Bride Drawings and Watercolor Paintings

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th century. In very good condition The ...

Preliminary drawing for Remy de Gourmont, Couleurs, published in Le Mercure de France (Colors, new tales follow old things), 1908 Graphite and colored...

Antique Pencil Study pencil sketch on artist paper painting: 20.75 x 15 inches provenance: private collection condition: good and sound conditio...

Title: Mid Century French Elegant Ink Drawing of a Riverside Scene with a Barge Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 7.25 (height) x 9.75 (width) S...

Cat is a charcoal drawing realized by Giselle Halff (1899-1971). Good conditions. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. Ménard, L. Simon, B. Boutet de...

Dramatic mid-century etching of profiles layered over each other by French artist Collette Pettier, 1965. Signed lower right. Original artwork on paper displayed on a white mat with...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Title: French Impressionist Watercolor of Street Scene and Figures By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 6.25 x 4.75 inches (Height x Wid...

Drawn in 1914 by Picasso, this fine piece of work is a recognizable mark of his unique style. "VISAGE D'HOMME VERS LA GAUCHE", 1914 is pencil on paper, created in Avignon. Claude Pic...

Mother and Child is an artwork realized by an unknown artist in 1962. Black Marker Pen on Cardboard 27.5 x 22.5 cm ; 60 55 cm with frame. Unreadable signature in the lower part. ...

Note: Dehn was born in Minnesota. He attended the Minneapolis Institute of Art. This work is a view of the Stone Arch Bridge in Minneapolis with the Pillsbury "A"-Mill in the backg...

Teens at the beach is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artwork represents fre...

Eve Nethercott, American (1925 - 2015) - Flowers (P6.30), Year: 1960, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Eve Nethercott's lush sti...

CLARK HOBART (1868 – 1948) COLONIAL DAMES Monotype signed and titled in pencil Hobart was an early 20 c. California painter. He was on the forefront ...

Original drawing on paper. Hand signed on front by Tarkay. Sheet size 12 x 9 inches. Frame size approx 18 x 15 inches. Artwork is in excellent condition. From the private collection...

Provenance Milch Galleries, New York; Mr. and Mrs. Franklin Biggs, Middleton, Delaware (by 1983); Coe Kerr Gallery, New York; Ira and Nancy Koger (acquired from the above, 1984); Pri...

"In the Mirror", nude, sepia red on paper. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. Drawing in mat, for display purposes! 1s...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Title: Mid Century French Elegant Ink Drawing of Women in Various Poses Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 8.25 (height) x 5.25 (width) Stamped: ...

Sepia ink drawing on paper. Part of my Nude in interior series. In mat, overall dimensions 52x42cm / 20x16.5 in. Shipped in mat, from the artist's studio.

Colors Of The NIght 1: This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #1 from a series of 4 art...

Mary Abbott Flowers, circa 1950 Signed lower left Pastel on paper 30 x 22 1/4 inches Provenance: Aaron Galleries, Glenview, Illinois Among the early exponents of Abstract Expressio...

Portrait of a Nude Lady French School, circa 1960's signed chalk and pastel on artists paper, unframed double sided size: 19.5 x 12.5 inches condition: very good and ready to be en...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed top drawing: 7.25 x 9...

An unusual coloured line drawing of figures conversing. Signed with initials to the lower right. Beautifully presented in a stained oak frame with a white card mount. On paper.

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...

'Pink Laurels in the Park, Côtes d'Azur', watercolour on art paper, by Tony Minartz (circa 1930s). The French Riviera is known for its beautiful parks, particularly in Nice, Menton,...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981s. Hand-signed and dated by the artist on the lower right margin. The artwork represents a fresh and beautiful nude male portrait...

Drawing based on natural pigments from leaves, flowers and bark and Pastel, Pencil, flower petals, Color and Ink on Paper. In my work there is a cross with the gaze of animals, a rem...

