Oil Figurative Paintings

Figure standing with window

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2005 Title: Protupka 19th century Size:...

Oil on canvas "Cupid" circa 1900 after Anthony van Dyck ** Sold without the frame ** additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenan...

Brian Keith Stephens' "Wild Things Return Act III" (2020) is an original oil painting capturing the essence of a bison with expressive and vibrant brushwork. Painted on Artefex ACM p...

A stunning and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come to love and...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1961 En la parte trasera, va con una etiqueta con los detalles de la obra Se presenta enmarcada la p...

Still life with Calla Lily is an oil painting on masonite realized by Ugo Celada da Virgilio. Hand-signed on the lower left. Provenance: Galerie Sigfrid O...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Laimonis Bubieris (1934-2012) Ballerina, canvas/oil, 85x77 cm

Pocket Bright Clementine is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still life painting. The paintings are set in a black wood layered frame...

Cornelis le Mair (Eindhoven, July 3rd 1944) is a Dutch painter. As a child, Le Mair already developed a talent for drawing. After completing high scho...

Judd Mercer's (US based) "Under the Boughs," is an original, handmade oil painting that depicts a vast meadow of yellow grass spreading into the distant bl...

Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W. Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

17th Century Flemish Painting "A bustling scene of fishermen, merchants and visitors in a peaceful and picturesque port village” This intriguing painting offers a wonderful and real...

Karina Rodríguez's "Diversity," rendered in oil on panel, measures 12 x 12 x 75 inches, with a framed dimension of 13.25 x 13.25 inches, ready to hang. This strikingly realistic stil...

This James Webb English marine painting, circa 1870, is a masterpiece of atmospheric charm and technical precision that would appeal profoundly to an interior designer or fine art co...

This painting confronts the art world's prejudice towards age. The book on the table is a copy of James Joyce's Portrait of the Artist as a Young Man. The seated figure is meant to c...

"Naiades" French Modernist artist, circa 1950's The work is faintly monogrammed to the lower corner though hard to tell. There is a name verso but illegible - possibly the artist or ...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

5-3208a oil on artist board Set in a restored vintage frame Image size 17x8.8"

The Musicians French Modernist artist, circa 1960's period signed oil on canvas, unframed canvas: 35.5 x 36 inches Provenance: private collection, France Condition: very good conditi...

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

The girl's gentle gaze, calm demeanour, and virginal dress convey a sense of innocence and purity. The large pearl earring may symbolise wisdom, intuition, and inner knowledge. The p...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

This captivating work depicts a peaceful landscape where a river winds its way between green hills. The painter uses subtle shades of green and blue to convey the tranquility and har...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Louis Nicolai Levy in 1911. She applied for technical school at Charlotte Sode and Julie Meldahl's school before applying for admission to the Academy of Fine Arts for Women, where she studied at Viggo Johansen 1900-1902. In 1902 she traveled to Florence as a nanny for a Danish family, giving her the opportunity to study the old masters of the art collections. When she returned home, she continued her education in 1904-05 at Bertha and Dorph's painting school. In 1905, she traveled to Paris and taught at various drawing schools while studying the collections of the Louvre, especially Leonardo da Vinci, who inspired her for the symbolic painting Five Sisters , 1905, which she debuted at the Charlottenborg Spring Exhibition the following year. 1906-07 she was a student at the French Academy in Rome. With a few interruptions she exhibited at Charlottenborg's Spring Exhibition 1913-43, and on several occasions she also participated in Charlottenborg's Autumn Exhibition and the Artists' Autumn Exhibition. She had several personal exhibitions, including 1910 in Ole Haslunds Hus, 1919 and 1923 in Kunstforeningen, 1927 at Møntergården and 1945 in Alfred Andersen's Art Shop. She participated in several foreign exhibitions, for example Modern Danish Artists in Brighton, England 1912, and Exposition présentée par le Club international Féminin , Paris 1958. She was often represented at exhibitions reserved for women, for example Nine Painters in Admiral Gjeddes Gaard, in 1936 and Nordic Artists in Stockholm 1948. She participated in the Women's Artists Retrospective Exhibition in 1920, which was organized by the Women's Artists Society, on whose board she sat. Along with 18 other members, including Anna and Helga Ancher, Christine Swane, Elisabeth Neckelmann and, Olivia Holm-Møller, she exhibited at the Kunstforeningen in 1930. For the painting Three Sisters , she was awarded 1931 Carlson's Prize by the Academy. The painting shows both back to the old masters and to the new realists such as Niels Strøbek...

Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond Coplestone War...

Words within painting: I can trust my friends. These people force me to examine myself, encourage me to grow. All of us invent ourselves. Some of us just have more imagina tion th...

Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...

Albert Bierstadt Mt. Rosalie, Colorado, circa 1863 Signed lower left: ABierstadt; inscribed on verso: Mt. Rosalie / Colorado Oil on paper 13 1/4 x 9 1/2 inches Provenance Private Co...

Konstantin Razumov (Born 1974) Russian Elegant Semi-Nude Harem Dancer Standing in a Courtyard Oil on canvas: 16 x 11 inches. Frame: 23 x 18 inches. Konstantin Razumov's work has...

What Makes This Piece Unique or Special: Stories Within is a striking contemporary portrait that blends bold aesthetics with introspective storytelling. What makes this painting particularly special is its ability to capture a deeply personal yet universally relatable emotion the quiet power of shared human experiences that often remain unspoken. Bukola Orioye...

