Large Paintings

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian girl. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmoni...

Where Have You Hidden? In this work, Iryna Burda explores the invisible inner boundaries shaped by subconscious patterns and social stereotypes. The image emerges as a fragmented s...

This accomplished early 19th century portrait depicts a refined gentleman in a silk necktie, his steady, direct gaze engaging the viewer as he stands before a sweeping red curtain th...

John White was a Cornish painter from the 19th century. He exhibited at the Royal Academy in London and also at the British Institute, in London. His work is Victorian in its com...

White Drops on Emerald is a contemplation of nature’s fragile beauty. The daylilies appear as luminous accents against a deep green background. Their delicate glow evokes harmony, li...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating...

Armand Tatossian, Canadian, 1948-2012 Montreal Sous la neige Oil on canvas 30 x 40 in Signed lower right framed For our US customers: 1) The artwork is shipped from Montreal, Canad...

This piece of work is encouraging individuals to cherish, preserve and celebrate their cultural heritage. In today's globalized world, cultural identity can become diluted or lost....

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

Alan King, British Artist (1946- 2003) signed oil on canvas, framed framed: 27 x 37 inches canvas: 20 x 30 inches provenance: UK collection The painting is ...

Highly detailed seascape by William Henry Blackman (American, b. 1930). A wave crashes at the shore, glowing from the sun shining through. Above the wave, a few gulls glide across the scene. The rocks in the foreground and the cliffs in the midground are finely textured, adding a lovely sense of realistic detail. Signed "Wm. Blackman" in the lower right corner. Artist's stamp on verso, along with other inventory markings. Artist's name written on edge of canvas. Presented in an ornate wood frame with a linen liner and fillet. Canvas size: 18"H x 24"W William Henry Blackman (American, b. 1930) was born in San Diego, CA in 1930. He spent most of his early years in West Los Angeles. Blackman began painting at age 12. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. He studied at Woodbury College where he learned advertising and graphic arts. In 1960 he bought a home with his wife Shirley in the San Fernando Valley and worked as an advertising manager. His position put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. Note: the original Aaron Brothers Art Galleries Certificate included with the painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes...

Woman in the chair, heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 he won the first prize of a painting of the City of Castelldefels, and the following year he debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. Sabala won the first prize in the International Painting Competition of Pollença (Mallorca) in 1985, and the following year she took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. He continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 he debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

My paintings and sculptures bridge ancient and modern sensibilities. The subjects are often classical figures and portraits, but my use of materials is pure expressionism. I am mos...

An enchanting and intimate 19th-century genre painting depicting a young boy seated beside his loyal dog within a rustic interior. Illuminated by soft, atmospheric light, the child i...

This piece, "Effervescent", is a 36x36 acrylic painting on canvas by artist Carol Young featuring a classic white barn against a vibrant green field and turquoise sky. The bold color...

Dated, signed Signature unknown Work on wood Gray wooden frame with golden patina 82 x 997 x 6 cm

This characterful 19th century painting after Asher Brown Durand (1796-1886) depicts the capture of British officer Major John André during the American Rev...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Shimon Avni Shimon Avny, painter, born 1932, Paris Shimon Avny (Stein) was born in Paris, France. He grew up in the Belville neighborhood. In 1942, when the Nazis occupied France, he was separated from his family. His mother and brothers were killed in the Holocaust. After the war, he was transferred from his hiding place to the town of Andlis. He immigrated to Israel with Youth Aliyah in 1948. In 1956, he joined Kibbutz Ra'im. In 1957, he studied painting with Joseph Zaritsky, Avigdor Stematzky and Haim Kiewe. He also studied with Yehezekel Streichman at the Avni Institute. At the end of the 1950s, he went to Paris to continue his studies. In the 1980s, he joined the Radius artists cooperative. Avny's early work was influenced by the abstractionism of the New Horizons group. In 1963, he took part in the group's exhibition at Ein Harod. His work is characterized by bold colors, expressive brushstrokes and flat planes. He is a figurative painter, but some of his work incorporates symbolic imagery. Education 1957 Painting with Joseph Zaritsky, Avigdor Stematsky and Haim Kiewe Avni Institute, Tel Aviv, with Yehezkel Streichman Grande Chaumiere Academy, Paris, 1958 Ecole des Beaux Arts, Paris, 1961 Fine Arts Academy, Rome Photography and television, Paris, 1965-67 Teaching Lectured abroad for the Ministry of Education and Culture, 1969-71 Bezalel Academy, Jerusalem, painting, 1974-78 College of Visual Arts, Beersheba, 1975-81 Headmaster of the Art Institute, Rehovot, 1975-85 1981-85 and 1988-92 Art Teachers College, Ramat Hasharon Since1992 Avni Institute, Tel Aviv, Teacher and coordinator of the Arts Department Awards And Prizes 1975 The America-Israel Cultural Fund Scholarship 1985 Scholarship, The Cité Internationale des Arts, Paris, France 1993 The America-Israel Cultural Foundation, Sharett Fund Scholarship for a Young Artist. A member of the Aclim Group, which was organized in 1974. The group was established in the wake of the Yom Kippur War to point to the necessity of raising the public's consciousness of its Israeli identity in all cultural spheres. Participants in the group's exhibitions until 1983 were: Eliyahu Gat, Rahel Shavit, Ori Reisman, Avram Rafael, Michael Gross, Hannah Levy...

Colorful figurative oil on canvas landscape painting by acclaimed Polish artist Marek Niedojadło-Cichonski. This horizontal artwork captures a rural winter suburb under snow, where o...

