Large Paintings

paper collage

ink on rice paper

In this contemporary abstract painting in flashe on canvas, thin, carefully ordered stripes of color in gradient shades of soft hues, starting with a pale peachy shade of ivory beige...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

Giovanni Ghisolfi (Milan 1623 - 1683) Architectural capriccio with ruins of an Ionic temple Oil painting on canvas 73 x 87 cm., within a gilded wooden frame 87 x 100 cm. This quali...

Giovanni Domenico Ferrucci (Fiesole, Italy, 1619 – Lucca, Italy, post 1669) Title: The Death of Cleopatra Medium: Oil on canvas Dimensions: without frame 85 x 70.7 cm – with frame 10...

LUCIEN ROUDIER ELLER 1894-1940 “CHANTEUSE ESPAGNOLE” MIXED MEDIA, SIGNED FRENCH, C.1925 27.25 X 38.5 INCHES Lucien Roudier Eller 1894-1940 It is thought the name Eller was a combina...

In this gilt wood framed oil on canvas waterscape, American Impressionist artist Harry Hoffman depicts the last moments of a morning sunrise over a river in predominant hues of lavender, purple, pink and blue. The sky is reflected in the water below with a sandy brown beach and large green tree in the foreground. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania’s Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists’ colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman’s antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910, Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick...

Charleston native and celebrated native, Anne Darby Parker, has spent her life creating. As a young child she learned to knit from her mother and grandmother and later, developed a passion for photography. After a successful career as a photographer her artistic interests evolved into painting. She recently earned her MFA at Academy of Art University. Anne paints daily in her Sullivan’s Island studio surrounded by the natural elements of the island. Several of her paintings have been featured in juried exhibitions, including Xavier University...

Tranquil Mountain Lake at Sunset signed by F. E. Jamieson (British 1895-1950) signed with one of the artists pseudonym's oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 ...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso oil painting on canvas, unframed canvas size: 36 x 29 inches condition: overall ver...

In this contemporary painting in oil on canvas, a bright and inviting interior scene is set with a still life arrangement of red tulips beside a light green pitcher, peaches and pears on a yellow checkered table...

Louis Aimé Japy 1840 - 1916 Oil painting on canvas Fully signed Picture Size: 21.25 x 28.25" (54 x 72cm) Outside Frame Size: 28.25 x 35.25" (72 x 89cm) Excellent age appropriate con...

August Vilhelm Nikolaus Hagborg (Swedish, 1852-1921) In the Garden of His Eminence Oil on wood panel Signed lower left 21 x 25.5 inches 34 x 38.25 inches, framed August Vilhelm Nikolaus Hagborg was a Swedish painter who spent most of his life in France. His father was an associate professor. Against the wishes of his parents, he decided on a career in art and, from 1872 to 1874, he studied at the Royal Swedish Academy of Fine Arts in Stockholm with Vicente Palmaroli...

Antique American school modernist portrait painting. Housed in a period frame. Measuring 29 by 33 inches overall and 20 by 24 painting alone.

Washes of colour in blues, orange, and green are expressed in gestural brush strokes in this abstract painting by visual artist Richard Tosczak. Working in collaboration with an Italian artist who is a ‘lover of literature and linguistics’, Angela Letizia Renzi, the two artists have created a series of works that draw inspiration from beloved Italian myths. This colourful acrylic represents the legend of a beautiful nymph named Arethusa who was threatened by the river god, Alpheus and rescued by Apollo’s twin sister, the goddess Artemis who creates a cloud to hide her. Renzi and Tosczak paint these canvases together and at the same time. Their artistic interaction is important to the works they create. “… This is our lexicon, our morphosyntax, the grammar of our language.” Tosczak and Renzi Richard Tosczak was born in Belgium. He studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

"Urban Brushstrokes on Baby Blue" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes comb...

A delightful large oil on canvas of a wooded landscape which dates to circa 1830 and is attributed to Irish artist James Arthur O’Connor. A superb painting and an excellent example o...

