India Ink Drawings and Watercolor Paintings

Suzanne LALIQUE Pénélope : Greek Woman's costume Original India ink and watercolor drawing Signed with the stamp of atelier on the back On vellum 30.5 x ...

Freedom as Flooding Blood is a drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellen...

Demetrios GALANIS (1879-1966) Studies of Cupid Original Indian ink drawing Signed with the blue stamp signature of the artist On vellum 28 x 21 cm (c. 11 x 8") Very good conditio...

Rene GENIS (1922-2004) Reclining Nude Original ink and lavish drawing on light brown paper Signed bottom right 21 x 30 cm (c. 8 x 12 inch) Excellent condition

Alena NADVORNIKOVA (née en 1942) Dva svety (Two Worlds), 1979 India ink on paper Titled "Dva svety", signed and dated "79" lower left 50 x 32 cm Frame : 60 x 40 cm A Czech artist bo...

Chrysler Building No 1 by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, ...

41 x 61 x 0.1 cm each set of three India ink and acrylic paint on archival paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pu...

The Sole Letter of Freedom is a drawing realised by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent co...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

'Midtown' 2012, is by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, past...

Suzanne LALIQUE Blue dress : Antique Greek Costume Original India ink and watercolor drawing Signed with the stamp of atelier on the back On ve...

Chrysler Building No 2 by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, ...

Blossom Light from Blood is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-si...

Demetrios GALANIS (1879-1966) Studies of Angels Original Indian ink drawing Signed with the blue stamp signature of the artist On vellum 25 x 19 cm (c. 10 x 8") Very good conditi...

Marius de Zayas was born in Veracruz, Mexico and emigrated to New York with his family in 1907. He joined the art staff of the New York Evening World newspaper and quickly became kno...

Eva Tanguqy-A Strange Request, New York Evening World newspaper and Puck magazine interior (two works), 1910s India ink and blue pencil on heavyweight paper 16-1/2 x 10-1/2 inches (4...

Venusian Tree Of Hope is an original painting realized by Iranian artist and poet Parimah Avani in 2022. China ink and acrylic on ivory-colored Cans...

The breath of the ground #41 is an India ink and salt on paper drawing by the French contemporary artist Yann Bagot, dimensions are 185 × 125 cm (72.8 × 49.2 in). The artwork is sig...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1967. Primarily working in the idioms of abstraction and semi-abstraction, Beth's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural worldviews, and incorporate both symbols and words in the vocabulary of their visual language. Her art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both the conscious and unconscious level. Swartz synthesizes these spiritual traditions in her work with the purpose of revealing the commonality between them. Beth was born in New York City and grew up in Manhattan, and by her mid-teens was studying at the Art Students League in New York in the late 1940s. Her education continued at The High School of Music & Art in New York City, and Cornell University in Ithaca, New York, where she graduated in 1957 with a Bachelor of Science degree, followed by a Master of Arts degree in 1959 from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Swartz explores systems of knowledge by translating philosophical concepts into aesthetic visual experiences. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

Bellissimo studio costruttivista per costume teatrale Kostantin Vialov Pittore, grafico, scenografo, artista di arti decorative e applicate. Uno dei principali artisti sovietici deg...

"The Sadness of Mr. lapin After the Artist Left" Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

Signed and dated lower right Provenance: Estate of the artist Ink on paper

Highly detailed india ink abstract pointillist drawing of figures and roses with watercolor and gouache by Ben Black (American, 1922-2003), c.1990's. Signed "Ben Black" lower right. ...

Georges CONRAD (1874-1936) Nineteenth-century Coachman Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Green and Blue Dresses Original gouache and watercolor drawing Bears the "Rosy Andreasi Verdier" Archives stamp bottom lef...

Edouard Goerg (1893 - 1969) Nude and portrait sketches Original black ink drawing Signed with the stamp of the artist Paper size 10 x 13 inches Another drawing on the backside Excel...

Karl HUBBUCH (1891-1979) Thoughtful young woman, circa 1920-30 Pen and ink, pink colored pencil on paper Stamp of the Karl Hubbuch estate in the upper left corner 14,5 x 14 inch German artist and figure of the New Objectivity, Karl Hubbuch was born in Karlsruhe in 1891. He received his first artistic training at the Academy of Fine Arts in 1908, where he became friends with Georg Scholz and Rudolf...

