Framed Animal Paintings

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

The original painting by Adrienne Sherman in oil on panel with a lacquer-like luster. depicting the once endangered American Bald Eagle, is happil...

Signed hunting scene by Alfred Grenfell Haig (1870–1963). Haig's masterful oil on canvas brings to life the exhilarating spirit of a hunting scene, with a huntsman leading a pack of ...

Magnificent scarlet poppies in an impressionistic manner on a blue background. The original abstraction of Lilia Volskaya. This luxurious modern abstraction of beautiful scarlet flow...

Artist: Slonem, Hunt Title: Pale Blue Pose Date: 2024 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique

Sky Water shows the beauty of nature with Koi and Waterlilies .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape painting. Petals on the Water display the interaction between the koi and the waterlilies in the oil painting. One can almost hear the movement of the water in Petals on the Water. Sky Water is framed and there is no charge for the frame. Jeff Slemons...

Monumental Singerie (monkeys imitating human behavior) 18th century whimsical painting in the style of Christopher Huet In good antique condition w...

This superb oil on panel painting is by British Victorian artist William Henry Crome, son of artist John Crome, founder of the Norwich School. Painted circa 1850 the painting depicts...

Born in 1918 in Fordyce, Arkansas and raised in Louisiana, Fearing first studied art at Louisiana Tech University, and later earned a master’s degree at Columbia University in New Yo...

Hunt Slonem "Lawn Nap" Light Green Bunny A single rabbit gestured in black on a light green background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting ...

Sled,Snow,White,Winter LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the follo...

Valarie Wolf's animal painting "From the Shadows" unveils a majestic wolf, piercingly gazing out from the depths of the forest underbrush, inviting you into a world of enchantment ...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

Artist: Slonem, Hunt Title: Lilac Spring Date: 2022 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15.5" x 13.5" Signature: Signed by Artist on Verso Edi...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

Sheep in a VW Split Screen Camper Van celebrating St Patricks Day in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 ...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

Portrait of an English Bagger in an extensive landscape. Very Pretty English Otter, in an extensive landscape, painted circa 1970. The painting is an amazing display of an artist, ...

Portrait "Brutus" An Old English Sheepdog, 19th Century English School - signed & Dated Large 19th Century portrait of "Brutus" an Old English Sheepdog, oil on board. Excellent qu...

Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She has taught studio and art histo...

Sir Alexander Von BENSA Panel Size: 18 x 25" Outside Frame Size: 26 x 34" Oil on panel in very good condition and has benefited from a light clean only. Original frame Austrian Sc...

Hunting Dogs Pointers French oil painting on canvas 19Th by F.E. Martinez. MARTINEZ was an French artist working around 1900. The artist's works have been offered for sale at public...

Painted with warmth and precision, this 1907 portrait by Oscar Brown depicts a pair of Clumber Spaniels posed atop a boldly striped Witney blanket. With their dense, feathered coats ...

The Country Cottage by Norman Coker (British contemporary), signed lower corner oil painting on board, framed framed size: 26 x 30 inches condition: very ...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

George Goodwin Kilburne landscape horse/equine hunting scene 19th century oil painting A fine painting by the renowned artist George Goodwin Kilburne .oil on panel, framed the size ...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

This charming oil by Charles Edwin Baldock depicts a loyal farm dog resting atop an old oak barrel. Baldock's skilful rendering of the scene, from the dog's coat to the wooden barrel...

Edouard Woutermaertens A wonderful example of one of Belgium's most highly collected animal painters work. Painted on a beautiful panel it is signed and inscribed by the artist on t...

As the sun casts its final golden rays across the vast expanse of the desert, Victor Huguet’s Arab Camp at Desert captures a tranquil yet dynamic moment in a nomadic encampment. The ...

Cover of The Saturday Evening Post, October 27, 1906 Medium: Watercolor on board Dimensions: 17.00" x 12.00" Signed: Lower Right EXHIBITED: Norman Rockwell Museum, Stockbridge, Ma...

Abraham Begeyn, Dutch Golden Age painter and Prussian court painter painted this wonderful 17th century Old Master oil painting. Painted circa 1690 and signed lower right, the subject matter is sheep and a goat under a tree in the foreground, amongst beautiful flora and fauna. Through the trees one can see some classical ruins to the left and to the right some buildings with a shepherd and his flock in front of the buildings and mountains beyond. Above is a beautiful sky tinged with pink, suggestive of dawn. There is tremendous detail in the flora and fauna and also the sheep's woolly coat. Begeyn particularly favoured painting this sort of scene with the elements of landscape, ruins or buildings and animals and was a master at it and highly prized in the Netherlands. This is an excellent example of Begeyn's work and is good condition given its age as a 17th century Old Master oil painting. Signed lower right. Provenance: Collection of Mr P. Vienna (label on the reverse) Sale, Sotheby's, London, 18 October 1995, lot 70. Condition. Oil on canvas, 24 inches by 21 inches unframed and in good condition. Frame. Housed in a gilt swept frame, 31 inches by 28 inches framed and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

Artist: Slonem, Hunt Title: Lawn Party Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 13.75" x 11.75" Signature: Signed Edition: Unique Hunt...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

DANNY GALIEOTE A Floral Breeze Oil on Canvas 12 x12 inches 15 x15 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that blend ...

Elkhorn Slough - California Landscape in Oil on Canvas Gorgeous oil painting landscape of Elkhorn Slough, Elkhorn, California by B. Skinner (American, 20th Century). Two cranes are ...

Theodore LEVIGNE Oil on Canvas Picture Size: 20 x 24" (51 x 61cm) Outside Frame Size: 27 x 31" (67 x 77cm) Born in 1848 and died in 1912 in Lyon, France Painter of figures, portrait...

