortiffiction. A Jersey Round Tower Coastal towers stand all along the coast of the island. The British built 22 round towers, one similar square tower, and eight Martello towers towards the end of the 18th Century and in the early to mid-19th Century, but now only 24 remain, including seven of the Martellos. Vraic is a seaweed found in the Channel Islands. The main use of vraic is for spreading over potato fields during the winter. It is then ploughed into the soil before the potatoes are planted in late winter and spring. Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas. The practice continues using...

Captivating watercolor of a charming snow covered windmill in Alsace, France by artist Milio Burquin, circa 1930. Signed lower left. Displayed on a white mat with a gold border and f...

Bright and colorful early 20th century French watercolor of horse & carriage coming through Tudor-style town gates, by artist Laurent, c. 1930. Sig...

Soothing French watercolor of a winding trail on the edge of a mossy forest, circa 1930. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. A...

Pleasing warm brown toned French ink wash of Seine River near Paris, circa 1930. Original artwork on paper displayed on a white mat with a gold border....

Vintage French watercolor featuring one of the Place de la Concorde's famous fountains with the Luxor Obelisk in the background, by P. Bourlier, circa 1930. The artist's perspective ...

Cyril A. Farey (1888-1954) National Bank of India, Aden Watercolour 17.5×33.5cm (6.8×13.1 inches) Biographical details and other works by Cyril Farey can be found here. In 1839 Ade...

NYC Park Scene American Scene Social Realism WPA Woman Artist Ashcan Realism Isabel Bishop (American, 1902-1988) "NYC Park Scene" Pencil on paper Sight: 5 x 7-1/8 inches Signed l...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures, sheet measures 11 x 17 inches. Signed lower right. No da...

Work on Paper by Isaac Charles Goetz

Leon Dolice New York Harbor Nocturne, circa 1930-40 Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long inf...

Work on paper

Leon Dolice (1892 - 1960) New York Harbor (Brooklyn Bridge), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower right Provenance: Spanierman Gallery, New York The romantic b...

Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...

Lovely early 20th century colored pencil landscape sketch of Shoreham Downs by an unknown artist (United Kingdom, 20th Century). Signature i...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 11 x 17 inches. Signed lower right. Good condition with a 1...

Edmund D. Kinzinger was born in 1888, in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. About this period of Kinzinger's work, Philip Van Keuren...

"Sur la rivière (Marne)" - On the River Marne - Hand Colored Lithograph Serene depiction of a house along the Marne River by unknown artist "Charlot." This piece was commissioned and printed by Camilla Lucas Publishing in New York. A two-story house with a red roof sits on the bank of the river. Lush trees line the banks, some of which are depicted with orange-brown leaves, indicating that autumn has arrived. The color in this piece was added by hand. Titled "Sur la riviere (Marne)" in the lower left corner. Signed "Charlot" in the lower right corner. Presented in a wood frame with a double mat. Frame size: 20"W x 16"W Image size: 11.5"H x 9"W In 1928, Hungarian-born Sidney Zoltan Lucas founded "Camilla Lucas Publishing" which encompassed a wholesale art publishing house and a retail art gallery. This business was both wholesale and retail and dealt in reproductions of antique, modern, and contemporary prints. It also sold original art including etchings, lithographs, and paintings. Starting in the 1930's and continuing into the 1950's, Sydney Lucas traveled to Europe periodically and contracted with French and Flemish artists to publish their work under the banner of the "Paris Etching Society." During his career, Sydney published many thousands of images. He brought art into the homes of people at all levels of income through his etchings, serigraphs, woodblock prints, restrikes and reproductions. The various subjects included Redouté and Prevost Flowers, Barraband and Gould Birds, Piranesi, French Landscapes, Urban Scenes, Women, Children, Animals, Hunting and much more. Later on in the 1950s, Sydney and his wife Phyllis Lucas became the first North American publishers of original signed, limited edition lithographs by the famous surrealist artist Salvador Dali. They worked directly with Mr. Dali over several years and the three created such fine images that in 1985 the Lucas’ Collection of limited edition lithographs from Salvador Dali’s paintings were displayed alongside his original paintings at the Salvador Dali Museum...

Snowy Peaks (Mont Blanc) Watercolor on paper, c. 1930 Signed "R. Hallowell" lower right (see photo) The image depicts is of Mont Blanc in France. Mont Blanc is the highest mountain i...

The Port is an original drawing in pen realized by H. Hausmann in around 1930. Stamped on the rear. Good conditions but aged and small foxing near the lower-left angle that doesn't...

