John Ferneley Junior Art

The Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...

Beautiful oil on canvas, study of a horse in stable.Housed in a gilt frame signed and dated 1886 lower right The size being 60 x 44 cm. whilst overall 75 x 60 cm Provenance: The contents of a Cheshire Country House. Presented in very good condition. HENRY FREDERICK LUCAS LUCAS...

Francis Sartorius British, (1734-1804) Bay Hunter & Groom Oil on canvas, signed Image size: 24.25 inches x 29.25 inches Size including frame: 32 inches x 37 inches A wonderful spor...

Stable Companions by Alfred H. Wise (British early 20th century) signed oil on canvas, framed framed: 24 x 28 inches canvas: 20 x 24 inches provenance: private collection, England co...

Crossing the Bridge Scottish School, late 19th century signed lower corner oil painting on canvas, framed framed: 9 x 13 inches canvas: 7 x 11 inches provenance: private collection, ...

This lovely British Old Master oil painting is by noted Exeter born artist Thomas Mogford of Exeter. Painted in 1834 it is a portrait of a white hunter horse i...

Thomas Spencer was a leading sporting and equestrian artist of the period of John Wootton and James Seymour; his art shows a considerable to debt to tha...

The Terrier and the Rabbit by ROBERT CLEMINSON (1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private collection, England conditi...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

This stunning British Old Master oil painting is attributed to circle of noted bird painter Marmaduke Cradock. Painted circa 1690 it is an excellent example and the sort of collection of birds he loved to paint - a peacock, wild turkeys, a jay in the foreground and doves, all set in a beautiful landscape. A variant of this painting is now in The Tate collection. Unlike many artists, he preferred to paint live birds with all their passions, joys and quarrels. The artist has perfectly capture the dynamics between this group, especially the dove and jay, as they all begin to settle down in the twilight. The colouring and brushwork are superb making this a fantastic British Old Master bird oil painting in a stunning carved gilt frame. Provenance. London estate. Condition. Oil on canvas, 42 inches by 39 inches and in good condition. Frame. Housed in a magnificent complementary period carved and gilded frame, 50 inches by 47 inches and in good condition. Marmaduke Cradock (1660-1716) was an English painter of birds and animals. Some older sources give his first name as Luke. Cradock was an English painter, noted for his depictions of birds, dead game, and other animals. He was born in Somerton, Somerset and moved to London, where he served an apprenticeship to a house-painter. He was, however, self-taught as an artist, becoming skilled in the depiction of birds and animals. Horace Walpole wrote that "I have seen some pieces by his hand which he painted with a freedom and a fire that entitled them to more distinction". According to Walpole, Cradock deliberately shunned aristocratic patronage. He worked in general by the day, and for dealers who retailed his works; possessing that conscious dignity of talent which made him hate to be employed by men whose birth and fortune confined his fancy, and restrained his freedom. According to the RKD his work as a still life and bird painter was influenced by Melchior d'Hondecoeter, Peter Frans Casteels, and Jakob Bogdani. Sketches in the collection of the British Museum indicate that he based at least some of the birds in his paintings on drawings from life. He tended to paint domestic birds and common wild species, rather than the exotic varieties favoured by some other artists. He sometimes introduced elements of drama such as attacks by predatory animals into his bird paintings, a feature shared with the works of Francis Barlow...

This late 19th-century oil painting by British artist Rosa Müller (1822-1914) depicts the Moel Siabod mountain in Snowdonia, from the winding River Llugwy. Two children play on the r...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...