Late 20th Century More Art

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

Edition of 150 copies containing 4 original etchings signed and numbered by the artist. Copies on Velin d 'Arches. Edition: Paris, G. Fall Format: In-folio Pages: 31

Richard Anuszkiewicz ANUSZKIEWICZ by Karl Lunde (hand signed and inscribed by Richard Anuszkiewicz), 1977 Hardback monograph with dust jacket (hand signed and inscribed by Richard An...

Abstract Composition is a print realized by Antonio Marasco in the 1970s. Lithograph on paper. Hand-signed and numbered, edition 25/125 prints. Good conditions. The artwork is r...

Original American Lobby Card of the Movie „TAXI DRIVER“ USA 1976 Director: Martin Scorsese, Actors/Stars: Robert De Niro Keywords: Film, movie, scene, Lobby Card, Crime, Drama, veter...

Kuntmuseum Basel is a vintage offset print realized in occasione ofArnold Bocklin's Exhibition in Basel in 1977. The poster is in very good conditions, except for some folds in the upper edge of the board. Arnold Böcklin...

Nude is an original collage artwork, realized by Sergio Barletta in 1975. Hand-signed on the lower right and dated. Image Dimensions: 19 x 10 cm In very good conditions, except for...

Marco Tirelli -Poster is a vintage offset print. The artwork was realized on the occasion of the artist's exhibition In Di Meo Gallery, Paris. Good conditions.

LESZEK NOWOSIELSKI DECORATIVE PLATTER signed by author

Heinz Gappmayr (1925 Innsbruck - 2010 ibid), Colors, 1993. Linen box with ten aquatint etchings on handmade paper and two text sheets. Published by Dorothea van der Koelen, Mainz. Co...

Amitabha Banerjee Untitled ( Perched Bird ) Pastel on Paper 21.6 x 21 inches 54.8 x 53.3 cm ( Framed and Delivered ) About the Artist and his work : Born : In 1929 born in Ba...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Gardner's Autograph is an autograph postcard signed (P.A.S.) by the cinema star Ava Gardner and addressed to Roland Sensini. On the recto, a colored photo...

Vintage Museum Press Kit (MOMA) Offset Lithograph brochures, press releases, magazines and a bookmark 12 x 9 inches Unframed Andy Warhol Retrospective, February 6 to May 2, 1989, the...

Edition of 92 copies plus 10 Artist Proofs, including 6 original etchings numbered and signed by Hans Richter and six poems by Grytzko Mascioni. Original hard creative slipcase on gr...

Substantial vase with Roy Lichtenstein-esque pop art figurative of Bill and Hillary Clinton and the scandal that lead to his impeachment. By ceramic ar...

Arcangeloc-cNunzioc-Pizzi Cannellai is a vintage poster printed in offset. The artwork was realized on the occasion of the artist's exhibition In Di Meo Gallery in Paris. Good cond...

Ceramic from school of Vallauris

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

Sunny autumn day, cardboard/oil, 23x32 cm

M.A.S. accompanying his "Still Life". Rome, December 9, 1984. 1p. 21x29cm. Very good condition. "This is the first, perhaps last Findus, entered into the history of art," writes Vespignani about his only "dead and frozen" still life. In his humorous writing, he described how, in the 1960s, he wanted to paint an "alive, remembering the sea, wriggling like a freshly caught fish" nature, to distract himself from his "murderous dead". But the result was quite different, contrary to his intentions. Because of his being a "realistic painter, or rather obsessed nerista", portraying the alive nature meant seeing and reproducing the gradual decay of the small group: "from the stage of cheerful youth (...) to the cadaverous dissolution." In the same year that he writes "Like Flies in Honey" dedicated to Pier Paolo Pasolini, and the Academy of France...

 Ex- Libris -  Birds is an Artwork realized in 1974.  Woodcut on paper. The work is glued on ivory cardboard. Hand Signed on the right margin and dated. Total dimensions: 19x11. G...

Ex libris - Butterfly is an Artwork realized in 1950s by the Artist H.D. Voss, from Netherland.  Woodcut print on ivory paper. Signed on plate on back. The work is glued on colored ...

Ex- Libris -  Dr. Hans Laur is an Artwork realized in 1978. Etching print on ivory paper. The work is glued on yellow cardboard. Hand Signed on the right margin and dated. Total di...

Ex Libris - Monique Van Paeschen is an Artwork realized in 1950s, by The Artist Antoon Vermeylen. Woodcut B./W. print on paper. Hand signed on back. Good conditions. The artist wa...

Artist: Takashi Murakami, Japanese (1962 - ) Title: Hiropon II Bear Solar Citizen Watch Year: 1998 Medium: Plush Toy and Watch Edition: 1999 Size: 7...

Ex-Libris - Bird is an Artwork realized in Mid 20th Century, by J. Halberstat. Woodcut B./W. print on tissue paper. Hand signed on back. The work is glued on orange cardboard. Tota...

Beautiful and rare Book of Francisco Zuñiga Artist Monograph, 1st Misrachi Art Gallery Edition, 1980 Text in Spanish and English. 317 pages with 355 plat...

Edition of 1.200 copies including reproductions of 25 drawings by Pablo Picasso and black and white photographs. One of 200 copies "HC" out of commerce, on papier vergé teinté Arjoma...

Ex Libris - Jose Piresy is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions.

Ex-Libris - A. Vercammen is an Artwork realized in 1985. Woodcut on ivory paper. The work is glued on grey cardboard. Hand Signed on the right margin and dated on back. Total dime...

Andy Warhol Record art: A set of Debbie Harry record albums with offset cover art designed by Andy Warhol and Stephen Sprouse. Featured prominently in 'Andy Warhol: The Record Covers...

