Carl Philipp Weber (1849 - 1922)

Historic and Rare 19th Century Arctic Iceberg Seascape Framed Winter Painting

1880

Antique impressionist painting of a coastal seascape. Oil on canvas, circa 1900. Signed illegibly. Framed. Image size, 18L x 12H.

Antique American Hudson River School panoramic landscape oil painting. Oil on paper. Framed. Apparently unsigned. Image size, 13L x 8.5H.

Edmund Darch Lewis (1835-1910) Mount Washington, New Hampshire 50 x 58 inches, signed & dated 1859 Description The area near Mount Washington in New Hampshire was visited by many ...

This mid-19th-century oil painting by Danish-American artist Joachim Ferdinand Richardt (1819-1895) depicts a congregation observing a river baptism, probably in the Mississippi River. In 2009, at President Obama’s Inauguration luncheon, a panoramic view of Niagara was selected as the backdrop to his speech. It’s a breathtaking image, capturing the sublimity of the American Falls and the Horseshoe Falls in all their iconic majesty. The ‘Maid-of-the-Mist’, negotiates the rapids, a mere speck within a broad expanse of water. While beyond, a colossal sheet of spray is sharply illuminated through passing clouds. It was painted by the son of a bookbinder, a humble Danish artist who travelled extensively across the United States to document its nature, buildings and civilization. Admired in his own lifetime, this unassuming adventurer produced scores of resplendent vistas but also numerous vignettes documenting everyday activities. Joachim Ferdinand Richardt was initially destined to become a carpenter but, thankfully, enrolled at the Royal Danish Academy of Fine Arts where he studied under three distinguished masters. Blessed with a skill for drawing, he was awarded medals and in 1839 began exhibiting at the prestigious Charlottenborg Spring Exhibition. In 1841, the Danish Royal Family acquired one of his works and six years later granted him a five-year stipend. Richardt trained at a time of exceptional creative output whereby Denmark was developing a clearer identity. Dubbed ‘National Romanticism’, artists were extolling their country’s natural beauty, while also celebrating humble folk life within rural environs. Stylistically, their work is somewhat comparable with German Romanticism...