1950s Drawings and Watercolor Paintings

Belgium. Gent Morning Market by Leonard Machin Rowe (1880-1968) signed front lower right, inscribed to the back watercolour painting on artist's paper, unframed Image 9.75 x 13.75 inches, sheet 11 x 15 inches Charming painting by Leon. Rowe, dated on the back as June 1950. Inscribed to the back as a morning sketch in a market in Gent. It depicts a bustling market place, accessed though a stone archway. You can almost hear the clamour of people in this scene, it was clearly a very nice morning. Belgium and Luxembourg were two of Rowe's favourite destinations for his painting trips overseas. Often incorporating figures into his work, his style is very similar to Thomas Morley's paintings of French and Belgian market town scenes. Signed front lower right. To the back are his signature again, date and the inscription. This work forms part of a watercolour collection we currently hold by Rowe. Known as Leon Rowe, the artist was born in central England...

Untitled is an drawing realized by Ben Shahn (Kovno 1898-New York 1969) Pen drawing on paper applied on canvas. Hand-signed lower right: Ben Shahn. Some light folds and discoloring...

Belgium. Antwerp from the Schelde by Leonard Machin Rowe (1880-1968) signed front lower right corner, inscribed and signed to the back watercolour painting on artist's paper, unframe...

Belgium. Bruges, "Milk Cart" by Leonard Machin Rowe (1880-1968) signed front lower right, inscribed to the back watercolour painting on artist's paper, un...

A quite wonderful signed and dated 1959 large scale watercolour depicting the Riviera town of Laigueglia in Northern Italy. This is a lively scene with sailor in a striped t-shirt bringing in his ropes, as a sun bather in swimming trunks chats with a figure holding a large pole, possibly a sand spike or fishing rod. Locals go about their business in the background and mamas hang their washing from balconies to dry. The quality of this modernist work is superb throughout with fine detail and excellent rendering of the numerous figures and boats. Inscribed, signed and dated lower left. Artist: R. T. Horley (British, 20th century) Title: Laigueglia Medium: Watercolour & wash over pencil Size: 15.5 x 22.5 inches (39 x 57 cm) unframed We can arrange framing to your specification if required Laigueglia is a small coastal town situated along the Riviera di Ponente in the northern Italian coastal region of Liguria Laigueglia is a town that has maintained a more peaceful aspect and atmosphere, typical of a classic Ligurian seaside village. In fact, together with Bordighera, it is one of the few remaining authentic towns in a western Ligurian strongly oriented towards tourism. With its alleys, the squares, the lilac-pink tones of the houses gathered in the protective shade of the monumental church...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Drawn circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los A...

Old Luxembourg. La Passerelle and The Ramparts by Leonard Machin Rowe (1880-1968) signed and inscribed front lower right corner. Inscribed, dated and s...

Signer lower right, 'Craemer' for Kurt Craemer (German, 1912-1961) and dated 1954. Born in Saarbrucken, Craemer first attended the Academy of Cologne in 1928 where he worked under Friedrich Ahlers-Hesterman. He later traveled to Paris with his teacher, where he was introduced to the work of Henri Matisse. From 1930-33, Craemer lived in Düsseldorf where he studied at the Art Academy under Paul Klee. With the Nazi's ascent to power late that year, Craemer moved to Italy and lived there at the Art colony in Ischia until the end of the war when he moved to Positano. Throughout the 1950's, Kurt Craemer continued to live in Italy exhibited with success internationally, including at the Venice Biennale...

Belgium: Ghent. St Nicholas Church ( Sint Niklaaskerk) by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, sheet 11 x 15 inches Super bustling painting by Leon. Rowe in the centre of Ghent, depicting a busy square full of people on a bright sunny day. A man pushes a wooden cart, whilst others are strolling around the shop-lined streets in front of St Nicholas Church. A bright striped shop window awning...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cen...

Wales: Two Paintings of Red Wharf Bay, Anglesey by Leonard Machin Rowe (1880-1968) both signed to the front lower right corners, inscribed and signed to the back watercolour paintin...

Original graphite and colored pencil drawing on archival paper of a woman seated in a red bra by the well known American artist, Raphael Soyer. Signed lower r...

