Baby Drawings and Watercolor Paintings

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

Brightly hued watercolor and ink painting of auburn haired nude females seated from various angles, circa 1990. Original artwork on paper displayed on a white mat with a gold borde...

#2209H by David Jones [2022] original and hand signed by the artist Ink on Paper Image size: H:40 cm x W:29 cm Complete Size of Unframed Work: H:40 cm x W:29 cm x D:0.1cm Sold Unfra...

Study of a nude woman laying on a bed with her leg up on the bed. She is facing away from the viewer. The work is signed and dated by the artist. The paper is not framed. Many other...

Sunil Das - Aaamar Kabi - 14 x 10 inches (unframed size) Ink on Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from Benga...

Jody Keane Reclining Nude Original Pen and Ink Drawing 20th c. Dimensions 15" wide x 22" high The frame measures 21" wide x 29" high S...

Garth Bayley Round the Bend Original Figurative Pen and ink on watercolour paper Image size: H:24 cm x W:32 cm Complete Size of Unframed Work: H:24 cm x W:32 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Garth Bayley Round the Bend Original pen and ink painting on watercolour paper Pen and ink on paper Image size: H24 cm x W32 cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Round the Bend is an original painting by Garth Bayley. Pen and ink horse racing painting. The barrier becomes the focus to keep the horses on track. Horse racing art...

Figures is an artwork realized by Mino Maccari  (1924-1989) in 1945. Watercolor on paper. Dated and signed by the artist. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16...

#2203B by David Jones [2022] original Black ink on paper Image size: H:42.6 cm x W:29.5 cm Complete Size of Unframed Work: H:42.6 cm x W:29.5 cm x D:0.1cm Sold Unframed Please note ...

MALCAH ZELDIS Reclining Woman Wine and Cigarettes gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Matted to 13 X 1...

Ashoke Mullick - Untitled - 9.25 x 12.25 inches (unframed size) Ink on paper Inclusive of shipment in roll form. Style : Ashoke Mullick is considered one of the leading painters fro...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 2002 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

Unsigned Provenance: FAR Gallery, New York, NY Private Collection, New Jersey Reference and Notes: Daumier was a prolific draftsman. This drawing of a lawyer was once part of a...

Badri Narayan - Untitled - 11 x 15 inches ( unframed size) Ink on paper Inclusive of shipment in ready to hang form. Style : The artist’s paintings are narrative, and titles like ‘Q...

Auguste DURAND-ROSE (1887-1962) Sleeping female nude Charcoal on paper Signed "A Durand-Rosé" lower right 48 x 62 cm Sold in an original frame : 66 x 80 cm...

Prakash Karmakar - Flower Girl - 48 x 36 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal w...

Prakash Karmakar – Untitled – 10.5 x 14.5 inches (unframed size) Ink on paper Signed lower right in Bengali Inclusive of shipment in roll form. Style : Legendary maste...

Boris Akopian "Flowers before noon"

Sunil Das - Untitled - 9.25 x 7.25 inches (unframed size) Drawing Ink & Lithograph on Paper Inclusive of shipment in ready to hang form. It is not easy to figure out the mask-like f...

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Sanat Kar - Untitled - 16 x 12 inches (unframed size) Ink on paper Paper pasted on board and pen marking of the back visible in the front. Inclusive of shipment in roll form. Style...

Gustave Fraipont (1849-1923) A Peasant girl with her flock of Turkeys, Ink and heightenings of blue watercolor on paper 23 x 15 cm Signed on the lower left and titled on lower righ...

Artist: Ian Hornak (1944-2002) Title: Untitled (My Mother and Her Sister as Children), State I Year: 1973 Medium: Pencil on heavy archival pap...

#2203A by David Jones [2022] original Black ink on paper Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:30 cm x D:0.1cm Sold Unframed Please note that ins...

Extending the Series This graphite pencil drawing ‘Neo Deco – 02-02-23’ follows one in the same series. However, for the last one I used my regular model. This time I got ye...

Early 19th Century French Graphite "New Year Baby" With Basket of Fruit C.1820 Charming antique pencil drawing The baby with a basket of fruit...

Translated title: "Rooster". Watercolor and marker on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Off white – Daler Rowney best quality cartridge paper. Supplied with mount. Size: H:50 cm x W:40 cm David Jones, artist draws Matisse style life drawings. David Jones framed and un...

