Large Paintings

Medium: Oil on Board Signature: Signed Lower Left Story illustration for "In The Cathedral" by Achmed Abdullah published in Cosmopolitan, May 1938, pages 24-25. The magazine descri...

Born February 4th, 1985 in Newport Beach, California. Nicholas Hunt grew up surrounded by business minded entrepreneurs and Southern California art icons. These experiences in business, art, California culture, and the unmistakable beauty and variety of Southern California landscapes...

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Toulot Jules (1863-nc) Pianist officer in the Second Empire period Oil on canvas signed low right Old frame regilded with gold leaves Dim canvas : 65 X 43 cm Dim frame : 90 X 67 cm TOULOT Jules (1863-nc) French painter 19th century Born 11th November 1863 in Champeinx (Puy de Dôme...

View Of A City At Night From The River, circa 1900 European School - Signed Indistinctly Fine large circa 1900 European Impressionist city landscape at night...

Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...

Abba in stripes

Date: 1945 Medium: Oil on Board Dimensions: 16.00" x 33.75" Signature: Signed Lower Right Exhibitions: Exhibited at International Galleries Contemporary American Illustration, May 1...

Eagle & Rabbit In The Alps, 19th Century attributed to John James AUDUBON (1785-1851) Fine large 19th Century French School study of an Eagle with its prey in the mountains of the...

BELA CZOBEL 1883-1976 1883 - Budapest-1976 (Hungarian) Title: Landscape in the South of France, circa 1930's Technique: Original Oil Painting on canvas size: 54 x 82 cm / 2...

Medium: Oil on Canvas Signature: Signed Lower Right

The painting is being offered with a work and authenticity certificate

DUTCH SCHOOL 17TH CENTURY A Goshawk perched on a Falconer's Gloved Hand Oil on Canvas Circa. 1660 29 3/4 x 24 7/8 inches (75.5 x 63 cms) Provenance: Private Collection, Paris

By and in the Black Earth. It is a Mystery. A Secret Fire that attracts us, caresses us, carries us into cosmic depths where the Black becomes Light. The artist animates a delicate ...

Contemporary impressionist. New

'Unfolding' is a reminder that you are allowed to ask for more, to live a bigger life, be the most authentic version of yourself during this lifetime. The Universe is full of endle...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Alexander Farnham (1926 - 2017) Alexander Farnham studied with Anne Steele Marsh, Van Deering Perrine, and at the Art Students League with George Bridgman...

Katharina Hormel has two separate bodies of work. On the hand, she paints minimalistic every day scenes of life with acrylics and gold leaf. The people she portrays are out and abou...

Black Outline Multicolored Butterflies, Black Guardians. Multicolored

"In The Ivy Leaves" Portrait Of Monica & Silvia, The Artists Daughters, circa 1900 by Frank O. Salisbury (1874-1962) Large 19th Century portrait of Monica a...

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea. John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Fuk--ng Horses

Napolitan School, 19th century "Views of Naples, Italy" Oil on canvas Sold as a pair Each work : Canvas: 20" high x 30" wide Frame : 24" high x 34" wide

Mixed Media Abstract on canvas. About the Artist: Nella was born, raised and educated in Italy in a family with a long heritage of...

Medium: Oil on Canvas Dimensions: 30.00" x 40.00" Signature: Signed Lower Left Image of young girl seated in chair reading a book.

VIVIANO CODAZZI (c. 1603-1672) A Pair of Architectural Cappriccios Oil on Canvas 24 x 28 7/8 inches (60.8 x 73.2 cms) Provenance: Collection Pérez d...

Patrick Hughes (b.1939) Hanging on a Hook 1978 gloss paint on board 91 x 91 cm Price: £19,000 GBP Provenance: Private collection, UK (acquired directly from the artist in the late ...

It’s 1963. I’ve quit my teaching job ($4,000 a year) at Fresno High to try working full time as a commercial artist. Got a new home (Trend Homes by Spano, $12,000). Decide my birthday party needs a bottle of red wine (about a half gallon of Gallo Chianti, the kind in a husk basket because I think it will look good with my books on their plank and cinderblock book case. I drive a couple blocks to Jackson Jones Liquor on the corner of Shields and West, park an old gray Chevy sedan I’ve named Moby, walk in, head straight for the wine display...

