Board Figurative Paintings

"Mall, Winter Evening" by Michael Alford is a captivating original impressionistic cityscape that transports viewers to the heart of London on a serene winter night. Created with ski...

Jose Luis Fuentetaja - Woman at rest - mixed media (print and oil on canvas laid board). Canvas size 38x50 cm. Frameless. Is born in Madrid on the 21st july 1951. After attending pr...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the...

Oil size 41x33 cm. Frame size 56x48 cm. Frame in poor condition.

George Lilanga (1934-2005) - Tribal dance - Acrylic on board Painting size 61x61 cm. Frameless. George Lilanga was born in 1934 in the city of Kikwetu, in the southeast of Tanzania ...

Bellissima natura morta con fiori e porcellane Cornice decò in legno

"Fishermen" Painting 20" x 25" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he moved t...

"Mother and Daughter" Expressionist Portrait in Oil on Cardstock Mid Century expressionist portrait by unknown artist Jane W. Grace (American, 20th C...

"La Rose Rouge" After Rene Gruau Portrait painting of woman wearing hat covered in roses Signed "ARF " Oil on canvas 30 x 36 unframed, 34.5 x 40.5 framed

Rafael Duran Benet (1931-2015) - Woman from behind - Oil on canvas cardnoard Oil measurements 55x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan...

The morning hour. Act. 1959. Oil on cardboard, 95x71 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J....

Doug Fraser Graphic design illustration artist. Doug was born in Lethbridge, Alberta, Canada. He attended the Alberta College of Art & Design in Calgary where he studied graphic design and illustration. After four years at ACAD he went to New York for graduate school, attaining a masters degree, MFA, from the School of Visual Arts. Without missing a beat, Doug became an award winning illustrator, (in a cartoon, bold comic book sort of style) having executed commissioned works for an array of international clients including The New York Times, the Washington Post, TIME, Newsweek, BusinessWeek, Wirtschafts Woche (Germany), Rolling Stone, Mother Jones, Motor Trend, NHL, IBM, and Levis. His technique originally involved traditional media of oils on canvas and evolved over the years to incorporate digital aspects both exclusive and combined with paint. During the early 90's, he was approached by the ACAD(Alberta College of Art & Design in Calgary) to teach and accepted a part-time position. Doug has sat on several juries and spoken in numerous cities including New York and Los Angeles. His illustration work has been exhibited in the US, England, Japan and Canada. Memberships have included the prestigious Society of Illustrators(NY) for eighteen years, the advisory panel of ICON5, the American Illustrator Partnership (founding member status), CAPIC and the Graphic Artists Guild of New York. 2004 recipient of the Alberta College of Art & Design Board of Governors Alumni Award of Excellence. His style is similar to the graphic novel style of Art Spiegelman, Shepard Fairey, Ben Katchor or Robert Crumb in its graphic expressiveness After a long successful career as an illustrator, the desire to create works of a different nature and purpose began to surface. Building on the technical knowledge developed professionally as a visual communicator in the graphics world for 30 years, he began to experiment once again, without the burden of client and other constraints. This freedom enabled Doug to move beyond his past and develop a body of work which is more personal in subject. This new body of paintings strongly links artistic influences with personal observations. Influences affecting structure include graphic design, abstract and figurative art. A two dimensional quality is embraced and the construction becomes as important as the subject. The subject, which is somewhat banal in tone, is derived from his own first hand experience. Exploring subject that which is usually only seen in passing, but is now observed more closely. Intense visual study precedes a process of disassembling and then reconstruction. Throughout, there's an internal dialogue between the objective and the subjective. The experiential challenge of this process has Douglas tracing the edges of where the figurative meets abstraction. EDUCATION; Alberta College of Art & Design, Calgary, Alberta, Canada. Visual Communication Arts. School of Visual Arts, New York, New York, M.F.A. degree. ILLUSTRATION CLIENTS; Editorial: Boston Globe, Business Week, BUZZ, Esquire, Forbes, Globe & Mail, GQ, L.A. Times, Mademoiselle, Manhattan Inc, Mother Jones, Newsweek, New York Times, New York Woman,Omni, Penthouse, FORTUNE, TIME, Washington, Self, Sports Illustrated, Texas Monthly, Washington Post, Rolling Stone Book: David R. Godine, Houghton-Mufflin, Knopf, Macmillan, Rabbit Ears Video & Book, Simon Schuster, The Progressive, Turner Publishing (CNN), BLAB!, Telstar Comic compilation Corporate: Air Canada, Allen-Bradley [a Division of Rockwell International],Citibank, Coca-Cola, Danzas (Europe), IBM, Kingston Electronics, Kohler, Levis, Lowenbrau Beer, Concept-1 Calgary, Memorex, Oakland A's Baseball Team, National Football League, National Hockey League, Nike, Northern Telecom, Nynex NY, Pfizer, RCA, Roundtree U.K., Samsung Electronics, Sony, Suzuki Motorcycles, Tamko, USF&G [financial investment group]. Graphic Novel, Comic Book: Adhouse Press, story titles; "Electric Sheep...

The vibrant colors used in this artwork are a key element in creating a visually striking composition. They exude energy, passion, and intensity, drawing the viewer's attention and c...