Blue Spruce by Shirley Lewis is a serene and sophisticated mixed media painting that captures the quiet beauty of nature through a contemporary lens. Measuring 40 x 40 inches, this original work features soft layers of blues, greens, and neutral tones that subtly reference botanical and woodland forms with a modern, abstract twist. Perfectly scaled for intimate spaces or layered gallery walls, Blue Spruce brings calm, texture, and visual interest to any interior. Ideal for collectors of abstract landscapes or designers seeking a nature-inspired piece with a minimalist feel, this painting adds a refined organic element to bedrooms, offices, or transitional spaces. Blue Spruce is an elegant, one-of-a-kind original that balances tranquility with sophisticated artistry. Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items found. Working with various mediums over the past 25 years, she has developed a unique way to manipulate ink and color movement, using traditional and non-traditional artistic tools. Interpreting nature in its various spectrums, Shirley’s paintings and the techniques used allow the colors to organically blend and take their shape. With spontaneous composition, each painting creates magnificent imagery, allowing for multiple interpretations. The looseness in the process demands a layering of complex colors, yet the results are intended. botanical abstract painting blue spruce inspired artwork nature-themed abstract 40 x 40 canvas painting organic neutral art...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 26 x 35 inches canvas: 20 x 30 inches provenance: pri...

Katheryn Holt (American, born 1951) "Blue Ridge" 2022 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. About the Art...

Memories, 80*90cm, canvas/oil

Victor de Grailly Niagara Falls, circa 1840-45 Oil on canvas 28 7/8 x 21 1/4 inches Provenance: Mark Borghi Fine Art, New York Private Collection, Nyack, New York Little is known a...

Merchants of the Temple 19th Century School oil on canvas, unframed canvas: 24 x 33 inches Provenance: private collection, The Loire Valley, France Condition: good condition For mo...

Artist: Slonem, Hunt Title: Hutch 7 Bunnies Date: 2025 Medium: Oil on Wood Unframed Dimensions: 23.5" x 31.5" Framed Dimensions: 35" x 33" Signature: Signed Verso Edition: Uni...

Cadaques. original abstract mixed media acrylic painting composition of the artist Spanish Toni MAT. Mixed technique on wood. Perfect state. Antonio Amat studies Art in Barcelona, ...

Herbert THEURILLAT is an artist born in 1896 and died in 1987. His works have been sold at public auction 29 times, mainly in the Painting category....

"On Guard" Vintage Abstract Expressionist Heavy Impasto Figure Abstract expressionist figurative composition of a man in a button down shirt with a brimmed hat by California artist ...

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitively the Rockport, Mass. fishing pier. Excellent condition with a few very minor areas of paint flaking. The darker areas in the sky is a result of unpainted areas. The canvas is sized with glue but not primed white: observable areas of natural linen color results. Signed wet into wet and dated lower left. No restoration or overpaint. Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River...

Alek Gerber, Couple on a swing, acrylic on canvas, thick layers of paint, figurative work,Tenderness, Israeli artist, Israeli art, bright colors

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. It i...

This vibrant abstract painting features a dynamic blend of earthy oranges, golds, and soft blues, with organic shapes that seem to emerge and dissolve across the canvas. The composition evokes a sense of movement and spontaneity, making it a perfect statement piece for a contemporary living room or office space. The artist’s use of color creates a warm, inviting atmosphere, while the fluid shapes add energy and intrigue to the environment. Titled "Presagio", meaning “omen” in Spanish, the painting invites contemplation. The shifting forms and colors suggest a moment of transition or revelation, making it ideal for spaces that foster thought and reflection. The abstract nature of the work draws comparisons to the vibrant, geometric compositions of Carlos Rojas...

A contemporary Abstract Expressionist acrylic on canvas by French artist, Christian Manoury. Signed to the back of the canvas. This artwork captures a minimalist aesthetic with its ...

Warm and detailed farmhouse landscape depicting an idyllic country scene by Rein Sievers (German, 1929-1994). Signed "R. Sievers" in the lower right corner. Presented in an ornate gi...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

Lesley Anne Spowart (American, born 1957) "Dogs Play Ball in Heaven" 2024 Oil paint, Oil sticks, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and back of the...

5151 Antique Austrian large scale landscape oil painting signed, framed Image size 35.5x23.5"

Yellow Landscape Mineral Oxide on Paper (Canson Paper Montval 300gr) 30x40 cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in P...

