Medium Animal Paintings

Please note, the whites areas in the painting are trully white as opposed to bluey as shown in the pictures. Painting is signed at the front. COA provided keywords; surrealism, humo...

"Growing up in the 1970’s and 80’s, Bryan Burk had a strong interest in the traditionally hand drawn comic books, animation, package and character design that was seeing it’s twiligh...

Jean Lurcat,New York, France, 1892-1966 Depicts a highly stylized, expressionist owl bird figure hidden in leaves surrounded by bright, vibrant, vivid blue, yellow, and orange colors...

Haug Christian Soleur, Norway 1862 – 1953 Munich, Germany Norwegian Painter Deer in a Winter Landscape Signature: Signed bottom right and placed Mu...

In the fish tank is al modern artwork realized in the 1970s-. Mixed colored oil and enamel on cardboard. Monogrammed CB on the lower margin

Aibo 4th Generation, 2018 Hand embellished monoprint on canvas 21 7/10 × 29 1/2 in 55 × 75 cm Sophia’s Safehouse in an Uncanny Valley examines the rece...

Very touching scene with two little girls. Two sisters are thrilled to meet their new pets that their parents have bought. The sincerity and immediacy of children's feelings depicted...

This is an original unique oil painting, signed by the artist.

Oil on panel, signed lower left. New England artist Grant Hacking was born and raised in South Africa and resided there until the age of twenty-five so he still experiences great pl...

A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...

Signed lower left, 'Paulo Montano' (American, 20th century) and painted circa 2015. A substantial, Jeff Koons derived Pop Art study of an iconic pink balloon dog on a Salvatore Ferragamo pedestal contrasted against a background of ivory curtains...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

"Almost Dachshund" a sentimental dog painting by Robert Zakanitch a founder of the Pattern and Decoration movement of the 1970's believes in painting subjects of beauty with delicate...

Bloodhound, this stunning large minimalist black and white painting of a Bloodhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portr...

"Leery Deeries" an oil landscape of deer is painted by Hans Guerin, a descendent of the founder of the respected Schuler School of Fine Arts which trains s...

Aaron Bohrod Old McDonald's Farm, 1989 Signed lower right Oil on gesso board 14 x 18 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as ...

Claude-Lorraine Ferneley Sir Richard Sutton's Most Famous Hunter Hotspur c.1840 24 X 28.5 inches framed A genuinely famous hunter! Even mention in...

Description Title: Portrait of a French Bulldog Materials: oil on canvas Signature: signed lower right Provenance: private collection Germany Dimensions canvas: 40 cm x 50 cm Framed...

Recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse. Part of an ongoing series by the artist in his humorous observation of humans and their pets ABO...

The Logging Team by John Falconar Slater (British, 1857-1937) signed oil on canvas, framed framed: 25 x 32 inches canvas: 20 x 27 inches Provenance: private collection, UK Condition...

While it is true that humans and nature are having some trouble finding a sustainable balance, I believe that it is imperative that we don’t lose hope. There is still so much worth ...

Oil Painting by Louis - Eugene Lambert "Kittens Chasing A Butterfly" 1825 - 1900 Lambert was afashionable animal painter from Paris studied under Delecr...

19th century German romantic painting of a deer family in a snowy forest by Wilhelm Kühnert A majestic stag stands sentinel at the edge of a sun-drenched clearing, his gaze locked w...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Vibrant, painterly fauvist portrait of a red rooster by California artist Sophie D. Marshall (American, 20th Century). A vibrant red chicken stands against a ...

Aris Knikker (1887 - 19662) Dutch landscape with cows resting underneath a tree and windmill on the horizon Signed lower right A. Knikker Oil on canvas Di...

6012 River Crossing Equestrian painting, a 1910"s black and white oil on canvas , signed lower right by Clarence Rowe 1910. Age wear Unframed

Axel Hansen (Dutch, 1896-1936) Country Farm Landscape w/ Cattle c.1920s Fine impressionist oil painting by Danish painter Axel Hansen. The painting shows...

Starling Murmuration, II (2) by Leigh Glover [2022] The Starling Murmuration is a subject I come back to every autumn. I am fascinated in the way the sta...

Portrait of a Shepherd dog, oil painting on canvas early 20th c. Extra info about the painting : Title: Portrait of a Shepherd dog Materials : oil on canvas Signature: bottom le...

Jiban Biswas - Emotional Attachment - 20 x 24 inches (unframed size) Acrylic on Canvas. Style : According to him, “ The Mud colour are changing its shade...

Turtle, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Victorian Landscape with Horse and Foal with Cattle in a pasture by Moonlight. Large Framed Oil Painting of Animals gathered together in the Moonlight. An evocative Landscape which is well drawn and nicely executed. "Horse and Foal and Cattle in Pastures by Moonlight" Oil on Canvas (18 by 24 inches) Signed and dated 1899 and Framed in a traditional Impressionist Swept Frame. Charles Augustus Henry Lutyens was a portrait, animal and sporting painter. He was fairly eccentric and indeed named one of his sonsSir Edward...

Horse and Dogs in a Highland Landscape, dated 1913 by William E. POWELL (1878-1955) Large 1913 Scottish Highland scene of a horse and hounds in a landscape, oil on canvas by Will...

Artist: Marcel Bordei, Romanian/American (1955 - ) Title: Early Spring (Wild Turkey) Year: 2001 Medium: Oil on masonite, signed l.r. Size: 24 x 30 inches

Oil on linen, dark purples, greens . This work conveys a sense of mystery.

