Medium Mixed Media

Shusaku Arakawa Untitled 3 from "No!" Says the Signified, 1973 Lithograph and Silkscreen on Arches Paper with Deckled Edges Hand signed and dated on the lower right front Artist's Pr...

Frost Flowers is an original circa 1965 mixed media drawing by celebrated Denver-based artist Edward Marecak. Executed in pastel and ink on paper, thi...

Cosmos is an original mid-century abstract painting by Polish-American artist Pawel Kontny (also known as Paul Kontny), created in the 1960s. This striking mixed media work is compos...

2022 Acrylic , alcohol ink , paper. One of a kind piece of art. On the canvas unfolds a marvelous world: magnificent butterflies, as if dancing in the stream of air. The grace of ea...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

French School, circa 1970's paper stuck on canvas with cut out magazine shapes 21.5 x 15 inches provenance: from a private collection in Paris, France The painting is in sound condit...

Orange Portrait Painting, Mixed Media, Pop Art-Face Break, in Color A B O U T T H I S P I E C E : "Face Break, in Color (Cortney-A2-1)" is Fine Co...

Landscape with beach chair or lawn chair in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Monica DeSalvo’s “Space Junk” is a 22 x 30 inch surreal collage on a digital enlargement of an abstract acrylic monotype with pink, tan, orange, peach, sage, and white. Soft textures and depth are created by the uneven distribution of color and layering a day’s worth of final pulls with a Gelli plate, capturing faint impressions of items such as a feather. Collage elements include monotype fragments with botanical forms and vintage textbook...

"Lips" is a unique original mixed media artwork by Volker Kuhn. It is a witty reference to surrealism and pop art formed as a hand-made assemblage carved out and painted with painsta...

Homage To Burri is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo in 2014. Original oil painting on canvas, fabric and collage.. Hand-signed and ...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

"Self Love (Town Girl)" depicts a young lady in a vibrant urban setting, exuding an aura of self-assurance and strength. The central focus of the artwork is the subject's face, beautifully painted with meticulous attention to detail. The artist employs a mix of bold brushstrokes and subtle shading, highlighting the woman's expressive eyes and radiant smile. Her posture and gaze project a sense of determination and self-awareness, symbolizing the journey of self-love and acceptance. The young lady's attire further emphasizes her individuality and confidence. Clad in a fusion of traditional and modern garments, she represents the convergence of cultural heritage and personal identity. The artist's deliberate choice of a diverse range of colors adds depth to the piece, infusing it with energy and life. The vibrant hues convey a message of optimism and celebrate the beauty found within diversity. "Self Love (Town Girl)" is a testament to the power of self-love and acceptance. Through his artwork, Akanmu seeks to inspire viewers to embrace their individuality and celebrate their unique qualities. The young lady portrayed in the piece serves as a symbol of strength, resilience, and unwavering self-belief. In a world that often imposes standards and expectations, the artwork invites us to reflect on the importance of self-acceptance and self-expression. It serves as a reminder that true beauty lies not in conformity but in embracing our authentic selves. By portraying the young lady with confidence and grace, Akanmu challenges societal norms and encourages viewers to cultivate their own inner strength. Furthermore, "Self Love (Town Girl)" prompts a dialogue about the amalgamation of different cultures and the beauty that arises from such fusion. The blending of traditional and contemporary elements in the lady's attire symbolizes the richness of heritage and the freedom to express oneself in a modern world. Akanmu's artwork celebrates diversity and prompts us to appreciate the beauty that arises when different cultures converge. Art possesses the ability to evoke emotions and trigger introspection, and "Self Love (Town Girl)" achieves just that. Akanmu's artwork acts as a catalyst, urging viewers to reevaluate their own self-perception and embrace their unique qualities. It serves as a gentle reminder that self-love is a journey that requires patience, understanding, and acceptance. "Self Love (Town Girl)" has the potential to inspire individuals from all walks of life, encouraging them to embrace their true selves and celebrate their inherent worth. By fostering a sense of empowerment and confidence, the artwork contributes to the ongoing narrative of self-love and acceptance in our society. Oluwafemi Akanmu...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Wolfgang Hutter - "The garden and the burning house". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in every room and e...

Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black and brightly colored paints and brushwork in charcoal ...

Oladimeji Alabi, a Nigerian contemporary artist, created a thought-provoking artwork titled "Energy," which emphasizes the essence of energy, both positive and negative, according to African spirituality. The artwork is a vivid depiction of the concept of karma, which is fundamental to African spirituality, and the law of nature, which states that what you give out, you get back in turn. The central piece of the artwork is a painting of a human figure, seemingly in a state of contemplation with her flowing hair. "What you give out, you get back in turn." This phrase is a direct reference to the concept of karma, which is prevalent in African spirituality. Karma is the belief that our actions have consequences, and that every action we take has an effect on our lives and the lives of those around us. Furthermore, the artwork emphasizes the importance of energy, both positive and negative, and how it affects our lives. According to African spirituality, everything in the universe is interconnected, and energy flows through all things. Positive energy is associated with good fortune, success, and happiness, while negative energy is associated with misfortune, failure, and sadness. In conclusion, Oladimeji Alabi's artwork "Energy" is a beautiful and thought-provoking piece that embodies the essence of African spirituality. The artwork's central message of karma and the law of nature is a powerful reminder that our actions have consequences and that we must be mindful of the energy we put out into the world. The artwork is a testament to the artist's skill and creativity, and it is sure to leave a lasting impression on all who view it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Mixed media figurative work of a Madonna and child. The piece is framed in a gold frame with black accents. Dimensions Without Frame: H 19.5 in. x W 25 in. Artist Biography: Born ...

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Paper and Adhesive collage by Wayne Timm. Image measures 16 x 18 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lich...

Man on Wire - Abstract Expressionism A vibrant abstract painting in intense poppy-red depicting a man dressed in black tie walking a tightrope with an umbrella, by California-based artist, Ricardo de Silva...

Color offset lithograph - created on the occasion of the tennis tournament 1996 Signed in print In great condition

Dean Nimmer (American, b. 1935). "Untitled". 1995. Multi-media on paper. Hand signed, dated, Verso. Image: 17" x 10". Framed: 26" x 22". Dean Nimmer has exhibited his art in over 2...

Unique Piece / One of a Kind An upper jaw of an Elephant skull. Museum Archival Print on Hahnemühle Laid paper, Photography painted with Drawing Ink, G...

Skull, Pharrell Williams portrait, from the series LIVE FOREVER (Framed) 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Image size: 76 cm. H x 61 cm. W Framed size:...

Douglas Booth, 2015 by Hunter & Gatti Acrylic & Oil on Archival Pigment Print Image size: 19.5 in H x 14.5 in W Frame size: 29 in H x 25 in W x 2 in D Signed front and signed back wi...

Aleksander Skarsgard Portrait,, 2015 by Hunter & Gatti Acrylic & Oil on Pigment Print Image size: 19.5 in H x 14.5 in W Frame size: 29 in H x 25 in W x 2 in D Signed front and signed back with the date. White wood Framed Black and white Photography...

Ewan Mcgregor Portrait, 2015 by Hunter & Gatti Acrylic & Oil on Pigment Print Image size: 19.5 in H x 14.5 in W Frame size: 29 in H x 25 in W x 2 in D Signed back with the date. White wood Frame Black and white Photography...

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

Lyman Kipp Untitled geometric abstraction, 1978 Acrylic painting on paper Hand signed and dated 1978 Unique Frame included: Elegantly floated and framed in a hand made white wood mus...

Evocative painting by Professor Domenico Spinosa Naples 1916-2007 President of the Academy of Fine Arts in Naples.Spinosa Domenico (Naples 1916 - 2007) mixed media on paper, signed a...

This mixed media portrait shows a Caribbean woman bearing red on her face and surrounded by images of daily rural life. There is a maroon rooster, a turquoise shack, and green palm f...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Frank Goodnow: 1923-2004. Listed American artist and professor at Syracuse University. Magnificent colors in this rarely available Frank Goodnow Painting. It is in the cubist style. ...

This new series by Danish artist Peter Kramer (1959, Roskilde, DK) based in Spain shows us a new way of working with natural and exotic elements. In this case, he uses the turmeric r...