Hans Hartung 1970s signed and numbered Very important signed and numbered colour lithograph Available one pair Title "Farandole" Signed lower left Numbered lower right XXVII/LXXV...

Blue Striped Abstract Expressionist Composition in Acrylic on Paper Bright, saturated abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). This p...

Porcelain plate (Edition of 3000) This artwork is offered by ClampArt, located in New York City.

Ex Libris - Anne ja Tauno Piiroinen is a Modern Artwork realized in 1994, by Mirjam Karila. Ex Libris. B/W woodcut on paper. Hand Signed and dated on the back. The work is glued o...

Sunil Das - Untitled Ink & Watercolour on Paper, 10 x 14 inches, 1979 (Unframed & Delivered) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his college days, Sunil Das has been extremely well lauded by art critics, the press, artists and the art and culture glitterati across the world. Sunil das was the youngest artist to have won the National Award - The Taj Shiromani Kala Puraskar Recipient of the much coveted Govt. of India's 4th Highest Civilian Award: The PadmaShree (2014). Highly talented Sunil Das has done shows all across the world, got fame as early as while he was still in college, youngest recipient of the Lalit Kala Academy Awards and received a scholarship to study at L’Ecole Nationale Superior des Beaux arts, Paris. “There are painters who transform the Sun to a yellow spot, but there are others who, with the help of their art and intelligence, transform a yellow spot into Sun" - Pablo Picasso. Sunil Das was exactly one such artist. Style : Sunil Das' style of work is very original and shows no specific influence. He had risen to fame like MF Hussain...

David Rankin American (b. 1946) Untitled (Black on gray) (1990) Gouache and charcoal on paper signed lower left 19 x 15 inches Rankin is a New York-based, British-born Australian p...

DUNHAM, Carroll. Shadows. Ten original full sheet drypoints, with justification, title- leaf, and tissue interleaves. Oblong folio, 350 x 584 mm, the whole enclosed in publisher's...

IN THE LIGHT OF JUSTICE (FIRST EDITION) Alex Ross MEDIUM: Giclée on Canvas SIZE: 41" x 21" EDITION SIZE: 100 ARTIST: Alex Ross SKU: CP1292D ABOUT THE IMAGE: “In the Light of Justice” was originally created as a triptych, which each of the three panels featured as cover art for Wizard Magazine. Under Ross’s supervision, the three images were digitally united to create the final image. Each piece is hand-numbered and is signed by Alex Ross. ABOUT THE ARTIST: Alex Ross made his artistic debut at three when, according to his mother, he grabbed a piece of paper and drew the contents of a television commercial he'd seen moments before. By age 13 he was scripting and drawing original comic...

This artwork titled "Generation Gap" c1978 is an original Cliche Verre on paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and inscribed artist proof in pencil by the artist. The image size is 8.75 x 11.75 inches, sheet size is 10.75 x 13.65 inches. It is in excellent condition, two small pieces of hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...

Still Life with Vase of Flowers is a print realized by Mario Francesconi in the 1970s. Lithograph on paper. Hand-signed and numbered, edition 33/80 prints. Good conditions. The a...

Maud Morgan "SSI" c.1970s Silkscreen on silver paper edition A/P 11.75"x15" framed silver frame 19.25"x1"x22.25" Signed in pencil lower left

In collaboration with Real Mad Hectic, and produced by Bounty Hunter, this piece depicts KAWS’s signature figure, Companion, in Black. This human/animal/cartoon hybrid has a Mickey Mouse body, complete with gloves, shorts, and clown-like shoes...

Abstract Composition is an original artwork realized by Antonio Marasco in the 1970s. Mixed colored collage on paper Hand signed on the lower right. Includes a wooden frame: 48 x ...

Mainolfi -Poster is an original poster print. The artwork was realized on the occasion of the artist's exhibition In Di Meo gallery. Good conditions.

Sunny path. Cardboard, oil, 66x43 cm The painting portrays a path illuminated by sunlight. The artist has used oil paints on cardboard to capture the play of light and shadow, creat...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Remembrance of Things Past NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

Italian 18 carat Yellow Gold Dog Pendant. Mid 20th century. Circa 1960-1970. Height 2,9cm Large 1.7cm In good condition. Italian Hallmarks for 18 carat/ 750 gold. Weight 1.20 gr. Set...

Chinese Lanterns by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, w...

School 1994, paper, ink, 15,2x19 cm Illustrated in the magazine "School and Family" in 1994.

Political Comics is an original drawing in China ink comics, realized by the Italian cartoonist Alfredo Chiappori. Good conditions Signed on the plate with the blue stamp of 'Archivio Paese Sera, 14 Apr 1977, on the rear. Alfredo Chiappori (Lecco, 27 August 1943) was one of the important Italian designer and writer. After releasing several books with the publisher Feltrinelli, in 1975 Chiappori started a long collaboration as a cartoonist with the magazine Panorama. His collaborations also include the newspaper Corriere della Sera...

Very interesting proofs of signature by Henry Moore, on the letterhead of "The Henry Moore Foundation", watermarked "Conqueror" and laid paper. With some notes written in pencil on t...

Stencil on slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame and hanger. Provenance: Sarasota estate collection

Picabia La Nuit espagnole - Poster Exhibition is a mixed colored offset print realized in 1986. This print was realized on the occasion of the exhibition dedicated to the artist and...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Le Tachier de l'Amateur is an original modern rare book illustrated by Roland Topor (Paris, 1938 – Paris, 1997) in 1971. Published by Daily-Bul, La Louvière. Original First Editio...

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

This exquisite untitled storage box by acclaimed Japanese artist Kyohei Fujita is a rare and refined piece from the 1980s, measuring 17 x 17 x 17 cm. Fujita, renowned for elevating t...