Oversized Figurative Paintings

"Babatunde" is a compelling figurative portrait by Bukola Orioye that blends contemporary realism with symbolic reverence for ancestral continuity. Translating to “Father has returne...

Red and Fig Tree, 2021 acrylic on canvas 78 47/64 H x 47 1/4 W inches 200 H x 120 W cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds...

Large painted metal wall hanging sculpture by Yuval Mahler (Israeli, b. 1951). Hand signed "Y. Mahler" recto. (it is not numbered or editioned and might be unique). it is done in a g...

This horizontal painting on canvas contains several layers of color, with textures and transparencies, representing a dreamlike scene where fantastic animals and humans in yellow and...

Adventure Ahead, a captivating abstract contemporary landscape by Danish artist Steffen Bue. This impressive 100 x 140 cm (39.37 x 55.12 in) acrylic painting draws viewers into a thr...

Sailing from Leticia to Santa Rosa is a unique round oil on canvas painting by Spanish contemporary artist Calo Carratalá, diameter is 194 (76.4). ...

Sophie Dumont – “Allégresse” Oil on canvas – 35.43 x 59.84 in (90 x 152 cm) Unframed Year: 2018 Certificate of authenticity included "Allégresse", meaning "Joy" in French, is an exp...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Léon Olivié-Bon 1863-1901 French The Potter Oil on canvas Signed and dated "Olivie-Bon 1888" (lower right) This monumental masterpiece by French artist Léon Olivié-Bon is one of ...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition labe...

Large Antique Austrian Oil Painting Italian Market Street Scene Unterberger Austrian, Late 19th Century Canvas: Height 92cm, width 130cm Frame...

"Oil On Canvas Family Portrait After Sir Anthony Van Dyck" After Sir Anthony van Dyck (Flemish painter, 1599-1641), Group of three young girls with a bust of Mercury Oil on canvas (doubled), probably end 19th century, with French wax seal...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Oil on Board. Flemish school of the 16th century. The work bears a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the proximity to his painterly ma...

‘Vale of the Conwy’ by Samuel Lines (1778-1863). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemptions under the US Consti...

She sits in stillness, yet her presence speaks volumes. A past filled with stories, a present holding resilience, and a future waiting to be ignited. In her eyes, there is wisdom. In...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

In this contemporary figurative oil painting on canvas, a jumping figure seems to float over a field with arms outstretched while cumulus clouds float in the sky overhead. Signed, da...

Note: Shipping prices reflect shipping the piece in a tube rather than stretched. Stretching can then be done locally upon receipt. If you would prefer to receive a stretched piece, ...

Steven H. Rehfeld (American, born 1954) "Offerings" 2009 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Offerings, a 48" x 38" oil painting by Steven ...

America Martin "The Striped Orange Cat" Oil & Acrylic on Canvas 62.5 x 33.5 in. 64 x 35 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin ...

A wonderful early 19th century large oil on canvas naive portrait of two children, a boy and a girl, attributed to American artist Arthur Armstrong (1798-1851). Armstrong was born in...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

Carol Moreno Lara, artistic self-taught painter. Born in Barcelona. Proposal; Embellishes unique and personal spaces through artistic painting. A feisty w...

Sophie Dumont – “Mémoires Écrites” Oil on canvas – 47.24 x 15.75 in (120 x 40 cm) Framed dimensions: 49.21 x 17.72 in (125 x 45 cm) – Choice of black or natural wood frame Year: 2025 Certificate of authenticity included In Mémoires Écrites, French artist Sophie Dumont offers a refined and contemplative vision of a stylized bookshelf. This large-format oil painting brings together neutral tones—soft greys, off-whites, deep charcoal, and ochre accents—layered in a textured composition that evokes both order and emotion. Each volume, rendered with palette knife and impasto technique, becomes a silent keeper of memories. The vertical rhythm of the books plays against the horizontal structure of the shelves, creating a harmonious abstract arrangement that evokes serenity, introspection, and the timelessness of knowledge. Framed and ready to hang, this minimalist library painting is ideal for collectors seeking sophisticated contemporary wall art. Dumont’s works are held in museum and private collections worldwide, celebrated for their poetic abstraction and refined materiality. bookshelf abstract painting, oil on canvas, large wall art, contemporary neutral artwork, minimalist library art, Sophie Dumont painting, textured modern painting, book art, abstract bookshelf...

"Gumball Machine" by Suzy Smith (US based) is an original oil painting that depicts a colorful and realistic gumball machine. About the Artist: Suzy Smith is a Wyoming native, who c...

BING ZHANG's Subway no. 4, 48 x 48 inches, oil on canvas. Proudly presented by Andra Norris Gallery in California. Bing Zhang’s Subway painting series explores themes of class, labo...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

Boats sail across a crystal sea in this radiant painting of a sunny coastline finished with impasto detailing. The combination of scale, vivid blues, and passive brushwork create a ...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

John Steuart Curry "Cockfight in Cuba," 1946 oil on canvas Image: 38.25 x 46.25 in Frame: 43.75 x 51.5 in Signed on reverse with initials JSC on lower right stretcher bar John Steu...