Abstract expressionist oil painting by contemporary Houston artist Benji Stiles. The work features gestural marks in pastel pink, blue, and yellow set against a tan background. Currently unframed, but options are available. Artist Biography: Born in New Orleans, Robert Benjamin Stiles (Benji) is a multidisciplinary artist and educator who lives and works in Houston. He holds a B.A. from the University of St. Thomas, with a major in Art History and a minor in Studio Arts, and is currently an MFA candidate at MICA (Maryland Institute College of Art). His work ranges from non-representational painting focusing on diverse mark-making and color theory to conceptual sculpture and assemblage using historical and found objects. Since 2019, Stiles has established a successful art practice at Hardy and Nance studios while exhibiting work throughout the region including three solo shows (Hardy & Nance Gallery 2020, Lonestar College 2021, G-Contemporary 2022). Recent group shows include Collect it For the Culture 2021 (curated by Robert Hodge...

This artwork combines a variety of printing styles and approaches including intaglio, photocopy gum printing, paper and rose petal stitching. By stitching formerly printed paper, the artist produces a kind of quilt framing...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Out of the West 3, abstract painting on paper, mixed media, handmade paper, red PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate ...

Idia (Iyoba) was the mother of Esigie, the Oba of Benin who ruled from 1504 to 1550. She played a significant role in the rise and reign of her son, being described as a great warrior who fought relentlessly before and during her son's reign as the Oba (king) of the Edo people. Queen Idia was instrumental in securing the title of Oba for her son Esigie following the death of his father Oba Ozolua. To that end, she raised an army to fight off his brother Arhuaran who was supposed to be the Oba by right and tradition but was subsequently defeated in battle. Esigie’s mother became the 17th Oba of Benin. Esigie instituted the title of iyoba (queen mother) and conferred it on his mother, along with Eguae-Iyoba (Palace of the Queen Mother). —Wikipedia She's the epitome of courage, vision, strength, and vigor. In this Becoming series, I hope to revive our heritage as well as examine the intricacies of self-actualization, vis-a-vis drawing inspiration from the African history from the Benin and Esan perspective, contemporarily. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Macaulay Barnabas...

Maletas Vacías, 2017 Mixed Media on 100% Cotton Paper Image size: 30 in. H x 22 in. W Frame size: 34 in. H x 26 in. W x 1 in. D Found images transferred to acetate film, collage, ac...

Work made on plaster cement and acrylic Monochrome Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculptu...

Cottonwood in Jemez Canyon by John Hogan mixed media monotype, New Mexico unique framed mixed media mono print John Hogan A graduate of Northeast Louisiana State University with a b...

With a mixture of oil and acrylic paints plus 40 years of experience, artist Patrick Antonelle evokes generations of the sublime rural dreamland that...

Alan Shields Treasure Rute I, 1979 Relief, stamping, linocut, collage on handmade paper Titled, numbered, signed, and dated Treasure Rute I 1/11 Alan Shields 1979 on the bottom front...

Soñar Con Cortinas, 2017 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on 100% Cotton Paper Image size: 30 in. H x 22 in. W Frame size: 34 i...

Collage and acrylic piece featuring piano and violin in warm brown tones and newsprint, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a gold...

Ewuare (King) is an original painting by Barnabas Macauley. Ewuare (King) was created with Mixed Media (Charcoal, Acrylic, and Pencil) on a primed 24...

This is a mixed media collage with an almost sculpture quality to it. it is hand signed. size includes frame. Hugh O'Donnell is an English painter, printmaker and site-specific art...

"Homage to Modigliani" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference for...

Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990. Original Title: Frattura Title, Signature, date and monograms are written...

This collage on paper explores the thoughts of the mind and how it works and connects our bodies. The upper half of this piece shows a human silhouette with a halo of light blues ema...

Yuttana’s paintings express the embodied state of peace within the artist. His works are mainly inspired by rich observations of nature, his life, and daily surroundings- which inclu...

Landscape graphite dust on canvas relief paint original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painti...

Dwelling mostly on reds and whites, the artist has created a stunning mixed media painting that is layered and spare. Black lines are used to great effect. Thin pencil lines, like te...

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso. Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 3...

"Purity " Canvas, mixed media, 60x80 cm The work is sold without a frame.