Large Fine 19th Century Landscape Oil on Canvas of Victorian London by Moonlight
By Henry Pether
Located in Gerrards Cross, GB
‘Westminster from the Thames by Moonlight’ by Henry Pether (1800-1880). The painting - one of the artist’s finest views of London in the 1860s - depicts the Houses of Parliament, t...
Oil
San Giorgio di Greco, Venice - Moonlight
By Henry Pether
Located in London, GB
Henry Pether 1800 - 1880 View of Venice Oil on canvas, signed lower right Image size: 36 x 24 inches (91.5 x 61 cm) Handmade gilt frame Provenance Private Collection, England Exhib...
Canvas, Oil
The Tower of London
By Henry Pether
Located in London, GB
Henry Pether 1800-1880 The Tower of London Oil on canvas, signed I.I, titled verso Image size: 17 x 36 1/4 inches (43 x 92 cm) Gilt frame Provenance: Private Collection Lot 217, Bri...
Canvas, Oil
$197,207
H 47.75 in W 66.5 in
Grand 19th Century English Marine Painting in Stunning Light
By John Wilson Ewbank
Located in London, GB
John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...
Oil
$8,000Sale Price|20% Off
H 34.26 in W 44.1 in
Architectural Capriccio Paint Garola 17/18th Century Oil on canvas Old master
Located in Riva del Garda, IT
Pier Francesco Garola (Turin 1638 - Rome 1716) Architectural capriccio with coastal view Oil on canvas 74 x 99 cm With frame 87 x 112 cm Reference bibliography: G. Sestieri,...
Oil
$9,117
H 20.25 in W 26.25 in D 2.75 in
Historical genre oil painting of gentlemen playing bowls
By Frank Moss Bennett
Located in Nr Broadway, Worcestershire
Frank Moss Bennett British, (1874-1952) The Bowling Match Oil on canvas, signed & dated 1922, with original slip Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 in...
Canvas, Oil
$7,834
H 12.2 in W 15.7 in
17th Century Classical Oil Painting - Diana With Her Attendants in a Grotto
By Abraham van Cuylenborch
Located in London, GB
Abraham van CUYLENBROCH (1620-1658) Diana With Her Attendants in a Grotto 1651 signed oil on panel 12.2 in x 15.7 inches, inc. frame; 31 x 40 cm Provenance: Sale of Sotheby's Lo...
Oil
$2,710
H 24 in W 28.5 in
18th century French Garden or Féte a Bride and musicians playing music
Located in Woodbury, CT
This enchanting 18th-century French fête galante captures the elegance and joy of aristocratic leisure, set amidst a lush garden adorned with flowers. A scene of refined celebration,...
Canvas, Oil
$5,653
H 30.5 in W 24.5 in D 2 in
19th Century seascape oil painting of a hay barge on the Medway
By Hubert Thornley
Located in Nr Broadway, Worcestershire
Hubert Thornley British, (exh. 1858 -1898) Hay Barge on the Medway Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 30.5 inches x 24.5 inches A fine...
Canvas, Oil
$14,858
H 31 in W 45 in D 2.5 in
19th century seascape oil painting of a ship off the Scottish coast
Located in Nr Broadway, Worcestershire
Richard Ball Spencer British, (1812-1897) The Perthshire off Ailsa Craig Oil on canvas, signed Image size: 22.25 inches x 36.25 inches Size including frame: 31 inches x 45 inches This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work. Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names. By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...
Canvas, Oil
$7,761Sale Price|20% Off
H 33.08 in W 40.16 in
Apollo Marsyas Batoni Paint 18th CEntury Oil on canvas Old master Mythological
Located in Riva del Garda, IT
Apollo and Marsyas Pompeo Girolamo Batoni (Lucca 1708 – Rome 1787) circle oil on canvas (65 x 83 cm. - framed 84 x 102 cm.) Provenance: Private collection, Rome The subject...
