Late 20th Century Drawings and Watercolor Paintings

Man walking on the beach is an original drawing in pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower ri...

This artwork "Untitled IV" 1993 is a large graphite drawing on two sheets of paper by Japanese/American artist Tadashi (Tagashi) Hayakawa, b.1941. It is hand signed and dated at the lower right corner by the artist. The artwork size is 23.5 x 37.5 inches, framed size is 32.75 x 46.75 inches. Custom framed in a wooden black frame, with fabric matting. It is in excellent condition. About the artist: Tadashi Hayakawa...

Abstract Composition is an original contemporary artwork realized by a Chinese artist of the late 20th Century. Watercolor on paper mounted on wood board. Signature on the back.

Pink abstract watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Sign...

A magnificent work in Indian ink and "levi" ink, counter glued on strong paper and accompanied by a certificate from the Zao Wou-Ki Foundation. Zao Wou-Ki was born in Beijing on 1 F...

Smiling boy is an original pastel drawing realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. The boy is depicted with a delicate an...

Portrait is an original Contemporary artwork realized in 1965 by the italian Contemporary artist Leo Guida (1992 - 2017). Etching and aquatint on ivory-colored paper, with a cardbo...

"Wave Series/Tattooed Woman at Sunset Beach" is a unique watercolor by Masami Teraoka. The framed artwork measures 22 1/2 x 17 1/2 x 1 in. “Mere depiction of social and cultural issues is not enough. My work has to create something that goes beyond simple perception. To make a strong statement, art needs timeless aesthetic qualities. These can take any subject matter to a higher level of experience. That is the essence of what I am pursuing.” – Masami Teraoka Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints...

Ghosts is an original watercolor realized by Leo Guida in the 1980s. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historical techni...

The boy at the mirror is an original drawing pen realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist represents the figu...

Bright abstracted landscape by Maxine "Mickey" Spencer (American, 1927-2011). Strong blues and magentas create an abstracted scene, evoking a body of water with trees...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist depicts a delicat...

Vibrant watercolor, pen and ink floral study of Peruvian lilies, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (American, b.194...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the boy is...

Portrait is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in Watercolor on paper. Good conditions but ag...

Reclined Nude is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original watercolor on paper. Good conditions. The artwork...

The boy at the sea is an original drawing on pencil realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. The boy is depicted with a ...

Smiling boy is an original drawing on pencil realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. In the foreground the boy is depic...

Seena Donneson, American (1924 - ) - Abstract Composition, Medium: Acrylic on Paper, Size: 22.25 x 30 in. (56.52 x 76.2 cm), Frame Size: 24.75 x 32.25 inches

Portrait of a boy is an original pen drawing realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the figure turne...

Teens at the beach is an original drawing on pencil realized by Anthony Roaland in 1982. Hand-signed and dated by the artist on the lower right margin. The three boys are represent...

Masterful sketch of a mustang horse by Laurence Sassoon (American, 1928-2015). This piece is unsigned, but was acquired from David Sassoon, the artist's son, and is initialed "DS" on verso as an indication of authenticity. Presented in a new black mat with foamcore backing. Image size: 7"H x 9"W. Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast...

This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 26.5 x 20.5 inches, sheet size is 28.5 x 22.5 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

Unknown/Unidentified Artist, "Untitled: Three Nude Females", Figurative/ Nude Charcoal signed Drawing on Paper, 24 x 18, Late 20th Century Colors: Black a...

Artist: Gerald Fairclough Title: Nude Year: circa 1977 Medium: Pastel Drawing, signed Size: 36 x 26 in. (91.44 x 66.04 cm) Frame Size: 43 x 33 inches

Colorful abstracted tree with hues of red, blue, and green by Doris Ann Warner (American, 1925-2010). Signed "Warner" lower right. Unframed. Doris Ann Warner began as an Abstract Ex...

Untitled is an original artwork realized by Tony Cragg in 1996. Pencil on paper. Hand-signed by the artist on the lower left. On the back, there is the label of Buchmann Galerie, Kol...

Sailboat in the night. 1989. Oil on cardboard, 65x50 cm

Uccelliera is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on ivor...

David Novros (American, b. 1941) Untitled (Home Savings Study), 1986 Watercolor on paper Framed: 35 1/4 x 86 3/4 x 1 3/4 in. Each panel: 30 x 42 in. From Los Angeles and working fro...

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Here an eagle, a majestic bird-of-pr...

“Three Women” is an early work of Artist F. John Sierra whose career spans over four decades. He has produced images of the people, lifestyles and challeng...