Promontories #12 is an India ink and salt on paper drawing by the French contemporary artist Yann Bagot, dimensions are 205 × 125 cm (80.7 × 49.2 in). The artwork is signed, sold un...

Ink on 19th Century Paper If painting, like any other language, can be considered an abstract system of signs, there must be a pictorial vocabulary and syntactical rules which commu...

Set of 2 Drawings (Framed) by Rodrigo Spinel From The Series Paper money is white Chinese ink on Fabriano paper 250 g. 1. Anverso Derecha 100 Valor Real 2. Anverso Derecha 500 Valor...

Ink on 19th Century Paper If painting, like any other language, can be considered an abstract system of signs, there must be a pictorial vocabulary and syntactical rules which commu...

Vintage Rose Illustration -- "Georgia On My Mind" Beautiful and highly detailed illustration of a pink rose on a complex matrix background by Ben Black (American, 1922-2003). Titled "Georgia on My Mind" lower left. Signed "Ben Black" lower right. Unframed. Image size, 22.5"H x 18.25"W on a 25"H x 20"W Mat. The artist takes many days creating the hand drawn matrix background of circles and line. Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker Magazine, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary a...

Set of 3 Abstract Drawing on paper by Rodrigo Spinel From the series Illusions of the Line Chinese ink on Fabriano paper 250 g. Overall size: Image size: 29.6 cm H x 35.8 cm W. Fr...

General Merch Way Down in Chinatown - Vintage Illustration in Ink This illustration, inked in intricate detail by Irene Pattinson (American, 1909-1999), shows two men with long brai...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...

Ink on 19th Century Paper If painting, like any other language, can be considered an abstract system of signs, there must be a pictorial vocabulary and syntactical rules which commu...

Rudolf SCHLICHTER (1890-1955) Seated man ; head studies India ink on paper Signed "R. Schlichter" at the bottom right 59 x 46 cm Missing at the top l...

This artwork "Two Children with Dog" is an original ink drawing on vey thick Bristol paper by American artist Lynn Gertenbach, b.1940. It is hand signed a...

Ink on 19th Century Paper If painting, like any other language, can be considered an abstract system of signs, there must be a pictorial vocabulary and syntactical rules which commu...

The Light of Freedom is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent conditions. Presented in a Personal exhibition of "le Poesie Di Lutto e Di Lotta " (The Poems of Struggle and Mourning)curated by Leda Bartolucci in Turin, Italy, Bagni Pubblici, 2022. The artwork is poetically created through expressionistic brush strokes, the well-applied dry and watery strokes from the series “The Poems of Struggle and Mourning " representing revolutionary figures in a minimalistic manner and in poetic style. What makes this series unique: is deeply behind the dynamic emotion of each figure and abstract form, four colors here have metaphorical features; pink as woman, yellow as hope, silvery as resistance, and red as blood. Inspired by Persian calligraphy...

The Silvery Song of Resistance is a drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excelle...

Ink on 19th Century Paper If painting, like any other language, can be considered an abstract system of signs, there must be a pictorial vocabulary and syntactical rules which commu...

"Please Call Dr. Horder", Sylvia Plath's last Note is an original painting realized by Iranian artist and poet Parimah Avani in 2022. China ink and acryl...

Cesare Pavese Looking At His Suicide is a painting realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored Can...

Original early modernist india ink drawing with brushwork by the well known American artist, Adolf Arthur Dehn. Signed by the artist, titled and dated 1925 lower right. Dehn spent his early career traveling and working in Europe during the three year time period 1922 to 1925 when this drawing was done in France. The Chateau d’Auguebelette build in the fourteen century as a fort sits high on the mountain range to the left. Condition is very good. Light toning of paper consistent with age. Under glass, not examined out of frame. The artwork is housed in a antique style silver leaf contemporary frame 16.25 by 22 inches. Adolf Dehn, painter, printmaker, author, illustrator and teacher, was born Adolph Arthur Dehn in Waterville, Minnesota on November 22, 1895. He was valedictorian of his graduating class at Waterville High School and attended the Minneapolis School of Art between 1914 and 1917. Dehn studied for a year at the Art Students League in New York beginning in 1919. While in New York he met Boardman Robinson who introduced him to the master printer, George Miller. The first exhibition of Dehn's lithographs was held at the Weyhe Gallery in New York City in 1921 and the Weyhe Gallery mounted his first solo exhibition in 1923. Throughout is life Dehn was a frequent visitor to Europe, staying for various periods of time. Upon his return from a three-year stay in Europe in 1925, he changed the spelling of his first name to Adolf. In 1934, Dehn established the Adolf Dehn Print Club and was one of the founder-member artists of Associated American Artists in New York. He was selected by Prints magazine as one of the ten best printmakers in the United States in 1936 and the following year he worked in the graphic arts division of the Federal Art Project. He taught summers at Stephens College in Columbia, Missouri (1938) and the Colorado Springs Fine Arts Center (1940-1942). For his lithographs, Dehn worked with the finest printers including Meister Schulz in Berlin, Edmond Desjobert in Paris, and George Miller, Grant Arnold...