Oil
$11,954
H 25.25 in W 35.25 in D 2.5 in
19th Century oil painting of The Grand Canal Venice towards St Marks Square
By Alfred Pollentine
Located in Nr Broadway, Worcestershire
Alfred Pollentine British, (1844-1910) The Grand Canal looking towards St Marks Square & the Doge’s Palace, Venice Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25.25 inches x 35.25 inches A wonderful view of the Grand Canal featuring the Doge’s Palace and St Mark’s Square, Venice by Alfred Pollentine. The scene shows the entrance to the Grand Canal with the Santa Maria Della Salute with its distinctive rotunda and the Dogana to the left. Ahead can be seen the bell tower of St Mark’s with the Doges palace to its right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...
Canvas, Oil
Arabian Rider at Dusk
By Adolf Schreyer
Located in Austin, TX
Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...
Canvas, Oil
$31,472
H 32.25 in W 44.25 in D 3 in
19th Century Scottish Highland landscape oil painting of Loch Lubnaig
By Alfred de Breanski Sr.
Located in Nr Broadway, Worcestershire
Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...
Canvas, Oil
$23,772
H 26.5 in W 36.5 in D 3.25 in
19th Century Scottish Highland landscape oil painting of a Loch at sunset
By Alfred de Breanski Sr.
Located in Nr Broadway, Worcestershire
Alfred de Breanski Snr British, (1852-1928) Sunset over a Scottish Highland Loch Oil on canvas, signed Image size: 19.5 inches x 29.5 inches Size including frame: 26.5 inches x 36....
Canvas, Oil
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H 29 in W 41 in D 3 in
Large Fine 19th Century English Oil Painting of the River Thames by Moonlight
By Henry Pether
Located in Gerrards Cross, GB
‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. We o...
Oil
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H 33 in W 45 in D 3 in
Venice by Moonlight - 19th Century Oil Painting of the Grand Canal by Full Moon
By Henry Pether
Located in Gerrards Cross, GB
'Venice by Moonlight' by Henry Pether (1800-1880). The painting – which depicts an extensive nocturnal view of the Grand Canal with the Palazzo Pisani Gritti to the left and the Dors...
Oil
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H 29 in W 41 in D 3 in
River Thames by Moonlight - 19th Century Oil Painting Victorian London by Night
By Henry Pether
Located in Gerrards Cross, GB
‘The River Thames by Moonlight’ by Henry Pether (1800-1880). The painting which depicts an extensive nocturnal view of London from the Temple to St Paul’s Cathedral and Blackfriars B...
Oil
Sold
H 29 in W 41 in D 3 in
River Thames by Moonlight - 19th Century Landscape Oil Painting Victorian London
By Henry Pether
Located in Gerrards Cross, GB
‘The River Thames by Moonlight’ by Henry Pether (1800-1880). The painting which depicts an extensive nocturnal view of London from the Temple to St Paul’s Cathedral and Blackfriars B...
Oil
Sold
H 28 in W 36 in
Late 18th century Antique English Moonlight over a lake and church landscape
By Henry Pether
Located in Woodbury, CT
Henry Pether, late 18th-century Moonlight lake Landscape. Born into a family of artists, Henry was the son of Abraham Pether (1756-1812), a talented la...
Canvas, Oil
Windsor Nocturne
By Henry Pether
Located in London, GB
Henry Pether (Flourished 1828 - 1865) Windsor Nocturne Oil on canvas, signed lower right Image size: 30 x 50 inches Gilt frame The strong diagonal of the river leads the eye far into the distance, to where the clouds are silvered by the moon. Henry Pether captures the numinous moment when the heavens fade from blue to midnight blue and clouds acquire an almost sculptural solidity. The moonlight is shining on the buildings, defining the whole range of the castle. The artist recreates the experience of objects coming into focus as the viewer’s eyes become accustomed to the twilight. After gazing for a few moments, we are made aware of the complexity of the foreground scene: a man gazing at the approaching man with horses. Pether employs a very subtle range of colours, from the icy blue of the deep heavens, to a rich range of browns, to the silver-gilt of the moonlight, to evoke a peaceful spring night. This painting can be compared to the similar work, of much the same size and date, in Anglesey Abbey. Here, Pether uses a personal technique, covering his canvas with blue before using a camera obscura to obtain exact shapes and perspective directly from real life. Pether was supremely competent in the technique of representing moonlight shining through cloud by the use of soft glazes over patches of dense paint. Henry Pether was an English landscape painter, the son of Abraham Pether (1756-1812) and brother of Sebastian Pether...
Canvas, Oil