Early 20th Century Landscape Drawings and Watercolors

JOSEPH ARTHUR POWELL (1876-1961) The Road to the Sea - Camber Signed l.l. Watercolour Unframed 37.5 by 54 cm., 14 ¾ by 21 ¼ in. (mount size 54 by 70 c...

watercolor, forest, green Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patroniz...

La Belle au Bois Dormant (Sleeping Beauty) is an original drawing in pencil on paper realized by an Anonymous artist of the early 20th Century. The state of preservation of the art...

Work on paper Golden wood frame with glass window 36.5 x 50.5 x 2 cm

The Pond is an original modern artwork realized in the early 20th Century. Original drawing realized wth black pencil, charcoal and white lead. Image Dimensions: 10 x 11 cm The sh...

"Landscape" is a pencil drawing on green-colorated paper by Anonymous Artist of the 20th Century. In excellent conditions: As good as new. Sheet dimension: 19 x 28 cm. Illegible ...

Landscape is an original drawing in pencil on paper, realized in 1905 by Louis-Charles Willaume. With the stamp of the artist on the lower right and a drawing of trees on the rear. ...

Maurice Asselin (1882-1947) A Seascape, Brittany, signed lower right watercolor on paper 19.7 x 25.2 cm Framed : 35 x 40.5 cm Maurice Asselin was particularly attached to Britta...

JOSEPH ARTHUR POWELL (1876-1961) Fetcham Footbridge and Ford, on the River Mole, Surrey Signed l.l. Watercolour Unframed 53.5 by 37.5 cm., 21 by 14 ¾ in. (mount size 70 by 54 cm....

Fred Mayor (British, 1865-1916) Magdalen College, Oxford Watercolour and pencil 12x15" In this painting, Mayor catches Magdalen in his usual impressionistic style, with an effective...

Bridge on the River is a beautiful drawing in pencil and charcoal realized by the French painter Emile-Louis Minet in 1919. The state of preservation is very good, except for a small...

A gritty New York City street scene with period Roaring Twenties Cars and stuffed metal garbage cans is depicted by female artist Ruth Light Braun. ...

Landscape is an original artwork realized by the French artist Henry Verger-Sarrat in the first decades of the XX Century. Watercolor on paper. Hand-signed on the lower left corner...

Signed to the lower right. Presented in a gilt frame with a fluted cove. On paper.

William Edwards Croxford (1852-1926). Original Watercolour. Cornish farmstead with women feeding the ducks. Signed & dated (1906) lower left. Presented in a silver-effect frame with ...

Rural Industrial Scene Color crayons on cream wove paper 5 x 4.25 inches This work is offered by ClampArt in New York City.

This is an elegantly rendered and designed work with fine lines and flat colors by an accomplished female illustrator. Signed lower right Framed in an old simple wooden frame with...

This fantastic 1920's oil crayon drawing is by Dutch artist Adriaan Lubbers. It shows a birds eye view of New York. The view is of the river and boats towards Manhattan. A really ic...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. James Greig (1861-1941) Magdalen College...

Original watercolor by Edward Lamson Henry looking back at barge travel through small New York state towns. Delaware & Hudson Canal, Ellenville N...

A fine watercolour by well listed artist Oscar Ricciardi. The scene depicts figures gathering at a village fountain on a continental street. Women pump water into pails and converse ...

A stunning vibrant post-Impressionist watercolour by French listed artist Ernest Courtois de Bonnencontre. The watercolour is in excellent condition, painted circa 1900 and sublime ...

An idyllic watercolour with body colour depicting a shepherd herding sheep down a quiet country lane. Presented in a beautiful gilt and swept frame with floral and acanthus ornamenta...

A delicate watercolour study of Temple Bar Gate in Theobalds Park by Alfred Henry Hart. Well presented in a wash-line mount and gilt effect frame. Unsigned. Acquired with a number of...

A fine and delicate study of a street scene in Dorchester by Alfred Henry Hart. Well presented in a wash-line mount and gilt effect frame. Signed to the lower left. Label fixed to th...

A charming watercolour study by Alfred Henry Hart. Well presented in a wash-line mount and gilt-effect frame. Signed to the lower left. On watercolour paper.

Mary S. Hagarty (1857-1938). Original watercolour. Signed lower right. Presented in a gilt-effect frame with card mount. On paper.

George Frederick Nicholls (1850-1935) Magdalen College from the Cherwell, Oxford Watercolour 37 x 24 cm Many of Nicholls' paintings are of the Cotswolds and Oxford. He painted the i...

A charming watercolour scene of a quiet village street in the early morning, The only sign of life we can see are two chickens walking across the road. S...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape Year: Circa 1925 Medium: Gouache Paper: Heavy Bristol type Size image: 22.75 x 28 inches Paper size: 22.75 x 28 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

This charming watercolour scene shows a vast landscape with farmer stacking hay onto a cart in the foreground. The scene looks out a distant village that sits on the horizon. Signed ...

This early 20th century watercolour, attributed to Henry Charles Brewer RI (1866-1950), depicts a large beach wood met by cultivated fields. The watercolour has been elegantly mounte...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. We also have several more ship drawings...