Wonderful figurative landscape of a crowd of people visiting a temple in Nepal by Alok Gurung (Nepalese, late 20th Century). Signature, date, and location are in lower left corner, "...

The Nightmare is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original pencil on paper. Good...

Two-sided watercolor with teapot-and-flower still life on one side and Carmel coast on the other by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anders...

Signed lower center, 'B. Metcalf'; additionally signed verso and painted circa 1975. An idyllic tropical landscape showing palm trees and scarlet bougainvillea in the foreground wit...

This artwork " Oxford Cityscape #2" 1972 is a watercolor by noted architectural British artist, Ken Messer 1931-2017. It is signed and dated at the lower left corner by the artist. The artwork size is 10.5 x 13.65 inches, framed size is 15.85 x 19 inches. It is custom framed in his original wooden gold and green frame. Artwork and frame are in very good condition. About the artist. After attending City of Oxford High School for Boys, where he excelled at rugby and cricket, he started work as an accountant in the city. He then moved on to become a steward for the British Overseas Airways Corporation (BOAC). In the 1960’s Mr Messer was involved in a car accident which would end his sporting career and change his working life. When he left his job with BOAC he became a graphic designer at Pergamon Press, owned by Robert Maxwell, which allowed him time to pursue his real passion which was painting watercolours. He rose through the ranks at Pergamon to become studio manager and when he could progress no further he decided to become a full time artist, a role from which he never retired. He quickly became well-known for his paintings of Oxford...

Boris Akopian "Drawing"

Vibrant watercolor, pen and ink floral study of red begonia, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (American, b.1943). ...

Gino Hollander: 1924-2015. Well listed American artist with Auction results over $14,000. He lived in California, Colorado, and Spain. This fabulous mixed media measures 11 1/4 inche...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Signature #16 Year: Circa 1990 Medium: Acrylic on paper Size image: 30 x 22.5 inches Size paper: 30 x 22.5 in...

The Rat is an original drawing in pastels on paper realized by Leo Guida in 1973. Hand-signed in pencil and dated on the lower right. The state of preservation is good except for ...

Drawing of a sleeping nude woman by S. LeDrew (20th Century). Signed "S. LeDREW" in the lower right corner. Presented in a double mat of dark red and whi...

Black and white figurative drawing by Texas artist William Anzalone. The drawing depicts nude women dressing up. Signed by the artist at the bottom right. Framed in a beautiful black modern frame. Dimensions Without Frame: H 16.63 in. x W 21.5 in. Artist Biography: William Anzalone was born in Brooklyn, New York, in 1935. He was educated at the Massachusetts Institute of Technology...

Serene winter landscape by Grace Eichholz (American, b. 1927). Signed "G. EICHHOLZ" in the lower left corner. Artist info and title on verso. Presented in a double mat of cream and w...

Sunset 1970, paper/watercolor., 20x24 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School ...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display...

Serene, beautifully executed watercolor, using a wide spectrum of color with a delicate and subtle hand, by Don Kitz (American, 1939-2019), c.1970. Feel the peace and serenity of thi...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Still life with succulent on a royal blue tile floor, with a section of an oriental rug, pillows, and a mug of tea visible in the periphery by Noel Howard (American, 20th Century). S...

Tooth (from Bone Drawings series) 1994 charcoal drawing on paper 11 x 14 inches Charcoal study of abstract teeth (perfect for a dentist office!) Erica Prudhomme learned some of the basics from her artist father and his brother, Charles and Paul Child...

Signed lower left 'Creech PSWC' and created circa 1975 A compelling pastel study showing the subject dressed in brightly-colored ceremonial robes and gazing past the viewer. An eleg...

Landscape is a China Ink Drawing and Watercolour realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a cream colored paper. ...

Original conte crayon on paper. Dated "12.84" lower margin. Provenance: Barbara Gladstone Gallery, New York. Artwork size 12.5 x 9.5 inches. Fram...

Mountains 1989. Paper, watercolor, 10x14 cm Landscape with orange mountains. "Mountains" is a captivating watercolor painting that showcases the artist's skill in capturing the c...

Souleymane Keita - Rainbow Field, Year: 1983, Medium: Pastel on Paper, signed and dated lower left, Size: 22.25 x 30 in. (56.52 x 76.2 cm), Descript...

Signed lower right, 'Kevin Elston' (American, 20th century) and painted circa 1985. A substantial watercolor still-life of orchids and a persimmon, arranged with other objects relat...

Seated Nude is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in china ink and Watercolor on paper. Good ...

Edward Avedisian Gouache Watercolor Abstract Painting on Arches paper. (notebook cover not included) Unsigned, (bears name verso in pencil.) Dimensions: 10" X 14" Late 1970s, early ...