Nikolay Starostenko - Carrier Pigeon (2022) "Carrier Pigeon" drawing is made with a pen and colored pencils on paper. You can entrust your most important secrets to the carrier pige...

Nikolay Starostenko - Mr. Rabbit (2022) "Mr. Rabbit", Original drawing done in pen and colored pencils, no frame on heavy paper, 34 x 29 cm. The work will be shipped flat and secure...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

This is an Salvatore Grippi original drawing from 1976. Unframed measures 24x18

During Lockdown I started a series of figurative watercolors to explore the many emotions we were faced with when the virus attacked us out of nowhere. This series was shown in an ex...

Eve Nethercott, American (1925 - 2015) - Santander, Year: 1961, Medium: Ink on Paper, Size: 14 x 10 in. (35.56 x 25.4 cm), Description: Smiling at the viewer, Eve Nethercott'...

Eve Nethercott, American (1925 - 2015) - Squash Still Life (P5.18), Year: 1960, Medium: Watercolor on Paper, Size: 8 x 10 in. (20.32 x 25.4 cm), Description: Placed alongside...

Eve Nethercott, American (1925 - 2015) - Still Life (P4.25), Year: 1960, Medium: Watercolor on Paper, Size: 13 x 20 in. (33.02 x 50.8 cm), Description: Placed alongside one a...

Mural Studies, Palace of Fine Arts San Francisco WPA American Modernism 1930s. 9 x 12 inches. Tempera on paper, c. 1936. Authenticated and signed ...

Very pretty modern watercolor by a Bresilien artist framed

All the Right Angles This graphite pencil drawing ‘Risque – 11-01-22 is the third one of Julia Filament after the session of last 30th December. As previou...

17H Original Minimalist Drawing Black Ink on 300gsm White Paper Image Size: H 36cm x W 26 cm x D 0.1cm Mount Size: H 50cm x W 40cm x D 0.3 cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). 17H is an original drawing by David Jones...

Nude. Paper/ watercolor. 75x56 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1...

Chaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Shiri Mordechay's paintings are a whirlwind of emotion and complexity, drawing the viewer into a vibrant and dynamic world. Each piece is packed with countless details, your eyes are...

Work on paper Portrait of an old lady on the back of the work

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

"Two Warriors on Horseback, Foot Soldier, and Civilians" is an original gold and tempera painting by an unknown Persian artist from the late 19th ...

Artist: Robert Beauchamp, American (1923 - 1995) Title: Figures in the Grass Year: 1994 Medium: Gouache on Paper, signed Image Size: 21.5 x 29.5 inches Size: 22.5 x 30.25 in. (57.15 ...

Memories is a watercolor painting on paper by Italian artist Lucio Pozzi. The paper is signed by the artist himself, and the work is currently housed at Hal Bromm Gallery.

Enchanted Rock is a beautiful granite dome in the Texas Hillcountry. On a recent hike up I noticed this little creek with clear water that made the granite sparkle. :: Painting :: Re...