An original watercolour by British artist Arthur B. Rigby (fl.1902-1926), depicting the bridge at Tal-y-Bont, Gwynedd. The watercolour has been signed by the artist to the lower left...

Watercolor on paper by William Minshall Birchall of the black ball clipper ship, the Montezuma. Titled and signed W. M. Birchall lower left in pencil. Findlay Gallery label verso. 0riginal frame and mat with normal wear due to age. The American packet ship...

This beautiful exhibited watercolour painting is by Dutch listed artist Willem Leendert Bruckman. It depicts the University Church of St Mary the Virgin, Oxford, South Porch. The Un...

A charming watercolour depiction of a lone fisherman by a woodland creek. The landscape around him shows the delights of autumn, with jewel coloured trees and falling leaves. Signed ...

WILLIAM WALCOT (1874-1943) The Pool of London Signed and dated l.r.: W Walcot 1924 Watercolour and bodycolour over traces of pencil Framed 40.5 by 71.5 cm., 16 by 28 ¼ in. (frame...

Artist: Georges d’Espagnat, French (1870 - 1950) Title: Boats on the Shore Year: circa 1910 Medium: Watercolor on Paper, signed Size: 4.5 x 7 in. (11.43 x 17.78 cm) Frame Size: 13.5 ...

A particularly fine early 20th century watercolour by Wycliffe Egginton (1875-1951), depicting a female figure crossing the blustery common at Belstone, Dartmoor. The watercolour has...

René Buignet (1888-1915) La Fontaine Médicis, Jardin du Luxembourg, Paris Each one signed lower right watercolor on paper size of each : 28.5 x 21 cm In the same mount and framing :...

Signed lower right 'E.M.Heath' for Edda Maxwell Heath (American, 1874-1972) and painted circa 1930. A lyrical and romantic view of this early California mission and picturesque land...

A lovely watercolor of the Horseshoe Cloisters at Windsor Castle, with three Edwardian figures having a chat near the stairway. There's an inscription and the signature "Herbert" but...

ALBERT RUTHERSTON, RWS (1881-1953) Tailpiece – Illustration for The Tragedie of Cymberline Signed with initials l.r. AR; also signed with initials and inscribed beneath the mount: Tailpiece for end/of play {Cymberline}/No Reduction unless/”lay out”should make/necessary AR Pen and ink Unframed 6 by 10 cm., 2 ½ by 4 in. (mount size 36.5 by 25.5 cm., 14 ½ by 10 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.66 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke...

Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Well presented in a double card mount and gilt effect frame. Signed. On watercolour paper.

Signed lower right 'Henry Ottmann' (French, 1877-1927) and dated 1922. A softly painted view of a small village in Provence with rain clouds hanging above the hills and terracotta r...

An original graphite and coloured pencil work by the British artist Ernest Parkman (1856-1921). Here, Parkman captures Edwardian figures beside timber framed buildings on Stepcote Hi...

An atmospheric watercolour landscape showing a rural creek frozen over, reflecting the stark trees above and the soft, watery sunset. The artist has signed to the lower left and the ...

Charles De Wolf Brownell (American, 1822 - 1909) Watercolor on paper of maple leaves against the sky, Hand dated and inscribed "Papaw - E.H....

A fine watercolour study depicting workers reaping wheat at harvest time. The worker s gather their crops in the long wheat amongst poppy flowers. The scene looks over a vast valley ...

This charming early 20th-century watercolour by eminent British artist William Kay Blacklock ARCA (1872-1924) depicts an elderly lady carrying a basket and parasol before a farmhouse...

Signed lower left, 'Karl Yens' (American, 1868-1945) and painted circa 1920. A fine, early 20th century watercolor landscape showing the the luminous sunset serenely reflected in a still lake with elegant, calligraphic grasses. Painter, illustrator, etcher and muralist, Karl Yens was born in Germany and first studied with Max Koch in Berlin and, subsequently, with Benjamin-Constant and Jean-Paul Laurens in Paris. He was a successful active muralist in both Germany and Scotland before immigrating to the United States in 1901. After arriving in America, Yens continued to paint murals in New York City and Washington, D.C. before settling in Southern California where he lived and painted until his death in 1945. Karl Yens exhibited widely and with success, including at the 1915 Panama-California International Exposition in San Diego, Los Angeles County Museum of Art, Philadelphia Academy of Fine Arts, the Duquesne Club of Pittsburgh, San Diego Museum, the Orange County, California Museum, Astor Theatre in NYC and the Society of California Pioneers. He was the recipient of numerous medals and prizes and juried awards, including at the 1919 California Art Club, Laguna Beach Art...

J F Barry Pittar (British 1880-1948) Tom Tower, Christ Church Oxford Watercolour 15.5x13cm

Singed (at lower left): Jane Peterson

BERNARD SLEIGH (1872-1954) Moored Boats Pastel Framed 24 by 22 cm., 9 ½ by 8 ½ in. (frame size ) At the age of 14 Sleigh was apprenticed to a wood e...

A delightful watercolour scene of a lady in black strolling the wild flower meadow at St Cuthbert's in Kirkcudbright. The watercolour has been signed, inscribed and dated by the arti...

A delightful watercolour scene depicting a peaceful lake with lily pads and ducks swimming in the distance. Signed to the lower right. presented in a gilt frame and double card mount...