Waiting in Ceuta, acrylic on canvas, 100cm x 80cm Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

Acquired by the gallery directly from the artist UNFRAMED: 24" x 30" FRAMED: 30.75" x 36.625" x 1.5" Artist Statement "The dramatic Scenery surrounding Ojai and the coastal range made for some tough choices as to what to paint. Add to that, the changing light throughout the day and the marine layer coming and going, made options even greater. I have always been attracted to waterways when scouting for paintings. This scene overlooking the Ventura River deeply spoke to me as a big fan of the geology and plant life of the Ojai Valley." — Ray Roberts

Signed and dated oil on board landscape by French Post-Impressionist painter Victor Charreton. The piece depicts a view of Lake Chambon, near Mont-Dore - with a view of the blue moun...

"He Opened His Hand And I Put My Stories Into It" (2024) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Madonna with Frenchie" from the "PERICHORESIS SE...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (el marco presenta algunos signos de uso) El estado de la obra es aceptable, solo com...

Thomas Percy Earl British, (1874-1947) Bunty Oil on canvas, signed & dated 1915 & inscribed ‘Bunty’ Image size: 21.25 inches x 26.25 inches Size including frame: 27.75 inches x 32.7...

A classical anatomical figure in an artist's studio, surrounded by brushes and a palette, with muted tones creating a contemplative and intimate atmosphere. Contemporary figurative painting by Mark Beard [Bruce Sargeant (1898-1938)] Artist’s Studio n.d. Signed in red, u.r. Oil on canvas 36 x 18 inches $4,000 + $300 framing The pure and brilliant world of Bruce Sargeant’s art seems terribly removed from our own, unhampered by the prevalent inconsistencies of today’s world. Peopled with comely thoroughbreds, his paintings project a world vision unchanged from the models cherished by idealist writers like E. M. Forster and Rupert Brooke in that golden decade that led up to the Great War. Neither buff nor narcissistic, his fair-haired young athletes pose, somewhat uncomfortably, before the painter’s gaze, not wanting the attention yet feeling their duty to submit. Though tantalized by the New World dabbings of Robert Henri and John Sloan, Sargeant found his true inspiration in the art and ethos of fifth-century Athens, where the achievement of the kaloi kagathoi, young men who were “beautiful to look at and worthy of admiration,” were the perfect models for artistic rendering and public adulation. At base, Sargeant’s models, like the sculptures of Lysippus and Praxiteles, are idealized heroes whose achievements on the playing field earn them their renown. However, unlike his precursors, the painter requires no civic responsibility from his ephebes, only physical stamina, gymnastic prowess, and good looks. His work bespeaks a class that existed briefly, but was prolonged and attenuated in the languorous novels of writers such as Denton Welch...

In the manner of Affandi Abstract Lotus, circa 1970 Unsigned Oil on canvas 30 x 40 inches

This painting is part of the “Sailboats” series.
This series was created with the idea of maintaining the same setting, composition and perspective, but each painting conveys an unli...

This vibrant painting captures the striking beauty and elegant forms of Flamingo flowers. Sweeping brushstrokes and vivid colors bring these flowers to life, highlighting their styli...

Measurements Painting 30.25 x 25.25 inches Framed 34 5/8 x 29 3/4 inches Joe Duncan Gleason (1881 - 1959) was a California Impressionist painter...

Ademola Ajayi's evocative artwork, "For Tomorrow's Festival," captures a poignant moment of intergenerational connection and tradition. In this heartwarm...

Inspired by an old blues record, one of only a few where I've started with a title for a piece. normally they come to mind whilst painting. ADDITIONAL INFORMATION: Acrylic paint on ...

Artist: La Pun, Campbell Title: Romanee Conti-Noir Date: 2025 Medium: Aerosol on Panel Unframed Dimensions: 35.875" x 23.875" Signature: Signed Edi...

Ray Parker Untitled, 1969 Signed and dated on the reverse Oil on canvas 32 x 32 inches Provenance Private Collection, New York Ray Parker was born in 1922 in South Dakota. After c...

In this piece, I endeavored to blend acrylic, oil, and ink with relief printing techniques to capture the enchanting essence of a mystical forest. This painting is a journey into the...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

This Modern painting by Abstract Expressionist painter Stanley Bate features a textured aesthetic and a deep, colorful palette. Deep blue and red is contrasted by a brighter accents ...