Work on wood

Francesca Volò Smiller, called Vincenzina (Milan, 1657 - 1700) - circle of Floral composition Oil on canvas (97 x 72 cm. - in octagonal frame 100 x 84 cm.) A rich floral compositio...

Fine late 19th C oil painting on cradled wood panel by George Washington Nicholson. The painting is in very good cleaned condition and shows Surfmen rescuing a ship in distress. This...

Rudolph Scheffler (1884-1973) Oil on canvas , exquisite hand carved gilt frame ‘Summer Flowers from my garden’ dimensions : 30 ¾ “ H x 36 ¾ W with frame ( approx. 25 x 29 sight ...

Jon Wassom's "Mythical Resonance" is an original, handmade mixed media painting that depicts an athletic male bathed in warm light. This piece is unframed y...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Jack Youngerman October 1, from Betty Parsons Gallery, 1964 India ink on paper, with original Betty Parsons Gallery label Pencil signed and dated '64 on the front; also signed, title...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on birch panel. It is part of Mudre's Venezia series, which is inspired by his recent trip to the Nor...

Artist: Ruben Popovian Work: Original painting, handmade artwork, one of a kind Medium: Acrylic on canvas Year: 2023 Style: Abstract Title: Autumn Pa...

Gold Spots - with pings of mint green - Can be bought in a farrow and ball white frame or chocolate brown frame. Acrylic, Acrylic paint, Gold Paint, Gouache, Spray Paint on Canvas 2...

In creating this piece, I sought to capture the sublime stillness of winter. Using the textural depth of oils, I layered each brushstroke to evoke the cool, crisp air and the muffled...

“The Current of Time” From the ENIGMATIK series This painting speaks of transience and elusiveness — of what cannot be held. The mountains and clouds appear not as fixed forms, but a...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Enoch Seeman Canvas Size: 30 x 25" (76 x 62cm) Outside Frame Size: 37 x 32" (92 x 80cm) 1694-1744 He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch...

"Island Life" is an idyllic oil painting of Harbor Lane on Shelter Island, NY. Persson's impasto technique of the paint with her palette knife showcases the lush local greenery to s...

This formal portrait depicts the artist's wife in an elegant emerald green dress adorned with intricate lace trim and delicate pink floral accents, her dark hair styled in an elabora...

This fine art piece, titled "Las Rosas," is a profound example of cubist-expressionist still life, characterized by its intricate tapestry of interconnected, biomorphic floral and ar...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Artist: Slonem, Hunt Title: Emerald Isle Date: 2025 Medium: Oil on wood Unframed Dimensions: 30" x 24" Framed Dimensions: 33" x 27" Signature: Signed by Artist on Verso Editio...

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

This atmospheric mid-20th century oil by the artist Richard Schreiber (1904-1963) depicts a busy Breton harbour captured with textural, expressionist brushstrokes that imbue the scen...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

One of a kind signed oil on canvas from the workshop or circle of Narcisse Berchère, a renowned French artist. In it, the artist masterfully captures the tranquil beauty of the land...

Step into the enigmatic world of abstract art with this captivating original oil painting from 1945. This masterpiece, signed with a mysterious monogram by an unknown artist, embodie...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mes...

Erick Johnson Signal Drift, 2026 oil on canvas 36 x 40 in. (joh059) Of his recent work, Eric Johnson states "What has long inspired me is the interplay between color and form. The ...

Artist: Charles Cobelle, French (1902 - 1994) Title: Notre Dame and Bridges Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 29.5 x ...

An ethereal, dreamy abstract landscape painting, inspired by the wilds of the Italian mountain streams and waterfalls. "The Dreamer" is a dream. A bright, ethereal canvas dedicated ...

Acrylic on Linen by Cuban Artist Rene Bou

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Blac...

Angelo Ippolito Untitled, 1952 Signed and dated on the reverse Oil on canvas 16 x 36 inches Provenance: Gloria Torrice Estate of the above Liana Torrice, West Orange...

Contemporary abstract painting by Welsh artist Peter Rossiter. Artists comments on the painting "The painting is an exploration of warm relationships between colours and choreograph...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet ...

Alfred Pollentine British, (1844-1910) The Grand Canal looking towards St Marks Square & the Doge’s Palace, Venice Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25.25 inches x 35.25 inches A wonderful view of the Grand Canal featuring the Doge’s Palace and St Mark’s Square, Venice by Alfred Pollentine. The scene shows the entrance to the Grand Canal with the Santa Maria Della Salute with its distinctive rotunda and the Dogana to the left. Ahead can be seen the bell tower of St Mark’s with the Doges palace to its right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...

This oil painting captures a stunning natural phenomenon — a towering cumulus cloud formation rising over the tranquil expanse of the sea. The artist masterfully blends soft whites...

A beautiful large mid 20th century French post-impressionist oil on panel depicting irises in a jug by Jean de Paul. The work is in superb original cond...

This artwork titled "Cornbread Philly (Green Canvas)" is an original artwork by Cornbread made of acrylic paint on canvas. The piece measures 30”h x 40”w and ships with Gallery-Issue...

Antonio Pérez Portabella (Barcelona, 1944) Decadencia, 2010 Oil on canvas 28.7 × 36.2 inches (73 × 92 cm) Signed lower right Titled, dated, and initialed (A-P-P) on the reverse Unf...

Large British Floral Flower Bouquet Still Life Oil Painting Cecil Kennedy British, 20th Century Canvas: Height 64cm, width 51cm Frame: Height 90cm, width 80cm, depth 10cm A stunnin...