Harry Jelinek (1905-1986) “Lady Posing in a Red Dress” Signed and dated 1965 Acrylic on board

Georges Georoy Belgium, 1906–1983 Still Life aux Legumes et Poisson Oil on canvas 23 ¾ in. by 28 ¾ in. W/frame 31 ¾ in. by 36 ¾ in. Signed lower right In a period Heydenryk frame ...

The painting is being offered with a work and authenticity certificate

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in the landscape and creat...

Oil Painting by Luis Frangella done in 1984. This painting is on a 24x34" canvas, of a figure cut off at the knees and a reclining head. Defined with pa...

- Signed by the artist Eduard Grossman - Comes with a high-quality frame.

Multiple Black Outline Bunnies, Blue

« I believe painting is all about gesture and flow. Painting is nowness. » An abstract painting for Shanghái city .Acrylic medium with Chinese ink and pencil to write the memories o...

The word "Baram" has two meanings in Korean: "wish (feel or express a strong desire or hope for something that is not easily attainable)" and "wind (the perceptible natural movement of the air)." The "Baram Series" portrays the moment of the air that's stopped in a simple two-dimensional form. Thus, the wind in the Baram Series represents the "present", which means the wind that has already blown represents the "past", and the wind that is about to blow represents the "future". Our wind in the past may be calm or turbulent. Regardless, the present is filled with hope, strongly wishing for the future wind to guide us to happiness. Maybe, these winds in our lives are dictated by our choices, and Baram Series embodies wish to deliver hope to all viewers facing the winds of their choices. <Geonwoo Lee...

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in...

This abstract painting is illustrating the ancient writer symbols and drawing attention to the accient writer acrylic on canvas on 100x80 cm canvas

-- Artwork comes with the certificate of authenticity -- Artwork is signed by the artist Catherine Colosimo -- Artwork comes with a premium quality frame

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Oil paint.

Mid Century Serene Lake German Impressionist Landscape by Karl Max Lechner Gorgeous mid-century plein air oil painting of a lake in a sprawling ...

“The longer you look at an object, the more abstract it becomes, and, ironically, the more real.” Lucian Freud. "Nudes are interesting to paint; I've had people say my Ladies are ...

The Dapper Young Gentleman English School, circa 1820's period oil on canvas, framed framed: 40 x 34 inches canvas: 32 x 27 inches provenance: private collection, England condition: ...

‘Longhorn Cattle on a Highland Pass’ by Henry Garland (1834-1913). The painting – which depicts a herd of longhorn cattle on a high mountain pass in the Scottish Highlands – is signed and dated 1876, in which year it was exhibited at the Royal Society of British Artists in London. Henry Garland entered the Royal Academy Schools in 1853, winning medals for 'Best Drawing from the Life' in both 1854 and 1857. From 1854 he exhibited at the most prominent London venues having 30 paintings shown at the Royal Academy, 67 at the Royal Society of British Artists, and 12 at the British Institution. Today one of Henry Garland’s paintings hangs in the famous Long Room at Lords Cricket...

"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...

Landscape mixed media on cotton canvas 100x100 cm 2021 original art the painting is sold stretched on a handmade wooden frame the painting is ...

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000), obtaining a Master's degree with...

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk...

‘The Baron’s Charger’ by John Frederick Herring Jr. (1815-1907). The painting – which depicts a 17th century Caroline nobleman with his battle horses and attendant hounds – is sign...

Louise ALIX 1888-1980 Still life in the garden: flowers, grapes and hat Painting, oil on canvas Signed Painting: 80 x 60 cm (31.5 x 23.6 inches) Modern natural oak frame (American bo...

"Iv" Painting 35" x 28" inch by Vladislav Chenchik Vladislav Chenchik is a contemporary artist from Ukraine. His artwork combines abstract and realistic styles, with a focus on port...

This early 20th-century oil painting by French artist Honoré Louis Umbricht (1860-1943) depicts Marguerite Grosjean (b. 1895), the daughter of law of Alexandre Grosjean, the mayor of...

This mid-19th-century oil painting by Scottish artist Robert Thorburn Ross RSA (1816-1876) depicts a seated woman carding wool within a rustic interior. Robert Thorburn Ross RSA was...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interactions with concepts such a...