Abstract composition on paper by Karl Peter Röhl.

Abstract composition on paper by Karl Peter Röhl.

Because You Are Dead is a drawing realised by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signe...

United with Victorious Rose is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Ha...

Bull Ring Brass - Mexico City Watercolor, pen and ink on paper, 1955 Signed in ink, dated and titled in pencil (see photos) Condition: 1'' repaired tear left edge, along with other minor tears. Tape stains from previous matting visible in the four corners Image/Sheet size: 19 3/8 x 15 5/8 inches Provenance: Acquired directly from the Artist Joseph M. Erdelac, Cleveland, friend and patron of Longstreet Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...

Man with Telephone - Surrealist Black and White Portrait in Ink on Paper Surrealist composition by an unknown artist (20th Century). A man dressed in a su...

"Flower Stand S.F. 1954" - Vintage Illustration This detailed ink drawing by Irene Pattinson (American, 1909-1999), shows a charming San Francisc...

Abstract nude figurative drawing by George Giusti, (Italian 1908-1990). India ink on gesso patterned drawing paper created in 1949. Signed “George Giusti 1949” in the lower right corner. Presented in a distressed giltwood frame with glass and a light pink and grey mat. Image size: 15.75”H x 10”W This extraordinary artist was born in 1908 in Milan, Italy, of a Swiss father and an Italian mother. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. He studied architecture in Milan and worked at it from time to time, producing stunning examples of contemporary design. For more than four decades in America, and before that in Italy and Switzerland, George Giusti’s graphic designs have graced the covers of Time, Fortune, Holiday and other major magazines, as well as most of the publications of the United States Information Agency, and Giusti had a twelve-year design association with Geigy Pharmaceuticals. He has done advertising and graphic designs, illustrations, trademarks, client and employee publications, package designs for major corporations, and drawings. He has succeeded to the extent that his designs are consistently ahead of their time. It is Giusti’s expressed intention to build a bridge between fine art and art for commercial use. He disdains the terms “fine” and “commercial” as defining a distinction which should not exist. Art is art, he believes, whatever its purported use. Exhibitions: George Giusti’s work has been exhibited in America’s large cities and in most of the capitals of the world. His portfolio has been published in Graphis, Switzerland, Idea, Japan, Gebrauschsgraphik, Germany, Pagina Art, Italy, and Communication Art, and The United States. Awards and Affiliations: Over the years, Giusti has garnered more than ten gold and silver medals and eighty other awards and citations. He is a member of the American Institute of Graphic Arts, Alliance Graphique Internationale, International Center for Graphic Art (Typographic Art...

Delicate and detailed drawing of a harvester in the field by an unknown artist. A team of horses is pulling a large harvester, controlled by four people riding on the machine. To the...

"Because You Are Dead" is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent co...

Bloody Roses Of Street is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent condit...

The Blossom of Freedom is a drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent conditions. Presented in a Personal exhibition of "le Poesie Di Lutto e Di Lotta " (The Poems of Struggle and Mourning) curated by Leda Bartolucci in Turin, Italy, Bagni Pubblici, 2022. The artwork is poetically created through expressionistic brush strokes, the well-applied dry and watery strokes from the series “The Poems of Struggle and Mourning " in poetic style representing revolutionary figures in a minimalistic manner. The various layer is made perfectly by the expression of brushes, which makes this series unique: is deeply behind the dynamic emotion of each figure and abstract form, four colors here have metaphorical features; pink as woman, yellow as hope, silvery as resistance, and red as blood. Inspired by Persian calligraphy...