Medium Mixed Media

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on the back Unframed Hand signed by the artist on the front and stamped by the artist's estate on the back. Acquired from the Estate of Ben Wilson. This poignant painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn...

This mixed media painting on canvas titled "Bocce players" was created by French artist Daniel Thérasse. The painting style of Daniel Thérasse can be summed up in two words : "abund...

This piece is unframed.

8 color ultra chrome HD archival digital ink on archival paper. Editions of 25 Print to Order INQUIRE ABOUT FRAMING About the Artist: Eric Ernst (grandson of Max Ernst, son of Jim...

Yuttana’s paintings express the embodied state of peace within the artist. His works are mainly inspired by rich observations of nature, his life, and daily surroundings- which inclu...

America Martin "Oh Yes to Heirloom Bearded Irises" Oil & Acrylic on Canvas 26" x 19.5" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws ...

Lucio del Pezzo (Italian, 1933-2020) Signed: del Pezzo 1969 (Lower, Right) " Gold Green Table ", 1969 (Titled on Verso) Mixed media with reliefs in gold leaf 32" x 25 1/2" x 1 1/4...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Hot Pink metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, u...

"Quiet Bolt" is an original wall-hanging sculpture by Dennis McNett made from woodcarving, sculpted epoxy head, woodcut prints and acrylic . This pieces measures 24.5"h x 15"w x 3.5"...

John Baker’s “Self-Chaperone” is an acrylic painting on canvas with collage 28 x 22 inches in flesh tones, yellows and greys. The portrait depicts the inner conflict between uninhibi...

Study for Giuditta and Oloferne is an original contemporary artwork realized by Giulio Paolini in 2017 Collage and acrylic on paper. Giulio Paolini (Genova, 5 November 1940) is one...

This astonishing artwork is a paper flowers assemblage, put in a wood box framed and then mounted under a lenticular lense. Title Mirror 2012. The particularity of Maurizio Donzelli ...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

Maria Poroy (American, born 1952) "Meet Me at the Corner" 2024 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the middle left of the painting. This captivating...

As The Spirit Moves Ronnie Foont, American Date: 2022 Mixed Media on Paper, signed Size: 22 x 30 in. (55.88 x 76.2 cm)

This mixed media painting from Samantha Millington shouts Belle Epoch and Arts Nouveau. Beautiful women ready for an enchanted evening out full of promise ...

"HGarden of Paul Klee" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference for...

Larry Clark Untitled Larry Clark Kids Skateboard Skate deck, 2013 Screenprint on 7-ply Canadian maplewood skatedeck Signed on the deck 31 × 8 inches Long sold out 2013 skateboard dec...

5 Layered Stencil : Red, Yellow, Green Political Panda Bear hold a HARMONY sign Showing other Bears in Series Unique pieces This is on 90lb Paper color: Natural New York Artist; K...

Signed Tschacbasov l.r. dated 1982 Framed in a beautiful gold original frame

Sinuosity sculpture. Pedestal mount. No wall mount available. Chiffon metallic finish. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

John Baker’s “The Two Dummies” is an acrylic painting on canvas with collage 32 x 24 x 1.5 inches wide in browns, tans and greys with red and yellow accents. The wooden neck lever of the ventriloquist suggests that he is in reality the dummy of the young boy; and yet, impossibly, both seem to be the dummies of one another! Regardless, the brightness of the props on the prop table...

A smart watercolour and charcoal depiction of a London mews. The artist has signed and dated to the lower right and the artwork has been presented in a grey card mount. On watercolou...

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Patrick Archer original collage on board, circa 1996 Titled: Hidden Vince Dimensions: 24" x 24". Frame dimensions 25 1/4" x 26 1/4". Signed lower middle. Works by Archer (America...

traces, minimalist painting on canvas medium size original art 80x60 cm the painting is sold stretched out on a wood frame ready to hang...

The work is made in a wooden frame with glass and velvet dark blue passepartout. Alec Malyshev is making his artworks using expired film supplies as well old Soviet and European cam...

Divergence is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. It is ...

This artwork "Untitled" c.1990 is a cast paper bas relief by noted American artist Richard Benjamin Royce, born 1941. It is signed at the lower right ...

The artwork is made in the wooden frame with glass, total dimensions are 31 by 23.5 inches. Alec Malyshev is making his art works using expired film(photo) supplies as well old Sov...

Aron Hill loves playing with colour and form to create fun, contemporary paintings. This is one of a series where Hill uses two shaped panels in white as backdrops to colourful organ...

L. Arello Untitled, 1981 Mixed media on wood 27 1/2 x 28 7/8 x 1 3/8 in. Signed lower right: L. Arello 1981

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

"Homage to Palladino - Turtle Hat" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty r...

28" x 15" mono print on Arches 300lb paper. My aim with this piece was to do a larger print than usual. I found the friskett material not suited to work with at this size . . . . ...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

UNTITLED (ROLLAGE) Jiri Kolar Mixed Media, 1967 Rollage of a sculpture by Michelangelo and a painting by Bruegel Medium: Mixed Media, Collage Surface: Photographic Paper Country: Cz...

John Button View: Arcade, 1975 Gouache on Paper (Framed with prestigious Fischbach and Kornblee Gallery Labels) 20 1/2 × 24 1/2 inches Signed and dated on the front This is a unique painting Frame included: held in the original 1970s artist's period frame with prestigious labels This 1970s John Button gouache bears labels from renowned Jill Kornblee as well as Fischbach Galleries...

Pradeep Jogdand - Untitled Black Marble H 28 x W 24 x D 14 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

Les Taylor is an artist who has embraced a lifelong love for both music and art. In the sanctuary of her studio, always accompanied by a melodic backdrop, she finds true inspiration....

A fine mixed media painting using acrylic, gouache and chalk by the artist Henry E. Foster, depicting a still life of flowers in a vase by a window. Well-presented in a washline card...

Flower is an original modern artwork realized by Artist of 19th Century. Mixed colored "scagliola" technique" Note: Scagliola (from the Italian scaglia, meaning "chips"), is a technique for producing stucco columns, sculptures, and other architectural elements that resemble inlays in marble and semi-precious stones. The Scagliola technique came into fashion in 17th century in Tuscany as an effective substitute for costly marble inlays, the hard stone works created for the Medici family...