Grey,blue,Britany,Harbor,Nord France,Sea Life in Brittany Harbor Douarnenez Blue and gray colors of the sea of northern France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He...

Harvesting hay 1930s. Paper, oil, 16x15 cm

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880 - 1964) Cambridge Revisited (1933) Pen, ink, and wash 24 x 35 cm Signed and dated lower right. Renowned for his architectural fantasies, Richardson here depicts Sir Christopher Wren...

Muriel Elise Cooke, ( Crooke ) 1901 - 1975, was an English artist who painted in watercolour and oil, she was also an engraver Cooke studied in Paris, France and in her twenties exh...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Sir Edward Maufe (1882 - 1974) Design for House on Round Island...

Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...

HARRY CARLETON ATTWOOD (1907-1985) Resurrection – Mural Design for Eltham Hall Signed with initials, dated and inscribed l.c.: Designs for Eltham Hall / 17/4/36 / HCA Watercolour ...

Tuscany Landscape is a beautiful pen and pencil drawing on cream-colored paper, realized in the 1930s by an Italian artist. Good conditions with some foxing. The artwork is realize...

Landscape is an original modern artwork realized by Ardengo Soffici in 1932. Pencil on laid paper. Hand signed lower right. Left margin restoration sign, generally in good conditi...

Lighthearted Illustration of Outdoor Pursuits This one being cross country hiking signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

Paris, houses and tree is a beautiful artwork realized by Orfeo Tamburi in 1935. China Ink Drawing. Hand-signed and dated on the lower right. Included a Passepartout: 33 x 48 cm. ...

Landscape with Trees is an original artwork realized by Georges Henri Tribout in 1935 in Marac. Pencil Drawing, hand signed on the lower right margin and dated "Marac 1935". Good Co...

Signed lower left, "E Hansen" for Ejnar Hansen (American, 1884-1965) and dated 1936. Ejnar Hansen studied at Copenhagen's Royal Academy of Art before moving to the United States in 1914 and settling in Pasadena in 1924. An ardent proponent of modernist color theory, Hansen became an influential teacher at the Chouinard School, the Otis Art Institute, the John Muir College, and the Pasadena School of Fine Arts. He exhibited widely and with success, including in Denmark and at the Art Institute of Chicago, the Los Angeles County Museum of Art, the Brooklyn Museum, the 1939 World's Fair and at the Cincinnati Museum. Ejnar was a member of the Academy of Western Painters, the Los Angeles Art Association, the California Art Club, the California Watercolor Society, Pasadena Society of Artists and the Foundation for Western Art. Ejnar Hansen's works may be found in numerous public and private collections including LACMA, the Pasadena Art Institute and the San Diego Fine Art Society. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 484; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, p. 1449; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 2, p. 371; Revyen, Chicago 23.12.1916; 17.2.1917; 8.12.1917; 2.2.1918; 16.3.1918; Vore Herrer, okt. 1918; Internat. Studio, juli 1920; Ekstrabl. 14.2.1921 (G. Nygaard); Tidens Kvinder, maj 1934; Fr. Graae: Fra Sydhavsøerne, 1934, 133-45; Art Digest, aug. 1937, dec. 1944, maj 1945; Da. Tid., Chicago 3.9.1937; Arts and Arch., apr. 1938; P. Uttenreitter: Olaf Rude...

Landscape is an original drawing in pencil on paper realized by Francesco Barbieri in 1935 ca. Hand-signed on the lower right in pencil. The state of preservation is very good. In...

Original drawing by Ardengo Soffici. Reference: Published in "Il Selvaggio", n. 7/8, p. 45, in 1935. Catalog "Mino Maccari e l'avventura del Selvaggio", Colle Val d'Elsa 1998, n. 27,...

Mountain Landscape Northern in France is an original modern artwork realized in the 1930s by the French artist Pierre Segogne (1890-1958). Original colored watercolor on paper. Han...

Image dimensions: 15.3 x 19.8 cm. The Huts is an original work realized by Gaston Pastre in the first half of the XX Century. Black ink and pencil. Hand-signed in ink on the lower right corner: G. Pastre. Very good conditions. Fresh and smart work representing a perspective of a small village with trees on the background. The glimpse is characterized by very simple and linear strokes and by an effective and impressionistic touch. This work has been realized by Gaston Pastre (1881 - 1947) a French painter, xilographer and illustrator. Among his other works, he illustrated "Le Livre de demain" (edition Fayard), "Les diaboliques...