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Andy Warhol
Ice Cream Cone

circa 1953

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Wild Grape Leaf
By Ellsworth Kelly
Located in New York, NY
Printer and Publisher: Tyler Graphics Ltd., Bedford, New York Signed and numbered in pencil, lower margin
Category

1970s Still-life Prints

Materials

Lithograph

Untitled (Web 1)
By Vija Celmins
Located in New York, NY
Portfolio: The MOCA Portfolio Sheet size: 23 x 18 1/4 inches Frame size: 24 15/16 x 20 1/8 inches Printer: Jacob Samuel, Santa Monica Publisher: Lapis Press and Museum of Contemporar...
Category

Early 2000s Prints and Multiples

Materials

Mezzotint

Leaf II
By Ellsworth Kelly
Located in New York, NY
Printer and Publisher: Gemini G.E.L., Los Angeles Edition size: 20, plus proofs Catalogue Raisonné: Axsom 167
Category

1970s Still-life Prints

Materials

Lithograph

Leaf V
By Ellsworth Kelly
Located in New York, NY
Printer and Publisher: Gemini G.E.L., Los Angeles Edition size: 20, plus proofs Catalogue Raisonné: Axsom 170 Signed, numbered, and titled in pencil, lower margin
Category

1970s Still-life Prints

Materials

Lithograph

Leaf V
Price Upon Request
Ellsworth Kelly Painting & Sculpture 1966 - 79, Hayward Gallery
By Ellsworth Kelly
Located in New York, NY
Publisher: Hayward Gallery, London
Category

1980s Prints and Multiples

Materials

Offset

Ellsworth Kelly, Leo Castelli, NY & Blum Helman, NY (Black Curve II)
By Ellsworth Kelly
Located in New York, NY
Publisher: Leo Castelli Gallery, NY and Blum Helman Gallery, NY
Category

1970s Prints and Multiples

Materials

Offset

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In the 1950s and 60s Grambs worked on many commissions. This ink drawing with a lobster, crab, and a shrimp, was probably for a cookbook; the sheet is cut in a free-form, modernist...
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Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a). The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise. Provenance: Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...
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