‘Aimi’ was one of my most intense works. I have loved every process, the mix with the colors, and the compositions was definitely a great challenge. A fusion between what we see and ...

I have created a work of art that embodies a symbiosis between the classic and the urban, with a worn-out origin. It is a deliberate blend designed to evoke a strong sense of observa...

Welcome to Heritage, our carefully curated collection of French vintage and antique paintings. We scour the flea markets and fairs for these gems: poignant portraits of long-gone Me...

Charlie’s paintings are windows to moving, memorable and arresting moments in time experienced on his journey through Japan. They reflect and combine the Japanese simplicity and natu...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Beautiful portrait of older woman, possibly a Nonna (Grandmother) with Gardenia by Raul (or Raoul) Viviani (Italian, 1883 - 1965), circa 1950. Lovely tex...

A stunning American modern industrial painting by an unknown artist with a very skilled hand. This beautiful impressionist painting depict...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Jordi Curós Ventura (1930-2007) - Woman - Oil on board. Work measurements 46x38 cm. Frame size 64x56 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He ...

Rachel Hartley's maternal grandfather was the acclaimed Tonalist landscape painter George Inness, and her father was sculptor Jonathan Scott Hartley, the primary founder of the Salma...

Charlie’s paintings are windows to moving, memorable and arresting moments in time experienced on his journey through Japan. They reflect and combine the Japanese simplicity and natu...

Shana Wilson's "Young Woman on Blue Chair" is a 16" x 20" (26.5x30.5 Framed) masterpiece that captures the essence of contentment and relaxation. The young nude woman, with brown hair and a tranquil expression, sits on a light blue chair against a backdrop of a warm, ochre-toned wall. Her posture, leaning to one side with one arm on the armrest and the other resting on her lap, exudes comfort. This framed artwork masterfully portrays a sense of calm and ease, inviting viewers to appreciate the serene moment it portrays. Wilson's attention to detail and use of color create a captivating and emotionally resonant composition. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

ALTEA Size: 25 x 38 cm (including frame) Oil on Board A brilliantly executed semi-abstract mid-century modernist oil composition, painted in 1959 by the established Swedish artist I...

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Trailblazing Gay Female illustrator of the Golden Age Ida Waugh paints and powerful narrative of a woman cowering in a tree while a hungry pack of wolves wait beneath her for dinner feast. Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

Geisha. 2003. cardboard, author's technique, 60x23 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an a...

Charlie’s paintings are windows to moving, memorable and arresting moments in time experienced on his journey through Japan. They reflect and combine the Japanese simplicity and natu...

Gala Hills (b. 2001) is an artist from Devon and recent Ruskin School of Art graduate. Her work is steeped in domesticity, celebrating mundane rituals and drawing attention to the im...

Juan Gil y Gil (1900-1984) - Landscape with hermitage - Oil on panel Oil measurements 27x35 cm. Frameless Painter. He began his artistic training in Paris, which he later continued ...

Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...

Signed impressionist gouache on board circa 1890 by sought after French painter Eugene Galien-Laloue. The piece depicts a depicting a bustling city scene at the Place de Bastille in ...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

Act. Double sided. cardboard, oil, 71x45 cm

William Gropper Senator Signed lower center Oil on board 16 x 12 1/4 inches ACA Galleries, New York Private Collection, New York Bonhams, American Art Online, August 23, 2023, Lot 3...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional c...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Leopold Bara (Vienna 1846 - 1911) Women chatting by the roadside Oil on panel, 73 x 49 cm Signed at lower right "L. BARA" The painting, an oil on panel, is by Leopold Bara, a Vie...

Another in a series of visually arresting still life paintings from Australian artist Louise Feneley. Exquisitely painted elements of the natural world ...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Italian painter (19th-20th century) - Portrait of a girl. 56 x 35 cm without frame, 69 x 49 cm with frame. Antique oil painting on cardboard, in a wooden frame (some cracks). Cond...

Japanese girl. Mixed media on cardboard 60x43 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an artist...

Based in Kent, UK, Adam De Ville says - I am a self taught painter of landscapes, cityscapes, still life, abstract and portraits. Painting is about storytelling, feeling, character...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

Geisha. 2008. Cardboard, author technique, 50x40 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Unio...

"Cafe Society" is a captivating original impressionist figurative cityscape painting by the talented artist Richard Gower. This exquisite artwork invites viewers into a charming sce...

Juliet M. White was born in Philadelphia in 1880. She studied at the Philadelphia School of Design for Women, which became the largest art school for women in the United States. Its ...

Seascape Painting of Waves Crashing against the Rocks at Pacific Grove, Monterey in California by 20th Century Post War Irish Artist, Tobias Everet Spence Art measures 16 x 12 inche...

Italian painter (19th-20th century) - Portrait of a woman. 41 x 32 cm without frame, 55 x 46 cm with frame. Antique oil painting on cardboard, in a wooden frame. Condition report:...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

Clementine Hunter, African House This is an excellent example of Hunter’s work, featuring the iconic African House. Three figures are present in the work, a boy, a girl, and an elde...

Vintage 1970's Harbour Scene with Moored Boats & Figures by British Artist, William Stockman (1935-2021) Art measures 31 x 15 inches Frame measures 36 x 20 inches Professionally cleaned and re-framed in a high quality contemporary black moulding with a white insert 20th Century Vintage Original...