Feeling Faint is an original artwork realized by Mino Maccari in the second half of XX century. Black and white carchoal drawing. Hand signed on the lower margin. Hand-signed by th...

Original oil pastel on archival paper by the well known American artist, Byron Browne. Signed lower right and dated 1956. Condition is excellent. Recently professionally rematted. Original frame in very good condition. Overall framed measurements are 23.75 by 31.75 inches. Provenance: A Long Island, New York estate. Byron Browne: American (1907-1961) Byron Browne was a leader of the American Avante Garde art movement in the 1930’s and 40’s along with Bolotowsky, Greene, Gorky, and de Kooning. These artists helped pave the way for America, New York in particular, to be seen as a center for art innovation after decades of France being the art center of the world. He had more than 70 solo exhibitions during his lifetime. Browne's early artistic training was conventional, and little about his time at the National Academy of Design (1924-1928) suggested he would depart from the traditional methods in which he was being schooled. Several experiences are identified as being important to his transformation to an abstract artist. In 1927, he and his friend Arshille Gorky visited Albert Gallatin...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller." V A Hards (British, c. 1930-c. 2012) Design for Mod...

The Portrait Of A Man is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditio...

This intense abstract watercolor has drawed on sheet of Fabriano paper, an Italian high quality paper specially made for artists and its artworks. About Keller arworks was told many words but we want to add that every time we look at his creations we can feel at once his whole world. Erich Keller...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Painted circa 1955 by Victor Di Gesu, (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended t...

Signed lower right, 'Ben Abril' (American, 1923-1995) and painted circa 1955. Born in Los Angeles, California, Ben Abril is known for his equestrian paintings, primarily in watercol...

Frank Nelson Wilcox (American, 1887-1964) Crashing Waves on the Atlantic Coast, 1957 Watercolor and graphite on paper Signed and dated lower right 22 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Portrait of Moroccan Woman is an original drawing realized by Helen Vogt in the Mid-20th Century. China ink drawing on paper. Includes frame 48 x 4 x ...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Peter Macchiarini "Brooch Drawing" c. 1950s Pencil on paper Site 3.5"x3.5" silver carved wood frame 14.75"x16.75" Studio stamp lower left Was born to Italian parents on the Wohler Ranch, a hop yard and vineyard spread on the Russian river near Santa Rosa, Sonoma County on August 27, 1909. I attended grammar school and high schools in Sonoma County until the age of fourteen at which time my parents returned to Italy. There I took preliminary courses in the Italian language and having decided on an artistic career, took the entry examinations for the Art Academy Pietrasanta, Province of Lucca, and was accepted. At the Academy I received basic training in marble carving, clay modeling, architectural drawing and general sciences. In 1928 I returned to the United States and was gainfully employed as a stonecarver with several San Francisco Bay Area firms. I continued my art studies in San Francisco at the California School of Fine Arts, taking night courses. In 1936, I worked on projects under Beniamino Bufano and Ralph Stackpole...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Two Navajo Colored Pencil drawings by Lois Rogers, New Mexico. Sight size: 3 x 4 2/3 in. Framed: 5 3/4 x 7 1/8 in. Both signed lower right, and inscribed verso: colored pencil, Lo...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

The Fountain is an original pencil drawing on paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s. Black ink stamp on the lower-right corner: "Catherine ...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller"; you can also search for other drawings by this artist. V A Hards (British, c. 1930-c. 2012) Design for a late Renaissance stone staircase...

Blue Woman Irene Rice Pereira, American (1902-1971) 1958 Pastel on rice paper, signed and dated in pastel Size: 36.5 x 25 in. (92.71 x 63.5 cm)

A painting of the Luxor Obelisk and fountain at Le Place de la Concorde in Paris by Charles Cobelle. This piece features more muted and neutral colors th...

Chef Pasta - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a chef in an 1800's toque blanche, pouring oil from an ornate bottle over a bowl. His face, with spectacles, a moustache and goatee in fine line work, is painted in vibrant pink watercolor for an added splash of color. Signed in the bottom right corner, "i.p." Presented in a new white mat with foam core backing. Mat size: 8.5"H x 11"W Paper size: 6.75"H x 6.75"W Image size: 4.13"H x 3.63"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works). Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Satan Dieu du 5 Juin 1957 is an original artwork realized by Éliane Diverly in 1957. Mixed colored watercolor glued on cardboard. Include passe-partout: 60 x 41.7 cm Hand-signed a...