LOOK FOR FREE SHIPPING AT CHECKOUT With Few Egrets shows the cattle on a Texas ranch. This was painted from a plein aire painting done on a ranch in South Texas near the Mexican border. It has an Impressionistic Style as seen in many of Virginia Vaughan's Texas paintings. She is know for her animal, Texas missions and Gulf Coast paintings...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

This artwork "Decorated Cat" c.1960, is an oil painting on hardboard by noted Mexican Artist Jose Maris De Servin, 1917-1983. It is signed at the upper left corner by the artist. The...

William Gislander (1890-1937) Swedish Title: Landscape With Ducks oil on canvas signed and dated William Gislander 1934 canvas dimensions 25.98...

Oil on Canvas 24 x 36 in. 32 x 44 in. Framed A charming and whimsical composition featuring a shaggy, brown bear reclining on a turquoise, blue, and lavender background. The bear i...

America Martin "Night Rabbit" Oil & Acrylic on Canvas 18 x 18 in. ; 19.75 x 19.75 in. Framed ______________ Exploring the identity of both her namesake and country, LA-based America...

"French White", is a 30x40 oil painting on canvas by artist Leslie Peck featuring a majestic white bull standing in a stately, regal pose. A dark background with a grass covered foreground provides drama and mystery. Peck's use of hand-mixed paint provides a silky, buttery finish. About the artist: Leslie Anne Peck is a native of Buffalo, New York. She moved to New York City to attend the Fashion Institute of Technology where she received her Bachelors Degree in Fine Art. In 1987 Leslie spent a year studying art in Italy at the Scuola di Lorenzo De Medici in Florence and subsequently apprenticed in Rome with renowned illustrator Alessandro Biffignandi. Leslie began a freelance career in romance book...

Dane Ellsworth Texas Artist Image Size: 38 x 44 Frame Size: 39 x 45 Medium: Oil "Mr. Handsome" Texas Longhorn Biography Dane Ellsworth Dane Ellsworth enjoys all things Texan. Whether it's an old west character or a depression era car his painting backdrop is the Lone Star State. He has been wielding a crayon, pencil or brush as far back as he can remember. In his junior year, due to a long list of dubious events, Dane wound up on the verge of homelessness. Between a longsuffering landlord and a horse rancher who took him under his wing he was able to finish high school. Once he graduated, he moved to the ranch and started working with horses and developed a love for that majestic animal. It was about this time he met and became friends with Fred Olds...

Ferdinand SCHEBEK (1875 - 1949) Oil on canvas signed low left - Tigers of Bengal - Old coppery frame - Dim canvas : 60 X 81 cm - Dim Frame : 95 X ...

Fox amidst the Hay Bales on a Misty Morning in a Field in the English Countryside, by British Artist Andrew Hutchinson Art measures 22 x 10 inches F...

"Snowy Owl" is an original piece by Nayan and Venus made from watercolor on layered hand-cut paper. This piece measuures 11.75”h x 9.5”w x 1"d framed, and is...

"Shirley" is a 16x16 original oil painting by Vermont-based artist Ray Simonini featuring a brown and white cow portrait with an abstract yellow and blue background. The style is re...

19th Century Dutch

Artist: Slonem, Hunt Title: Silver Ascension Majesty Date: 2022 Medium: Oil on wood Unframed Dimensions: 25.5" x 19.5" Framed Dimensions: 29.5" x 23.5" Signature: Signed by Ar...

A fine antique oil painting, on canvas, of horses pulling a tandem at speed. signed and titled lower left, Vine Colchester 1834 This fine painting shows two horses pulling an open carriage /gig with gentleman in extensive landscape/park The size of the painting is approx 50 x 80 cms, whilst overall the size framed is 100cm x 71 cm This is a fine painting in very good condition housed in a gilt frame ready to hang Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire see details below The artist John Vine was born with a disability that did not appear to interfere with his ability to draw and paint, largely self-taught as an animal painter, as his reputation grew he exhibited at the Society of British Artists in Grosvenor Square. Based at Colchester he painted many different subjects including farms, houses, children and animals. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of...

A Day's Work is Done 10" x 10" (Yellow lab with bird) “A Day’s work is done,” 10 x 10, gouache on Aquabord, sealed with Renaissance Wax. Also shown are other animal paintings in th...

​Attributed to Edwin Douglas (1848-1914) The shepherd's friend unsigned oil on canvas 12 ¼ x 16 ⅛ in. (31 x 41 cm.) with frame 18 ½ x 22 ½ in. (47 x 57...

One of Rosell's most popular subjects, he is known for his little girl and animal figures. In this good-sized painting, the little girl figure is particularly charming, as she is nu...

Four horses heading out to do their first mornings work from the yard in Newmarket. All quietly walking towards the bottom of the gallop as the sun is rising. A huge statement piece ...

Kierstin Young's (US based) "Luna" is an oil painting that depicts a battered white moth and a black background with the phases of the moon overhead Artist Statement/Bio: (b. The Ye...

​​​H.S. Phillip, circa 1855 Waiting for mistress signed and dated 'H.S. Phillip June 1855' (lower left) oil on canvas 22 x 16 in. (56 x 40.6 cm.) frame 27 ¾ x 21 ⅝ in. (70.5 x 55 c...

A good antique oil on panel landscape painting by the Flemish artist, Francois Backvis (1857-1926). The painting circa 1880 depicting the parable of the lost sheep from the gospels of Matthew & Luke. The painting shows a stormy landscape with the shepherd and his flock, the shepherd is holding the lost sheep under his arm in front of a large stone crucifix...