Board Figurative Paintings

Harrods View painted Plein Air All Prima. Discover new works by Tushar Sabale available to buy online and in our art gallery at Wychwood Art. Tushar Saba...

Sunil Das - Head II - 20 x 15 inches (unframed size) Mixed Media on Board, 2002 Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist ...

Ship repair. Oil on cardboard, 56x69,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with diploma...

A very striking work by Ewart Johns, a notable figure in the Modern British art movement. The painting is characterised by vibrant colours, bold brushwork, and a fusion of abstract a...

A vibrant early 20th-century American oil painting by Simon Blaisdell, depicting a fisherman pulling nets from a rowboat in a coastal inlet. Executed in a rich impasto technique, the...

Stephanie Richards b. 1978 Mountain Sandwort in Yunomi oil on board 36 x 40.5 cm 14 1/8 x 16 in signed with initials "My works are composed of sma...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Description William Stout is a multi-media artist who has won numerous awards for his artwork in pulp fiction, dioramas for natural museums, and film work, including two Conan movies, Indiana Jones, Raiders of the Lost Ark, and Pan’s Labyrinth. Stout’s painting, Brunhilde, represents a compilation of the artist’s interests and was inspired by the 19th-century composer Richard Wagner’s epic opera, The Ring of the Nibelung, as part of an art project with the Los Angeles Opera’s 2010 performance of The Ring. The subject, Brunhilde, is based on Norse mythology from the Medieval Poetic Edda and represents the story of a beautiful warrior maiden, a Valkyrie, who was cruelly deceived by her lover. Her father, the supreme god Odin, punished Brunhilde for disobeying him and caused her to fall into everlasting sleep surrounded by a wall of fire. The hero, Siegfried, crossed through the flames and woke the maiden with a kiss. In Stout’s version, Brunhilde is seen as a mighty Shieldmaiden and Valkyrie in the forest surrounded by spirit animals. The barred owl...

SPANISH WALKS Size: 24 x 37 cm (including frame) Oil on Board An outstanding semi-abstract oil composition, painted in 1958 by the established Swedish artist Ivar Morsing (1919-2009...

"A Peculiar Discovery" by Avery Palmer is an oil painting on hardboard. Each Avery Palmer artwork comes mounted in a traditional style frame. The framed dimensions of this piece are...

Impressionist New York City winter city-scene depicting 57th Street in New York City, cars and pedestrians in a most intimate, yet energetic way. Christoph...

This late 19th-century oil painting by French artist Paul Constant Soyer (1823-1903) depicts a rustic cottage interior with an elderly woman spinning wool while a child peels vegetab...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm. Signature: Signed lower right and titled on original artist's label verso Dimensions: Framed: 16"x19" Unframed: 10"x13" Provenance: Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels Private collection - Brussels Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Surroundings in countryside. 1963, cardboard, oil, 45 x 58 cm Landscape painting of Latvia countryside. Gentle and careful brushstrokes in the foreground accents sunny day. Color use demonstrates Paulovics as fine master of tonal painting. Artist used impasto painting technique that uses thick, rich layers of paint. Applying the paint thickly, author produced an truly incredibly beautiful effect. Teodors Paulovics captured the impressionistic aspects of nature - afternoon light of the sun in late fall- more then details of natural forms. Teodors Paulovics studied art in Vilhelms Purvitis...

Older, realistic portrait of an older Jewish shtetl tailor by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

Port. Big Ship 1964. Oil on cardboard, 55x70 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with ...

The Green Bag, Oil on Board Painting by Charles Mccall 1907-1989 Additional information: Medium: Oil on board 21 x 17 cm 8 1/4 x 6 3/4 in Signed; further signed and titled on a labe...

Original advertisement for JAX Beer (Jackson Brewing Company, New Orleans, LA), circa 1940s. In this autumnal scene, a hunting party is enjoying JAX beer at their campsite when a bu...

Danny McCaw's (US based) "Afternoon Tea" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure of white and grey with a cup of tea on...

ANTONI CLAVÉ Spanish, 1913 - 2005 STILL LIFE signed "Clavé" lower right also inscribed "Ce tableau a ete peint par moi vers 1946, Clavé" on the reverse oil on ...

"Pay Day" American Scene Social Realism WPA Era Mid 20th Century Modern Workers Don Freeman (1908-1978) Pay Day 20 x 30 inches Oil on board, c. 1940s Signed lower right BIO Illustr...

Mom, birth, baby, green, motherhood, Mother's Day KLARA VLASOVA (Moscow, 1926-2022) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History ...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a homemade mixture of oil paste...

Paritosh Sen - Untitled 22 x 20.9 inches (unframed size), 1992 Mixed Media Paper Pasted on Board ( Unframed & Delivered ) A stunning work in colors on "red ,Blue Gold in Acrylic on ...

In the market square. cardboard, oil, 41x81 cm Biruta Baumane (1922-2017) Born in Kalnamuizha in Tervetes school, in the teachers family. Since 1941, she studied at the Latvian State Academy of Arts, where she graduated painting department in 1948. In 1951 married with sculptor Karlis Baumanis. Daughter Laine Kainaze also is an artist. Since 1959, member of the Union of Artists, Biruta repeatedly was a manager of the union. In 1986 she became the honored worker of arts of the Latvian SSR. She has been involved in television and radio programs, movies, and has published articles in periodicals. In 1976 she received a diploma of the Union of Latvian SSR for the best creative work. One of the most important Latvian artists...

Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s Antonio Petruccelli (1907 - 1994) Vanity Fair Illustration proposal, c 1930’s 18 X 13 3/4 inches (sight) ...

