Oversized Figurative Paintings

A hyperrealistic doughnut dominates Vicious Circle, its glossy chocolate glaze reflecting light with mouthwatering precision. Seated atop it, a young woman in a vintage swimsuit appe...

Oh the stories that this coastal scene at the last light of the day could tell! The sky is nearly flashing as the sun light diminishes sending pools of sparkles on the water's surface. The crew and guests on the schooners, smaller sailboats and dinghy become absorbed in the culmination of their day's journey and the journeys of the passengers in the other remaining boats as they navigate their boats with safe passage to their home dock destination. Rising star fine artist Paul Beebe...

In vivid blue Pat Service has captured the simple beauty of the pansy. Reminiscent of Andy Warhol, Service’s flowers are pared down to the essentials--simple shapes without leaves or...

Attributed to Mason Chamberlin 1729-1787 British Portrait of Benjamin Franklin No visible signature Oil on canvas This exceptional portrait of Benjamin Franklin represents one of ...

Themba Sibeko, a self-taught artist, blends the worlds of science and art to create a unique and thought-provoking body of work. With a background in analytical chemistry, Themba has...

Contemporary abstract figurative painting by Frisco Pete, The Wild West Art Wrangler. The work features a central cowboy figure riding on horseback. Signed in the front lower right c...

"MOD 24", 2024 Lídia Masllorens is attracted by a moderate abstraction, which allows the observer to interpret the painting with precision and to perceive implicit realities, to rec...

Tobias Edward Rosenthal, known as Toby (Strasbourg 1848 - Munich 1917) - Portrait of a San Francisco gentleman. 123 x 92 cm. Antique oil painting on canvas, without frame. - Work ...

Alessandro Salucci (Florence 1590 - Rome c. 1655/60) - Architectural Capriccio with Characters. 73.5 x 106.5 cm without frame, 84 x 116.5 cm with frame. Antique oil painting on can...

Signed in red, u.r. Oil on canvas 66 x 84 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York...

"A Swan" is an oil on canvas by contemporary Lithuanian painter Gabija Pritkovaite. In her paintings, young artist is questioning our state of being in today‘s world, by painting ima...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

This artwork titled "Panorama" c.1990 is an oil painting on canvas by noted American artist Jean Steward Toti Maio, 1924-1987. It is signed at the lower right corner by the artist. The canvas size is 18 x 48 inches. It is in excellent condition. About the artist: Jean Maio...

This artwork titled "Venice" 1964 is an oil painting on canvas by noted French artist Regis Bouvier de Cachard, 1929-2013. It is signed and dated at the upper right corner by the artist. The canvas size is 30 x 40 inches, the framed size is 38 x 48 inches. It is framed in the original light wood color rustic distressed frame, with gold color fillet and fabric liner. It is in excellent condition. About the artist: Regis de Bouvier de Cachard...

"Porto Moniz, Madeira" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the coastline of Madeira, an island close to Portugal. A...

Signed pointillist oil on canvas landscape by French Neo-Impressionist painter Yvonne Canu. The work depicts a view of revellers on a boat travelling along the River Seine in Paris, ...

Les Demoiselles Takes a Stroll 36 X 48 Acrylic on canvas Viewing Patricia Forelle’s work offers a look into her world of fantasy and reality with freeform and whimsy. Her work holds...

The Pseudo-Guardi was an unidentified Venetian painter from the 18th or early 19th century who closely imitated the style of Francesco Guardi (1712–1793), one of the great Venetian v...

This artwork titled "Street Market" c. 1975, is an oil painting on canvas by noted Dutch artist Johannes Josephus Hovener, b.1936. It is signed at the lower right corner by the artist. The artwork (canvas) size is 24 x 32 inches, framed size is 33.5 x 41.5 inches. Framed in original wooden gold frame, with fabric liner. It is in excellent condition. About the artist: Johannes Josephus (Jan) Hovener (1936) Johannes Josephus (Jan) Hovener was born in Rotterdam on 14th August, 1936. Hovener enjoyed the study at the Rotterdam Academy. After his studies, Hovener won the Talens Prize in 1959. It was therefore Willem Sandberg, director of the Stedelijk Museum in Amsterdam, who wrote the following about a self-portrait by Hovener: As someone who could do something and had an incredible vision. Especially for someone of twenty years old. Hovener initially started as a pottery painter with Delft blue at the Porceleyne Fles. Meanwhile, Hovener has more than half a century of experience and has become a all round...

William Lester Stevens Winter Landscape Signed lower right Oil on canvas 32 x 36 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities ...

A wonderfully detailed interior genre oil painting by Flemish artist Louis Tielemans (1826-1856). Tielemans was born in Anvers, and became known for his active genre scenes, emulatin...

A whimsical and unique, Ghanaian barbershop haircut board signed, upper left, 'Joe Addai' (Ghanaian, 20th century), inscribed 'City Boy Artworks, Kumasi' and ...

