Bride Drawings and Watercolor Paintings

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the human form, whilst port...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the human form, whilst port...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the human form, whilst port...

In the park 2022. Paper/mixed media, 12.3x14.3 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes,...

Allies 2022. Paper/pencil, 14.3x25.9 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, architec...

Initial Boredom After my last graphite pencil drawing of Geesje Kwak -04-09-21 I felt one was missing in the series. It was alright but the style resembled that of Geesje Kwak –...

Pen, ink and wash Framed dimensions: 13 x 11 ¼ inches Drawn c.1765 Verso: a study of a hanged man Mortimer has filled this small sheet with action, depicting in the top right, Apollo and Artemis...

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A wonderfully detailed study of a Breton woman dressed in a traditional lace cap. Her red shawl is beautifully painted with intricate detail. Well presented in an ornate gilt-effect ...

Emily At 1 (Study 2) Watercolor on Yupo mounted to board, 2018 Signed with the artist's initials lower right (see photo) This image depicts the artist's daughter Emily Exhibited: Occ...

Artist: Filippo Bartolini (Italian, 1861-1908) Title: "Resting Lady, Roma" *Signed by Bartolini lower right Circa: 1900 Medium: Original Watercolor on heavy wove paper Framing: Rece...

Artist: Maud Hollyer (English, 1867-1910) Title: "Cotswold Village, England" *Signed by Hollyer lower left Circa: 1900 Medium: Original Watercolor on paper Framing: Not framed, but beautifully matted with hand decorated archival French matting...

Whipping in Watercolour and graphite on paper depicting the hunt master bringing a hound home, by Charles Gilbert Joseph Holiday (British, 1879-1937).

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

In transport 2022. Paper/pencil, 29.5x20.9 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, arc...

The Crucification is a painting artwork realized by B. Marthe Delacroix in the 20th century. Tempera on cardboard. Atelier Marthe Delacroix signed and stamped. Good conditions wi...

St. Briac, France watercolor created by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates watercolors with graphite on paper, as a method of personal journaling his travels, both personal and professional. The series of watercolors depicts places where the artist visits, and captures the essence of the place and its atmosphere. This work is 9 5/8 x 4 1/8 inches and is matted in an archival museum mat with an outer dimension of 15 3/8 x 9 3/4 inches. And it comes in a crystal clear archival storage...

Blond Lady is a drawing in watercolor on paper realized in the 1950s by Henri Espinouze (1915-1982). The state of preservation is good. The artwork represented delicately a blond c...

This work clearly has homosexual overtones which in the mid-'40s was as daring as showing nudity. I am not sure if this was the artist's intention but the salesgirl and the model look identical and she signs it twice Shermond. Added to this is a strobe light effect where the model's image is partly replicated giving the impression of 2 figures. She's lost in thought pondering the notion of removing the bows and seeing the consequences. Meanwhile, the sales girls ( perhaps her alta ego - perhaps an admirer ) eggs her on. Caption: "You can always remove the bows if you think they're too fussy." Cover cartoon for unknown publication - Signed "Shermund" twice in the lower right image, dated on verso, and captioned in graphite in the lower margin. Original Matte and not framed - Barbara Shermund...

Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling) Watercolor on Twinrocker Multi Purpose paper, 2019 Signed with the artist's initials lowe...

Sanguine chalk on paper Image size: 7 x 8 1/2 inches (18 x 22 cm) Acid free cut-out mount This 17th century drawing depicts a reclining woman with her back. The Sanguine chalk that...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

NEVILLE HICKMAN (20th Century) Monument to Denzil Holles, Dorchester Signed, inscribed and dated: Holles Monument, St Peter’s Church, Dorchester, 16 April 1958. Chalks heightened ...

Oedipus Specs Rita Simon (aka Atirnomis), American (1938) Date: 1972 Ink, Graphite and Collage on Paper, signed and dated in ink lower right, titled in ink on verso Image Size: 8.75 ...

Stolen Moments, Attitude Shift #3 (Emily with a Sippy Cup Smiling) Watercolor on Yupo paper, 2019 Signed with the artist's initials lower right Signed w...

This is an Joseph Beckwith Hartranft Original drawing on paper “july 1967”. In good shape Unframed. Measures 16x13

What Name It Bears … This graphite pencil drawing ‘Neo Deco – 26-01-23’ counterparts my previous one ‘Roundism – 20-01-23’. The reference picture is from the same mo...

Figure of Official is a Pencil Drawing realized by Gabriele Galantara  (1924-1989) in Early 20th Century. Good conditions with slight foxing.

Amazing, fantastical images pepper the entire painting. It for all the world looks like a piece of Wedgwood porcelain has come to life and the characters are playing in a new reality...

Acrylic, watercolour, marker & ink on paper Maria Vanishvili is a Georgian artist born in 2004 who lives and works in Tbilisi, Georgia. She signa her...