ink on canvas

This very early original red conte drawing is signed "Jack L. Nesbitt, 4/21/34". On the back of the drawing, Nesbitt has written "Quick sketch from fountain on Plaza". Jack was a student of Thomas Hart Benton at the Kansas City Art Institute during this period. The figure on the drawing is of a nude young boy with both arms in the air. A very rare early work by this fine artist. Jackson Lee Nesbitt, a noted printmaker and painter of the American Scene, dedicated his artistic career to the portrayal of ordinary people going about the business of their lives. A native of Oklahoma, Nesbitt created scenes from the Midwest during the 1930s and 1940s, but in the 1950s, when interest in his work diminished, he moved to Atlanta and established a second career in advertising. Thirty years later, Nesbitt sold his business and resumed his artistic career from Atlanta. He was born in McAlester, Oklahoma, on June 16, 1913, the only child of LuCena Grant and Howard Nesbitt. The family resided in Muskogee, Oklahoma, where his father owned a commercial printing business. Jack, as Nesbitt was known, helped out in the family business until 1931, when he enrolled at the University of Oklahoma in Norman. Two years later Nesbitt enrolled at the Kansas City Art Institute in Missouri. As a first-year student, he learned etching from John deMartelly, attended Ross Braught's painting class, and met his future wife, Elaine Thompson, who was a costume design student. Thomas Hart Benton, who joined the faculty in the fall of 1935, quickly became a close friend and mentor to the younger artist. In 1937 the management of the Sheffield Steel Corporation contacted deMartelly concerning an etching commission. Because Nesbitt was an outstanding student, his teacher suggested him for the job. When Nesbitt arrived at the plant one afternoon, he was taken to the open-hearth furnace area, where he diligently sketched anonymous workers in that dramatic setting until five o'clock the following morning. On the strength of his sketches, he was commissioned to create a series of etchings illustrating different phases of the steel industry. The commission launched Nesbitt's career as a professional artist. The commission with Sheffield Steel Corporation provided the financial security that enabled Jack and Elaine Nesbitt to marry on June 1, 1938. He graduated from the Kansas City Art Institute about the same time. Working as a freelance artist, Nesbitt augmented his commissioned work with genre scenes of the Midwest, and he routinely went with Benton on sketching trips to rural Arkansas. Beginning in 1939 Nesbitt's work gained widespread recognition. Open Hearth Door, a Sheffield Steel Corporation painting, was chosen to represent Missouri in the American Art Today exhibition at the New York World's Fair. Associated American Artists selected one of his etchings, Watering Place, for an edition of 250 prints that were sold through subscription. Having a print published by the association ensured national distribution, and four more of Nesbitt's works, all of rural southern genre scenes, were later selected by the print publisher. Over the next decade Nesbitt's work was exhibited in California, Colorado, Illinois, Missouri, New York, and Oklahoma. He was awarded the Eames Prize by the Society of American Etchers in 1946, and his work was included in the book American Prize Prints of the Twentieth Century, by Albert Reese. Major corporations with operations in the Midwest, including Brown and Bigelow, Butler Manufacturing Company, Humble Oil and Refining Company, Omaha Steel Works, Pratt and Whitney...

Linda Stein, Profile Notation 418.013 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing Profile Notation 418.013 is from Linda Stein's Profiles series--drawings, collages ...

Linda Stein, Profile Notation 418.016 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.016 is from Linda Stein's Profiles ser...

Linda Stein, Profile Notation 418.018 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.018 is from Linda Stein's Profiles ser...

Linda Stein, Profile Notation 418.019 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.019 is from Linda Stein's Profiles ser...

Stages II Watercolor on Arches paper, 2021 Signed with the artist's initials lower right (see photo) Signed with the artist's Yummy blindstamp lower right Signed, titled and dated in...

Bull is a Drawing in china ink drawing realized by Mario Jannaccone in the 1970s. Hand-signed. Good conditions.

Mobile Statue is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome...

Genre: Expressionist Subject: Figures Medium: Watercolor Surface: Paper Country: Austria Dimensions w/Frame: 21" x 26 3/4" Heimrad Prem (1934 – 1978) was a German painter born in Roding, Oberpfalz. From 1949–1952 he studied decorative painting at Schwandorf and then studied painting with Josef Oberberger and sculpture with Toni Stadler at the Akademie der Bildenden Künste, Munich until 1956. While studying painting with Ernst Emil Schumacher at the Hochschule der Künste, Berlin, he formed Gruppe SPUR with Lothar Fischer, Helmut Sturm, and Hans-Peter Zimmer. After meeting Asger Jorn, SPUR joined the Situationist International. He was influenced by the Cobra artists Karel Appel and Otmar Alt. In 1960 he won a scholarship of the Kulturpreises im Bundesverband der Deutschen Industrie, Cologne. From 1960–1962 he co-edited the magazine SPUR. In 1961 he visited Oerkelljunga, Sweden with Sturm, Zimmer and Dieter Kunzelmann staying with Jørgen Nash...

This original 1933 black-and-white line drawing titled "Pinto" by renowned New Mexico modernist artist Hilaire Hiler (1898-1966) captures a striking Native American figure wearing a feathered bonnet headdress, riding horseback. Rendered in fine ink on vellum, this drawing reflects Hiler’s signature style with clean, fluid lines that embody the modernist movement. The artwork is signed by the artist in the lower right corner, adding authenticity and value. Custom framing options are available to enhance this timeless piece. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he developed an early interest in art. He studied at the prestigious Rhode Island School of Design as a child, before pursuing further education at several renowned institutions, including the Pennsylvania Academy of the Fine Arts and the University of Paris. Hiler lived in Paris from 1919 to 1934, supporting himself as a jazz musician while continuing his artistic endeavors. After relocating to San Francisco in 1934, Hiler became involved with the Works Progress Administration (WPA), where he painted murals in the Aquatic Park...