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1961 signed "Grau Sala" (lower right) signed again, titled & dated "GRAU SALA / PADDOK / 1961" (on the reverse) oil on canvas 21-3/8 x ...

SAFETY IN NUMBERS 2017 New York, New York A tongue-in-cheek commentary on the herd and sense of safety in following the crowd. Four gazelle skulls are stacked together with handwritten vignettes threading together their stories, as follows: 2. CURTAINS Water Near The Bed Awake for all of it 108” 3. ALLEY DOOR Sugar High...

JERRY BERNECHE Untitled (Cats & Dogs No. 6) Colored pencil, gouache, and pastel on paper 30 x 22 inches

Charles Frederick Tunnicliffe, R.A. (1901-1979) The fashion parade signed ‘CF Tunnicliffe’ (lower right) oil on canvas 25 ⅛ x 30 ¼ in. (63.8 x 76.8 cm.) frame 30 ⅞ x 36 in. (78.4 x 9...

Autumn. 1967. Oil on cardboard, 68x57 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons a...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in...

The Favorite Pet Portrait of a Victorian English Child with her Dog English artist, mid 19th century oil on canvas, unframed canvas: 28.5 x 20 inches Provenance: private collection,...

Kirstyn Wright is a wildlife and Western artist focusing on Texas and Southwestern imagery. She grew up an hour northwest of Fort Worth in the ranching and rodeo community of Wise Co...

Antique American modernist animal portrait painting by Jerry Farnsworth. Oil on canvas, circa 1970. Signed. Image size 20L x 16H. Housed in a peri...

Martha Wahlert Hand-signed and titled in pencil

Claude Lorraine Ferneley (1822-1891) Duncan's horses - 'Macbeth' signed with initials, inscribed and dated 'CLF sketched September 5th 1849’ (lower left and lower centre) Oil on panel Painting size - 13 x 17 1/2 in Framed size - 20 x 24 1/2 in Provenance Christie's London, Sporting Art & Dogs, 14th July 2001, Lot 183, sold for £5,288; The Collection of Charlie Watts. Charlie Watts, the legendary drummer of The Rolling Stones, was renowned not only for his musical prowess but also for his profound affection for animals, particularly Collies. He and his wife, Shirley, resided at Halsdon Manor in Devon, where they managed a stud farm for Arabian horses. Their estate was also home to numerous dogs, reflecting their deep commitment to animal welfare. Claude Lorraine Ferneley (1822–1891) was a British equestrian and sporting artist, and the son of the acclaimed Leicestershire painter John Ferneley Sr., one of the leading figures in 19th-century English horse painting. Continuing the family tradition, Claude developed a refined skill in depicting horses, hunts, and rural scenes, often drawing from the vibrant sporting life of the English countryside. Although he lived somewhat in the shadow of his more famous father, Claude Lorraine Ferneley maintained a solid reputation among country patrons for his ability to portray horses with anatomical accuracy and spirited realism. His paintings often captured the energy of the hunt and the elegance of equestrian portraiture, appealing to a clientele that prized their animals as both companions and status symbols. His work is noted for its clarity, control, and fidelity to the traditions of British sporting art, and today, Claude Ferneley is recognized as an accomplished artist in his own right, contributing to the enduring legacy of the Ferneley name in English equestrian painting.

The works of William Smith were regularly exhibited at the Royal Academy in London between 1813 and 1859. Yet little is known about this artist. He lived in Shropshire and was active...

Portrait Of A Grey Horse, 19th Century English School Large 19th Century English School portrait of a grey horse in a stable, oil on canvas. Good quality and condition large scal...

Vintage signed print. Image size, 24H x 29L.

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

John Ferneley Jnr British, (1815-1862) Horse & Groom in a Stable Oil on canvas, indistinctly signed Image size: 18.75 inches x 23.25 inches Size including frame: 23.5 inches x 28 inches Provenance: The Parker Gallery, Berkeley St., London A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left. John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...

Cover of The Saturday Evening Post, October 26, 1957 showing ducks in autumn flying south for the winter The Post described, "When Jack Frost whistles down the breezeways, right-minded birds take off toward the balmy Southland. Some human beings are depressed because they haven't wings to do likewise, yet, all told, it's probably nicer to be a man than, say, a mallard duck. This is a migratory flyway in the lakelands of Alberta, favored by birds of that feather which like to swipe their meals from grainfields and rest their weary bones on soft, or even hard, water. Down the Mississippi Valley this sky traffic will v-wint its way, and the smarter ducks that go clear to the Gulf Coast can take a gander at the New Orleans Mardi Gras...

Near the shop. 1987, pastel on cardboard, 67x79 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al ...

3874 Japanese gouache landscape with trees and cranes Set in brass finish metal frame

5 Layered Stencil Political Grizzly Bear hold a sign SAVE THE BEARS Unique pieces This is on 90lb Paper color: Natural New York Artist; K.K. comes rolled in a tube. Can be matted o...

Anne Sargent Walker’s oil on canvas painting, “Warm Fall,” depicts a tiny Hummingbird on a hanging vine against a soft yellow sky. At 30 x 15 x 1.5 inches it suggests a Japanese pain...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

A Highland Landscape with Drover and Cattle A. Lewis (19th - 20th Century) signed oil painting on canvas, framed framed: 22 x 30 inches canvas: 12 x 20 inches provenance: private col...