"Shape Up (diptych)" is an original artwork by Eustace Mamba and measures 24”h x 18”w x 1”d (left panel), 48”h x 24”w x 2”d (right panel). The artists cuts, arranges, sews, and coll...

To the Calvary with Maddalena is a superb and impressive original oil painting on canvas, realized by the Italian artist Ippolito Borghese (Sigillo, 1568 - after 1627) Original Title: Andata al Calvario con l'incontro con la Maddalena...

Italian painter (17th-18th century) - Still life with meat, turkey and game. 70 x 88 cm without frame, 89 x 107 cm with frame. Antique oil painting on canvas, in a carved, gilded a...

This strong painting 'Roses' is made by Dutch artist Mitzy Renooy. Her well-performed yet loose touch allows light on the places that matter. With this she shows the essence of the ...

Rutger Hiemstra Attempted Art Oil on wood panel 53 x 125 cm Dutch artist Rutger Hiemstra (1975) understands the art of painting from observation. Still lifes, landscapes, portraits...

An important & large oil on canvas Baroque painting by the Bohemian Old Master artist, Franz Xaver Karl Palko (1724-1767), an allegory of architecture, circa 1750. The painting depic...

Fishing in the Itaya River is a painting by contemporary Spanish artist Calo Carratalá from the “Jungle” series. It represents two fishermen on the Itaya river in Peru. In the series...

French school after 1890 The knight's farewell Oil on canvas 124 x 64 cm This painting is at once monumental, moving but very cheerful at the same time. Because the main subject, the knight's farewell to his beloved, represented in a tight framing shows a very naturalistic background with its meadow, its flowers, its wood, its river and its very beautiful colors. The painter is from the end of the 19th century or the beginning of the 20th century, and undoubtedly French as indicated by the canvas merchant's mark on the back of the stretcher (the Jules Chauvin house which was active at 33 rue du Dragon in Paris between 1895 and 1937). The style of our painting is romantic, even picturesque. The knight carries the “Reichsadler”, the imperial eagle of the Holy Germanic Empire and the lady a bag with different signs including bear paw prints. The style is naturalistic and reminds of the English painters of the 1890s inspired by the Pre-Raphaelites and Art Nouveau on religious and medieval themes and very close to nature with their decorations of meadows, flowers and wood. The English art historian John Christian spoke of the last English romantics about to these painters of the end of the century, Burne-Jones, Stanley Spencer and John William Waterhouse. We recognize in our painting the naturalistic motifs of the meadow, flowers, woods and river that we often see in Waterhouse paintings. As regards the composition, one thinks in particular of the English woman painter of Austrian origin Marianne Stokes...

Loch Katrine in the Scottish Highlands Landscape Vintage Painting. A beautiful realist oil painting of the Scottish Highlands from a highly respected British Artist. Art measures 36...

[Bruce Sargeant (1898-1938)] Two Rowers, Early Morning Practice n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 38 x 82 inches (96.5 x 208.3 cm) $10,000 + $900 framing...

I was inspired to paint this picture by girls. on a nudist beach, they froze on the mat. Like a city in the steppe. As a result, I met them, they became my muses, I repeatedly painte...

Her beauty is natural, she exudes so much grace and perfection. She's a visual symphony of beauty and majesty. She's adorned. She always graced her presence with her well-crafted fa...

Green Iron Jungles N9 is a unique round acrylic on aluminum and gloss varnish painting by Spanish contemporary artist Calo Carratalá, diameter is 150 cm (59.1 in). The artwork is sig...

Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...

19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi The painting is a depiction of a scene in Malaysia with a Schooner in backgro...

Maura Petersen (American, born 1956) "Joan" 2021 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. Maura Petersen’s Joan captures a quiet, in...

Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W. Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...

A large & important Orientalist oil painting by Nasreddine Dinet (born Alphonse-Etienne Dinet) France 1861-1929. The painting depicts two young North African Berber (Amazigh) women, a tender "rights of passage" portrayal of one young naked woman placing a robe over another. Possibly a cermony for puberty or marriage, both young women are wearing traditional Berber silver anklets & wrist bangles and traditional Berber tattooes. Dinet painted several versions of this and other paintings of Berber people, the painting is of large size and is housed in the original carved & gilded frame. Condition is very good, this very beautiful painting is ready to hang on your wall. The painting at sight without frame 44" x 32" Nasreddine Dinet ( Alphonse-Étienne Dinet ) was born in Paris and was a French orientalist painter he was one of the founders of the Société des Peintres Orientalistes [Society for French Orientalist Painters]. He became so enchanted with Algeria and its culture, that he converted to Islam, and was proficient in Arabic. In addition to his paintings, he translated Arabic literature into French. Born in Paris, Alphonse-Étienne Dinet, was the son of a prominent French judge, Philippe Léon Dinet and Marie Odile Boucher. In 1865 his sister Jeanne, who would become his biographer, was born. From 1871, he studied at the Lycée Henry IV, where the future president Alexandre Millerand was also among the students. Upon graduation in 1881 he enrolled in the École nationale supérieure des Beaux-Arts and entered the studio of Victor Galland. The following year he studied under William Bouguereau and Tony Robert-Fleury at the Académie Julian. He also exhibited for the first time at the Salon des artistes Français. Dinet made his first trip to Bou Saâda by the Ouled Naïl...