Sheet Sz: 11 3/4"H x 17"W Alexander Warren Montel (1921-2002)

Art Sz: 10 3/4"H x 12 3/4"W

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

"Siesta", 100x70cm / 39x27.5in Nude in Interior, pencil and ultramarine tempera on paper, inspired by Matisse. Large drawing. Shipped rolled in a tube, from Florida, US. Check 1st Dibs offer FREESHIP coupon for items over $500. "Siesta" is a serene and visually arresting addition to the "Nude in Interior" series. It conveys a quiet intimacy and relaxation, perfectly encapsulated in its title. The reclining female figure, with legs elegantly extended upward, creates a sense of balance between stillness and subtle energy. The interplay of ultramarine tempera and the warm-toned paper once again demonstrates the artist’s ability to use limited color palettes to great emotional and visual effect. The ochre-like background provides a sunlit, tranquil atmosphere that pairs beautifully with the cool, calm energy of the ultramarine tempera. The artist’s choice of medium emphasizes contrast while imbuing the piece with a harmonious duality—warmth in the environment and coolness in the figure. The fluidity of the brushstrokes aligns with the theme of relaxation, while the vertical drips lend a dreamlike quality, as if the figure is melting into her surroundings. The looser strokes in the background contrast with the more defined lines of the figure, highlighting her as the focal point. The unconventional reclining pose, with legs extended upward, adds visual interest and a sense of lightheartedness to the piece. It suggests a playful yet completely relaxed moment, as though the figure is unwinding and stretching in the midst of a private, comfortable setting. The verticality of the legs and the drips juxtaposes with the horizontal lines in the background, creating a sense of structure and stability. This geometric balance anchors the composition and enhances the overall sense of calm. The artist has included abstract horizontal strokes in the background, reminiscent of blinds or a window. These subtle details suggest an interior space filled with sunlight and add depth without detracting from the figure’s prominence. The title, "Siesta," reinforces the narrative of rest and tranquility. The figure’s pose is unapologetically casual and unguarded, evoking the vulnerability and freedom found in moments of private repose. While other works in the series explore themes of introspection, passion, or desire, this piece focuses purely on physical and emotional relaxation. It offers a more subdued, meditative perspective, providing variety to the series while maintaining its stylistic coherence. The reclining nude is a recurring motif in art history, seen in works by Titian, Ingres, and Modigliani. However, this piece’s contemporary execution—fluid, minimalist, and abstracted—ties it more closely to modernist traditions, particularly the gestural energy of Egon Schiele or Matisse’s reclining nudes. The artist’s decision to leave much of the environment abstract enhances the piece’s timeless quality. The figure feels anchored in both a specific space (suggested by the window-like strokes) and an almost dreamlike, universal realm. "Siesta" is a masterful exploration of rest and serenity, demonstrating the artist’s ability to convey mood through form, color, and composition. The elegant simplicity of the figure, combined with the abstracted interior elements, invites the viewer to share in this peaceful moment. Its balance of gestural abstraction and classical themes makes it both timeless and distinctly modern. This piece is a beautiful representation of intimacy, calm, and the universal human experience of seeking rest. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

A really charming, early 19th century portrait of a young maiden carrying a basket of flowers. The face is beautifully painted with a slight blush to her cheeks and striking touches ...

Clyde Steadman's "Untitled 1" is an original, handmade watercolor painting that depicts an urban landscape with human silhouettes.

Italian artist (18th-19th century) - Study for a writer. 17 x 25.5 cm, with passe-partout. Pencil drawing on paper, without frame. - Work signed indistinctly lower left (under pas...

Adolf Arthur Dehn Haitian Scene A, ca. 1951 Watercolor gouache on board Signed on the front Frame included: held in vintage modern frame Measurements: Framed: 11 inches vertical by 13 inches horizontal by .75 Painting 4.5 inches by 6 inches Watercolor gouache, hand signed; framed with AAA Gallery label verso Signed on the front bearing the original label on the verso of Dehn's longtime gallery, the prestigious Associated American Artists Gallery, New York City. Provenance Associated American Artists Frame included: held in vintage frame with original label as provenance Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti -- the subject of this work. It was part of a series inspired by Dehn's visit to Haiti. Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti. ADLOF DEHN Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere - not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic "little magazines" such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895 - 1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Inscribed on the verso: EE 27/10

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Title: French Impressionist Watercolor of a Château at Sunset By Maurice Mazeilie (French 1924-2021) Medium: Watercolour on paper, unframed Size: 5.5 x 7.75 inches (Height x Width) S...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Title: Mid Century French Original Pastel Painting of Rocky Coastal View at Le Trayas Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (heig...