Dawn in the orange grove Golden beehive, bee's seeking honey, Where? In the blue flower, in the rosemary flower Where his love resides. He parts his ...

Color pastels, color crayons and gouache on tan wove paper. Dated in pencil, lower right recto. With the artist's monogram ink stamp, twice lower right recto and authenticity confirm...

Graphite on paper Image size: 12 1/4 x 8 inches (31 x 20.25 cm) Hand made contemporary style frame This is a wonderful self portrait that captures the artist as she stares, unafraid...

ROBERT TRAILL ROSE (1863-1942) Primordium Vitae Signed with monogram; signed, inscribed with title and the artist’s address and dated 1899 on a labe...

Collage, pen, pencil, marker, paint, oil on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has bee...

Figurative seated nude study of a woman draping fabric around herself. The work is signed by Thierry Andre thought to be a French who was influenced by Edgar Degas. The paper is not ...

William Thon, although born in New York, painted and lived most of his adult life in coastal Maine. Thon studied at the Arts Student League in New York, and exhibited in the 1930s an...

Five original watercolor stage set designs by Lane Halteman, for a lover of theatre, your favorite thespian or just something very unusual and attenti...

Gustave Poetzsch (1870-1950) Young Girl with Pink Ribbon Original charcoals and pencil drawing Stamp of the Estate auction sale on the back On linen vellum 26 x 20 cm (c. 10.5 x 8 ...

Initialed and dated in the lower right Provenance: Martha Jackson Gallery, NY David Anderson Gallery, Buffalo NY David Anderson Grandchildren's Trust, Buffalo NY Exhi...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call ...

untitled (Painting of Exotic Birds in Fantastic Landscape leaning against a wall)) Graphite on paper Signed by the artist in pencil lower right Pr...

Signed lower right: "Jared French". In fine condition. Ex-collection Paul Cadmus; Jon F. Anderson and Philis Raskind-Anderson, Connecticut. Exhibited: D.C. Moore Gallery, New York...

Regatta. Watercolor, paper, 63 x 87 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Swede...

James Rassiat ( 1909 -1998 ) . " la Tour Eiffel au bras de Maurice Chevalier " gouache on paper : 38 X 28 cm Framed : 51 X 41,5 cm

Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden, Australia and Germany. He is a member ...

Figurative study of a woman in her undergarments and elderly men's profile. The work is stamped by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

The Proud Brothers – 04-01-21 The Bigger the Lie How can The Blues Brothers turn into The Proud Brothers? That is simple enough. Take a big country and turn it into a madhouse....

A mother swan takes her babies for a ride on her floating stroller. Those who don't fit in the stroller dutifully follow their mom. I played the somber gray tones again the bright ...

Watercolor and cut paper collage w/ etching of staircase. Dream scape fire escape imagery

Profile of Lady is a drawing realized by R.X. Frinet (1861-1946) in the late 19th century. Charcoal, pastel and white lead on paper. Monogrammed on the lower right. Good condition...

Holy Man is a drawing realized by  Joseph Colin in the mid-20th century  Charcoal on a cream-colored paper. Good conditions. The artwork realized through deft quick strokes by mas...

Gouache on paper Francine Ledieu is a French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In the ’80s, Francine was a student of Jean Bertholle from the Saint Roch Academy. The artist had personal exhibitions at Maison Mansart from 1989 to 1993 and at Étienne de Causans Gallery in 1997. In 1998 & 2009 she exhibited at La Petite Galerie. Francien Ledieu had three exhibitions at La Capitale Gallery in 2001, 2004, and 2007. She also showed her paintings at L’Oeil du Huit in 2011, 2013, 2016 & 2019. She participated in many group exhibitions as at Strasbourg Contemporary Art Fair in 2005. She exhibited also at Réalités Nouvelles...

Created in 2017 this series, Baggage Claim, speaks to the symbolic emotional weight one accumulates through life and how the accumulations weigh down the spirit. The artist used handbags...

Playing is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork was realized in mixed media of ink and white lead on paper. Included a Passepar...

School's Rights is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork has been realized in ink and white lead on paper. Good conditions and a...

Watercolor on Canson paper 300 g The artwork will be shipped rolled up in a tube Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She a...

Watercolor on Canson paper 300 g The artwork will be shipped rolled up in a tube Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She a...

GEORGE SHERINGHAM (1884-1937) Visit to the Bazaar Signed; inscribed with title on a label on the backboard Watercolour and gold paint on silk 15 by 38 cm., 6 by 15 in. (frame size 34 by 56 cm., 13 ½ by 22 in.) Exhibited: London, Leicester Galleries, Exhibition of Works by George Sheringham, 1916, no.17. Sheringham was born in London and studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris where he held his first one-man exhibition in 1905. On his return to London he initially supported himself with poster designs and teaching. His first exhibition of fan designs was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. He illustrated books by Max Beerbohm and Cyrus MacMillan. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...