Water has been the backdrop to the significant events in my life. The reconstruction of radiant moments that exist in memory define the images I choose to paint, of swimming in the l...

Pietro della Vecchia (Vicenza, Italy, 1603 – Venice, Italy, 1678) Title: Bacchus and Ceres Medium: Oil on canvas Dimensions: without frame 109 x 130 cm – with frame 128 x 152 x 8 cm...

The Italian Landscape English artist, early 19th century circle/ follower of Joseph Mallord William Turner (British 1775-1851) oil on wood panel, framed in a delightful antique walnu...

Storm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condition: relined canvas, overall very good and presentable condition provenance: private European Collection A very beautiful, period depiction of the Norfolk landscape, with far reaching views over Norwich Cathedral...

This artwork "European Cityscape" c. 1990 is a oil painting on hard board by Argentinian artist Henry D. Ramirez. It is signed at the lower right corner by the artist. The hard board...

A marvelous oil depicting a beach scene with figures. One of France's most renowned artists, this piece is an excellent display of Hambourg's genre style beach scenes. Being influenced from his travels in Europe, the vibrancy of these locations come to life. With the movement of the ever-changing ocean, the captivating light and texture encompasses this depiction with both whimsey and dramatics. This painting is signed lower left and comes displayed framed. This painting is signed lower left and it comes housed in a giltwood gold frame with linen liner and with hanging wire on verso ready to be displayed. Art measures 9 x 14 inches Frame measures 19 x 24 inches André Hambourg was born in Paris on May 5, 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the École nationale supérieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old at the time. Because of the early recognition of his talent, Hambourg became active in the important Paris salons in the first stages of his developing career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. André Hamburg was demobilized in Casablanca in 1940, but then civilian by the regiment of engineers in 1943, then called by Raoul Salan and assigned to the 2nd Bureau where he became editor, draftsman, reporter of the newspaper "Combattant 1943" then "Combattant 1944 He was named in December 1944 war correspondent accredited to the US HQ (SHAPE), his military experience (being in the first to have reached the nest He wrote two books in 1947: "Berchtesgaden party" and "D'Alger à Berchtesgaden". In an interview he wrote an account of his experience in "La kermesse aux étoiles" in 1953 and 1954, of which he was the organizer, of cheap sales of works by renowned artists in front of the Kermesse public for 3 days and 3 nights. He wrote in the newspaper "Cols bleus" of the Navy souvenirs ("4 July 1943", whose oil on paper will be offered by President Mitterrand to President Reagan) or travel. The entire work of the artist will be the subject of numerous books, publications, articles, interviews of José Arthur, Michel Law, Jacques Chancel and Micheline Sandrel. In 1970 five hundred of his works formed a prestigious retrospective at the Maison de Culture in Bourges. Other notable shows include Drawings of Venice...

Anna Richards Brewster (American, 1870-1952) Title: Visiting the Place of Pilgrimage Medium: oil on canvas Size: 17 x 25 inches / 26 x 34 inches framed Markings: Signed lower left ...

Michael Carson's (US based) "Watcher" (2024) is an original, handmade oil painting. This beautiful, handcrafted oil painting rests at 30 x 22", a...

Signed, titled and dated oil on canvas landscape by Danish realist painter Peder Mork Monsted. This stunning piece depicts a beautiful view of the Sandvig Stand, the beach and coastl...

Original and unique artwork by Hunt Slonem. A Certificate of Authenticity will be accompanied with this piece. From the Series "Bunnies". Oil on wood. Unframed Dimensions 10 x 8 inch...

This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...

Continental, 19th Century oil on canvas, framed Monogrammed 'WM' and dated '1868' lower right framed: 34 x 48.5 inches canvas : 29.5 x 44 inches Provenance: private collection, UK Co...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

My solid backbone, a pillar of strength, A foundation of power, a source of great length, It supports me through life's ups and downs, A constant companion, a source of profound. Sh...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Anónimo. "Virgen con niño". Óleo cobre tela. Medidas obra: 55 cm. x 40 cm. Medidas marco: 81 cm. x 66,5 cm. Interesante oleo sobre lienzo de Virgen con Niño, es de Escuela coloni...

"En Provence" Raymond Allègre (France, 1857-1933) Circa 1900 Oil on wood panel Signed lower left, countersigned and titled on the back 13 1/2 x 9 (30 3/4 x 25 1/8 frame) inches It'...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

Andreas Roth (American, 1871-1949) Grand Canyon, 1943 Oil on canvas Signed and dated lower right 24 x 34 inches 29.5 x 39 inches, framed Andreas Roth was a German painter. Son of th...

Kennel Companions British School, late 19th century Kathleen Lee, after the painting by Edwin Landseer signed oil on canvas, unframed Canvas: 20 x 16 inches Provenance: private colle...

Italian painter (18th-19th century) - Female nude. 44 x 54 cm without frame, 54 x 64 cm with frame. Antique oil painting on canvas mounted on a panel, in a carved and gilded wooden...

Natura morta,Frutta,Colori puri, Limon,i Uva Maya KOPITZEVA (Gagra, Georgia 1924 – San Pietroburgo 2005) Maya Kuzminichna Kopitzeva nasce nel 1924 in Georgia, ma già l’anno success...

Merry Makers in the Tavern French School, 18th century oil on canvas canvas: 8 x 11 inches provenance: private collection, France condition: good and sound condition