The Aphrodite is an Original Color Etching and Aquatint realized by Edouard Chimot in 1929. The artwork is marked test, good condition on a crem colored paper. Included a cardboard...

A substantial, mid-century Impressionist-style watercolor on Arches paper showing a misty view of turquoise waves rolling into a secluded rocky cove in Big Sur, California Signed lower right 'Nat Levy' (American, 1896-1984), titled 'Little River' and painted circa 1955. A notable California watercolorist...

Henry Woon Female Nude Statue c. 1950's Charcoal on Strathmore Charcoal Paper 19 1/2"x25"Unframed Unsigned His large portfolio of charcoal drawings was acquired on the island of Ala...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A cabinet-sized, Post-Impressionist figural drawing of a young woman smoking a pip...

Head of Lion and Tiger is a double-sided sheet with two amazing original charcoal drawings on ivory-colored paper, realized by the German artist Wilhelm...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller"; you can also search for other drawings by this artist. V A Hards...

Into The Night is a watercolor and ink Drawing realised in the 1950s and attributed to Otakar Coubine. Monogrammed on the lower With another drawing in pencil on the rear. Goo...

Hand signed and dated, on ivory colored paper. In good conditions, except some foxings and little stains on the margins.

John Piper (1903-1992) Bullslaughter Bay Watercolour, gouache and pastel on paper 27.5 x 35.5cm John Piper CH was an English painter, printmaker, and designer of stained-glass windo...

Marie LAURENCIN Floral Ornament, 1953 Original ink drawing Signed by artist stamp On paper 24.5 x 19.5 cm (c. 9.6 x 7.6 inch) Very good condit...

Soviet Soldier is original black China ink and tempera painting on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hall...

Flowers is a drawing realized in 1950s by Albert Fernand-Renault. Watercolour and ink on paper. Hand-signed. Good condition with diffused foxing and a cutting at the top left margi...

Henry Woon Charcoal Female Nude 2 c. 1950's Charcoal on Strathmore Charcoal Paper 25"x19 1/2"Unframed Signed in ink H Woon lower right His large portfolio of charcoal drawings was ...

Portrait is an original drawing in pen on ivory paper realized in 1950 by Anonymous Artist of the XX century. In very good condition. The artwork represents a portrait of a woman t...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for the 1954 United Artists WWII Action Movie, `The Purple Plain`...

Medium: Pen & Ink, Watercolor on Paper Overlay on Card Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of TV Hosts, 1959 `Whats My Line?`, including Art C...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1952 CBS-TV Comedy `My Little Margie`, starring Gale Storm an...

Medium: Watercolor on Cardstock Signature: Unsigned Caricature by George Wachsteter (1911-2004) of comedian Jerry Lewis in profile with Greek Tragedy Ma...

Minotaur is an original painting in watercolor realized by Sergio Barletta in 1946. Hand-signed. In fair conditions with some folding, stains, and tearing on the margins. The artw...

Marie LAURENCIN Spring Blossom : Leaves in Blue, 1953 Original pencil drawing Signed by artist stamp On paper 24.5 x 19.5 cm (c. 9.6 x 7.6 inch) Very good condition, marks of the ...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left This piece is on 15.00" x 20.00" illustration board, with an image that measures to 13.00" x 16.00." Fine condition, edge stain. Caricature by George Wachsteter (1911-2004) for Broadway drama `Two for the Seesaw`, starring Henry Fonda as disillusioned Nebraska lawyer Jerry Ryan & Anne Bancroft, making her Broadway debut as lovelorn, Bronx-accented Gittel Mosca, which also garnered her a Tony for Best Actress. Directed by Arthur Penn, designed by George Jenkins...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right On 15.00" x 20.00" illustration board, with image that measures to 11.25" x 13.75." Includes original clipping...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left On 15.00" x 20.00" illustration board with a 11.00" x 13.75" image. Mediums include blue indicating halftone. The illustration was commissioned for the New York Journal-American, clipping included. Caricature by George Wachsteter (1911-2004) for Broadway Comedy `Four Winds...