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

Giovanni Giacomo Sementi (Bologna, Italy, 1580 - Rome, Italy, 1636) - Pier Francesco Cittadini (Milan, Italy, 1616 - Bologna, Italy, 1681) Danae Oil on canvas, without frame 119 x 179 cm, with frame 140 x 200 x 12 cm, weight 35 kg Expertise by Professor Giancarlo Sestieri Publications: Carne - la materia dello spirito, exhibition catalogue curated by Father Alessio Geretti, project of the scientific catalogue curated by Father Alessio Geretti, Nicole Pravisani and Giulia Toffoletti, (21 May - 22 October 2023), Illegio, Casa delle Esposizioni, pp. 56-59; Body, Love and Feelings - Works of Ancient Masters from the 16th to the 19th century. In the paintings of Giorgio Baratti private collection, Milan, exhibition catalogue curated by Alessandro Marchi, (27 July - 18 September 2011), San Marino - Historical Centre, pp. 38-39; Giorgio Baratti Collezione. Selezione di opere d’arte antica (Giorgio Baratti Collection. Selection of ancient works of art), curated by Professor Giancarlo Sestieri and with the participation of Professor Andrea Emiliani, Grafiche Veneziane, Venezia 2011, pp. 22-23. It is a gentle and graceful Danae the one portrayed by Giovanni Giacomo Sementi. A painting in which the Milanese painter Pier Francesco Cittadini also collaborated by painting the golden basin filled with flowers to the left of the scene. The work shows various pictorial influences; from the Bolognese Emilian style, to that of Ludovico Carracci (1555 - 1619) and Guido Reni (1575 - 1642), to the Baroque and Roman style. The work features an elegant red drapery which serves as the background to the entire scene, but the real protagonist is the young woman with long red hair who is lying on a bed covered by a white sheet. The girl is naked except for a lapis lazuli blue mantle...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Contemporary figurative oil on canvas painting by Polish artist Waldemar Marszalek. Artwork shows four women and two couples. Women are wearing dresses and men are wearing suits. One...

Dynamic and abstract figurative artworks come to life through the hands of Amadou Opa Bathily, an artist deeply connected to movement. Born in Bamako in 1987, his journey into the wo...

ABOUT THE ARTWORK "Ukrainian Christmas" is a vibrant portrayal of the traditional celebrations and rich folklore that characterize a Ukrainian Christmas. The painting is alive with ...

Here we have a beautiful period 1921 charming oil painting by Emile Ancelet. Painting depicts a mother and child in a landscape. Painted almost Like a ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Frank C. Penfold New York - France, 1849-1927 Waiting for Him 1880 Oil on canvas 31 5/8 x 22 inches (80.3 x 55.9 cm) Framed: 41 x 31 inches (104.1 x 78.7 cm) Signed and dated lower l...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Oil on canvas mounted to Masonite Signed in red, u.r. $7000.00 + $350.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure ...

Female nude in front of a curtain with clothes is an old master artwork realized by an Italian artist in the early 18th century, Mixed colored oil on canvas. Good condition.

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by The Galley) The other side...

Carl Schirm was a German painter of landscapes. Between 1880-1881 he made, together with Eugen Bracht, a long journey to Egypt, Palestine and Syria, at the end of which emerged lands...

I draw from the personal narrative of my mother, whose life was marked by adversity yet remained steadfast in her values. Her unwavering commitment to her virtue and essence serves a...

This piece titled "I Give Myself Grace Now" is an original painting by Sarah Detweiler and is made from oil paint, recycled fiber packing material, crochet thread, acrylic mirror tiles on canvas with acrylic painted edges. This piece measures 48”h x 36”w and ships with a gallery-issued Certificate of Authenticity. In Unmasquerade, Detweiler positively redefines the ADHD term of masking as a purposeful and playful act, as her figures wear novelty sunglasses, fur suits...

Joy of Twins Mother is an original painting by the late Prince Twins Seven-Seven. About the Artist Twins Seven-Seven was born Taiwo Olaniyi Oyewale Aitoyeje in Ogidi Ikumu, Nigeria,...

Canadian artist Peter Hoffer (1965) is best known for his landscape paintings. His style has also been compared to the idealistic landscapes of the 19th-century landscape painter Joh...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

This work is like a mirror into which our psyche gazes, afraid to see its true self. The artist explores the internal barriers that grow in the subconscious, like algae in impenetrab...

Magical Basquiat

Artist/Designer; Manufacturer: Romero Britto (Brazilian/American, b. 1963) Marking(s); notes: signed, artist cipher; ed. 256/300; 2010 Materials: hand-embellished mixed-media giclee ...

Acrylic on canvas without frame Shipping from Spain

Artist: Moshe Katz – Romanian/Israeli (1937-) Title: Untitled - Fisherfolk Year: 1966 Medium: Oil on canvas Size: 24 x 36 inches Framed size: 28.5 x 40.5 inches Signature: Signed, d...

WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers Seymour Fogel (1911-1984) Mural Study, untitled 11 x 49 1/4 inches (sight) Tempera on board Provenance:...

Let love lead. Let's be genuinely happy for each other. No malice, no backbiting. No jealousy. No comparison. Life is not a competition. At the end of the day, we will all transit to...