Solo II Uldis Krauze (1958) 2005., Cardboard, author's technique, 64x45 cm

Carl Jaycock (British, b. 1963) Sea light Signed and dated ‘C JAYCOCK 85’ (lower right) Oil on board 24 x 24 in. (61 x 61 cm.) Cornwall based Jaycock has...

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...

By the river. Canvas, cardboard, oil, 55.5x70.5 cm

Tim Woolcock was born in Lancashire, though his family originates from St Just-in-Penwith in Cornwall, where the artist spent many summers. He now lives part of the year on his farm in County Carlow, Ireland, where his studio is located. Between 1963 and 1970 Tim attended Arnold School in Blackpool and regularly visited the Grundy Art Gallery in the town. In 1971, he began his studies in to study Philosophy and Art at the Roehampton Institute, University of London. After graduating, Tim stayed in London to teach for twelve years. Tim's painting clearly shows his inspiration from Modern British painters, particularly the traditions of the 1950s and St Ives Schools. As with landscape painters of the earlier twentieth century, such as Paul Nash and Evelyn Dunbar, Tim's landscapes have a somewhat mystical quality and at times approach abstraction. The simplicity and geometry found in work of the St Ives School - so important to the development of Modern British art - is a particular inspiration, with artists such as Patrick Heron, William Scott and Ben Nicholson being most key in his development, though Tim's paintings have a strength and clarity all their own. A knowledge of Zen and understanding of the natural world is reflected in his work, 'I have been greatly influenced by Zen writers, some who have said that the real aim of art is purposeless - not to be confused with a nihilistic approach - in 'Zen and The...

Street Shadows 4 by Eleanor Woolley [February 2021] original Oil Paint on Gesso Board Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:2cm Sold...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

“Two Divers Overcast Sky” is a captivating work by British contemporary artist Dan Parry-Jones, whose mixed-media paintings explore memory, landscape, and th...

Unframed this piece is 12 x 16 Millie Gosch is an avid plein air painter who paints studies from real life and from these studies she creates her beautiful landscape pieces. An expe...

Beautiful Ashcan School portrait of a woman in winter outerwear, 1909. Oil on canvas panel, measuring 17.75 x 18 inches; 21.75 x 22 inches framed. Original frame. Dated lower rig...

Cyanotype inspired diptych of lush blue and white botanicals interspersed with whispers of yellow. Electric Daydream, Diptych (2022) by Amanda Besl. Oil on board.

Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Dessert of Love [2021] original Acrylic on Board Image size: H:52cm cm x W:63cm cm Complete Size of Unframed Work: H:49cm cm x W:60cm cm x D:0.5cm Frame Size: H:52cm cm x W:63cm cm x D:3cmcm Sold Framed Please note that insitu images are purely an indication of how a piece may look I wanted to bring together geometrics and plants with a tropical twist, the actual painting was completed through winter, ultimately it was a fun exploration in new ways of creating pattern, gradients and colour. Adam Bartlett, painter and print designer, is available for sale online and in our art gallery at Wychwood Art. Adam Bartlett is a former fashion print designer who studied textiles at Manchester University and is now a full time artist, specialising painting and illustration; common themes are that of nature (jungle and tigers) and still life, both abstract and surreal, inspired by a mixture of Mughal and contemporary art. His recent clients include the Zizzi Restaurants, Easy and Ibis Hotel chains; producing large scale mural art...

Pair of Signed Art Nouveau Style Greek Mythology Scenes, Gouache on Board, one of the Gods on Olympus, other depicting Gods and mythical creatures on a rock at sea, both signed "Isab...

Cyanotype inspired painting of lush blue and white botanicals. Apparition (2022) by Amanda Besl. Oil on board.

Born in Wilmslow, George moved to a small dairy farm in Gloucestershire at the age of 10. Under the tutelage of Maurice Feild George painted from a very young age, first publicly exh...

Luminosa opera con rose in giardino Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) MUSEI Novgorod, Museo delle Belle Arti Mosca, Collezione del Ministero della Cultura Arkhangelsk,...

Contemporary figurative nude oil on cardboard painting by Polish artist Agnieszka Staak-Janczarska. Painting depicts a woman sitting on a floor with her head resting on her knee. Art...

Old town . Oil on cardboard 47,x68 cm. Leonids Maurins (1934-2012) From 1954 to 1961 studied at J. Rozentāls Riga Art School From 1961 to 1969 studied at the Art Academy of Latvia, Pedagogical Department. 1969 - work as tutor at evening courses at the Chair of design, Latvian Academy of Arts. 1969 - first participation in an exhibition of Republican (7th Exhibition of Young Artists in Riga). From 1969 to 1970 - execution of the artist`s first monumental decorative painting for cafe "Allegro". 1975 - participation in the exhibition of young artists in Dzintari, Exhibition Hall (G. Liepina, L. Maurins, B. Vasilevskis, M. Tabaka). 1976 - the artist was accepted as member of the Latvian Artists...

Oil painting on board, unframed, abstracted, figurative, expressionist, energetic brushwork

Impressionist New York City winter city-scene depicting the New York City Library on 42nd Street with pedestrians going through the snow in a most intimate, yet energetic way. Christ...

In Geri's own words: "My love for art began in my early teens when I signed up for art class in high school and soon discovered that I had a passion for drawing and oil. Growing up i...

Gurucharan Singh - Untitled Oil and Acrylic on Canvas Board ; 11.8 x 14.5 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumb...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Gregory Block's (US based) "Strawberry Glaze" is an original, handmade oil painting that depicts a pink glazed donut. Gregory was born in Kansas City, Missouri, in 1986 and moved t...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on board Oil measurements 50x73 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of ...

Gurucharan Singh - Untitled Oil and Acrylic on Canvas Board ; 11.8 x 14.5 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumb...

Flowers Cardboard, oil, 70x44 cm

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a vie...