America Martin "Woman with Doves" Oil & Acrylic on Canvas 85 x 53.25 inches 86.5 x 54.5 framed Exploring the identity of both her namesake and country, LA-based America Martin draws...

Artist: Mel Ramos, American (1935 - ) Title: O from the Hollywood Suite Year: 2009 Medium: Oil on Canvas, signed and dated verso Size: 39.5 in. x 30 in. (100.33 cm x 76.2 cm) Frame S...

"Madonna del Granduca", after Raphael Oil on Canvas: 34 x 22.5 in. Frame: 45 x 33 ½ in. Inscribed verso. Pitti Palace red wax seal verso*. Fine Gilt Carv...

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

The painting, large in size and with a notable decorative impact, comes from an important private collection, divided between Rome and Paris, and depicts a rural episode set in a lat...

Arie Azene, Israeli painter, born in Germany, 1934 Arie (Eisman) Azene was born in Hamburg, Germany. He immigrated to the Land of Israel with his parents soon after birth. In 1958, after studying art in Paris, he settled on Kibbutz Tzova in the Judean Hills, where he lived for 28 years. He spent 1968-1970 in France, England and Germany. In 1984, he moved to Jerusalem. Stylistically, Azene was influenced by the New Horizons group to which he was exposed during his studies at the Avni Institute in Tel Aviv. Other influences were Joseph Zaritsky, Avigdor Stematsky and Yehezkel Streichman. Azene works in oil paint, pencil and aquarelle. His early work was abstract, but over the years, it has become more figurative and realistic. His colour palette is often based on two complementary hues, with a predominance of various combinations of gray. Education 1948-51 Avni Institute, Tel Aviv 1951-52 Bezalel Academy of Arts and Design, Jerusalem 1957-58 Academie de la Grande Chaumiere, Paris, France, Advanced Studies Select Exhibitions Autumn Exhibition Autumn Exhibition Yad Lebanim Museum, Petach Tikva 1974 Artists: Shimon Avni, Mordechai Avniel, Azene, Arie, Eli Ilan, Michael Argov, Naftali Bezem, Nachum Gutman, Shraga Weil, Boaz Vaadia, Shmuel Katz, Ruth Schloss. Zaritsky Artists House, Tel Aviv 1976 Artists: Yitzhak Danziger, Menashe Kadishman, Osvaldo Romberg, Michal Wolman, Raffi Lavie The Kadishman Connection Israel Museum, Jerusalem 1979 Artists: Larry Abramson, Jacob El Hanani, Ovadia Alkara, Yosl Bergner, Marcel Janco, Lea Nikel, George Chemeche, Igael Tumarkin. Israeli Prints...

'Calvary' by Pietro Sassi (1834-1905). This monumental exhibition oil painting – which depicts the Light of Heaven shining upon Christ at Calvary with thousands of people outside t...

Oil on canvas by Jules Gouillet (1826-1907), France, 1907. Architectural and Floral Composition. This exceptional oil on canvas by Jules Gouillet, a renowned French artist born in Ve...

French painter (dated 1919) - Still life with vase of roses. 117 x 90 cm. Antique oil painting on canvas, without frame. - Work signed and dated bottom right: “P. Daudenarde 1919”...

Dutch painter (18th-19th century) - The spanking. 60 x 99 cm without frame, 67 x 106 cm with frame. Antique oil painting on panel, without frame (not signed). Condition report: Wo...

America Martin "Adam and Eve In Blue and White" Oil & Acrylic on Canvas 120 x 84 inches 120.5 x 85 inches framed ( 120.5 x 42.5 inches framed each) Exploring the identity of both h...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Pierre Olivier Joseph Coomans 1816–1889 Belgian Pompeian Woman Oil on canvas Signed and dated “Joseph Coomans, 1870” (lower left) A leading figure in 19th-century Belgian paintin...

Gazing at Lebanese American artist Sally K.'s floral artworks is consuming and empowering. Inspired by the endless variety of beautiful flowers, she creates pop-realistic paintings t...

Francesco Battaglioli (Modena 1710 ca. - Venice post 1796) - Architectural capriccio with characters. 83.5 x 114.5 cm without frame, 98 x 130 cm...

Nice girl by the tree, 146x124 cm

This remarkable early 17th-century three-quarter length English School portrait depicts Alderman Edward Hill of The Charterhouse, Coventry, holding a pair of leather gloves. The orig...

Stormy sea is an original modern artwork realized by Artist of Northern Europe School of the mid-19th Century. Mixed colored oil on canvas. Includes frame.

ARTIST: Stuart Denyer NEAC (1953-) British TITLE: "The Studio At The Royal Academy London" SIGNED: lower right and dated 1981 MEASURES: 120cm x 89cm inclusive of frame CONDITION...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...