Title: Mid Century French Pencil Study of Various Animals Artist: Josine Vignon (French 1922-2022) Medium: Pencil and Paper Size: 6.25 (height) x 9.75 (width) Stamped: Verso Con...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Title: Mid Century French Expressive Ink Studies of Study of Female Faces Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 9 (height) x 13 (width) Stamped: Verso Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This expressive ink drawing by Josine Vignon features a study of two female faces, each rendered with bold, confident lines that capture the essence of the subjects. The larger face, positioned in the lower portion of the composition, is depicted with sweeping, fluid strokes that convey a sense of movement and intensity. The smaller face above is drawn with more delicate lines, offering a contrasting depiction of serenity and poise. Vignon’s mastery of ink is evident in her ability to convey depth and character with minimal strokes. This drawing would be a valuable addition for collectors interested in portrait studies and the exploration of expression through line work. Josine Vignon’s art...

Set of 4 by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 8.75 x 6.5 inches stamped verso provenance: artists estate, France condition: very good an...

Eve Nethercott, American (1925 - 2015) - Portrait of a Blonde Woman (P1.4), Year: 1961, Medium: Watercolor on Paper, Size: 22.5 x 15 in. (57.15 x 38.1 cm), Description: This sumptuous portrait of a woman with cropped, curly blonde hair is imbued with luxury and elegance. As she lifts her hands to her shoulder, the woman's decadent fur robe...

Figures is an artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Watercolor on paper. Hand-signed by the artist. Good conditions.

9 3/4"H x 6 3/4"W

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

French Landscape by Louise Alix, French 1950's Impressionist watercolour on artist paper, unframed painting: 25 x 16 inches provenance: from a large private collection of this artis...

SIR WILLIAM BLAKE RICHMOND, RA (1842-1921) Study of an Angel Pencil on the artist’s writing paper for Beavor Lodge, Hammersmith Unframed 22.5 by 17 cm., 9 by 6 ¾ in. (mount size ...

Elegant & fabulously rare, original Philippe Jullian (1919-1977) (ink signed LR) watercolour depicting a lavish Moorish opium salon interior with a reclining nude portrait on the wall and two monkeys with their turban clad handler. Sagittarius Gallery, NY label inscribed Jullian No. 18 on verso Art Sz: 8 3/4"H x 11 1/8"W Frame Sz: 16"H x 18"W w/ Hermes orange mat & antique bamboo frame Provenance: The estate of D. D. Ryan (1928-2007), noted fashion editor at Harper's Bazaar, an associate of Halston and a regular on best-dressed lists! Another widely appreciated achievement is her association with the creation of Eloise, the fictional little girl who lives at the Plaza Hotel. Eloise began as a character that Kay Thompson, a cabaret singer, portrayed to amuse her friends, of whom Ms. Ryan was one. Ms. Ryan urged her to write a book, put her together with Hilary Knight, the illustrator, and never stopped pushing her to finish the job. The result was “Eloise,” published in 1955 and a best seller the next year, and its popular sequels. “The book would never have existed without D. D. Never,” Mr. Knight said in an interview Thursday. “She would have just dropped it and gone on to something else.” Beyond her historic Eloise moment, Ms. Ryan thrived at the crossroads of New York’s fashion and artistic worlds, seeming to make a statement every time she dressed, almost always in clothes she made herself, always recognizable with her famous precisely stylized eyebrows. Her first job in Manhattan was as an assistant to the photographer Richard Avedon; she was photo editor at Harper’s Bazaar under the legendary editor Diana Vreeland, and she designed the costumes for Stephen Sondheim’s 1970 Broadway musical “Company.” Her social circle included Cole Porter, Andy Warhol, Mr. Sondheim and Truman Capote. When she recommended a new pair of sandals or a piece of costume jewelry — only “really good costume jewelry...

Artist: Philip Pearlstein (American, 1924-2022) Title: "Male and Female Nudes on a Sofa" *Signed and dated by Pearlstein in pencil lower left Year: 1970 Medium: Original Graphite Pen...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Colours Of The Night #2: This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #2 from a series of 4 art...